March 2017 Magical Experiments podcasts

Did you miss an episode of the magical experiments podcast in March. You can listen to all of the episodes here.

And if you enjoy these episodes, please donate to the magical experiments fundraiser. Your donations allow us to continue putting shows liek these on, for the next year.

Magical Experiments podcast: The Aesthetics and process of magic with Taylor Ellwood

Magical Experiments podcast: Magical Activism Pt 1 with Crystal Blanton, Jacki Chucalate, and Felix Warren

Magical Experiments podcast: Magical Activism Pt 2 with Tallah Hovisdottir and Katessa Harkey

Magical Experiments podcast: Magical Activism Pt 3 with Shauna Aura Knight and Joseph Robicheaux

Book Review: Inner Traditions of Magic by William G. Gray

This is an excellent, must read book on magic. In it Gray walks readers through a number of magical operations and shows you how to take those operations apart and work with them. I like the depth of theory he explores and find that his approach really makes magic easier to understand. I will note that his writing style does tend to be ponderous at times, but if you stick with it, you will get a lot from his work and be able to significantly improve your own magical practice.

Elemental Balancing Ritual Stillness Month 29

2-23-17 What stillness teaches me in the moment is how to recognize when I'm putting myself in a situation where I need to take a moment and ask myself if the course of action I'm engaging in is the best choice. It's also helping me step back and recognize feelings of irritation and frustration I feel in everyday situations such as driving. I hadn't realized how often I've felt those feelings until I started practicing my stillness work in everyday situations, but recognizing those feelings also helps me realize I need to be consciously aware of how those feelings show up, so I can work through them, instead of reacting to them. I would rather be consciously aware of them and be able to sit with them, than just react because I'm feeling them.

3-3-17 I was reading the Gifts of Imperfection while vending at NEWTS. She brought up some really important perspectives that helped me understand some of my issues around positive emotion. She discussed the importance of a gratitude practice...and I'm going to start doing that everyday because I see some real value in taking a moment to state what you're grateful for. And as the author points out, it can enhance the joy in your life. She also makes a distinction between joy and happiness, noting that happiness is situational, while joy comes from a deeper place, but also how vulnerable a person can feel with joy, because it can also bring up a fear of loss. I realize that's what has stopped me from sometimes stepping into my joy more fully, that fear of loss...you can feel so vulnerable that you try to find some way to shut down that feeling.

That's been me sometimes...and realizing that's why is helping me approach my positive experiences and feelings from a different place, one where I'm allowing myself to be vulnerable and work through whatever fears arise so I can step into the moment and let it be what it can be.

3-6-17 I've been paying closer attention to who I am and what I'm feeling. I guess what that really means is that instead of putting on masks for myself, I'm taking them off, so I can really be present in the moment. I may still put on a mask for someone else, but the days of not paying attention to what's going on internally are over. Stillness has given me that gift.

3-8-17 I was feeling some anxiety today around the work I'm doing. It seems like every time I'm close to finishing it up, I discover another layer that needs to be factored in. And then I worry...will this even work? I can choose to listen to those fears, express them and/or use them to motivate me. I can also be still with them and get to the real heart of the matter, which is about worthiness. I'm choosing to do some of those actions today and reminding myself that it's my first time doing this work and that I'm not just doing it, but learning how I can do it better the next time I do it. So be patient and dedicated and iterate.

3-9-17 Yesterday I was telling Kat that I want to help people through my content. I want people to get value out of what I create as opposed to having people try and get value out of me. when I used to have much worse boundaries than I have now, I wouldn't always recognize when people were coming into my orbit with ulterior motives. I've gotten better at paying attention to the details, and also recognizing that what I want to give people is the gift of my experiences and knowledge, but also have the right boundaries in place for myself.

3-15-17 When you can talk with someone about what is uncomfortable, and settle into the conversation, it brings with it, its own form of stillness. I've only recently discovered how to be comfortable talking about uncomfortable subjects, with someone. Seems odd that its taken me so long, but given how guarded I've been my entire life, maybe not so much. Relaxing into the stillness of the moment is what liberates you to discuss what needs to be talked about.

3-21-17 This month has really been about details. What stillness is teaching me about details is how to be present with them, without letting them get to me. I look at all this work I'm doing right now for my businesses and my life and there's this feeling of readiness...The details are getting attended to so that I can make that move out of stillness into wherever I need to go. And this makes me glad I devoted a 3rd year to Stillness. I needed to get to this place with Stillness (and a bit further) in order to go to the next step of my spiritual journey and life. That's the value of Stillness. It helps you stop long enough to figure out where you need to go instead of continuing to react. You break out of the patterns and start developing your own.

The Magical Experiments Podcast Fundraiser

Hello magical experimenters,

Update: The magical Experiments podcast fundraiser is closed! We reached our goal. Thank you to everyone for the support. Tune in on Monday 4/24 where I'll be thanking everyone who contributed.

