How to recognize when to challenge your own beliefs

Courtesy of Wikipedia On the Magick of Thought Blog, Mike recently shared a post about the Danger of Popular Memes and Ancient Wisdom and how the blind acceptance of ideas and practices can cause the practitioner to avoid ask questions and critically examining what they are doing in order to improve it. In my own approach to magic, one of my rules is that the magician should be willing to consistently challenge his/her own beliefs about how magic works, or for that matter how anything else works. I've applied this rule to my own work and it's always helped me to stay sharp and never accept any explanation as a given. Test what you are told or what you tell yourself and keep testing it to see what you can change and/or improve upon.

To recognize when you need to challenge your own beliefs, its important to consider that what you think you know can actually hold you back from discovery. What you know becomes a prison in a sense because it keeps you from asking questions. You know it, and yet that knowing is an illusion that necessarily must be challenged, in order to open yourself to possibilities. When we treat what we know as a given, we limit ourselves and close off possible perspectives. Limitation in that way isn't useful, because it keeps us from exploring and utilizing those perceptions.

The best time to recognize when you need to challenge your beliefs is when you start to become so sure of them that you take them for granted. Once something is taken for granted it becomes part of the background, and when this occurs with what you belief it means you are no longer challenging what you believe. Instead you've accepted it and the limitations that come with it. The key is to continually challenge yourself on what you believe and ask yourself if it really applies to the situation, or if there are possibilities that could be explored. By doing so you may discover solutions you would otherwise ignore.

Magical Experiments podcast

This week's Magical Experiments podcast is with Felix Warren and discusses his work with the Goetia and how that work was inspired by the anime series Slayer. Click here to listen.

Feeling the Writing, Feeling the Magic

From Wikipedia In Ensouling Language, the author discusses how important it is for the author to feel the writing s/he is doing, and likewise how important it is for the reader to feel the words, to encounter the meanings that have been placed into the words by the author. The author also notes that every author (and I would add any creative type of person) inevitably encounters a truth which he states as the following: "You must not extend awareness further than society wants it to go." The responsibility of the writer is to extend awareness beyond where society wants it to go, because when this occurs what is shared is an encounter that goes beyond the word and enters the imagination of the audience. To do that the writer and reader needs to feel the words and experience the meaning imparted in them. It's an interesting perspective on writing that I agree with. Writing should move the writer and the reader.

While I write a lot about magical techniques and practices, I do think its important to also feel magic. What I mean by that is that when you practice magic it should change something in you, move you in some way. If it doesn't, then it becomes empty, something done for the sake of being done, but not truly experienced and consequently not likely to change reality either. When the practitioner feels magic, feels a change, that's when the magic becomes embodied and real. It has meaning and that meaning has shaped the practitioner as surely as the practitioner has shaped the meaning, and as a result also shapes reality, opening it to possibility.

Whether I'm doing my daily work or I'm doing a specific working for a result I want to feel the magic. It is sometimes easier to feel it when doing a specific working, because daily work can get monotonous, but the reason you do the daily work is to challenge that monotony and to recognize that the lack of engagement is coming from you. There may be times where its really hard to connect with what you are doing or why you are even doing it and yet if you stick with it, you come to a deeper appreciation of your practice and magic. That actually applies to writing as well.

I write a lot and inevitably I encounter writer's block, where I can't really feel the writing. Yet I know if I stick with it I will get through that block and feel the writing again. The words will become more than just blots of ink on paper or electronic signals in my computer. The key is persistence. If you feel a genuine connection and passion to magic or writing or whatever you stick with it and accept that there will be periods where you don't feel it as much. You do the work anyway and you do it because that feeling isn't the reward, but is actually part of the process and it can't be forced, but it also can't be let go of. It moves you and you move it and that's what keeps you practicing magic or writing or painting, or whatever else.

Interview: Motherboard vice interviewed me and several other people about pop culture magic. Read about it here.

Magical Experiments podcast: Interview with Author Tom Swiss about his book and the intersection of Eastern and Western practices of spirituality.

