Are you a Traditionalist?

A reader asked me yesterday, after I posted my review of Evola's book on Buddhism, if I agreed with Evola's  traditionalist views in other areas, because I liked Evola's work. When I posted the review to Amazon, I'd noticed traditionalism come up as a possible tag, first time I ever came across the word actually. Let me just say that assuming I'm anything based on what I read is at best an erroneous assumption. It's true I like Julius Evola's writing. And if we were to research Julius the person, we would find out he was a fascist and I guess a traditionalist as well (maybe they are even one and the same!). But I'm not interested in Evola's political beliefs and don't find them relevant to my practice. Nor, really, am I concerned with labeling his spiritual practices or my own as traditionalist.

In fact, I'm not really interesting in trying to label my own practices either. The most I've ever done is to label myself as an experimental magician, an even that label is one I rely on less these days. What's really important afterall is not the label, but rather what one is actually doing.

So for me, Evola's writing, which I like because he's a good scholar and offers some intriguing perspectives on what he writes about, whether it's Buddhism or Tantra, or Hermeticism, or an article on time magic, is important because I find it relevant to my spiritual practice. Frex, the book on Buddhism offered some useful insights into early Buddhist texts and practices, and proved helpful in my emptiness working.

But even though I like his works, it shouldn't be assumed that I'm a traditionalist or anything else that Evola was. I am, after all, not Julius Evola (last I checked). Nor because I've read Edward Hall and liked his work, should it be assumed I hold to his political beliefs or his approach to anthropology or anything else. Liking someone's writing doesn't mean you agree with all of it or that you hold the same beliefs as someone.

But really what I'm saying is this: Labels are at best an illusion crafted to provide us and others the security (a false one) of being able to say this person is this or that. But what if I'm not?

I read what I read because I find it important to cultivate an awareness of a wide variety of perspectives and beliefs so that I can see how those perspectives inform my spiritual and indeed, overall life. So am I a traditionalist? Likely not.

But I am me...and I do enjoy learning and applying what I learn toward living a better life. I hope you do as well.

Review of The Silent Language by Edward T. Hall

In this book, Hall explores the intricacies of time and space from a cultural studies perspective. Although this book is a bit dated, the information is still very relevant, and what Hell offers is an examination of how much our perception of time influences our cultural and everyday interactions. For example, learning just how tightly time is wound for Americans as opposed to other cultures is quite insightful to the workaholicism that pervades American culture. Hall touches on some aspects of space as well, though you'll find more of his thoughts on it, in the hidden dimension. What I most enjoyed about this book is an exploration of time from a social science perspective as opposed to a hard science perspective.  I definitely recommend it to anyone interested in understanding concepts of space and time.

5 out of 5 stars

My business is part of my magical work

The other day an acquaintance on twitter half humorously said he was glad I was posting about the occult and had wondered if I was still an occultist. Looking through some old lj entries I can certainly say I posted a lot more about magic once upon a time, at least overt magic, than I do now. Thing is though, my business is part of my magical work. For one thing it's a manifestation of my intention and my will. I'm putting a lot of intention and focus into making it successful, and its my will that my business provide me the means to be as independent as possible and enjoy doing something I believe in for a living.

But on a much deeper level, it is also really a change in identity, an evolution from who I was into who I want to be, on a very intentional and focused journey. My business is just the most obvious part of that journey, because its where most of my activity is going. The changes in identity, and the learning of new skills that I've had to develop as a result, have in their own way been an act of magic for me, a very proactive approach exploring and manifesting my desires by choosing to actively change my attitude, beliefs, and also actions.

My business is part of my magic because it's a spiritual journey for me. It's not just about making a living, it's about living a way of life.