I'm doing a fundraiser for the magical experiments podcast. I'm seeking to raise $399 to cover the costs of the podcast. The $399 will be used to pay for the Blogtalkradio premium account, which allows me to schedule shows at premium times (for example 6pm) and for longer than a half hour at a time, which is important because our shows usually run an hour in length.

If you've been listening to the show, you know we've covered a variety of topics including pop culture magic, social justice magic, working with spirits, space/time magic, and much, much more. We've also had a number of guests including Frater Barrabbas, Benebell Wen, Felix Warren, Rune Emerson and many other quality guests who have offered their wisdom and ideas about magic.

The benefit for the community is that it allows me to continue creating great programming that you don't find anywhere else. We don't just talk about magic on this podcast. A lot of our shows also focus on social justice issues in the Pagan community as well as mainstream community. Additionally instead of just interviewing authors, I bring on different people with different experiences, not all of them well-known so that a variety of voices and perspectives are shared.

Your donations support this mission and allows me to continue doing the podcast and offering it to the magical and pagan community at large.

If you've gotten value from the podcast, if you've enjoyed the shows, please donate. Your donations support the podcast and programming I put together.

And if you donate, I have some special offers as a way of saying thanks.

Donate $1 and you have my thanks and appreciation.

Donate $5 and I will do a livestream where I personally thank you for your support.

Donate $10 and I will write an article about a topic of your choice.

Donate $15 and I will give you a one card tarot reading to one question you have.

Donate $35 and I will give you an autographed copy of one of my books.

Donate $50 and I will give you a half-hour Tarot consultation.

Donate $60 and you'll get your choice of either the mad science + Magic = Magical Experiments t-shirt or the Evil Eyes t-Shirt

Donate $75 and I will give you a 30 second advertising spot on the podcast.

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When you donate, I'll contact you privately to thank you and set up arrangements.

And again thanks for your support.

Here's a graphic that shows where we currently are with our donations:

magial experiments podcast fundraiser

February Magical Experiments podcasts

Did you miss an episode of magical experiments in February? All the shows are below.

Magical Experiments podcast:  The alchemical balance of positivity and negativity with Bill Duvendack

Magical Experiments podcast: Pagan Leadership Challenges with Shauna Aura Knight

Magical Experiments podcast: Spirit Conjuration and Magical Evocation with Frater Barrabbas

Magical Experiments podcast: The Tao of Craft pt 2 with Benebell Wen

Book Review: Advanced Magical Arts by R. J. Stewart

Advanced Magical Arts is a follow up to Living Magical Arts, with a particular focus on visualization, ritual and mediation and how these techniques can be used in conjunction with each other as well as what precautions to take when employing them. The author does a good job of explaining the techniques and showing how they can be used to develop a system of magic. I also like that he includes some sample workings in his tradition that you can use to implement these techniques. I found it easy to take the concepts shared and employ in my own workings and systems of magic. I recommend this book as a good resource to learn more about these techniques.

Elemental Balancing Ritual Stillness month 28

1-25-17 The other day I attended a lecture about Gurdijieff's work. It was quite fascinating, especially when the person giving the lecture talked about a person's actions were essentially just reactions to everything that had had influenced the person. While my initial response was to be skeptical, when I considered the idea, I found it made sense in a way. When I look at all my choices, there's a history behind those choices and there's environmental factors. It doesn't take away from my responsibility for those choices, but recognizing that your choices aren't solely based on internal motivations can be helpful...It's too easy to take on so much responsibility that you ignore the other factors. There's a balance to be struck and when it is, it can help a person with internal work in a way that actually helps produce genuine conscious change that can be acted on.

1-29-17 I had a couple of interesting dreams last night. In the first dream Jim N, an old roommate showed me a videoclip with the title, "Now isn't this awkward". In the video clip Richard Nixon and Jim's dad were walking very closely next to each other and Richard Nixon looked uncomfortable. Not sure what the dream means though I suppose in some ways its a comment on the current regime in power. The second dream was much more involved. This family tried to steal my car, but I wouldn't let them and then it turned out their son had a spiritual illness, so I offered to look him over and help him out. Both dreams were very vivid (hey normally aren't) so I felt I should record them and consider them.

2-2-17 I was reading the section in the Gifts of Imperfection about perfectionism. I don't think of myself as a perfectionist, per se, but I do recognize certain traits that have shown up in my thinking, especially when I tell myself where I "should be" as opposed to where I am. One of the gifts of the stillness work has really involved learning to accept where I am with grace and compassion toward myself as well as asking myself what the real motivation is for wanting to be in a particular place. And accepting where I am doesn't mean I stop doing the work, but what it does mean is I stop holding myself to impossible standards and instead celebrate the journey while continuing on it.

2-8-17 Had dinner with Felix tonight, where we got into an interesting conversation about the aesthetics of magic Something clicked into place and I realized its something I've talked about, but from a different angle, and recognizing that different angle, just made things much more interesting as a result, when I think about how and why magic works.

