The Goetia: The 72 Demons and How Practitioners Approach Them

The Ars Goetia is a seventeenth century compilation detailing seventy two spirits and the methods used to approach them. Practitioners approach these entities through various frameworks, ranging from traditional Solomonic constraint to modern psychological models and devotional practices, depending on their specific goals and ethical boundaries.

What are the 72 goetia demons in order?

The list of seventy two spirits found in the Ars Goetia is not an ancient, unchanging pantheon. It is a compilation that evolved significantly over centuries. The most direct predecessor is Johann Weyer's Pseudomonarchia Daemonum, published in the year fifteen seventy seven. Weyer's list contained only sixty nine entities, and their sequence and characteristics varied from the later Goetia. For example, the spirit Pruflas appears in Weyer's text but was omitted from the Ars Goetia, while the Goetia added Vassago, Seere, Dantalion, and Andromalius to reach the number seventy two.

The number seventy two is not arbitrary. It was likely chosen to correspond with the seventy two angels of the Shem HaMephorash, which is the explicit name of God in Jewish mysticism. In a later manuscript copy by Thomas Rudd, the seventy two entities were explicitly paired with these seventy two angels, who were intended to protect the conjurer and control the spirits. This integration highlights the syncretic nature of Renaissance magic, which blended Christian demonology with Jewish Kabbalistic elements and Greco Roman astrological concepts.

Many of the entities listed are not original medieval inventions but rather ancient deities that were demonized over centuries. For example, Astaroth is derived from the Canaanite goddess Astarte, Bael from the storm god Baal, and Amon from the Egyptian god Amun. This process of demonization highlights the cultural and historical shifts in religious practices, where the gods of conquered or competing nations were recast as infernal spirits. It is crucial to clarify that the Ars Goetia is a seventeenth century compilation that evolved from earlier, differing lists, and that its seventy two entities are not a timeless pantheon.

The text categorizes the entities into a hierarchy of Kings, Dukes, Princes, Marquises, Counts, and Presidents, each with specific attributes and legions under their command. This hierarchical structure reflects the political and social organization of the era in which the text was compiled. The traditions of the 72 demons of the goetia show a complex interplay between religious orthodoxy and esoteric practices during the Renaissance and early modern periods.

Are ars goetia demons real or evil?

The question of whether these entities are real or evil depends entirely on the framework through which a practitioner approaches them. Historically, the practice of goetia, from the Greek word meaning charm or witchcraft, was often viewed negatively, contrasting with theurgy or divine magic. The Lesser Key of Solomon, however, frames the summoning of these spirits within a religious context, claiming King Solomon used divine knowledge to control them. This reflects a Renaissance Christian worldview where these entities are commanded and constrained using divine names and angelic forces.

In the twentieth century, the interpretation of the Goetia underwent significant shifts. Aleister Crowley, who published an edition of the text in nineteen hundred and four, proposed a psychological model. He suggested that the entities represent portions of the human brain and that summoning them is a way to access hidden human potential. This secularized approach contrasts with the traditional demonic realism of earlier eras. Other modern interpretations incorporate Jungian psychology or transpersonal psychology, viewing the entities as archetypes or aspects of the subconscious.

Conversely, traditionalist or Solomonic practitioners often view the entities as literal, external spiritual intelligences. They emphasize strict adherence to the complex rituals, purifications, and protective measures outlined in the original texts, operating within the Christian theological framework where the magician commands the entities through the authority of God. Other modern approaches, such as Demonolatry, reject the coercive and adversarial methods of the Solomonic tradition, instead seeking to build respectful, collaborative relationships with the entities. They view these entities as ancient intelligences, teachers, or divine beings rather than evil spirits to be dominated.

Because of these textual variants and differing interpretations, no single modern list or approach should be treated as the definitive or original version. The Ars Goetia is a snapshot of a living, evolving tradition of magical literature. Practitioners must decide for themselves which framework aligns with their beliefs and ethical boundaries. The concepts of goetia are multifaceted and require careful study to understand fully.

How do practitioners approach goetic demon bael and others?

Practitioner approaches to the Goetia vary significantly and often conflict ethically and methodologically. The traditional Solomonic approach relies on constraint and coercion. Practitioners use circles of protection, triangles of art, and the names of the Abrahamic God and angels to bind and command the entities. This method views the spirits as dangerous or unruly forces that must be subjugated to the magician's will. Traditionalists argue that modifying or simplifying these rituals compromises safety and efficacy.

In stark contrast, Demonolatry approaches the seventy two entities with reverence and respect. Their practice is devotional, involving offerings, respectful communication, and mutual cooperation. Demonolaters strongly criticize the Solomonic method of constraint, viewing it as hostile, disrespectful, and potentially dangerous, arguing that one should not threaten or coerce entities they seek help from. They often use enns, which are specific chants, and offerings to build a relationship with the entity.

The psychological approach, heavily influenced by Aleister Crowley and Carl Jung, interprets the seventy two entities not as external beings but as aspects of the human psyche. Crowley framed the rituals as methods of psychological exploration, where summoning an entity is akin to confronting and integrating repressed or shadow aspects of the self. This approach removes the literal belief in external entities, focusing instead on personal transformation and self mastery. The goetic pathworking for internal work is a common application of this psychological model.

Pathworking, popularized by modern authors, offers a simplified, visualization based method. It discards the complex ceremonial tools and constraints of traditional Solomonic magic, relying instead on guided imagery and mental focus to connect with the spirits. This method is often debated. Some find it accessible and effective, while traditionalists argue it lacks necessary protections, and some Demonolaters feel it can still carry coercive undertones depending on how it is applied. The techniques of the goetia are constantly evolving as practitioners experiment with new methods.