Advanced pop culture magic teleclass on June 18th

Pop culture magic isn't just for geeks. It's magic anyone can practice, based on foundation principles of magic, and on the modern culture that is available to all of us. In this class, you'll learn how to apply pop culture to magical practices, as well as how to troubleshoot your pop culture magical workings so you get consistent results. You will also learn:

  • What pop culture is and how to apply it to your magical process.
  • How to contact and work with pop culture entities and deities.
  • How social media can be applied to magical work.
  • How video games and online games can be used to create magical rituals with virtual covens.
  • What board games, comic books, and other pop culture can teach you about magic.
  • and much, much more.

Pop culture magic isn't a fad or a reinvention of the wheel. It is a viable magical system, with room for lots of personalization based on the pop culture of your choice. By learning how to apply pop culture to your magical practice, you'll discover how you can take the pop culture you love and turn it into a viable magical working that produces results and changes your life.

When you take this class you'll achieve the following benefits:

  • Workshop your pop culture magic workings with me, to discover how you can improve on them.
  • Discover how to turn your favorite pop culture into a viable system of magic.
  • Know you aren't alone in practicing pop culture magic and get connected to other people.
  • Learn advanced pop culture magic techniques.

Who should attend this class?

This class is for Pagans and Magicians who want to integrate pop culture into their magical work, or already are and want to improve on their workings. If you're an armchair magician or don't like pop culture, this class isn't for you.

When does this class meet?

This is a teleclass that meets Thursday June 18th from 7pm Pacific Standard time to 8:30pm Pacific Standard Time. When you RSVP, I'll send you the call-in information.

About the Teacher

Hi, I’m Taylor Ellwood, occult author, magical experiment, and Esoteric books publisher. I love to share my expertise, knowledge, and process with you! I’ve been teaching classes on magic since the late 1990's. What I love about magic is the endless possibilities for experimentation and process development.

Learn more about Taylor

When you take this teleclass, you'll also get the following Bonuses:

  • A recording of the teleclass
  • A Free E-book with Pop Culture Magic articles by me.
  • A private online forum to share what you are working on with pop culture magic.

What's the Investment?

The investment for this class is $49. To sign up click on the paypal button below. Once you've signed up I'll send you the relevant call-in information.

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How to Develop a pop culture system of Magic

Courtesy of wikipedia One of the appeals of pop culture magic is that you can develop your own magical system around pop culture you like. However developing such a system does require some understanding of how magic works. Also a pop culture system of magic is different from a pop culture magic working. It's much more involved than just doing a working. Understanding that is important, especially if you choose to develop a system of pop culture magic. When you develop a pop culture system of magic, you are developing a framework for working pop culture magic regularly with the pop culture you are drawing from. You aren't just doing a working to solve a problem, but instead are integrating it into your life as a regular practice, a part of your spiritual and/or magical identity. The following are considerations to keep in mind when developing a system of magic around pop culture.

1. What pop culture will you use? Not every pop culture lends itself easily to being used in a system of magic. You want to pick pop culture that resonates with you, but is also something you can graft onto magical principles in a way that makes sense and isn't forced. Additionally if your pop culture lends itself to fitting into correspondences this can be helpful in the development of your system. With that said, what can be interesting with a pop culture system of magic is your choice to buck convention and do something different that doesn't necessarily fit into conventional frameworks of magic.

2. What is the mythology of the pop culture? The mythology of a given pop culture can also be an important aspect of your magical work. The mythology provides a cosmos to work with that helps to flesh out the frame work. In fact, you may find that the mythology plays a central role in the development of the magical system. For example, when Storm and I were developing the Dehara system, part of the work we did involved putting together a mythology that could be integrated into the framework of the Sabbats and consequently set up a way to meaningfully work with that system of magic year round. Having the mythology in place enhanced the Dehara system of magic.

3. What are the rules of your pop culture? Some pop culture has specific rules, which may consequently effect the system of magic you develop. Remember that the development of a system isn't just what you want in the system, but also whatever else is relevant to the pop culture you are drawing on. For example, if you were to put together a system of pop culture magic based on Once Upon a Time, one rule you'd have to deal with is Magic always has a price. That's an integral rule of the mythology of the show (and in my opinion, makes it less useful as a system of pop culture magic).

4. What does this pop culture mean to you? This last consideration is very personal, but important because of how personal it is. While you could work with any pop culture you come across, in my experience working with what has meaning to you, especially on an emotional level is helpful for really connecting with the pop culture spirits you work with. Regardless of whether the magical work is purely practical or devotional, its something which ought to resonate with you, at least if you're going to make a system out of it.