The Wand chooses the Wizard, or some thoughts on magical artifacts

I just finished re-reading the Harry Potter series, and one of the phrases that stands out in my mind is "The wand chooses the wizard". Yes, I know it's a fantasy series, but you can always find some truth in such writings and HP is no exception to that rule. I have, over the years, created a number of magical artifacts, and had a few gifted to me as well. Some of my necklaces are magical artifacts, as is the elephant bracelet I was given. All of my paintings are magical artifacts, and the memory box, and several others tools I have are other artifacts I created. Yet all of them also have what I would consider to be a distinctive identity and feel. I wouldn't go so far as to say personality, so much as I'd say the magic marks the artifacts in its own way. Certainly, I can tell quite a difference between the tesseract board I have and the memory box. The tesseract board, being the concept of another magician is something I can use, but it doesn't feel quite as responsive as the memory box is, which is one reason the memory box has become my preferred tool for space/time magic.

Magical artifacts, and even the concepts behind them hold at least some of the distinctive signature of the magician(s) who created them. And some of it is the distinctive purpose the tools are used for. A wand is a wand or is it? I wouldn't know, because I've never used a wand, but I do know that the various artifacts I have all have a distinctive feel and I work with some better than I work with others.I've also noticed that when I've been gifted an artifact, it tends to respond more favorably, than if I've just co-opted one, as I did when I created my own version of the tesseract board.

Now we could argue this is all in my head, and maybe it even is, but I also know I've created specific features in my own artifacts to limit who can use them, so it certainly seems plausible that other artificers could do the same with their own inventions and even copies of those inventions made by others.

Magical artifacts aren't discussed too much, but I think there's a whole level of subtle magic that often can go ignored because of that lack of discussion. Certainly, I treat even books as artifacts, under the right circumstances, and have noted, as have others, that some of the books seem to have a more distinctive feel to them, than others. Did their authors create or leave something in them? Certainly seems plausible.

Time Magic: Thiede

Today I painted the seal and sigil for Thiede. You might note in the painting the inclusion of an A, which is done purposefully to denote the alter ego of Thiede as Aghama. Thiede is the other guide for time. His purpose is to help a person understand concepts of space as they relate to time, as well as help practitioners with abyss journeys in time. Thiede can be thought of as an entity that helps the magician with the act of transmuting his/her understanding of time and space in relationship to the self and one's place in the universe.

Speaking of space, reading the hidden dimension which focuses on how different cultures use space differently, one of the realizations I came away with was that how space is organized can also speak something to how people conceive of time and how they organize time through space. I think that the perception of time is organized by how we use space, both in terms of navigating spaces to get somewhere, but even in how we set up our homes, offices, and public spaces. The one problem which can arise would be that a cultural definition of space would limit our understanding and appreciation of time...and you can see that in some ways with the rather linear approach to both time and space that is cultivated in how space is navigated and organized. For instance, I notice a lot of straight lines in how businesses and homes are laid out. A straight line is linear, direct and quick to navigate as opposed to a more circular or meandering route. The spatial dynamics in the public areas of my home tend to be straight lines, but in my own room, it's actually a circular and my sense of time feels different, more like a bubble, and less like a line with a specific deadline. I wonder if I were to change some of those straightlines, if some of the stresses would shift and change as a result. It might be something I give a little try, by moving one piece of furniture a different way, just to see how it changes the space of the room and my perception of time in it.

Review of the Hidden Dimension by Edward T. Hall

This is a fascinating book which examines concepts such as territoriality, smell, touch, thermal heat in the context of space and how different cultures organize and interact with space. The author also examines how intercultural issues with space contribute to a lot of the conflicts that occur with people. Reading this book has presented me some new perspectives about space and how I interact with others in my own space, as well as ways to respect the space of other people better. Cultural space is explored in particular depth to show how even the living spaces of different culture varies due to how people in a given culture interact with space. Overall a very insight and revealing book about the relationship of space to how we live and interact.

Latest Episode of Magical Experiments Radio is up

The Latest episode is now available to listen to...and we got a caller. This episode focused on exploring why certain personalities are so prevalent in the occult community, while others are not as well as how that fame can impact the evolution of magic. I'll be doing another episode in two weeks at 3pm PST time as a review of the Esoteric Book Convention, which I'll be going to next weekend.

