Word

Sometimes it interests me how people will respond to a word. Having read Defining Reality by Edward Schiappa, I know how loaded a word or definition can be, especially when you factor in the agency that informs the use of the word. You really can't be too careful when a word is used, because of how much power that word can have...word as a virus Burroughs might say. *******

In other news, the Spider Goddess of time has seen fit to manifest two of the things I asked her to manifest and there's definite progression on number 3 as well. I won't say more until later.

Some thoughts on physiology, entheogens, and awareness of time.

I've just started reading Sex, Sleep, Eat, Drink, Dream: a day in the life of your body by Jennifer Ackerman. I'm already intrigued by what I've read, but in the first chapter she notes that there is a set of neurons that comprise the master clock in your brain, which basically dictates the rhythms of time for the body. Last night when I was having my entheogen experience, my perception of time changed drastically. Time felt elongated, slowed down, stretched out. Even my perception of light was stretched so that the light moved much differently than it normally would. My circadian rhythm had been changed by the entheogen. And this interests me, because how one's physiology reacts to any substance can dictate not only the health of a person, or the awareness of time, but also the rhythm of that person. My awareness of time admittedly also might've changed because that was what I brought into my inner journey, but nonetheless I have to acknowledge that my internal rhythms were influenced. This same distortion of time has happened with magical workings and meditation. While not necessarily as visually stimulating as my trip, my awareness of time changes a lot when I meditate. I will sometimes think I have been under for hours, only to find out I've been under for twenty minutes or a half hour. This recent experience as well as comparing notes with my meditations has made me wonder just how much our perception of linear time interferes with the awareness of biological time. When I measure time from a biological perspective, from a rhythmic awareness it seems to be much different from the ticking of minutes and seconds that tells me what time it is on my computer. It's a possible angle for further experimentation.

Speaking of possible angles for experimentation, watching a friend and former student doing her work with with the element of darkness and specifically with Sora from Kingdom Hearts decided me on utilizing the Kingdom Hearts Video games as part of my work with emptiness. Yes, I know quite profane, but also quite useful...the metaphysical aspects of the Heartless and nobodies is untapped as yet, and it could also be an excellent exploration of projective identity and personal narrative as a pathworking, similar to what The force unleashed inspired in me for working with the Emperor as an aspect of emptiness.

Entheogens and emptiness

Tonight I went over to a friend's place and utilized an entheogen. It's been about ten years since I've done it. The first time I did it, there was no spiritual purpose for doing it, but tonight, I had a specific spiritual purpose in mind.  I pulled out my two tarot decks and did a similar working, and while doing that I drank orange juice which contained the entheogen in it. I wanted to see what the experience of walking in the silver web of time would be like with the entheogen. Right now I feel like everything is an illusion, and that seems to have been the tone of the trip throughout the evening. I evoked XaH, Thiede, Purson, and the Spider Goddess of Time as I ingested the brew. I also invoked my future self, the Master of time. As I was writing down the results of the reading, perhaps twenty minutes in I began to notice that it was hard to write. I frantically finished scrabbling my notes and then put my hands into the prayer pose to start working with the silver webs of time. As an interesting note, I noticed that my train of thought became very cyclical and spider web oriented throughout the entire trip. I recall one of my fellow journeyers pointing out that what you brought into the trip is what you got out of it...echoes the sentiment of give to get.

My emotional spectrum was all over the place. I think a lot of my inner demons took the opportunity to come out and play tonight. I saw a lot of control issues and ego issues played out emotionally. Not horrible either to experience those and realize how much they sometimes inform my choices and actions. It actually showed me how strung up I can get sometimes about  the choices of life. Also the spider goddes of time devoured me at one point, or at least came close to it. She ate most of me, but left a small part behind and I regrew. I felt purified after she ate me...it was as if she ate the parts that were trying to control instead of just letting go and feeling the trip.

Physically, I felt like I was getting made love to by the music we listened to. I felt so damn good...it was like having a really good orgasm, except that it lasted for hours and hours. Also my feeling of time elongated, so that minutes seemed to take an infinity to occur. My perception of light became perceptions of web patterns of time. I wasn't so much weaving them as I was becoming them. I became this great spiral of time where I could traverse the web and go to different points.

One thing which really stands out me is that at one point I realized how instinctual every thing is. Basically I couldn't rationalize any of my choices. I recognized the instinct that informed each choice and saw each choice purely as an instinctual response. At another point I noticed how long I took between breaths as well as how heavy my body felt when I took each breath. At yet another point, the light seemed to elongate...and when I smiled or moved I felt incredible.

Remembers another point, where I pointed out to my one friend that he was wearing a sleep mask. He slipped it off and smiled...everyone moved in slow motion, jelly like in the flow of the concentric webs of time.

The final phase, which I'm in now, has been an odd experience. I'm basically observing myself doing things, talking, eating, whatever else. I'm cognizant that I'm doing the action, but it almost seems like someone else is. What's really been odd is that the observer part feels as if it's a step forward in time. So I feel like I know what Lupa will say a second before she says it. It's like everything was rehearsed in the lines of a play. I could predict what would happen and then it would happen. It was an odd experience of time to have because I did feel like an oracle. There's a part of me which is currently questioning whether I'm really writing this post or if it's just an illusion on my part.

I'm feeling really mellow at this point. The emptiness aspect of this experience really involved the inner demons coming out...maybe, or maybe it's this feeling of mellowness, or maybe its something else. Regardless, I feel very mellow, very relaxed. I think I will enjoy that for the rest of this evening. I may try these again in the near future for another space/time experiment as it proved fruitful in terms of experiencing the silver web of time.