2-9-17 Something the last couple of years the stillness work has gradually taught me is how to be open with myself. I could never open up to anyone else, because I didn't know how to be open with myself. I was terrified to be open, in all honesty, because being open meant sitting with all the parts of me that are vulnerable and hurting, all the damage that's been done to me and yes all the damage I've done as well to myself and others. As I've opened up more, I've been able to hold space with those parts of myself and to hold space with other people as well. And what I've discovered is a gradual loosening of the fears, doubts, and shame, and a replacement of a kind of warmth that lights me from within and allows me to connect intimately to the people who matter in my life. The work is hard, but doing the work is also liberating, if you stick with it.

2-17-17 Today I meditated on my early 20's. It was prompted by coming across someone I used to know through Facebook. In my early 20's I was a clueless guy when it came to relationships. I didn't know how to handle genuine interest from other people and ended up pursuing people I knew would reject me. I would often hide my insecurity by being flirtatious because flirting was easy to do, and it kept me "safe" or so I thought. But really I just didn't know how to interact with other people. And part of me didn't feel worthy of being with other people. It was easy to chase after people who didn't want me. They just confirmed the feeling of unworthiness I already had. So today I meditated on those feelings and showed some compassion to my younger self. It made me realize how you can think you're over a period of your life and then discover that in fact there's some buried stuff you still haven't worked through.

2-20-17 In the Gifts of Imperfection the author talks about numbing and how people will engage in addictive behavior to numb their pain. That addictive behavior can be the classics of alcoholism and drugs, but can also be workaholicism...really any behavior where you're trying to avoid feeling anything. What I find fascinating is that she explains that when you seek to numb your feelings, you also numb the good feelings, joy, love, etc. And yet in meditating about it I came to see her point. When I look back at periods of my life, when I numbed myself, I ended up numbing all the feelings I had. She also points out that feelings of joy and love can make a person uncomfortable because of how vulnerable you feel and again that makes sense to me, because I've actually felt that way before in my own life. Until Kat I wasn't comfortable with feeling loved.

In my stillness work, I've found that embracing uncomfortable feelings is what leads to resolution. When you numb your feelings, you ultimately make them stronger. But when you lean into them, when you choose to feel them and be present with whatever comes up, it liberates you. And yes the bad feelings are comfortable, but sometimes the good feelings are as well. My choice to be present, to lean into and accept the feelings has played a big part in no longer numbing myself, but instead stepping into the joy and bliss of life.

A few examples of how I changed my own aesthetics of magic

Aesthetics of magic I thought I would share a few examples of how my own aesthetics of magic have changed. The first two examples are recent ones that have to do with art magic, but the final example is really a discussion of how my use of magical tools has changed over the years and why. I'd originally intended to share these answers in a class I'm teaching, but after a bit of back and forth with my friend Felix decided to make a video discussing these examples, because its a good way to continue fleshing my own thoughts on the aesthetics of magic and where that really fits in my own work. I'm sure I'll be doing some further work around this line of inquiry because there's a lot to consider and explore.

In the video below I share the three examples of changing aesthetics in my own magical work.

And if you want to learn more about the principles of magic...

Principles of Magic

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Why it can be useful to question your aesthetics of magic

Aesthetics In my previous post I talked about the aesthetics of magic and why that perspective can be a useful part of your process of magic. Now I want to explore why its useful to question your aesthetics and how that can benefit your magical practice. While your aesthetics of magic is useful for helping you understand what makes a magic working magical, it's not a good idea to treat your aesthetics as set in stone. If anything, questioning your aesthetic filter can help you recognize how it might limit you magically, or what you could change about a magical working.

In the example, I used in the previous post, the person mentioned that sigils didn't look magical, which was why trying to do magic with them didn't work. One question I found myself asking was, "What could this person change about the sigils to make them look magical (and therefore buy into them being a viable magical operation)?"

It's important to recognize that the Aesthetics isn't limited to the appearance. When I think of an aesthetics of magic, I'm thinking of what makes the experience magical, which can include (but is not limited to) visual appearance, but can also include the smells, sounds, feelings, taste, as well as movement and stillness (and whatever else you might think of that contributes to creating the experience). This distinction is important to note because if we're going to question our own aesthetics, we need to recognize what we are specifically focusing on.

So how do we question our Aesthetics?

First you need to decide what is aesthetically part of your magical workings. I suggest looking at a number of magical workings you've done over a period of time to identify the aesthetic elements that consistently show up in those workings. This will tell you which aesthetic elements are considered necessary on your part in order to make a magical working happen.

For example if you find that you consistently use candles in your workings, then candles would be an essential aesthetic element of your magical practice.

Now take a look at what aesthetic elements don't show up in your ritual or workings. For instance, you might not do chanting, because you might think its a distraction or that it doesn't sound magical (or whatever the reason is).

List the aesthetic elements that you consider essential in one column and in the other column put the elements that are non-essential.

Why are the aesthetic elements in the essential column necessary for your magical working?

This is the question to ask yourself. Beside each element write down your response. No answer is wrong. The point of this exercise is to understand what makes a given aesthetic element essential to your magical practice.

Why are the aesthetic elements in the non-essential column unnecessary for your magical working?