Continual shifts in my philosophy of magic

My philosophy and overall approach to magic has shifted  a lot in this last year in particular, but even in preceding years before this. It has become less about overt rituals and sigilization and other more visible techniques of magic and has moved into a quieter and more subtle practice, even as my studies and experiments have moved more toward a deeper end of the pool. The exploration of the concepts of identity and their relationship to magic has necessitated a very different approach, because its rooted much more in what I would consider the core of a person. It's not about fixing a situation or getting a job, so much as its about making changes at a deeper level of being, which when realized, changes the surface layer very quickly, because the changes have been building up and moving through the various layers of identity and personality to imprint themselves on the embodiment of selves I manifest in this life. I'm continuing to move further and further away from traditional concepts and definitions of magic. While to most, magic may be the art and science of causing change to manifest according to the will, that definition feels inadequate to me, and pretty much always has. But even the definitions of magic that I do have respect for...there's something missing. The last few years, with the continued internal work has continually shown me that. The more I read outside of the occult books, the more I recognize perspectives that could contribute to much to magical experimentation and process that are mostly ignored because they don't fit within the occult paradigm perse.

I don't identify with the mutant occulture movement. I don't identify with the chaos magician, the ceremonial magician, or any of the other labels. I don't identify with the occult culture. My time spent studying and learning the various perspectives and approaches to magic provided me a useful process and way of examining my relationship with the universe, but it wasn't until I actively started looking external to traditional occultism that I began to develop an appreciation for taking a more detailed look at the microcosm, and how I did or didn't impact that microcosm, or how it effected me in turn. The original impulse for getting into magic was to claim some form of empowerment by getting involved in it. That impulse has changed to a more introspective approach. Empowerment can be found in a variety of outlets, but what then is empowerment? What does it really mean to "have" power? And do we really have any of that? And where does it really come from?

If Magic is a process for change where is it most effective to enable that change? And beside the overt change in the world as a result of practicing magic, what is the more subtle change, if any which occurs? I think about these questions more than I used to, especially as I continue to research and explore alternate perspectives and beliefs involving a person as a change agent. I'm questioning my spirituality, my beliefs, and my identity, because in the questioning I'm finding myself visiting places I never thought to go before...but where it'll go, I'm not sure. And that seems to be a good thing...not knowing where it'll go, what will develop as a result. That's been the emptiness working for me...but its also the rest of my workings as well. It's moved out of experimentation for experimentation's sake and into experimentation for as a journey and evolution.

Time Magic: Work with Elephant

I'm prepping to switch from the Element of Emptiness to the Element of Time. My work with the element of Time will likely be quite different from that of the previous workings. I'm working with a lot of entities, and already have been given a diagram of sorts that shows the positioning of each entity. Last night I did my first working, which was to Elephant as the gatekeeper of time. Elephant guards the gates of time, acting as a guardian for those who would work with time, but also as a guardian of time itself. I would consider him a tester of a person's understanding of time. His lesson is to teach those who would work with time about the integral role of space in defining our understanding of time, specifically in terms of distance and how we use spatial measurements to process the motion of time.

I'll be working with him for the rest of this week, as part of the prep work for switching over to Time in October. Below is the painting I created last night with his guidance. The background colors are purposely done somewhat faded, so that the symbol stands out further.

The Magical Experiments Radio Show

Today Bill Whitcomb and I recorded our first podcast radio show for Experimental Magic: Is Magic still Relevant. I've attached a player on the side bar of the blog, but you can also click the link and listen to it as well. http://www.blogtalkradio.com/Experimental-Magic/va/2009/08/16/is-magic-relevant-to-modern-times

Giving to Elephant

Last night, I did some searching on google for sites that focused on elephant conservation and once I found one that I felt comfortable supporting, I made a small donation. I don't have a lot of income to spare right now, but I also recognized the value of giving something to elephant and I suspect that this will be something I do at least sometimes in my spiritual work with Elephant, depending of course on just what state my finances are in...but I think elephant can understand that. After I gave the donation Elephant asked me to sleep with my elephant hair bracelet on. No mythical dreams of portent occurred, or anything else, but I did feel pretty good about it and when I meditated elephant came and visited and offered some support and guidance, because I was feeling very scattered. I felt more focused and even now can feel a quiet urging from him.