What are some other considerations you would apply to developing a pop culture system of magic? Why?

The latest episode of magical experiments podcast features Tara Miller discussing health and magic.

A Poem to Glasya-Labolas

glasolyalabolas Hail to Glasya-Labolas Winged Dog spirit that faithfully retrieves and shows memories and the secrets of working with them. He shows you instant recall with what you know and is an excellent networker who helps you discover the right people. He'll have your back if you honor him. He'll make sure people like you and cause you no harm. He'll help you fade into the background when you need to not be around or just want to observe Hail Glasya-Labolas!

Space/Time Foundations Round 3 starts on July 8th

Copyright Taylor Ellwood 2015 Space/Time Magic is the expression of possibility upon reality, the shaping of linear space and time through non-linear means, if you know how to work with space and time as elements of magic.

In this 24 lesson class, we will explore the fundamentals of space/time magic, specifically how space and time can be integrated into your magical process as distinct principles and elements. If you are looking for a different approach to magical work that integrates the elements of space and time into magical practice, then this class is for you. You will learn the following:

  • How to define space and time and why such definitions can be use for magical work.
  • What the Foundational practices and processes unique to space/time magic work are.
  • How to work with memory, imagination, movement, and stillness as principles of space/time magic work.
  • How to create and work with multiple aspects of yourself.
  • What deities and entities are associated with space/time magic
  • And much, much more.

Here's a testimonial from one of the previous students who has taken the class:

Taylor Ellwood's Space Time Magic course has given me a new perspective on what Space-Time is beyond the fabric of our reality. One of the incredible ways I've been able to utilize this knowledge is in relation to healing while re-writing (in effect) a past circumstance from 7th grade in which I wasn't able to speak my voice and be heard. Through Taylor's practiced ideas of retroactive magic I journeyed back to that time and break the hold that time period had on that part of my life. I also took advantage of his knowledge and work with sigils and how it can transform, flowing from moment to moment. It gave me opportunities to work with my art skills in a new way. Beyond that one portion of the course, Taylor's frequent teleclass opportunities to talk with him provide another beneficial platform to share your experiences and get answers in real time from him. This class is more than worth what you would invest into it. I wholly recommend it! -- Erik Roth

To learn more about this class and sign up go here.

A Poem to Purson

Copyright Taylor Ellwood 2015 Hail to Purson, Goetic Daemon of Time Revealer of secrets, Finder of treasures, With his horn he shows the relationship between vibration and time. His wisdom reveals the past, present, and future and all the possibilities hidden within Guardian of time he guides those who wish to walk the web to discover their potential Give him his praise what he is due and he will show you the mysteries of time.

How to choose the Spirits you work with

Agares Recently I started working with Agares and Ronove, two Daemons from the Goetia. I've actually worked with Ronove in the past, but it had been some time back, whereas this is my first time working with Agares. They each have their specialties. Ronove provides help with rhetoric and writing, whereas Agares provides expertise on issues of communication. I decided to work with both of them because of some writer's block and a desire to continue improving my communication skills. That got me to thinking about why people choose to work with spirits and how to actually go about choosing the spirits you work with (unless they choose you, which I'll discuss further below).

I've generally chosen to work with specific spirits that bring with them specific skills that can be applied to situations I'm dealing with, but in a manner that I'm not able to do it. I've found this to be a good rule when working with spirits, in the sense that what they bring with them is a different way of handling a situation and that difference can be useful. However that's not the only reason to work with spirits. In some cases I'm working with spirits to develop a specific system of magical work and getting their insights on that system is useful for what it will allow me and other people to do as a result of applying those insights.

How I go about choosing a spirit to work with involves doing some research around the desired result. Once I've defined the desired result, then I can start looking at possible processes, and one of those processes can be working with a spirit. I'll look into the various types of spirits I could work with to determine which one (or more) seems to be the right fit. Then I'll do the invocation connection working to see if in fact it would be a good fit and from there the magical working proceeds.

Sometimes, though the spirit picks you. Thiede chose me way back when I started working with him. He made it very clear that he was going to work with me and that the work we needed to do together was important for him as well as for some of my own interests. And it seems he was right, as he has contributed to the development of pop culture and space/time magic currents. In such cases where a spirit makes itself known to you, you don't necessarily want to accept it on blind faith, but you also shouldn't reject it out of hand. When Thiede first made himself known to me as a spirit, I was already familiar with him and was able to test what presented itself accordingly. You can do the same, and its quite reasonable to do so in order to make sure that if you choose to work with the spirit it will actually be a beneficial relationship.

