art

Experience and the art of magic

If process is the methodology of magic, experience is the art of magic.

When I talk about experience, Iā€™m talking about engaging your magical work on a sensorial level, opening yourself to the subtle nuances of magic as it expresses itself in your life.

Experiential aspects of magic can happen during ritual workings. In fact a lot of magical workings are purposely designed to engage the magician sensually in order to alter the consciousness and prepare the magician for the spiritual workings, but ritual is just one example of experiential work in magic.

Artistic Tools and magical transformation

In a recent post I briefly discussed how artistic tools bring a practical element that goes beyond their symbolic representation in magical work. I favor using my paintbrush as a magical tool, or a colored pencil, or anything else along those lines, because there is a level of practical application that goes beyond the symbolic representation that the brush can represent.

In fact what appeals the most to me is that the practical application of a paintbrush involves transformation. A blank canvas is transformed by the very brush stroke that leaves a mark, a manifestation of the concept being painted. The same applies to pens, pencils, clay, and any other artistic tool you can think of. The tool is used to change something. This appeals to me, in terms of using magical tools because its not just a symbolic act, but an actual action you can take.

Of course there is some symbolism associated with the artistic tools. For example, I think of my brush as symbolically representing a wand and all the attributes associated with the wand. But the practical aspect appeals because it moves a tool to a level of expression that exemplifies and carries out the magical act of transformation. You don't get that same experience with more traditional tools, and given that experience is a crucial part of magical work, shouldn't we draw on whatever resources allow us to embody it?

A Vision of Tomorrow

Each year I do a cut-up collage, which essentially serves as a magical enchantment for the next year. This particular magical working is inspired by William S. Burroughs, and I always make a point to listen to Burroughs when doing this working. This year's collage was dedicated to Bune as both an evocation of him for Wealth Magic purposes and also as a way of praising and raising attention about him.

At the same time this collage and the other one are magical workings for my businesses, or vision boards if you like. I'm in the process of rebranding for my main business, as well as working on the social media presence for Immanion Press, and I'm even doing some refining of magical experiments. It's a lot of work, but its also a lot of fun.

How this works is twofold. Your scissors is the tool of cutting. You cut any previosu meanings away when you cut the words and images out. Then when you put the collage together, you glue your meanings into the words and images, imprinting them with your desires. The glue is the imprint of meaning on the blank void of paper, bringing meaning with image and word to create an enchantment (or evocation) of the desired reality. You can fire the enchantment off a variety of ways, whether its via sex magic, or using your creativity as the firing mechanism, or showing it in a public space, with people sharing it as the firing mechanism.