This could be all in my head, all in my imagination, but it does work, for what it needs to be. That's really all I can ask...and if in the process of that I can give something of myself to help another being as well then it makes it even better.

Review of Integral Psychology by Ken Wilbur

This was a very interesting read, which examined the varying theories of psychology and focused on integrating those theories together and then providing an overarching theory that they could fit into, supplied by Wilbur. The author is clearly very well studied in what he discusses and provides some detailed explanations that provide a successful argument for what he's attempting to do. This can be a dense read and jargon heave, especially with some of the words the author has come up with on his own, but don't let that discourage you. I see this work as an essential read for occultists, a way of expanding their understanding and application of psychology to their own practices. The charts at the end of the book are helpful for illustrating what Wilbur is explaining. My only wish is that he could've integrated the charts more into the book, instead of at the back.

4 out of 5 stars

Update on my work with Elephant

It's been a while since I've written about my work with Elephant, mainly because there's been nothing to write about. I've been busy reading and researching more about Elephants and their relationship with humans, per Elephant's request. What I've learned, particularly in reading The Astonishing Elephant by Shana Alexander has been really eye opening in terms of how intelligent Elephants are, the uneasy relationship they have with humans, the abuse and poaching, and the uncertain future for elephants. After reading up on Elephant, Monday night I was allowed to take my next step in working with Elephant. I put on a bracelet of elephant hair, given to me by a friend and then meditated with a statue of elephant, which had a similar bracelet place around its neck. The meditation lasted over an hour and involved a long conversation about what I had learned, how it made me feel about Elephant and what my relationship with elephant could possibly be. What I really remember from it was facing the full force of elephant as a being that could easily kill me as a human, and recognizing in that experience a certain awareness that I think many people never experience, namely the recognition that in the right circumstances I could easily be killed by an animal regardless of my "superior" reasoning, etc. In fact, Elephant pointed out that the image that humanity had cultivated for itself has lead to so many of the problems that humanity faces as a result.

I did a similar meditation today and Elephant asked me to wear the bracelet for part of the day.  This time we focused on what we could offer to each other. Elephant pointed out that I could help out by looking into contributing in some form or another to efforts being made to help elephants. In turn Elephant told me that it could help me with some memory and spatial awareness concepts. Wearing the bracelet for a good part of the day was interesting...a distinctly different feeling and energy than my own.

I'm not sure where I'll go with this yet, but I do feel that working with Elephant is providing me some unique experiences for me.

Review of The Astonishing Elephant by Shana Alexander

This was an interesting exploration of the history of the elephant in America, from the circus days to the most recent times. The author also covers the history of the elephant in other cultures and then discusses at length the current fate of the elephant. What surprised me the most was just how violent elephants and humans have been to each other, as well as just how much we don't really know about Elephants. The method of communication that elephants have fror instance is much more sophisticated than many people would attribute to animals.

I found this book to be the most useful in my continued studies of Elephant as a spirit animal to work with. I definitely feel I know more about the issues surround Elephant survival and treatment, than I'd previously known about before I'd read this book.

five out five.

Outliers, patterns of success and identity

I'm reading Outliers: The Story of Success by Malcolm Gladwell. It's a very interesting book, as all of his books are, and in this particular case has prompted some thoughts on identity, based off of what he's writing about. Outliers are people who are significantly different, in terms of how they succeeded, from the usual cases of success. However, these are not self-made people (if there is such a thing). Rather Gladwell argues that examining their cultural and family background can provide clues as to how these people achieved success. He makes a very convincing case, from what I've read so far, and most importantly shown what I think is another facet of identity in the process. That facet of identity is the cultural and familial models of behavior and practice that inform how a person handles situations that occur in life. These models or patterns of behavior are displayed to a person from early childhood on and they influence how a person makes choices from careers and finances to love and friendship. These patterns can be changed, but changing them involves challenging not just the immediate familial and cultural beliefs and practices, but also a history of them that has influenced previous generations in their choices and actions.