While not all of my magical work revolves around working with spirits, it is fair to say they play a significant role in my spiritual work and in my life in general. I think if you choose to work with spirits, it is a good practice to figure how you want to work with them and honor them, because you are forming a relationship that brings with it a necessary appreciation for the efforts on both sides of the equation. Pick who you work with, with care, and make sure you follow through on your end.

Magical Experiments radio show: Interview with Emily Carlin about shadow and pop culture magic.

Book Review: Awakening the Sacred Body by Tenzin Wangyal Rinpoche

In this book, the author shares the Tsa Lung and 9 purification breaths techniques and explains how to work with them. The book also comes with a DVD, so that you can actually see how to do the exercises. I found the writing to be clear and explicit and it made it easy to learn the exercises. Doing these exercises in conjunction with other Dzogchen techniques can help you quite a bit with internal work you are doing around issues, as well as learning how to experience yourself and the world from a place of stillness. I highly recommend this book if you want to learn more about Dzogchen or learn some alternative approaches to meditation.

A Poem for Bune

Bune Hail Bune, Great Three-headed Dragon Lord of the Dead and Wealth With one hand he provides and with another he reminds that all is temporary change inevitable, He'll give you solid advice on wealth and death Just remember to make offers of appreciation for the aid he gives. He'll make you wise and eloquent and provide answers to questions but his greatest strength is that he'll show you opportunities and give you solid advice What you do with it is your choice. Hail Bune I give thanks for all the changes you've brought to my life.

Elemental Balancing Ritual Stillness Month 7: Importance

Courtesy of Wikimedia 4-21-15 In a conversation today with a business acquaintance, I had a realization. In some ways I have not been good at making the people in my life important. And what that really means is that I haven't always prioritized the people in my life in the right way. I've let my issues be more important and allowed them to take control of my life, instead of taking control of them. That realization is priceless, but what I do with it will be even more important. And this realization does give me a different outlook on a number of my choices and actions. It helps me see something I didn't see before, but now its time to do something with it.

4-22-15 In reflecting further on how I do or don't make the people in my life importance, I recognized that by stilling myself, and really being present, I'm opening myself to recognizing where I'm not showing up in the relationships of my life. Perfect example occurred last night, where Kat and I were trying to plan a trip and I was avoiding making decisions because I wanted her to decide. what she wanted was a mutual decision, something we agree upon together and that's something I'm not always good at. She was frustrated. This morning as I was driving to an event I realized how not making that decision really indicated to her that I didn't feel the trip was important. I had checked out instead of stepping up. So I began thinking about the trip and I came up with some ideas I shared with her later (better late than never). The result was that she sounded happier...I had made the trip and her important. And while I'm glad I recognized this, it made me realize I need to be more proactive. I need to make sure my priorities are in the right order, both in my life and with my relationships. Still I haven't ever thought about the relationships in my life in this way, so I guess this is a good start.

4-26-15 I've been reading and working through the Talking Tree by William Gray. In the sections on the Devil and Lovers Tarot cards as they relate to the paths on the Tree of Life, he makes some points that really stand out to me in relationship to my current struggles. I see that so much of my problem comes down to the unhealthy relationship I have with sex. The other night, in a conversation with a friend, the observation was made about how the abuse a person suffers with sex at someone else's hands can lead to a situation where one's own relationship with sex is abused. Gray makes some similar observations about how people misappropriate sexuality in an effort to create identity for themselves. Their focus is in the wrong direction, trying to establish their identity through the sexual relationships they have with people, instead of examining why they even need to to try and establish their identities in that way. That is part of my own work.

4-30-15 I'm reading Vocal Magick by Bill Duvendack. In it he discusses how thought forms can be created from behaviors and thoughts a person has that are repeatedly replicated and become an obsession for the person. I've come across this before, but I liked how he explained it and it helped me look at some of the work I'm doing from that angle of recognizing that certain behaviors, as thought forms, will fight to survive. I feel that some of what I've struggled with can be summed up in that way, and this helps me see where I need to do some of the work I'm in the process of doing. I'm going to do a ritual of release and see if that helps with this process.