Just as with the previous question, write down why a given aesthetic element is unnecessary or not magical enough for you. Again there's no right or wrong answer. The point of this exercise is to help you understand why a given element isn't aesthetic enough for your workings.

Top 5 secrets of personalizing magic

Now it's time to try something new...

You know what the essential and non-essential aesthetic elements of magic are and why they are or aren't essential to your practice, but it can be a useful exercise to try something new with your magical practice. Try putting together a magical working where you don't use all the aesthetic elements you normally use, or where you mix in some aesthetics that you normally wouldn't use. Then record what the results are, but be willing to do this multiple times, to see if there are any differences.

Also if you're using an aesthetic element of magic that you normally wouldn't use, ask yourself what you could do to make it magical. Don't be afraid to make some changes. For instance, in the case where the sigils didn't appear magical, the person could try drawing the sigils differently or using colors or try a different sigil technique.

The benefit of experimenting with the aesthetic elements is that it gives you an opportunity to challenge what you consider to be essential. And even if you come away with realizing that what's essential is really what works to make a working magical, at least you've questioned and challenged your aesthetics and discovered for yourself why those elements are essential.

The benefit of working with aesthetic elements you don't consider essential is that it allows you to discover if you can make them essential to your practice and also provides you an opportunity to challenge your ideas about what is or isn't magical.

Share your results with this exercise in the comments below. I'd love to discover what you learned :)

And if you'd like to see my answers, check this video out.

 

The Aesthetics of Magic and how they connect to the process of magic

The other day an acquaintance emailed me and asked me what I thought about sigils. What the person wanted to know is if I thought chaos magic style sigils were an effective form of magic. I'll admit to being surprised by the question, because I've generally found the work, but then I read a bit further and I recognized why sigils hadn't worked for the person. The person explained that the sigils didn't look magical. The issue was an aesthetic one. And it's an important issue actually, because if you look at the practice of magic in general there is an Aesthetic aspect to it that shows up across various systems and traditions, and yet isn't overtly acknowledged or recognized for the most part.

I got to talking with my friend Felix Warren about it, because in the past he's shared his own perspective about the aesthetic of magic and how he uses an aesthetic perspective in developing his magical work and he agreed that if there is an aesthetic quality missing in a magical working that can affect the person's process of magic.

Let's define the word Aesthetic. Aesthetic is a set of principles that underline and guide the work of a particular artist or artistic movement. It's also the appreciation of beauty.

So what's that have to do with the practice of magic?

If we look at a given magical working from a design perspective, we see the aesthetic principle of magic show up. The design perspective is concerned with the trappings of magic and what trappings are needed in order for the magical working to happen. For example, what tools you will use, what clothes you will wear, but also how you will get your conscious and unconscious self to align and buy into the magical working.

This is why some people need incense and candles when they do magic. Aesthetically the incense and candles creates the right design that allows the person to fully commit to the magical working, because they've created a space that is magical.

Aesthetic

Now what's important to remember is that not everyone's aesthetic is the same. For example, I don't need incense or candles to do magic. My aesthetic of magic is fairly minimalistic in some ways...yet there is an aesthetic that informs the magical work that I'm doing.

I would also say that your aesthetic for a given magical act can actually differ depending on what the magical working is. For instance if I'm doing a chant to evoke an archangel...that chant and the correspondences in it will be the aesthetic that makes the working come together. On the other hand, a painting of a sigil doesn't need a chant, but does need the paints and the experience of paint, and so that becomes the aesthetic.

Now that's just my take on the aesthetic of  magic and as you know I'll all about personalizing magic, so to me it makes sense to take an approach to the aesthetics of magic that personalizes them according to the magical working that you'll be doing...but a reasonable question to ask is if a person should develop a universal standard of aesthetics that they apply to their magical practice.

Top 5 secrets of personalizing magic

The answer to that question is that it depends on the person. For that matter it also depends on what spiritual system or tradition they are engaged in, because a given system or tradition of magic has its own aesthetic of magic that informs the design of the rituals and how people should show up. You can question that aesthetic and modify it, but you also have to consider whether said modification will be welcomed in general.

If you're developing your own system than you can create a codified aesthetic for that system. That codified aesthetic is essentially your brand and it describes how your magic should be designed and why that design will play a role in the magical work you do, as well as the interactions you have with the spirits that are part of your system. This codified aesthetic should also have some input from your spirits, because of course they'll have their own expectations and correspondences that need to be considering when you're doing a working with them.

How does the Aesthetics of Magic connect to the Process of Magic?

I think the aesthetics of magic offers another angle that you can use to help you understand your process of magic and why something is or isn't working. And recognizing that your magical practice should be experienced a certain way helps you to appreciate how you design your magical works, as well as what is essential and what is optional in those workings. Additionally, there's something to be said for simply appreciating the qualities of a magical working that make it magical.

 

Magical Experiments January 2017 podcasts

Did you miss an episode of Magical Experiments podcast in January? All of them are here, for you to listen to, plus a book review.