I was reminded of that today, when I was talking with dad about another family member and made the remark that her problems with finances were a direct result of a pattern of belief that a person had to struggle in order to be happy and that she should just focus on her business and not worry about what could happen. My wife, listening to this conversation, accurately pointed out that I participated in this same pattenr of behavior fairly recently myelf...and she's right. And I've been working on changing this pattern, but I realized that this pattern isn't just part of my identity,  but also part of one side of my family's pattern of identity. And that pattern of identity reaches down through the generations to influence the current generation, in this case me. Which isn't to say it can't be changed, because in yet another synchronous conversation with a distant relative I just met today, there was discussion about how a couple of generations ago there was a shift toward getting a college degree by the different members of the family. At some point the gene-erational patterns for the family identity shifted into a different identity for the majority of the family and that pattern is now accepted as something essential to the family identity (if they wouldn't look at it in quite that way).

In Outliers, it's suggested that the identity of success is best realized through patterns of behavior that encourage that identity in the overall family. I would posit that this also applies to other patterns of behavior exhibited in a family and that the sense of identity a person cultivates is partially informed by the family identities that s/he is a part of. When a person wants to change his/her identity, change a pattern of identity/behavior s/he probably does need to account for the weight of the family identity and how it will either provide momentum or resistance to the change. For example, my desire to change my financial patterns and identity is an ongoing process of not only changing that part of my identity in myself, but also starting to change that identity within my family's identity of it (or at least one side of my family). Indeed, I would suspect that for my change in identity to be fully successful, it could be useful to interact with the spirits of my family and show them the benefit of that change, so that they could retroactively start the change in previous generations, providing more momentum behind the changes of identity I'm currently engaged in. Hmmm...now there's an idea for an experiment. I need to give it a try and see what happens.

A review of the Art of Magic series

I haven't written much on here lately, other than my most recent emptiness working posting. Life has been fairly busy, in a good way, with my business. A lot of my my efforts, magical and otherwise are going toward creating and sustaining my business, and the rest is going to the emptiness working, with a few parcels going to projects as and when I can get to them. Today I thought I'd provide a commentary on a series of videos I found on youtube about the art of magic. First a couple of links:

Lupa's article for the wild hunt blog, focuses on community building and hyper individuation.

A Facing North review of Pop Culture Magick.

And now on to the show:

There's a series of videos on youtube that I came across because someone in my twitter list happened to mention a video that focused on defining magic. I was curious and decided to check it out. Needless to say what I found was a series of videos that wasn't all that good because of how narrow the focus was and how sensationalistic the examples were.

The narrator of the video only used Crowley's definition for magic and applied only a psychological approach to magic, claiming at various times that magic wasn't supernatural. Whenever she talked about sex magic, she talked about how Crowley did sex magic as well as Anton Lavey, i.e. Satanists, but didn't focus on any other perspectives or approaches to sex magic. Her examples of magic usually focused on people trying to get laid or or trying to harm someone, essentially advocating an unethical approach to magic, without any real consideration on possible consequences or demonstration of whether magic can be used for anything beyond self-gratification. She also claimed that what the bleep do we know and the secret are examples of magic.

In the end I was decidedly unimpressed by this series of videos. Relying on on only one definition of magic and the psychological model of magic as well as a variety of poor examples, all it really portrayed was a lot of negative stereotypes about magic, and a rather simplistic understanding of how it worked. The lack of awareness about consequences, as well as narrowly exploring magic shows an unsophisticated awareness of the principles that inform magic, and also rather casually discarded alternative perspectives, cultural systems, and processes for how magic works.

First part of a new time magic experiment

It's nothing too glamorous though. I looked through the Goetia and found each Goetic Daimon that has some relationship to time magic. I've already been working with Purson for a while, but I thought it might be useful to expand my horizons and work with other goetia that focus on time work as well. My first step was simply to read up on them, and then transcribe their seals onto pieces of paper. After that was done, I put them in my memory box. Later on this week, with the help of Purson, I'll start making contact and see what develops from there.