Book Release: Mastering the Art of Ritual Magick

Immanion Press has just released Mastering the Art of Ritual Magick by Frater Barrabbas. It's the first book of a trilogy he is offering on ceremonial magic. I really enjoyed his previous book Disciple's Guide to Magic, and also enjoyed reading this one when I copy-edited it.

Space/Time Tarot/Deity experiments

I decided to do some space/time work with tarot cards after finishing A Brief hirstory of Time by Oryelle Defenstrate-Bascule. In his book he'd explain some of his own space/time tarot techniques and it reminded me of some of my experiments with space/time tarot, which I'd done a year or so back. As good as any reason to break out the cards and do some further experimentation as well as deal with a few gnawing situations in my life. As Oryelle points out and I have pointed out as well, tarot isn't just for divination. It's also for conjuration. A reading provides you more than a glimpse of the future...it also provides you an opportunity to manipulate the possibilities presented to you. I used the voyager deck to create a magical circle and an evocation triangle. The magical circle and triangle is based off the book Portable Tarot by Donald Tyson, but the technique described here is an extension of his concepts into my own style and experimentation of magic. Here's what it looks like (Note you can also click the link to see the full picture):

The aces are in the center. They form the elemental foundation. On top of them is the card, which represents my current self. My presence is the Hanged Man. The outer circle is the trumps cards used to create the magical circle or tarot temple or whatever else you want to call it.The row of cards above are trump influences I am relying on. All of them were appropriate as gateways and power providers.

The summoning Triangle is the Priestess, the Fool, and Space/Time. Normally the Hanged man would be part of the Triangle, but I replaced him with the Priestess card, thinking it appropriate, plus the Hanged man is the presence of me. The Master of Worlds is the Future self I picked for myself. I thought of going to the usual card, the Woman of Crystals aka the Gaurdian, but I realized that didn't feel right, so I randomly stirred the voyager cards until my hand came to that card, which said I am the future of you. I realize now that the Guardian card is no longer representative of me. She was the guardian of my lies, illusions, and delusions which Babalon stripped away from me this last year. The presence of the Hanged Man is that which stares into the emptiness of zero seeking answers while submitting to the suffering necessary for achieving those answers. That suffering, for me, is really the emptiness work and the work with my past, with the roots of all that has haunted me in this life. The Master of Worlds is also the Master of time, but to master anything, you have to submit to it first, surrender to the flow in order to understand the force and manifest a movement that goes in sync with others. The master has surrendered to the emptiness and so understood it. He is me after this year is finished, or at least a possible variant of me.

I did the activation of the circle as well as the invocation of the future self into my present self, asking him to guide my hands for the reading I was going to do. I evoked the spider goddess of time, Purson demon of time, and Thiede the Dehar of space/time. I also evoked Xah my Personal Daemon and fox spirit and guide. Each of these beings are essential to my mythology of time. I wanted their presence and guidance in the working I was doing, because I wasn't just doing a divinatory reading, but actually a conjuration across the silver web of time. Below is a picture of me meditating with the forces that I'm working with:

I felt my older self lay his hands into mine and I shuffled my Alchemy deck and created a reading specific to circumstances in my life, both present circumstances, but also seeking for the person(s) who are part of a very specific magical working in my life that is yet to come, which this emptiness working and the love working has been a prelude to. Below is the cards pulled for the alchemy deck (Note you can also click the link to see the entire picture):

You can see most of the cards, though one got caught in the glare of the light. The Three in One, in the center, are present situations in my life. The two cards above and below the three card spread are current potential factors I can use that also involve what it is I'm seeking for. The card to the left is the past, and aptly reflects who I was. The cards to the right is an action to take as well as the desired reality. This not justr a reading...it is actually a specific working, a conjuration of reality, which utilizes the principles of the cards to manifest specific goals. The last time I did this type of working, was for Leisa Refalo's Podcast on Tarot and the magical working I did has come to fruition and continued to manifest since then. I mention that because I want to emphasize the dynamic nature of this working. It isn't a divination...It it a conjuration of potential that is manifested into reality. It does provide necessary information for how the conjuration will manifest, while also aligning the realities into one. It's also a kind of retroactive magic, because I'm using my future self to guide my presence in manifesting this potential into specific reality.

After I did this reading, I then spent some time working with the spider goddess of time in particular. I asked her to show me how to weave webs of potential into reality. I put my hands together as if in prayer, but as I looked at my hands, I felt the Astral fingers of each hand go through the other hand, so that I held my physical fingers in prayer, but held my astral fingers in a kind of V and used both sets of hands to weave the silver strands of time into reality. She guided my weaving and as I looked into those hands, I began to see a flickering of images that represented different potential realities. I started weaving the images into the silver webs and then cast the webs into reality. The webs of time would take the images of the possible future and meld them into reality. Below is a picture of the prayer pose I was doing. Obviously you can't see the astral fingers, but it gives you an idea of what I was doing on a physical level:

When I finished with the meditation, I thinked each deity of time and then thanked my future self. I recorded the cards and the specifics of the reading in my personal journal and then undid the temple, releasing the silver webs into reality. I'll be experimenting with this technique in more depth and there will likely be an article about it in the future, but I also wanted to show a work in progress as it were as well as how I do some of my space/time magic work. This post will likely end up in my book on identity and magic, as a lot of my research and experimentation is involving a lot of space/time work. This is a small example of that work.