Magical Experiments Podcast: 2017 Astrological Predictions with Erik Roth

Magical Experiments Podcast: Divination Now and Then with S. Rune Emerson

Magical Experiments Podcast: Ensouling Language with Stephen Buhner

Magical Experiments Podcast: Dancing with Energy with Mark Henry

Magical Experiments Podcast: Potion making with Sara Star

Book Review: The Tao of Craft by Benebell Wen

In this book, Benebell shares an Eastern esoteric tradition of charging and casting sigils. It's a fascinating book to read, and the author does a great job of making the material approachable. I particularly like how she breaks the process down and then explains how each principle works. She also provides historical resources and references which is helpful, but most of all she encourages readers to experiment and make the work their own. I felt like this book explained and filled in some gaps of knowledge I had about Eastern esoteric practices, while also enhancing the magical work I'm doing. I highly recommend this book for anyone interested in understanding Eastern esoteric practices or wanting to integrate such practices in their own spiritual work.

Elemental Balancing Ritual Stillness Month 27

sigil 12-23-16 Patience is something I've been meditating on lately in relationship to stillness. I am both good and not good at being patient...it depends on the context I suppose. I'm currently working on a couple projects and really want the work to be done, but feedback I'm getting suggests some further refinement, so I'm reminding myself I need to be patient and focus on getting it right because that's what will matter most. That can be hard for me. Conversely though I can be patient for years and years, waiting for the right moment to make something happen. I learned that early in life, because I had to bide my time due to circumstances where I had little to no control. So meditating on patience makes me appreciate how patience can be its own form of stillness, the potential waiting for the right moment to be unleashed and realized.

12-30-16 I've been continuing to relax into stillness. Some feelings that have come up, as happens, but what I've done is relax into them as well. I think in no longer trying to seek stillness, but instead just opening myself to it, its made a significant difference in the meditation. I also decided to reread The True Source of Healing, because I recognized that I needed to read through it once and then read it again, but engage the exercises. Sometimes that's a good approach to take with a book, and this is one such book. And when anxiety comes up around some of the current work I'm doing in my business, I'm opening up about that anxiety and then letting it go. I'm being patient and working my process.

1-8-2017 The last couple of days I've hit this place of perfect stillness, where my mind and body are at ease and the emotions are present, but everything is still. I know better than to actively seek that experience now. If it happens it happens and if it doesn't I'll work with whatever does come up.

1-12-17 In the last couple of months I've been opening up a lot to Kat and sharing my anxieties and fears with her. I've never done this with anyone else, at least not to the degree that I'm being open with her. It's hard, because my natural tendency is to put on a front and pretend like nothing is wrong, but I realize how toxic that tendency is for me and how it keeps people at arm's length instead of letting them in where they can help and support me. Last month I asked what a safe relationship is and I realize a safe relationship is a relationship where each person can completely share themselves with the other person...where everything is out in the open, where difficult issues can be discussed and resolved without having to wait for them to show up in other ways.

And all of this seems to enhance the stillness as well, because everything is out in the open, no longer clogging up the inner space. It's hard being open, but its smart as well and the long term benefits speak for themselves.

1-18-17 I'm reading The Gifts of Imperfection by Brene Brown. It's gotten me thinking a lot about love and belonging, and makes me wonder if I shouldn't revisit working with the element of love, because of how she defines love. She explains that love is something we grow and cultivate as opposed to give or get. She also explains that belonging is when we share out authentic, vulnerable self with the people around us. Her definition of love really makes sense to me...it decommercializes love and turns it into something humane, something we really need, because in a lot of ways love is treated as a this for that venture, when in reality genuine love is about growth and cultivation, protection and connection. I think this could change my relationship with love, specifically in regards to how I love myself, because the author makes some great points about self love and how we treat ourselves...namely that if we wouldn't be so hard with someone why be that way with ourselves.

1-21-17 I've been continuing to work my way through The Gifts of Imperfection. The author talks about the difference between shame and guilt. Guilt is feeling bad about an action you've done, whereas shame is saying you are bad. And when I look at my relationship with feeling worthy or lack thereof, the more I realize so much of what I've felt is shame...that feeling of I'm bad. And its easy to find the origins of it, but the real question is what do I do about it? The author's suggestion is to be open about what you feel shame about, to communicate and connect because then you find where you belong. And I've been doing that a lot more, sharing and connecting with Kat about whatever is going on with me.

In its own way this is a form of internal work. Part of what the author shares is the importance of building up shame resilience, where you are able to identify the physical sensations you associate with shame and then make different choices. Part of it is figuring out what your courage is, what calls you to be courageous in the face of shame. In my case, that's opening up about what I'm feeling instead of keeping it to myself. The stillness work has been helpful in this regards because I've been using it to help me identify my the physical sensations. To discover our own worthiness we have to know how to identify when we feel unworthy and then make a conscious choice instead of reacting to it.

The Top 5 Reasons your Magic is Failing

Sometimes your magical working fails. It happens to all of us, but if you don't understand why it fails, you can't do much about it. However if you're willing to take a step back and look at why your magic might be failing, then you can start to address that problem and make changes that help you get consistent results In the video below I share the top 5 reasons why your magic fails and how to account for those variables.