The act of transcription is the first connection, the first interaction. It's not very overt or dramatic, but it is focused and it serves as a knock on the door as it were.

Changes in identity

So as some of you may know, my next solo work is focusing on the concept of identity and how it fits into magic. It's rather fitting then that the last year and 3/4ths has been focused on changing my own identity in a variety of different contexts from my relationships with lovers and friends, to my relationship with my self, and how I've chosen to engage in meaningful activities that allow me to fully live, as opposed to just getting by. To me, success in magic is driven far more by a targeted proactive approach toward manifesting the kind of person you want to be, and much less toward obtaining specific results for specific situations. At one time, for most of my magical career it was the latter paradigm that I was focused on. It was a reactive approach I took, and I sometimes didn't understand why I needed to do it so much.

I think that as a person consciously changes his/her identity and figures out what s/he wants, the less there is a need for reactive acts of magic. Magic becomes a process, as opposed to an act. It becomes a way of life as opposed to a tool used to handle a situation. It becomes a conscious agreement with the universe about the pathv a person is taking through the universe, and becomes less of a stumbling around in the dark.

Of course that's my take on magic, in large part generated by very specific and targeted changes in my life, lifestyle choices, and overall focus. The change in my identity has so far been one of the most involved experiments I've done and has pretty much involved challenging every single assumption I've held about not only magic but all the other facets of my life. The uprooting it's caused in my life has been significant and yet that significance is based far more in taking such a proactive approach to identity, by recognizing what no longer worked and actively focusing on changing it, while discovering what definitely works and enhancing it.

When I finally get around to writing my next solo book, it will be interesting to see what I do with it...but I'm in no hurry on this one. I've already got so much going on and it's far more exciting to be living it.

Time Experiments, Ethics part 2

On Friday, my group and I did some work with time magic. The first two experiments we did were based off of Jean Houston's book The Possible Human. We did one experiment, where we would experience our consciousness as a unit of time, such as a second, minute, year, 100 years etc. Eventually you lose track of the units of time and enter into a non-linear state of experience with time. Each of us who did this exercise experienced a very similar state of mind.

The second experiment was one where we worked with three segments of time on a yardstick, as it were, but altered which segment of time (past, present, or future) was more prevalent during the meditation. It was an interesting experiment, again because of the state of mind it put us in, moving us out of a linear state of mind and into a non-linear state of mind.

Both of these exercises are useful ones to do, to put you into a very receptive state of mind for doing time magic. They don't take very long to do, but they condition your mind to push itself outside of the constraints of linear time.

The final exercise was done with the Goetic Daimon Purson. In the mythology I've created around my own use of time magic, Purson is a guide on the silver strands of time. I introduced him to my group last night, partially as a way of thanking him for his services and patronage and partially as a way of helping the people I work with learn a bit more about my own approaches to time magic. We used the tesseract board to evoke him and my experience with was of two trees twisted together. I thought that rather odd until late that evening, I came across Ipos, another Goetic Daemon of time...so I'll be contacting him soon.

So an update on the Ethics book. I've started working on chapter one and it's coming together nicely. I got some responses on the first post, both from commenters on this blog and from a blog entry by Augogeides along the lines of arguing that magic is a technology and puzzlement that there's a need to write about ethics as it pertains to occult culture. It was also argued that ethics as they applied to magic boiled down to being able to determine if an action was ethical or not, regardless of whether it was a magical action or a non-magical action. That's the gist of it, or at least what I got from what was said.

When I talk about ethics and magic, I'm talking about taking a proactive approach to ethics, which incorporates practical magical techniques into how one approaches ethics in his/her life. However, I don't think merely determining if an action is ethical or non-ethical, and then making your choice to follow through on that action or not, is really ethics...or rather I think of that as reactive or cover your ass ethics, ethics utilized as a way of making sure you aren't doing anything wrong (or aren't getting caught). I don't really think of that as a useful approach to integrating ethics into one's life because it doesn't make ethics part of your life process and growth. Instead it's just a convenient code to check on occasionally to make sure you are in the clear. I have a lot more to say about this, but I'll save it for the book. Suffice to say my and Vince's approach and outlook on ethics and their role/integration in magic is decidely different from what I've usually encountered in the occult community.