5-4-15 I've been hitting deeper states of stillness through doing the Tsa Lung exercises in conjunction with Zhine, the sacred healing sounds and my Tumo practice. I feel like I'm fitting all these pieces together and hitting this deeper state, which is also providing me some ways to work energetically, emotionally, etc with the issues that have been coming up...and of course I think doing these exercises is also facilitating bringing up those issues, but I also think its worth it for the clarity its providing me.

5-7-15 When I feel certain patterns of behavior and thought come up, I've been still with them, observing them in a way I had never done before and contrasting them to new patterns of behavior and thought. I find this makes it easier to see what is and isn't working. Then it becomes a matter of making choices around what is important, what really matters, versus what is impulsive. I've also been doing some work around my relationship with writing and my sense of well-being. I told Kat, the other night, some of my frustrations around the writing and she grounded me by pointing out the other commitments I've made...I'm far busier than I ever was and I sometimes forget to appreciate that or consider perhaps the necessity of finding stillness for some of those commitments.

5-14-15 In some ways I think depression is the dark side of stillness...though that could just be an attribution on my part. But with depression, you don't really want to do much. You do what you have to do, but that's exhausting in and of itself. Anything more than that just seems like an uphill battle. You just want to curl in a ball and forget about anything else. I feel like that a lot right now with some of the different issues I'm working through.

5-15-15 To really work through any emotion you need to be with it, really with it...not just thinking about it, but actually feeling it. When you feel the emotion and are present with them fully it can be overwhelming but that gives way to release and from that release comes liberation.

5-19-15 The other day I took the above advice and actually applied it. Kat was telling me how she was feeling and I put myself into no-form and just soaked in the emotions behind the words so that I could empathize with where she was coming from and understand her perspective better. It was hard to do because I felt those emotions very keenly, to the point that I felt a weight on my stomach...yet doing it really helped me understand her. In the past I've often come up with rules of behavior, but not really understood her perspective and doing this I feel was a step in the right direction. Taking on no-form, becoming still allowed me to put aside my own dialogue and defensiveness to just be and become her perspective and experience.

5-21-15 As you continue to be still and work with what rises in you, what you discover is that it allows you to reach deeper states of altered consciousness and a higher level of awareness around possibilities. The less distraction there is, the more focused you get. I feel like the work I'm doing around what is coming up is helping me appreciate stillness in relationship to what moves in my life and at the same time question that movement and how it manifests in my life and if that is really what I want.

How to find useful pop culture magic artifacts

Copyright Taylor Ellwood 2015 The other day I stopped by my local Gamestop to reserve a copy of the new Assassin's Creed game. As a result of making that reservation I got a necklace with the assassin creed symbol. It got me thinking about how people go about finding pop culture artifacts to use in their pop culture magic workings. If you're a pop culture magic practitioner you're not going to necessarily everything you need at your local occult or Pagan shop. You need to go looking elsewhere to get whatever bling you're going to use in your pop magic workings.

In my case, I got the necklace as a result of reserving a game and sometimes with video games you can get other props. The clerk told me I could get a replica sword cane or one of the assassin wrist toys, which could be quite useful as possible items for a pop culture working, if Assassins Creed is a pop culture you want to do magic with. However not all pop culture is video games and even in the case when it is, you won't always get a promotional item for that game. So where else do you go to find pop culture items?

Conventions are one place you can go. A convention that's focused on your favorite pop culture will inevitably have vendors selling items that are relevant to that pop culture. You can buy those items and use them in your workings. But if you can't get to a convention, then you might go to a Target or Walmart and see what they have in the toy section. For that matter you may find clothing as well that has your favorite character on it. Barring that, you can also go online. for example you can find vendors online who make specialty lightsabers, which is perfect if you're integrating Star Wars into a pop culture system of magic.

However you might also opt for the creative route yourself. You could sew a costume of your favorite character to use in pop culture magic workings, or make replicas of particular tools and items. These skills aren't hard to learn and a visit to Youtube will likely help you find someone who is demonstrating how to make something you want to use for your pop culture magic workings. An additional benefit of making it yourself is that the act of creation is, in and of itself, a magical act that can greatly enhance whatever you create.