***********

Review of A Brief Hirstory of Time by Oryelle Defenstrate-Bascule

For any chronomancer out there, this book is a must read. Not only will it put you in touch with the Spider Goddess of Time, but it also demonstrates experimental magic at its finest. Oryelle presents some very intriguing concepts and ideas about time magic. I found it hard to put this book down as I was enthralled by his ideas, as well as noticing some intriguing synchronicities in our work (which isn't surprising as this seems to be common amongst Space/Time magicians), most notably the silver strands of time. Oyrelle artfully blends poetry and art into a discourse on space/time magic which is revolutionary for what it offers, namely a non-linear perspective on time as well as methods for practicing some potent space/time magic. I'll definitely be utilizing some of this techniques and experimenting with them, because I know the process described within the book works. I've already started working with the spider goddess of time and she is a very real presence. I highly recommend this book. You will get a lot out of it and also be supporting and artist and magician in his work.

5 out of 5 silver webs of time.

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Magic as a process instead of a result

I read a post recently in another journal about short-lived magic. The poster was understandably a bit frustrated and even perhaps a little disillusioned because a desired result hadn't lasted as long as s/he wanted it to. Admirably enough the poster pointed to the simple fact that examining the process of how the magic worked could indicate a lot about why the results weren't as long lasting as hoped for. I've always felt that magic is a process and not a result. While results are important as indicators of the process working, they nonetheless are not the process of magic. I see a result as a sign. It indicates what direction you are going in and can indicate if the process is or isn't working. It may even indicate what specifically is not working in the process, though usually this requires some digging on the part of the magician. That digging can involve looking at what's going on in your internal landscape, or it can involve testing each part of your process and determining if you left something out of it that could be essential to it.

I've certainly had my share of magical workings that didn't quite result in what I wanted, or where it seemed like I was successful only to realize later that my success wasn't quite what I wanted. Magic is a process of trial and error, of experimenting to determine what works, while also learning what doesn't work. Mistakes are made, inevitably. What we do with those with mistakes determines if they become failures or if we learn from them.

Magic treated as a process allows one to examine it as an iterative cycle, with improvements occuring every cycle as more is learned about how to refine the process. The magician is part of the process and so inevitably the work of improvement necessarily changes the magician so that s/he becomes the person s/he wants to be. Like any process, the changes are rarely instanteous or dramatic, but they are important and tend to have a long lasting effect on the magician. Magic as a process isn't nearly as glamorous as when results are focused on, but while the results may not always be flashy, the process itself continues to hold true even as it is refined and tested by the magician.

A Book Review and some book suggestions for Energy Work

I'm starting to read Tai Chi Dynamics by Robert Chuckrow. It was a review copy sent to me by YMAA Publication Center. It does look to be an intriguing book, where the author's background as a physicist is employed to explain how Tai Chi works. I'm intrigued already and will report on it as I continue reading it.

Since I started reading this book and it deals with Chi, or energy, and also because the other night I did a couple of breathing exercises with a student which is designed to use energy in particular ways, I thought I might put up some books suggestions about energy work for those who are interested in the subject.

Embryonic Breathing by Yang Jwing-Ming: An excellent book that does a lot to explain the theory behind chinese energy work. A must read book for anyone getting involved in Taoist energy work techniques. He only presents two breathing techniques, but does an excellent job of describing the techniques.

Awaken Healing Energy Through the Tao by Mantak Chia: Chia's take on Taoist energy work, for beginners. He provides some good explanations, though he can be preachy.

Fusion of the Five Elements by Mantak Chia: Utilizes the Microcosmic circuit, but adds in some elemental correspondances for recycling negative emotions. Really useful exercise. I haven't found his later fusion books in the series as helpful, but I will work with them a while longer before passing final judgment.

Breathing, Chi, and Dissolving the Ego and The Great Stillness by B. K. Frantzis are two excellent books on energy work that focuses on dissolving internal blockages and sabotages

Real Energy By Isaac and Phaedra Bonewits: It mostly presents a theoretical consideration of different models of energy work...mostly from a western perspective.

Energy Work by Robert Bruce: Has good exercises for beginner to intermediate energy workers. Also presents some intriguing possibilities around the sense of touch.

Psychic abilities and The Psychic Self-Defense personal training manual by Marcia Pickands: Presents some good beginner exercises for energy workers

The Initiation into Hermetics by Franz Bardon: Some excellent exercises for energy work and also for honing your skills in magic in general.

Hands of Light and Light Emerging by Barbara Ann Brennan: Mainly focused on using energy work for healing both physical issues and psychological issues. Definitely worth picking up. These were the first books I read on energy work back in the nineties.

Inner Alchemy by Taylor Ellwood (Me): Focused on a physiological exploration of energy work and how it can be used for healing as well as communication with the body.

There are many more works out there. I have some I've yet to read or study, but I'll include mention of them on here, as I get to them. There is some intriguing writing in Biology and neuroscience that relates to energy work, which is also worth checking out. I might write that up sometime.

For my own efforts in energy work, I'm continuing to experiment with the emptiness meditation which focuses on the energy of emptiness as well as the feeling of it. And as always I'm continuing my own reading, research, and experimentation in a few other directions.

Review of The Magic Language of the Fourth Way by Pierre Bonnasse

I initially found this book to be really intriguing, particularly in terms of how Bonnasse presented the concept of observing the self as the self is reading. I think it’s a good point to make because people can be resistant to what is read. However, the first half of the book didn’t live up to the potential expressed in the introduction. It came off as pretentious and somewhat confusing. I’ve been told that the confusion is characteristic of Gurdjieff’s works, so I wasn’t entirely surprised to find it in a disciple’s work, but I think that confusion detracts from the overall message that the author is attempting to convey.

The latter half of the book improves when the author focuses on explaining the enneagram and concepts of language and magic and how those relate to the Gurdjieff philosophy. I particularly found the focus on vibrations to be interesting and insightful.