What are the best goetic demons to work with?

There is no universal agreement on which entities are the best to work with, as this depends entirely on the practitioner's goals and the specific attributes of the entity. The text categorizes the entities into a hierarchy, each with specific areas of expertise. For example, some entities are said to teach sciences and arts, while others are said to cause love or reveal hidden things. The historical texts are not ancient pagan grimoires but rather Renaissance era compilations that adapted earlier works, so claims of ancient unbroken lineages should be treated with skepticism.

When selecting an entity to work with, practitioners often research the entity's historical background, attributes, and the experiences of other practitioners. However, it is crucial to state clearly where evidence is absent and where claims are contested. The historical origins of the entities are often murky, with many names likely derived from earlier deities or corrupted through translation errors. Practitioners should not promise outcomes or overclaim the efficacy of these rituals for material gain or control.

Some practitioners prefer to work with entities that align with their personal interests or professional goals. For example, a writer might seek an entity associated with eloquence and communication, while a student might seek an entity associated with learning and memory. The reasons practitioners like to work with the goetia and other spirits are as diverse as the practitioners themselves.

It is also common for practitioners to use specific symbols and sigils associated with the entities. These sigils are often complex geometric designs that are believed to represent the entity's energetic signature. The concepts of goetic symbols are a central part of many traditional and modern practices. However, the use of these symbols varies widely depending on the practitioner's chosen framework.

What is the 72 goetia demons list and hierarchy?

The Ars Goetia presents a detailed hierarchy of the seventy two entities, categorizing them into various ranks such as Kings, Dukes, Princes, Marquises, Counts, and Presidents. This hierarchical structure reflects the political and social organization of the era in which the text was compiled. Each rank is associated with specific attributes, such as the number of legions under their command and the types of services they offer to a conjurer.

The following table provides a brief overview of the different ranks and their general associations, based on the descriptions found in the Ars Goetia. It is important to remember that these descriptions are part of a seventeenth century compilation and should not be treated as absolute or universally agreed upon facts.

RankGeneral AssociationsExamples
KingSolar attributes, leadership, wealthBael, Paimon, Asmoday
DukeVenusian attributes, love, arts, sciencesAgares, Valefor, Eligos
PrinceJupiterian attributes, hidden knowledge, dignityVassago, Sitri, Orobas
MarquisLunar attributes, military strategy, conflictSamigina, Amon, Marchosias
CountMartial or Mercurial attributes, destruction, speedBotis, Marax, Andromalius
PresidentMercurial attributes, logic, healing, philosophyMarbas, Buer, Haagenti

This hierarchy is a central component of the traditional Solomonic approach, where the practitioner uses the entity's rank to determine the appropriate rituals, offerings, and timing for the invocation. For example, the techniques for the invocation of the goetic daimon Marchosias, a Marquis, would differ from those used for a King or a President. However, modern practitioners who adopt a psychological or devotional approach may place less emphasis on this strict hierarchy, focusing instead on the individual characteristics of the entity.

The list of seventy two entities is not a static document. As mentioned earlier, it evolved from earlier lists, such as Johann Weyer's Pseudomonarchia Daemonum, which contained only sixty nine entities. The addition of Vassago, Seere, Dantalion, and Andromalius to the Ars Goetia demonstrates the fluid nature of these texts. Practitioners should be aware of these historical variations and avoid treating the Ars Goetia as the definitive or only list of these entities.

Common Mistakes and Where to Start

The Ars Goetia involves invoking entities that some traditions consider dangerous or spiritually hazardous. Modern practitioners often emphasize strict adherence to traditional protective measures, such as the magic circle and specific sigils, and warn against modifying or simplifying these rituals, as doing so may lead to unintended psychological or spiritual consequences. There are significant mental health risks associated with coercive practices and the intense psychological experiences of ceremonial magic. Practitioners may experience anxiety, paranoia, or distress if rituals are perceived to go wrong or if they feel manipulated by the entities or the practice itself.

A frequent error is treating the Ars Goetia as an ancient pagan text rather than a Renaissance compilation. Blending Solomonic constraint with Demonolatry without understanding the contradiction is another frequent mistake. Assuming all practitioners view the entities as literal beings ignores the psychological approach popularized by Crowley and Jung. Failing to recognize the historical context of the grimoire tradition can lead to a superficial understanding of the practice.

The tradition has historical ties to the demonization of ancient deities, such as Canaanite, Egyptian, and Zoroastrian gods, which raises cultural and historical sensitivities. Practitioners are advised to treat living religions and cultural practices as distinct traditions. It is important to avoid presenting closed practices as open or flattening them into generic witchcraft. Additionally, the occult community is not immune to scams. Beginners may be targeted by individuals selling expensive, unnecessary tools or offering fraudulent magical services, leading to financial loss and psychological harm.

When starting out, it is essential to research thoroughly and approach the subject with a critical mind. Practitioners are encouraged to read the historical texts, but also study the academic analysis of their origins and evolution. It is helpful to understand the different frameworks through which practitioners approach the Goetia, and carefully consider the ethical and psychological implications of each method. Practitioners are advised not to rush into practice without a solid foundation in magical theory and mental stability. Practical safety is also a significant concern; practitioners should be mindful of fire hazards from candles or incense, the physical strain of fasting, and the potential for sleep disruption during intense rituals. Always prioritize safety and well being, and be wary of anyone promising guaranteed outcomes or demanding large sums of money for magical assistance.

If you want to go further with this, my class Tower Time covers how to turn collapse into opportunity. I walk you through it step by step so you can apply it to your own practice rather than just read about it.