Get my 5 secrets for getting consistent results with your magic.

5 Ways to simplify your magic (and why you want to)

Simplify Sometimes what stands out to me about why someone is having problems with their magical work is that the person is complicating the magical work. It likely doesn’t help that in your average book on magic you find tons of information about magical tools, herbs, crystals, and candles that you are supposed to have in order to do magic. Throw in a magical grimoire and now you need to get golden tablets, and various other arcane tools that the author assures you is absolutely essential to doing the magical working.

Let me assure you that nothing could be further from the truth. And if you come away reading a book that suggests you use a specific tool or do a specific activity, but it’s not clear why you should do it, then you need to back up and liberally douse that book with a bar of salt before doing the working.

The reason why people complicate magic is because there’s a tendency to take whatever is presented and treat it as the final word on the subject. But here’s a little secret for you: You are the ultimate authority of your spiritual practice and you don’t have to do magic the way people tell you to do it.

I’m not saying you shouldn’t read books on magic or try the exercises, spells, or whatever else, but if you find it isn’t working, it’s okay to try something different or take the working apart and figure out what part of the process doesn’t actually make sense. To this day, I do this with much every practice I read about. I try it, figure out what makes sense and get rid of the rest. And the practice consistently works without the unnecessary information.

So how do I simplify my magical work?

I’ve already explained that if you don’t know why you’re doing something or what the purpose of something is, it can be useful to consider discarding it, but let’s explore 5 other ways you can simplify your magical work.

via GIPHY

1. Design your own tools. Magical tools have a place in magical workings, but it can be helpful to design your own tools. There’s nothing saying you have to use an Athame, wand, or whatever else. They can be useful tools, provided you understand their purpose, but what if you need a specialized tool?

For example I created a memory box, a specialized magical tool for the purpose of helping me do space/time magical work. No conventional tool would have worked, but the memory box helped me connect with past memories and future possibilities, providing a model I could work with. By designing my own tool, based on my needs, I was able to simplify the magic and get more from the workings.

2. Develop your own list of correspondences. Lots of magic books come with correspondence charts. The purpose of a correspondence is to help you understand how a crystal, plant, etc. is connected to a specific spiritual power. However there’s nothing saying you can’t come up with your own correspondence list, based on your own experiences. In fact, developing you won correspondence list allows you to personalize your understanding of the spirits and forces you’re working with, which simplifies your magic because you aren’t having to remember someone else’s correspondences.

3. Take a critical look at the ritual you want to do. When I learn any given magical technique, I like to take a critical look at it and ask myself what each part of that technique or ritual is supposed to do. This helps me determine what I do and don’t understand about the technique or ritual. And then I can either do further research or cut out what doesn’t make sense and see what happens. Either way by taking a critical look at the technique or ritual I’m simplifying the magic because I’m taking time to figure out what I know and what may need to be modified.

4. Take out elements of a working that are optional. Sometimes you’ll discover that a magical working has optional elements. Well optional for you anyway. The person who put together the original working might disagree and say everything is required, but in my experience you can likely get the same result doing a stripped down version of the working. You can always do the full version of a ritual and then strip out what you consider is optional and see if there is a difference.

For example a meditation technique I was learning had a lot of visualization in it. Trying to remember all the visualization became a real distraction from learning the technique, so I stripped the visualization out and focused on the sound and tactile sensations. As a result I was able to hit some very deep spaces of altered consciousness that were consistent with what the defined outcome of the meditation is. By simplifying the technique and getting rid of what I felt was optional, I was able to focus on what was essential for learning the technique.

5. Use your talents in your magical work. We all have our own talents. I think it’s a good idea to apply your talents to your magical work. For instance, I use my creativity in my magical work, in the form of paintings and writing, collage art and song. By taking what I’m good at and applying it to magic, I am able to develop my own processes and practices. I simplify the magic by using my talents to connect with it.

One of the ways I’ve simplified my magic work is to create paintings that are evocation portals. The paintings contain the sigils of the entities I’m working with and when I need to evoke one of the entities, I can simply use the painting to connect with the spirit and call it forth.

 

If you want to learn even more about about how to simplify your magic, check out my 5 secrets for personalizing your magic that gets you consistent results.

 

Why I'm careful about who I work with magically

The other day, in the magical experiments newsletter, I shared a story about why I walked a way from a mentor I was working with. In short, his biggest lesson was showing me how close-minded he was. I don't have time for narrow perspectives of magic, but it got me thinking about how you choose to work with someone magically and what you do to recognize the warning signs if a person isn't a good fit to work with. I share more in the video below.  

5 Magical Lessons I learned in 2016 that helped me become a better magical experimenter

2016 has been a really interesting year for me, all across the board. I think what I appreciate about this year we just exited it how much I ended up growing because of my willingness to step away from what I knew to embrace the unknown.

Embracing the unknown is a fundamental part of magical practice.