What might’ve helped with this book was some exercises that readers could do in order to implement the theory into action. While I found this book interesting and a somewhat decent introduction to Gurdjieff’s philosophy, I was disappointed by how confusing the book could get, as well as the occasional pretentious holier than thou attitude conveyed by the author. This book could be worth picking up if you want to learn a bit more about Gurdjieff or want to examine how language is treated in his system of philosophy.

3 out of 5

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Disillusionment: A different take

I was listening to an episode of Catnip Brew, a podcast that I just found tonight. One of the episodes was about apathy and disillusionment in the pagan culture. Now, as it so happens, the most read post on the blog, at this point, is the post I wrote about my own disillusionment about the occult scene. So hearing that podcast episode generated some empathy on my part. I think it's fair to say that disillusionment of some kind is an inevitable reality of a spiritual path. It's a test of that spiritual path...and could be a kind of dark night of the soul. Some people never come out of that disillusionment. They give up, or turn away in disgust because whatever they are looking for can't be found in the spiritual path being explored. They forget that you can't always look around to find something to answer the questions. Sometimes you have to create the answers.

In fact it is creating the answers that usually leads a person out of apathy or disillusionment. The person may feel jaded and cynical and yet at some point realizes that no matter where s/he looks, the answer ultimately lies within. Yes we can read books, do what the books tell us to do and even interact with other people in an organization and yet at some point the challenge for a practitioner of magic is to define his or her own path. Some never do that, and others do. I think that the apathy and disillusionment is a sign for when it is time to look toward creating your own path. At that point, you realize that whatever is out there won't answer your questions and may not even have the questions you need to ask.

My disillusionment with the occult scene started in the late nineties. I took a two year hiatus from the occult community, from 2000 to 2002, but even when I came back it hadn't really changed. All that had changed was that I was starting to develop my own path. I had read the books and practiced the exercises and rituals, and had some definite results and life changing experiences, but until I struck out on my own, I didn't really start to find or develop the questions and answers that have informed my own life journey. Even after I struck out on my own and eventually helped found the esoteric portion of Immanion Press, there was still a lot of disillusionment to work through. Some of it was from Graduate school and my choice to drop out of it...the feeling of failure and anger over that took a long time to heal. Some of it was disillusionment with myself as a person, realizing just how much I didn't like myself or how I presented myself to others, and some of it of course was magic, because even while I was writing my books, there was a part of me that felt alienated and angry with the entire occult community.

Over time, I found my path. It took years. My elemental work and the Taoist meditations was my answer to the disillusionment I felt about myself. Instead of choosing to remain apathetic about who I was, I decided to change myself, to take a much more active role in shaping myself into a person I could like, love, and be proud of. The process is ongoing, likely always will be, but as i've stated before, i'm happier with myself now than ever before. Even the emptiness working is ultimately a proactive approach toward redefining what I am doing and who I choose to be.

With the Ph.d, my answer to the disillusionment I felt was to ultimately take the skills I learned and apply them to the editing and writing I did, and in the case of several articles and my book, Multi-Media Magic, put to rest my feelings about academia, so I could move on with my life and no longer dwell on something not important.

And with magic? It's ironic that as I started in on the emptiness working, I at the same time finally found my answer to the disillusionment I've felt about the occult scene for so long. When I realized that other people felt the same way as I have, I considered that to be an indication that my dissatisfaction and concern wasn't just in my head. And that allowed me to consider taking a step in a different direction that I previously entertained much, while also finding my answer in that direction. And that direction? For now it's a bit of a secret, though one I've already dropped hints of elsewhere. I'll be more open about it eventually, but I will say that for the first time in a long time, I spiritually feel at peace with the occult community as a whole, because I'm realizing the benefit of continuing to carve my own niche, and find my own path to get the answers I seek as well as continue asking questions.

But I also know the disillusionment I felt, while not fun to experience, has helped me recognize the value of creating my own answers. To some degree, creating the non-fiction line of books in Immanion Press was my answer to that disillusionment, for it gave me an opportunity to promote what I believe is essential to the evolution of the occult subculture as well as the evolution of humanity in general. That was a partial answer and the value of that answer to myself is evident in the comfort I take in not just publishing my own writing but providing a forum for other writers to publish and share their works. The happiness I have seen in those writers when their works were published in a way that respected and valued what they had to say has often provided me hope at times when I sorely needed that hope.

And yet the full answer couldn't be arrived at until recently, until I was ready to take another step forward in service not just to myself but also others. Some of that answer arose out of my life coaching and the networking I've been doing with other businesses. And some of that answer continues to come from my own experimentation, but also work with others. It is in fellowship with others that some answers can be created. The interchange of ideas, the exchange of energy, etc. The magician is not some lone wanderer on a path, not always...Sometimes the path turns and you find there's another person or people there ready to walk for a turn with you. It is the creation of an answer that provides you the light at the end of the tunnel, the dawn rays of the sun ending that long night. What will come after that? Who knows...but I'm ready to step forward and find out.

Past, present, future...is any of it real?

In a previous post, Xi O'Teaz asked for more details about my perception of time, wherein I stated the present didn't exist. He noted that many would argue that only the present existed, while the past and future were illusions. Intriguingly enough quantum physics seems to support my meditative trance perspective of time, as I'll explain a bit further down in this post. The perspective that only the present exists, while the future and past are illusions is a perspective that is easy to adopt in everyday consciousness, because the experience of time is a very linear, moment to moment experience in that kind of consciousness. You experience it once and then its gone, and was it ever real? It's this kind of awareness of time which leads, I think to a lot of the short term thinking that has continually created problems for the world in general...too much focus on the immediate moment, while ignoring a more long term perspective.