Book Review: The Evolving Self by Mihayli Csikzentmihayli

I wish I could say this book really represented an evolution in psychology or how we conceive of the self, but the truth is, it really doesn't. If you read this author's other works, then this work can be thought of as half a step beyond those works. At times the author is judgmental, condescending, and whiny, and he doesn't offer much in the way of a concrete definition of self. The final few chapters predictably focus on flow, but don't  provide anything significantly new to the theory that he hasn't offered anywhere else.

Two out of five

Further thoughts on clothing and magic

Since my earlier post on clothing and magic, I've been doing some further thinking about it, and considering just how much the act of getting ready for the day can be incorporated into a purposeful ritual that allows a person to invoke a persona that enables him/her to go into the day's encounters and succeed. I've mentioned clothing of course, but even other acts such as putting on makeup, or deodorant, or shaving, tying hair back or otherwise prepping for the day can be construed as part of the magical act of creating the persona. Each action can be perceived as putting on part of the costume or ritual garb, which allows the person to assume the persona of a business person, entrepreneur, or whatever it is s/he needs to be in the moment.

For myself the various activities I do to get ready for my day have become ritualized. Putting on the business shirt and buttoning it, and then tucking it it into the business slacks and tying m hair back, before putting on the business coat and shoes and socks has become a ritual I use to put myself into the right mindset I need for public speaking, visiting with a client, and otherwise assuming the persona or godform of the successful entrepreneur. It's lead to some other results as well, which has been useful on other levels of my life.

Part of my fascination with this topic is born out of my recent decision to dive back into ceremonial magic further, albeit my own brand of ceremonial magic. If I can use my flair for outfits and fashion choices as magical act, it turns that into another tool and/or medium to exert my presence on a metaphysical front, as well as physical and mental front.

I'm even fascinated of late with the jewelry that one can wear. Putting a ring on can have symbolic importance, but having gotten some finger talons recently, it's been quite fascinating to not only feel a physical difference when wearing them, but to also note the change in mindset while wearing them. It speaks to a subtle shift that I think occurs far more often than many of us might realize, when it comes to what we wear and how it prepares us for social situations, but also how we can proactively utilize principles of magical invocation to create personas, which can adeptly navigate those social situations and create more favorable situations in the future.

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I'll actually be attending a talk by Thorn later this week at the Sekhem Maat lodge, on embracing the I am of selfhood, so this review is timely. Should be interesting.

Book Review: Kissing the Limitless by T. Thorn Coyle

This is one of those rare reviews where I would have to say that this book is an essential read for today's occultist. Taking a mystic's perspective to magic and it's integration into our lives, Coyle provides a model of attaining mindful awareness that isn't newagey and is something the occult culture sorely needs. She explores in depth the value of internal work and provides exercises that the reader can use to get in touch with his/her higher self. This book is a guide to internal work and what is refreshing about it is that it's written from a Western tradition of magical practice. Definitely put this book on your must read list this year.

five mystic sages out of five

Ethics and magic Pt the one

I've recently started work on another co-written book project, since the project with Bill W is temporarily at a lull and I've been meaning to get started on this new project for a while anyway. This new project is an interesting one for me as it deals primarily with ethics and magic. I'm working on the first chapter and poring over the very few books I know of that deal with questions of ethics and magic (including your work Gerald) to any degree of length. It's rather odd to realize just how few books there are on ethics and magic, and to note as well that most of what I have come across is rooted from a Wiccan perspective on ethics. I've found a couple other works that deal with ethics and magic from other perspectives, but the majority of western occult texts mainly seem to deal with practical applications of magic, with little concern as to the ethical ramifications of said practices. Chaos magic tends to take a fuck off attitude to ethics and magic, and a lot of ceremonial magic seems to be far more concerned with pomp and pageantry than examining the ethical underpinnings of what's being done by who. Even where I have found some focus on ethics, it's been written in a rather vague way, which speaks to a decision to abstract the issues, as opposed to dealing with them concretely.  It confirms quite a bit to me, in terms of some of the concerns I have about the occult subculture and where it is or rather isn't going in terms of evolving.

