magick

Push, pull, and flow in magic

In my magical practice, I’ve lately been taking an approach that has incorporated elements of flow, push and pull in magic. Some of this has come about because of my continual work with Taoist moving meditation, and some of it has come about because of my shift toward experiential perspectives that have my embracing a sensual awareness of my spiritual work over a conceptual one.

In a sense, what my magical practice has been shifting toward is a harmonious model of alignment with the universe that works with the universe as opposed to trying to force a desired change on the universe. With all that in mind, I think its useful to define key terms in this approach so that what I’m doing can be more readily worked with and appreciated.

Elemental Balancing Ritual Creativity Month 7

4-23-2019 I’ve been starting to do some work with the sphere of art around going deeper into my creativity, and into exploring how I can use such a state to inspire my creativity. I’ve also been exploring what it’ll take to be successful as a writer, mapping out what my routine ought to look like as well as what to attend to business wise. The true success of any creative is the choice is to be a business owner as well as a creative.

4-27-2019 One of the decisions I’ve made around my writing is that once a year i’m going to re-read the books on book marketing and sales. Being a successful writer isn’t just writing, but learning all the skills around it and what I’ve noticed is that reading and implementing what’s in those books has helped me improve my book marketing skills. So this time around I’ve made a couple of changes and I’m glad I have, because I think it’ll make a significant difference in what I’m doing and how I’m reaching out to people.

How to draw on multiple sources of energy for your magical workings

One of the questions that recently came up in the magical experiments Facebook Group was if its possible to draw on multiple sources of energy, instead of using your own for magical workings. The short, flippant answer is yes, but I want to share in detail what this really looks like, because this is an approach to magic that I specialize in.

In my approach to magical workings, one of the questions I ask myself is how best to fuel my magical workings. I’ve rarely taken the approach of using my own energy, because a person’s energy is limited ultimately, and I’d rather focus that energy on my health and well-being. So when I consider the fuel for the magical working, what I look is how the magical working can be tied into existing efforts and actions already being taken. The reason is because those actions and efforts involve some energy, so why not harness what you’re doing and turn it into metaphysical fuel as well.

How I evaluate my magical workings

Lately I’ve been thinking a lot about results and magic and how a person goes about evaluating magical work. The obvious answer is that you look at whether or not you’ve gotten the result, and certainly that is helpful, but what I’ve been realizing about results is that too often we stop short at the result itself and fail to examine the ramifications and consequences of achieving or not achieving the result. The focus is just on the result itself, but not what comes after.

I’ve observed before that one of the tendencies I see in magical workings is a tendency to treat the desired result as the end itself. What’s problematic about that approach is that the result rarely is the itself. Instead the result is typically something just another means to the actual end, but we’ve ignored the actual end to focus on the result, because on the surface the achievement of the result seems to resolve the problem. I got the result and the problem is solved…but is it?

Inner Alchemy of Life is now available

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Inner Alchemy of Life is a guide to the life within your body and teaches you how to spiritually connect and work with that life. Taylor Ellwood shares the practical magic techniques he developed for bio-hacking your body and working with neurotransmitters and microbial life of the body as spiritual allies that can help you enhance your health and overall quality of life.In this book you'll learn real magic techniques including:

  • How to create your own alphabet of desire to work with the spirits of the body.

  • How to use meditation to change the biochemistry of your body.

  • How to improve your body's health by working with the spirits of the body.

  • How to make life style changes using neurotransmitters.

Inner Alchemy of Life allows you to access the sacred mysteries of your body and develop a conscious and alchemical relationship with the life that exists within you and makes your own life possible. Transform your connection with your body with the Inner Alchemy of Life.

How to pick your pop culture for pop culture magic

I’ve recently started playing a game called in Inquisitor-Martyr, set in the Warhammer 40k universe, which a is a dystopic universe where humanity has access to advanced technology, but also a medieval mindset about technology. At the same time, humanity is beset by various alien menaces and the forces of chaos. I enjoy the game, but I would never create a pop culture magic working or system based off the Warhammer universe.

In this article, I want to share some thoughts on how to pick your pop culture for pop culture magic and also demonstrate why a viable option for pop culture magic may not be ideal, for other reasons. At the same time I’m going to compare and contrast the 40k universe with that of Kingdom Hearts (for purposes of pop culture magic), which is on the opposite end of the spectrum when it comes to pop culture based off fantasy.

Art as active magic

Art is one of the techniques I use for working with magic. A painting or sculpture can be used to help embody and express a magical concept or provide a “home” of sorts for an entity or spirit. But art can also be used to set up your environment for magical work, or it can become a shrine and altar to the spirits you’re working with. It’s these latter two aspects I want to explore, as well as share a few examples of my own art employed for this purpose.

At the same time I also want to explore something else that I feel underpins the two points above: Art is an active collaborator in your magical work. I mention this because I think that other than the act of creating art, art is typically considered to be passive. And what I mean by that is that you see art on a wall and appreciate it, but its just there, in the background, or is it?

Liminal Space and experiential magic

I’ve started re-reading the Spell of the Sensuous, which is one of those books I’d make mandatory for any magician. In the book the author notes that the magician’s place is on the edge of society, mediating both the human community and the community of nature and spirits that the magician connects with. This role is essential and the magician maintains it in order to connect with the wild, with the spirits and as a result bring about equilibrium in the human community.