In the meditative trance states I've hit, the sense of linear time fades right out. It's replaced with a feeling of timelessness, or rather a feeling of time being a very fluid gel that contains every possibility you could experience and has all the past moments available as well. The present becomes just one moment among all other moments experienced. It is neither more real or unreal than any other moment.

In The Fabric of the Cosmos by Brian Greene, he explains that time is a continuum which we experience all at once. A moment that occurred in the "past" is still present...in fact space/time contains and encompasses all the events that occur within it, which means that all of those events are occurring at the same time. Wait a minute, though...how do we have free will, choice, etc., if this is all occurring at the same time? Also how do you explain linear time then?

The answer to the first question is that all events in space/time are really possibilities. They are simultaneously real and not real. They exist and yet they don't exist. So how do we have free will, etc. This is where linear time comes in, because linear time is really about filtering all the extraneous possibilities and focusing on specific realities that are local to the person. Time becomes organized and laid out in a fashion that enables choices to be made, while limiting those choices. Linear time is also a way of keeping us sane, because experiencing all possibilties can make for a very heady experience, but also one where the variety of choices overwhelm the capacity to make a choice, unless you go in with an agenda focused on a specific set of circumstances, at which point it could be argued that you are imposing some linear time limitations on non-linear time in order to effect a choice.

So is the present real or is the past and future real? All are real, and all are possibilities. And we censor it all out to deal with set possibilities, to limit ourselves, and this makes sense on so many levels, and offers so much potential for how to change those limitations as well, provided we're willing to brave the wilds of non-linear time to do so. There are ways to do that...meditation being one, the creative flow another, and of course magic, but a lot of it really comes down to changing the awareness of what is possible vs what can become real.

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A brief note

I was recently invited to be a guest at Pete Carroll's Arcanorium College by an acquaintance on Myspace. I'm checking it out and it is interesting to see what Pete Carroll is up to. The person who invited me identified me as a chaos magician. I've been given that label a number of times and my work has been described as chaos magic as well. I want to set the record straight.

I have never considered myself, nor ever will, to be a chaos magician. While I certainly draw on the techniques and concepts espoused in chaos magic, I've also drawn on a variety of other esoteric practices that continue to inform my work to this day. Nonetheless, I don't consider myself to be a ceremonial magician, a neoshamanist, a quabbalist, or any number of other labels one could foist on me.

I recognize that it's convenient to label me as one of those labels, just as I recognize it's convenient to label my work as one of those labels. After all those labels come with ready made definitions and the ability for others to identify with my practices...

BUT...

Speaking for myself and for my work, let me tell you that if I Label myself anything, it is as an experimental magician. That's my current, that's what my work could be labeled under, and it is what I identify with. If you wish to know more about what I think that entails, I direct you to my article, The Evolution of Magic.

How to use over exposure to something to banish it

Something I've found fascinating and useful within my own life is taking a habit or desire and over exposing it to what is desired, without necessarily fulfilling or indulging the desire. Obviously this takes a lot of discipline to do, because you are battling with your impules. However, this discipline not only toughens you magically and mentally, but also allows you to learn impulse control and also helps you banish the desire at times when it may not be appropriate to indulge it. Of course there are also other ways to get around a desire for something. This Sunday I bought a game for a friend that I really want to play. That friend will pay me back, and I'll get to play the game. I've addressed the desire without having to spend money for it.

And yet, at least for me, what appeals about over exposure to a desire is the simple fact that it can teach you an excellent skill in learning to deny yourself when its necessary to do so. Here's an exercise to try.

Go to a bookstore and go to the metaphysics section. Look at all the books you want. Pick them up, touch their spines, flip them open and think of how much you want to buy those books. The exposure to that desire initially will be a siren song. Put the book(s) back down and leave the store. Go back the next day, and the day after. Initially the desire to buy the books will increase, operating on the principle that if you're exposed to something seven times you are much more likely to buy it. And yet each time you will do your best to deny yourself.

If you give in and buy the book, give it to someone else, ideally someone who lives far away so you can't borrow the book, as the idea here is to promote discipline in denying your desire so that you can banish it.

Continue going in each day or every couple of days and exposing yourself to that desire. After a while the desire to buy the book will start to diminish because you will have conditioned yourself to not give into your desire. Eventually you'll be able to look at the book without feeling desire to buy it. It will just be another meaningless object, and so you will have banished your desire, while strengthening your discipline in being able to say no to your impulses. This can then be reapplied to any magical work you do, and you will have confidence in your skill at being able to focus on what you need to accomplish without being distracted by a fleeting fancy.

The ability to deny your desire is the strength to also enjoy it when you can indulge yourself. Over stimulation leads to desensitization, but desire can still be felt and turned back on as it were when the time is right. What this exercise shows you however is how to take desire and turn it into a tool that allows you to banish it by overexposure.

The Emptiness Working Month 1: Rotting

In the first three weeks of getting involved in the emptiness working, I've already had so much come up. Just as the elemental love working was intense from the get go, this working has also been intense from day one. A lot of this first month has involved dealing with insecurities. Insecurities about myself, insecurities about my relationships...The gateways into emptiness. In this first month, I've suddenly found myself surrounded by potential love interests and yet none of them really manifested into anything concrete. It was if I was given a tiny taste, a few drops of water, but then it was taken away. And the ache, after it was taken away was sharp and discordant because it emphasized what was not there. In each case I met people who I could be very interested in, even feel a bit of NRE for and yet there would be something which just didn't quite work...something about each person or situation which said, "This can't happen right now." And I felt each time a sense of loss, a sense of emptiness, because I would get excited, get a taste, and then...There's a pattern there, and yes there is emptiness in that pattern.