Is there such a thing as ethical magic? That's a rhetorical question by the way. I actually think there is such a thing as ethical magic...but how to define it or explain what it is...well that's the subject of a co-written book I and Vince Stevens are working on. Stay tuned for more information, as I'm sure I'll be posting more details and considerations as I continue this work.

Clothing magic

In Multi-Media Magic, I wrote about clothing and magic, but in a conversation with a friend, earlier tonight, I actually ended up talking a bit about my own approach to clothing in more depth. See I have specific outfits or clothing choices I make, when it comes to activating specific persona or role choices. For example, tonight Lupa and I went to a fet event at the conservatory. I was in a subby mood, so I got dressed in black harem pants and a black poets blouse, which perfectly evoked for that subby persona. If I'm in a toppish mood and feeling somewhat masculine, slashed up pants and a t-shirt will work or if I'm feeling more feminine in my gender choice, a mesh shirt, vest, and hakama pants will help.

Naturally I extend this kind of work outside of my fetish interests. When I meet with a client, I'm dressed in a business suit. I do make sure the pants are comfortable, and the shirt is colorful, and I always wear one of my trademark hats. I use the clothing to help me get into the role I need to perform. Something which really interested me is that my business persona changed as I added new apparel to it. The sports jacket, the black socks, etc, all created changes in the persona, to help it fit more into what I needed it to be.

Recently I bought a purple shirt and pants and that also has it's own association and role. In fact every outfit I have has specific purposes for creating and sustaining specific roles I need to be in. Each outfit is used to create a kind of space and place for the roles I want to inhabit. The clothing becomes ritual gear. When it is put on, I assume specific roles. The clothing acts as a trigger point, a way of assuming a specific mantle and preparing myself for specific types of interactions.

I've always treated clothing in that way. The clothes become the ritual costumes, by which I change myself into whatever I need to be for given situations.

What do you think of...

when you think of magic? Is it some witchy person, complete with warts transforming people into frogs?

or some teenage kid wearing a pentagram and black so s/he can look cool?

or some hippie looking person who rants about the system?

Or are those just expressions of a subculture?

When I think of magic now, I don't really think of it in terms of subculutres, and I realize just how much thinking of it in those terms has previously limited my realization of what it could be...and it makes me wonder how, in an effort, to categorize and/or associate it with certain subcultures, we actually lose out on what it could be.

I haven't done a lot of rituals lately, or experiments. I've been continuing my meditation, but right now a lot of my magical work is focused in Malkuth, in making a lot happen right now with my business, and with some of my other passions...and it's not that ritual doesn't have a place...or that breaking out the ceremonial gear can't be useful, but it is realizing that magic can be found in any moment, in any person, in any circumstance. We only limit our perceptions of it when we try to categorize it.

Some thoughts on Sex Magic

I got into an interesting discussion today with an acquaintance I met about sex magic. I was telling her about my approach to sex magic, in terms of how I identify myself when it comes to the polarity issue. In hetero sex magic, the masculine principle is usually perceived of as the active energy, while the female principles is usually perceived of as the passive energy. But I've never really agreed with that model, and my work with Babalon has only made it more apparent to me that the trad model of sex magic, in ceremonial magic, doesn't really work for me. When it comes to sex magic, and even sex in general, I tend to be a re-active principle, which is to say that my energy doesn't get active until it has something to re-act to, and even then I prefer that my energy be directed by my partner.

Or to put it a different way, instead of being the beast which carries Babalon, I am the beast ridden by Babalon...My energy responds to her and she directs it. And I'm comfortable with that as a sex magician.

But it didn't really, fully click until today that this was the case, because so much of what I've read has always insisted on the male principle being the active energy. And I wonder how many other male magicians, who practice sex magic, might respond if they realized that the masculine principle doesn't always need to be active, and sometimes just may not be at all.