For 2016 I created the theme of respect. At the end of 2015 I called out the Pagan conference organizers on what I considered a lack of transparency around which presenters were compensated for their efforts, and which were expected to pay to present. That choice made me realize that I needed to reevaluate my relationship with respect, and so 2016 became a journey into respect. I learned 5 magical lessons as a result that I'll carry with me through the rest of my spiritual journey.

Lesson 1: Respect begins with you and you must hold to it, if you want others to respect you.

If I wanted respect from other people, I needed to respect myself and I realized that in some ways I really didn't. I made compromises because I wanted to fit in or because I was told it as better to toe the line and not stir up trouble. I disrespected myself and my feelings on certain matters because of that and in 2016 (and the end of 2015) I realized I could no longer disrespect myself, especially because it was clear I wasn't getting the respect that I felt I deserved.

I confronted the Pagan conference organizers and then stepped away from the Pagan conference scene because it was clear that the desired changes and the requested transparency wasn't going to be provided on their part. And in doing that I made the choice to respect myself and my work instead of continuing to toe the line and go along with the status quo.

And you know? It's forced me to become more creative, challenged me to step up my game as an author and presenter, and I love it. I am happier (and more profitable actually) getting away from the Pagan conference scene than continuing to be a cog that is basically used, instead of being a person that's appreciated.

Lesson 2: Create a space for your tribe and they will come.

Part of my journey toward respect involved recognizing that I needed to capitalize on one of my strengths: Creating and sustaining community. Instead of going out into the larger community, I decided to create my own communities around the interests I have and focus on working with those people. My first attempts weren't very effective, but I learned and ultimately came away with two online communities where people are engaged and actively working on what excites them, and where the space is safe, because the focus isn't on tearing people down, but rather on helping them become better at their magical practices.

Creating community showed me that the best way to reach the people I'm called to serve is to provide them a space to gather. I'm already thinking of new ways to continue creating that space and I'm looking forward to seeing what happens as a result.

Lesson 3: Sacred time and space for yourself is essential for divine connection and inspiration.

I took the last couple months of 2016 for myself, to really drill down into some work I've been needing to do, both internally and process wise. Stepping away from writing and content creation was good for me because it really helped me get clear on what the purpose of any and all my activities should be for. I still have a lot of work to do, but you'll soon be seeing some of the fruits of my work and I'm really excited about this year will bring.

Lesson 4: What you feel resistant toward learn from.

This year I learned how to work with the temple of memory and the value of correspondence charts and oral chants. I felt some resistance toward working with these concepts, and so I decided to challenge myself to learn about what I was feeling resistant toward. The end result: It's provided me a new approach to how I work with spirits that feels more intimate and connected. I still have a lot of experimentation to do around what I'm learning, but opening myself up to what I felt resistant to lead me to some new magic, some new work that really excites me.

It's important to honor the resistance, but its also good to challenge it and see what you learn as a result.

Lesson 5: Embrace your shame to discover your respect.

This was perhaps the biggest lesson I learned this last year. By choosing to really sit with and embrace the shame I felt, I could respect myself. This internal work was hard and it really put me face to face with some of my demons and made me recognize how I had hurt other people in my life, as well as myself. But out of that work I could make changes and respect myself as a result.

This is why a consistent regime of internal work is so important. When you put the time in to take care of yourself, to really see who you are and how you show up and then make good changes, it frees you from the burdens of guilt and regret that can other wise hold you back and keep you mired in the muck.

What lessons did you learn from 2016 and how you are applying them to your spiritual work and life?

Magical Experiments podcast Nov and Dec 2016

Magical Experiments podcast: The Tao of Craft with Benebell Wen

Magical Experiments podcast: Magical Realism with Nada Decat

Magical Experiments podcast: Pop Culture Magic Tools with Emily Carlin, Jessica Dwyer and Tallah Hovisdottir

Magical Experiments podcast: The introduction of magic to Pagan children with Rowan Moss and T. S. Lamb

Magical Experiments podcast: Esoteric Empathy with Raven Digitalis

Magical Experiments podcast: Theurgical Explorations with Brandy Williams

Magical Experiments podcast: The Sphere of Art with R. J. Stewart and Anastacia Nutt

Magical Experiments podcast: Rituals and Role Playing with S. Rune Emerson

Book Review: Practical Astrology for Witches and Pagans by Ivo Dominguez Jr

If you've wondered how to apply astrology to magic or how astrology even applies to Paganism, this book is a must read. What I like about it is that Ivo does an excellent job of explaining astrology and showing how you can apply it to your magical work without a lot of esoteric jargon or technical terms. When he has to use such terms, he does, but he also explains them. Ivo also provides some exercises that can help you apply the information in the book to your magical practice. This is a certainly a book for someone who has astrology background or magical background and wants to apply astrology to magic, but if you, like me, don't know much about astrology, you'll still get a lot from the book. I do recommend reading the book once and taking notes and then going back through and trying the exercises. This is a much needed resource and I highly recommend it to anyone. One down side to this book is no bibliography or suggested reading list.