Another way emptiness manifested into my life was through realizing just how much the guilt over last year has changed how I approach situations with people. When I was told by someone how much my actions had hurt that person, my wife, and I...and when I saw some of those same patterns repeat themselves, I realized on some level that my focus on my own desires, without any real sense of awareness for how others felt or would be effected, had caused the pain that the people. And when I looked back at not just my recent past, but also much further back, I saw that same pattern and it really hit me how much I had hurt other people because of my selfishness. I carried that guilt with me through most of this last year's elemental working...and I've carried it into this year's working as well. In an argument with my wife, it came out in a way I didn't expect...it came to my awareness, when I realized how much I didn't want to see someone else carry a similar load of guilt. And I see it in how much my actions have changed now, when it comes to people coming into my life...how much more cautious I am. But realizing how much that guilt has changed has left me feeling very sad and alone as well. We bear the weight of our crimes, but sometimes that weight sinks us, and I have sunk further into my emptiness.

And then there was the car accident, which while not horrible, nonetheless brought a sense of mortality with it, and a reminder of a much younger time and a much worse accident.

Finally, to some degree everything has lost some of it's lustre for me. At the core of myself, I feel a dull pain, a haggard kind of awareness. I feel all the cuts I've ever given myself over the course of the years. I feel all these emotions, the anger, the fear, the hunger...all of these emotions which has lead to an experience of emptiness and I realize I need to feel these, feel how I get into the emptiness before I can let go of those triggers. And some part of me feels as if it is rotting...I am in the putrefaction stage of alchemy...desiccating, decomposing, returning to the rich hummus of the Earth...part of the cycle of life, where something falls apart, in order for something else to replace it. Occasionally I look at myself and all I see is what is falling apart...The illusions feel away and what was underneath is not so pretty. I feel like one of the dragon snakes...bloated with all these emotions, growing fat on my own fear, only to have it fall away to revel the rotting core underneath.

And throughout all of this I have felt the Emperor's hand on one shoulder and Xah on the other, one whispering of how to use my emptiness, how to use my emotions and feelings to go and further into a state of mind that while very observant, is also very empty, very dark, and very alone. And XAH tells me, that the fox is about illusion but also uncovering the truth beneath the illusion. Both tempt me...both are dangerous to me in their own way...but the emptiness itself is it's own temptation. the gateway is open, and as I work through these feelings that lead to emptiness, it beckons to me...

Occasionally, I've felt moments of oneness with the emptiness, of a kind of peace. It's a rare feeling. And when I feel that way, the energy of emptiness has interwoven itself into my own energy...my hands have grown very warm, warmer than other times I do energy work, and the world has actually become crystalline...everything stands out in sharp relief...perfect.

*********

I went to a fetish event tonight. What waste of time. I've actually noticed that such events tend to enhance my feeling of emptiness and aloneness. I think it's because what I see is something I would enjoy, but it lacks something I'm looking for and so consequently all I really see are people going through the motions. Or perhaps I'm just consoling myself by saying that and really not admitting that what I feel is a terrible sense of loneliness that these events evoke. I see what is had and yet I cannot seem to have any of it. I look at these people and I have nothing to say or to offer. I realized something very important about how I handle social situations. Unless there is a very specific purpose to the event, it's hard for me to feel comfortable enough to initiate conversation. I'm great at in-person networking where I ask what do you do? But asking that at a fetish event does not exactly make one interesting...maybe I should start asking: What fetish do you do?

A friend of mine said, tonight, that she rarely feels the emptiness because as a priestess she is a vessel for whatever she works with. I'm not a priest. I'm a magician. I occasionally with entities or deities, but I am not filled by those deities. I'm not sure which of us is better off: Her being filled with whatever, good, bad, or otherwise, or me, empty, a person stumbling around, looking for something to fill that emptiness, which never quite gets filled.

At some point though (and this point incidentally is like now) you realize you can't fill it...that in fact maybe the point isn't to fill it. Emptiness can be about acceptance, as much as it can be about what is lacking. I can look at what I don't have and be filled with bitterness, anger, and fear, or I can accept what I don't have and let it go into that emptiness.

I've been experimenting with several meditation techniques in regards to emptiness. One I've done at fetish events, is to simply sit down and start meditating using Taoist breathing techniques and circulating the energy. This can lead to a very observant and mindful state of mind, and the emptiness ends up being channeled into energy I can feel...it becomes a current.

The second technique is one I've started adopting in the last couple of days. I go upstairs with a pillow. I have a blanket there...no heat on. I lay down initially in a pose which resembles the hanged man. One leg extended, the other bent, with the foot, placed beneath the other leg, arms outstretched, one eye open and one eye closed, One looking to the future, the other eye looking to the past. I eventually have to shift my legs...I'm still very flexible, but I can feel my age and it is uncomfortable to keep my one leg bent for a long period of time. This meditation can easily last an hour minimum, as it is very much a fluid state of being and one spread across time. Incidentally if you do this meditation, make sure no one disturbs you. The consequences can be unnerving as your sense of time is stretched out all over the place.

You basically end up drifting across time during this meditation. At the same time, all those feelings of emptiness just end up getting accepted and flow away into the river of time. I not only come away with an altered state of mind and a subconscious awareness of what to do next, and even some conscious manipulations of time, but I also come away a sense of great calm. Undoubtedly I'll be doing this meditation more, so keep your reader eyes peeled. I look into the past and the future. I am not present, because present doesn't exist, yet I have presence in all things and none, everything and nothing.

********

The last week has continued in a similar vein to the rest of this month. As I work with this element the past has been dug up. That's where the emptiness began, so it's fitting I go to the root of it in my explorations of this element. I use my meditation technique on days when the emptiness particularly feels present, so that I can work with that feeling, even as I extend my mind across time into memories of future and past.