Pop culture magic tools aren't hard to find. And the most important ingredient to add to those tools is your imagination, which makes those tools come alive as something sacred and significant to the magical work you are doing.

Magical Experiments Podcast

This week I interviewed Bill Duvendack and Erik Roth about the spiritual significance of Astrology and how it can be integrated into magic and Paganism. Next week I'll be interviewing Emily Carlin about shadow magic and pop culture magic.

Visualization and Experiences

Courtesy of Pixabay In Awakening the Sacred Body, the author shares some additional meditations you can do with the Tsa Lung. Some of those exercises include visualization of specific colors that can be associated with the movement of the breath. In my own work, I've tried to move away from visualization, but I thought with these exercises I might see how matching the visualization to other experiences I was already having would work. Initially when I did the visualizations I found myself spending more time on them, than on actually being present with the experience (Which is one reason I've moved away from visualization). However, I figured there had to be a way to crack this problem in such a way that visualizations could be included without distracting from the experience, and if anything helping a person go deeper into the experience.

What I decided to do was match the visualizations up with specific actions I was already doing. The way the exercises had been presented was that you did the visualizations separately, but that doesn't work for me. However, matching the visualization up to an experience I was having allowed me to stack the visualization and make it part of the experience, to the point that it could happen without me having to spend time thinking about it, as opposed to really being with it. Once I start doing the experiential work, the visualization of the color kicks in and becomes part of the experience.

I've never come across books or other resources where visualization is stacked on to an experience (though I suppose NLP would be where to look). There may be some resources or approaches that do it that way, but typically what I've noticed is an either/or approach to experiential meditation and visualization. You either do one or the other, but not the two together, and yet I also have never seen any warnings against it. I think the reason it's not typically done is because the practitioner is focusing on the experience or visualization and not trying to blend senses together in a manner that might be a distraction. Sound and visualization can go hand in hand because you can make the sound part of the visualization, but kinisthetic experiences are very tactile oriented and in some sense directed more inward as a result. Yet I also don't think its impossible to make our vision and kinisthetic experiences work together. It's just a matter of figuring out how they work together and in my case that means associating the visualization with the experience, so that when the experience occurs, the visualization automatically starts and supports the experience by becoming part of it.

My new podcast

I'm now hosting a podcast show on the Pagan Musings Podcast channel. You can listen to the first episode, where I interview Bill Duvendack about his book Vocal Magick here.

Round 13 of the Process of Magic starts May 13th

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Round 13 of the process of magic starts on May 13th.

Magic is a process that changes you and your relationship with the world, if you understand how the process works.

In this 24 lesson class, we will explore what the process of magic is and how it applies to you and your magical work. If you're looking for a different perspective on magic that explores the underlying principles of how magic works, instead of focusing on the tools, ceremonies, and other optional features, this class is for you. You will learn how to:

  • Develop your own definition of magic and why its important to have your own definition.
  • Use a process approach to magic to understand how it works and what you change.
  • Personalize your magical system to improve its efficacy in your life.
  • Understand how to fix mistakes in your magical workings.
  • Achieve a new understanding of magic and its place in your life and work.

Here's what previous students have to say about their work with this class:

I have been reading and experimenting with magic and the occult for over five years and it seemed like I was going off in too many directions, without a map to guide me. I felt like I was spinning my wheels. This course helped me focus, without tying me into any particular Religion or belief system. If you are looking for a course that builds a foundation for your understanding and practice of Magic, this is the one!
This course has been amazing and I truly value your knowledge, experience and writing ability. I also like the fact that you are innovative and creative in your approach and take a progressive view of magic and are not mired down in some conservative tradition or other. You are on the “cutting edge” of magic and I am sincerely grateful to have the opportunity to take courses from you! Last but not least, you are ethical, conscientious and relate very well to your students.
Testimonial from G. Marlett
By describing the process of magic(k) rituals, Taylor Ellwood taught me how to enhance my work. He taught me how to analyze and improve some rituals I had made, how to apply proved techniques to experimental rituals for internal magic and how pop culture can also be useful for creating pantheons more in relation to oneself. After this class my rituals have been really effective, and I started to think of magic as a means for transforming myself to get the best out of my environment. Highly recommendable class, I'm really happy I took it.
Testimonial from Ivan Marquez
To learn more and to sign up, go here.