Book Review: The True Source of Healing by Tenzin Wangyal Rinpoche

In the pages of this book you will find the keys to unlocking your awareness and ability to be present with yourself. While this book is a quick read, the work is anything but and I recommend doing an initial reading, just to read the book, and then do a second reading, where you go slower, and work through the exercises. By doing this you'll be present with the lessons of the book in a deeper way and get more from it. Tenzin approaches this work in a careful, measured manner that helps you discover your inner resources and liberates you from your inner demons. There is also an audio meditation that you can download with the book, which is helpful for doing the work. The wisdom and teachings in this book helped me a lot, but giving it a second reading was what really made the most impact.

 

Elemental Balancing Ritual Stillness Month 26

sigil 11-24-16 The other day I told Felix that sometimes I felt like I was climbing up a very steep pit, when it came to the process of self growth. It takes a lot of effort to change and sometimes it seems like it would be easier to slide back down the pit. The only problem being what you land in isn't very appetizing. Since I began this work over a decade ago, I've had some slips and falls and I've definitely come face to face with my shadow. Yet I continue doing the work, because while the path is hard, the rewards are worth it. When I struggle I remind myself of this because while the struggle can be hard, the work is worth it in the end. Its only when we give up that we fail.

12-3-16 I've been thinking a lot lately about the nature of fulfillment and what that looks like. I've also been paying attention to environmental stressors and how I respond to those stressors. The two are more linked than you might think, if only because how I've set up my environment is something I've changed because I've realized its amplified the stress instead of decreasing it. Seems to me that stress and fulfillment have an interesting relationship. Stress tells you that you aren't fulfilled (me anyway). So recognizing that is a good step.

12-5-16 What does it really mean to have a safe relationship? I've been pondering that the last few days.

12-9-16 Today Sun Ce died. I got him as a kitten thirteen years ago. He hadn't been eating much this week, so we took him in...It turned out he was in renal failure and it didn't look good. So we made the hard decision to let him go. I didn't want to keep him alive for my sake and the quality of life would not have been good. So we put him to sleep. I held him for a bit and said my goodbyes as did the rest of the family. I am so sad, I miss him so much and I know it will hit me at odd moments when I don't hear him or see him...I love you Sun Ce. Rest in peace.

12-10-16 Sun Ce's death has hit me hard. I look for him in his usual places and he isn't there. I hear his meow and then I realize it's just in my mind. Granted he died yesterday, so of course his death would be on my mind, but I think why it hits me so hard is because he was really the first cat that I got, that was mine. I had other cats before him, but back in December of 2003 I walked in the snow to a pet store and saw this little Gray and White kitten, so fierce and playful and he spoke to me. He told me he wanted to go home with me. So I took him home with me. He could fit into the palm of my hand...

I realized yesterday that I took Sun Ce for granted in some ways. I had this notion that he would be with me for at least a few more years. He had been with me through so much, and I just took that presence for granted. I love him, but I wonder if I could've done more for him. To him, I was always first. He always wanted attention from me, more than anyone else, because I was the person he'd chosen. Even when other people were giving him attention he'd look over at me, letting me know that who he really wanted attention and love from was me. And now he's gone. I'll never see his eyes looking toward me for attention or feel his fur under my hand and hear the rumble of his purr or hear him meow for attention.

I miss him so keenly. I was doing my stillness meditation today and I felt my emotions surge and my mind drift to him. Part of me wanted to just hold on so tightly and I realized how that was attachment, but it didn't change that I felt these emotions so strongly. He is gone, my Kirin beast, my Sun Ce and now all I have are memories of him. No more experiences to look forward, no more days to travel together, no more moments of comfort and love. It makes me realize how easy it is to take for granted who is important to you in your life. You can fall into the illusion that they'll be here forever, but there is no forever and there is no guarantee that they'll be there from one day to the next.  So whether its a cat or a person I resolve to be more present and appreciative of the moment I'm with those beings who are important to me. And in doing that I hope I can also honor Sun Ce and appreciate this one last lesson he's given me.

12-17-16 In The True Source of Healing, the author talks about how seeking stillness actually keeps you from it. He's right. The past few months I've sought it and it's eluded me. So for this last week instead of trying to force it I just sat and let whatever happen, happen. And lo and behold there were a few days where I hit stillness. It's a good reminder that what a person fixates on is what is hardest to grasp. The more you want something, the further it can be, but when you can just let go, do what you need to do and let it happen, it happens. In my case, it being stillness. I let myself be still instead of trying to seek stillness.

Beyond that I've continued to process Sun Ce's death. I've been in denial some ways, looking for him in places he would usually be. Eventually I'll hit acceptance.

12-20-16 We had to go to the vet again because one of our other cats was throwing up. Turned out, he's just stressed by Sun Ce's death, but it was a little nerve racking for us, so soon after Sun Ce's death. At a solstice vigil I attended, during the meditation, I ended up connecting with Sun Ce. He wanted to check on me. It surprised me...it wasn't what I expected, but this loss has been on my mind so much and I think it was his way of reassuring me that wherever he is, he's fine and its ok to let go.