My latest article on Reality Sandwich

Magic: It's more than just finding parking spaces This article reflects some of my ongoing changes in my philosophy about occult culture and the relevance of magic within it and life in general.

Critical Thinking, Intuition, Success, and Magic

I've had some really intriguing discussions lately about the role of critical thinking in magic, which consequently has also lead to discussing the concept of success and showing it, intuition and it's role in magic, and of course magic itself. Now I'm of the stance that critical thinking is an important tool in magic. This comes from my days in academia, wherein critical thinking was applied laboriously to every and all things. But from those same days, I've also seen how easily critical thinking can get abused and become something which dulls the mind and creativity of the inquirer. I saw this happen to fellow grad students and for a while had it happen to me before I decided I valued my creativity and decided to depart academia for more creative ventures. So on one hand I think critical thinking is good and on the other hand, I know all too well what happens when critical thinking becomes dogma. In fact, when it becomes dogma, it's no longer really critical thinking, so much as it is the guise of being critical thinking, with a whole of bitterness thrown in, because there's no creativity left to challenge the belief that one has to analyze everything into bits and pieces.

Critical thinking, in magic, is asking questions, of yourself, of what you're doing, and how this process is supposed to change your life. Critical thinking really works when you also add in a component of success. And what is success? Depends on the person, I suppose. For me, success is based on living a life of fulfillment and service. My success is defined by the fulfillment I obtain from it, but also the service I offer to others in the act of living. And critical thinking applies to this when I can ask myself the hard questions as to how magic enables me to achieve this feeling of success in my own life and what is the benefit of doing magic, and many other questions.

Intuition involves creativity, and learning to let go of rationality to sometimes listen to emotion, and a variety of other ways of knowing that aren't encompassed in critical thinking. Intuition is not just a kinesthetic awareness of the self, but also an awareness that extends into how we interact with the environment around us. Intuition balances critical thinking by providing us a different medium of experience. In fact, intuition is based on experience...so while critical thinking provides an intelelctual approach to magic, intuition gives us the experience to make the intellect come alive with wonder.

Meeting the Spider Goddess of Time

My grandmother died on Veteran's day. I never really knew her. I met her maybe half a dozen times in my life. But I did feel sad for my father, who even though prepared for it, is still sad. I don't attribute any special significance to her death in regards to emptiness itself, so much as I recognize that death is an ending, and emptiness is about endings and beginnings. She's left one form of life and rejoined the cycle of life. After I found out she died, I decided to try and use my new meditation to try and make one last connection out of respect for her presence in my life, and also a bit of sorrow for missed opportunities. I wanted to pay my respects to her in some form or manner that would let me connect with her, even though she is now gone from this plane of existence. I used my special meditation for emptiness, arms outstretched, one eye open, the other closed, my mind drifting across all time and space. The eye that is open is only partially open, with the eye-lid half closed, so that you only see partially out of one eyelid and there isn't much focusing. The focus of the eye shifts inward, so you're looking across time and space. I called the name of her once, out load, letting the vibrations carry out across the spiral rhythm of time, onto the web of the spider time goddess. I found her in memories, I found her ready to join the dead, and she asked, "Why have you come after me, my grandson?" And I said, "To help you on your way to the land of the dead, she who was and will be..." We walked, nothing said, just walking across the silken strands of time, visiting moments of intersection in my memory briefly and then coming to a river, my ancestors across the way waving to her. She turned to me and said, "This is goodbye". I said, "Goodbye my grandmother, goodbye she who was and will be..." We embraced one time, then she flowed on to the land of the dead, back into the cycle of life.

As I came back from the land of the dead, I met the spider goddess of time, weaving her web of wyrds and fate and destiny. She looked at me and said, "You are one of mine, even as you belong to the other time gods. The emptiness you seek is the doorway to our domain, to the infinity of time and space, all things and none. Use your guide and the infinity sign to keep finding us. In them is the eternal beat of the spiral rhythm of time, the silken vibrations of my web, the pulsing red star light of Thiede, Purson's promise of all secrets revealed and more. We named you ours early on, and we're coming to take our due. Seek us in the emptiness, seek us in the depths of all and none, the zero and one through which you've seen the crystalline perfection and the star eyed one who is you, as you are hir."

I bowed to her and thanked her, and she said, "Thank the one who departed. It's her gift to you." I thanked my departed grandmother for her gift of this journey that allowed me to meet the spider goddess of time.

Everything is perfect in the moment when you have no control over anything. When you surrender and let it all overwhelm you and take you somewhere no one else can go. Tonight, I surrendered to the current of time and let it sweep me somewhere I'd never gone...perfection. I lose myself in that current sometimes, whether in a meditation like tonight, or in the rapidly turning pages of a book, where I'm caught up in the creation of the time and space in the pages that turn and the words that burn into my mind a different world and place. My awareness of time slips out of linear and into a place where time is very circular, spiral, all over the place. Times' always been something very mutable and malleable. One moment shifts into another, but a moment can last for an infinity or it can be gone in the blink of an eye, which is one reason I'm fascinated with time as an expression of reality. The spider goddess of time, as grokked from Oryelle's writing and met tonight on my trance passage is enough another expression of temporal slippages. I've walked on her silver silken strands before, but this time I met her. I'm sure we will meet again.

Emptiness and Time

Since I've started reading Oryelle's A Brief Hirstory of Time, and also because of a conversation with a fellow practitioner, I've been thinking a lot about time's role within emptiness. It strikes me that time has a very prevalent role, both in emptiness itself, and in what comes after emptiness. Within emptiness time is representative of all the possibilities that could exist. Time isn't static in emptiness, though it may seem like it would be. Rather everything is occurring all at once. Time is non-linear, indistinguishable from reality. Time occurs, but isn't defined into measurements or increments.