The author shares this contextual definition based on his experiences in SE Asia, and so I found myself asking if what he defined as the magician’s place is applicable to Western society. And I think it is. Not the least perhaps because I’ve always seen myself on the edge and that I prefer to live in hard to find places that have a connection to nature, but just as importantly because I think that regardless of where you live, its necessary to find a way to connect with the larger world around you, and with what awaits in that world, both in terms of life and spirit.

Experience and the art of magic

If process is the methodology of magic, experience is the art of magic.

When I talk about experience, I’m talking about engaging your magical work on a sensorial level, opening yourself to the subtle nuances of magic as it expresses itself in your life.

Experiential aspects of magic can happen during ritual workings. In fact a lot of magical workings are purposely designed to engage the magician sensually in order to alter the consciousness and prepare the magician for the spiritual workings, but ritual is just one example of experiential work in magic.

Magic for Experience vs Magic for Results

I’ve been thinking a lot lately about the difference between magic done for the sake of experience and magic done for the sake of results. I don’t think either type of magic necessarily better than the other, but I think the underlying purpose for doing the magical work is significantly different and worth recognizing because it also informs your own motivations for why you’re doing magic.

I’ll admit that a lot of my thought around this topic is driven by my own magical experiences and experiments of late, which have driven more by a desire for the experience than for a specific outcome. Practicing magic for the sake of experience I find is changing my perspective on magic. Before I get into that further though let’s briefly define and clarify what magic for results and magic for experience looks like.

How to maintain a consistent magical practice

One of the topics that comes up frequently when I talk with other magicians is the challenges they have around doing a consistent practice of magic. They want a consistent practice of magic, they start to do it, but then the consistent practice falls away. They may have done the practice for multiple weeks in a row, but suddenly they stop.

It’s a frustrating experience when you are trying to develop a consistent practice and you’re doing well with it and then suddenly you aren’t. You can feel like a failure, like you aren’t really a magician, because you can’t seem to stick with a practice. And when you feel that way it can discourage you from even trying to practice magic.

Elemental Balancing Ritual Stability Month 11

8-24-2018 I was reading Expert Secrets by Russell Brunson and I had this realization about how I messed up last year. I hadn't built a shared vision or a sense of community. I had tried to, but I had missed something he spoke about. Sitting with that realization was hard. At first I wanted to beat myself up for not having that realization earlier and then I began to wonder if I should try and do something with this realization. And then I took a deep breath and I realized that if I do anything with it, I should focus on what I'm doing now, not try to fix the past. I should learn from my mistakes (as I have been), not try to frantically fix them. And I should look forward and move forward with renewed purpose about what really matters to me, but also remember that I still have time. 

Last year I would have tried to do something that likely wouldn't have worked. A year later, I can see the mistakes and learn from them and take action in a way that actually is truly beneficial, instead of just reacting. And that's because of stability.

How to define and enhance the power source of magical workings

The other day I had someone ask me how you could go about giving more power to a spell or ritual. It's not an unusual question, because of one key word: Power. How do we put more oomph, more power into our magical workings? I think a better question to ask though is do we even need more power in order to get a desired result? Along with that, let's also ask what the best source of power ought to be for what we're doing with our magical workings.

On the surface more power seems like the ideal response. Not getting what you want? Throw more power into it. That'll tip the momentum in your favor. But in my experience brute power rarely does the trick and the reason is because power, in and of itself, isn't enough to get what you want, if you understand what all that power is going to.

Why magic for your self isn't always effective

I was asked by someone why magic he was doing for himself was less effective. He told me that that until recently the magic done for himself had worked fine, but that then suddenly became less effective. He wondered if it was because he had put a shield up or if the magic was less effective because it as an attempt to avoid self sabotage. Finally he asked what could be done when your magic seemed less effective.

I don't know the specifics of what he was trying to do with his magical work, but some thoughts did come to mind, based on my own experiences and helping other people diagnose issues they are having with their magical practice. I find that when a person isn't getting a result or their magic is less effective, its usually because they are self-sabotaging in some way. They may not really want what they think they want. Or they may not feel they are worthy of what they want. Additionally there may be some internal resistance because what they want goes against some moral or ethical code.

How to understand magic intellectually and spiritually

The other day on the Magical Experiments Facebook page, a commenter summed up his challenge with magic by sharing, "I'm trying to find an intellectual understanding along with a spiritual understanding of it without losing myself to it."

I think this is a challenge many people experience on their journey with magic as a spiritual practice. We can try to define magic as a set of practical techniques or describe it as a way to exercise our will, but at a certain point, in my experience, you move beyond such definitions when you recognize that magic moves and shapes the practitioner as much as the practitioner seeks to move and shape it.

Sometimes you just have to let go

Recently I binge watched the last season of 12 Monkeys and as a result I had this dream of a time paradox I was trying to solve and every time I thought I solved it, it would change and I would try to solve it again. Finally I came to a point where I realized it couldn't be solved and that the only solution was to let go. Yet it was such a hard decision, because letting go went counter to everything telling me I could solve this time paradox. But the longer I kept trying to solve something the harder it was.

So eventually I let go. I stopped trying to solve the time paradox, the problem, and just moved on. And when I did that, the dream ended. The stress went away. The problem was solved.