When emptiness changes, when possibility becomes reality, time can be linear or cyclical, depending on how one perceives the event occurring. Oryelle says time becomes emit, or time is emitted and that works as well for our purposes. Time is emitted from emptiness when possibility manifests into reality.

It's interesting to realize that emptiness is not a vaccuum...there is existence even within emptiness. It's fluid, constantly changing, almost entrophic and the only thing which makes it non-entrophic is that a choice can be made and when the choice is made, progression occurs, something comes out of nothing, 1 originates out of 0.

If you think about it making a choice is when time begins. Or at least a version of time related to that choice...or not because there's everything leading up to choice, at which it might be cyclical instead of linear.

So it seems like the element of emptiness is also the element of time. It makes sense to me. I'm actually developing a new meditation technique, using time and the element of emptiness, but I'll discuss that at a later date.

An intriguing phenomenon I've noticed

I just finished reading The Apophenion by Peter Carroll and started a Brief Hirstory of time by Oryelle Defenestate-Bascule and I've noticed a really intriguing in both those books and Farber's latest book. It seems like all these authors have created specific entities that are engaged with, invoked, etc., by the very act of reading the book. It's as if the book acts as a gateway into the mind of a person and then uses that to create a connection to the entity which allows it to manifest. In fact, there's principles of memory which could be worked with in that way. If the entity imprints on the memory, then every time the entity is remembered or imagined it's invoked into the life of the person. I can see some roots of this in Burroughs work and Austin Osman spare's art concepts. With william S. Burroughs, you can feel the character's come alive, and I think his books were his way of invoking himself into the lives of other people, through his use of characterisation...as some of his characters were based off him. And of course a lot of written books inadvertently invoke entities, because the characters are so real to the people that they become a live for those people, but it's only with these books that I've noted an intentional effort toward creating an entity. I imagine too, that if you faithfully do the exercises that this strengthens the connection of the entity to you, as well as how it manifests in your life. It does make me wonder if I could create such an entity myself...Actually I think we do it all the time...but creating one where the book itself activated the entity is fascinating to me.

As is I can safely say that the goddess apophenia is now a presence in my life as a result of reading Carroll's work and I'm inclined to sustain that effort by working with her...it makes the book more efficacious when I read it next time. Although I've decided to already reattribute her as a time goddess, instead of how Carroll treats...which then makes me wonder if the book allows you to create your own variant of the entity, which could even work at cross purposes of the writer's intention.

Book Review: The Apohenion by Peter Carroll

I was really intrigued when Carroll released a new book on chaos magic. The Apophenion is the introduction to a goddess, more space/time speculatation, theory, and practice from Carroll, an exploration of the multi-mind and much more. It is a book worth picking up if you're into chaos magic or experimental magic, or if you're curious as to how someone who has training in math and science is applying that training to magic.

What I liked about the book was Carroll's succinct explanations of his theories about time magic and the multi-mind. I also liked his explanation of Apophenia and how one can work with her. I already consider her a deity of space/time workings from his description of her. I will note that the Apophenion is mainly a book of theory and that it assumes that readers already know a good deal about magic. Any practical applications of it, are left entirely in the hands of the readers to produce.

With this book, Carroll charts new path for chaos magic, while also updating readers on his own work. I highly recommend it as an inspiring and thought-provoking read.

5 out of 5 chaostars

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The Importance of Meaning

Earlier tonight I got into a discussion with one of my magical partners about meaning. I'd noted that what makes any kind of relationship important is the meaning that people invest into those relationships. This is true whether it's a relationship with another person, your spiritual beliefs, your cat or dog or rabbit, or anything else. The meaning we invest defines the relationship. The permutations and labels of the relationship come later and can't exist without the meaning. I was asked, if the context of the meaning was different, would the relationship be as important?

In this last year's work with the element of love, and even just two weeks into the emptiness working, I have learned so much about the value of meaning regardless of the context. If we attribute value to only what we want, we can miss out on what is truly important, which is being open to what we can learn from each relationship we have. This is why the saying, "love is blind" is apt, because the search for love can sometimes blind us to what we have in front of us.

Lupa, my wife, taught me a lot about meaning this last year. She helped me realize that the superficial trappings of a relationship can sometimes catch us up so much that we forget to look at the meaning we invest in the relationship. We focus instead on looking at what we don't have, without realizing that to really have anything in a relationship meaning has to be invested and earned to make the relationship really bloom.

So my answer is that while the context can certainly describe a relationship and some of the ways the meaning is expressed, the context shouldn't replace the actual meaning derived from the relationship. If something or someone is important to you, then they should be important regardless of the context. I will admit, that this understanding is something that long eluded me. It's only been over the course of this last year that I've even approached meaning in this way and I owe most of that to my wife.

And so we come to the last question, one not asked by my magical partner, but one that I've asked many times over, both to myself and to those people who I consider dear to me, though how I've asked it comes in different shapes and forms. What does meaning have to do with us, with magic, with anything?

Everything and nothing. Meaning is potential...what we do with meaning is up to us.  Meaning provides potential by providing us a vision of what we feel is important. We acknowledge this importance by saying such and such has meaning...yet for the potential of meaning to be realized, action needs to be taken. That action can be as simple as writing a letter or email, or as elaborate as a year long elemental ritual to emptiness. The potential of meaning is made by the actions you take to realize it.

Meaning what? Meaning whatever you make of it, good sir

The Latest Issue of Rending the Veil is up

The Latest issue of Rending the Veil is up! It features articles by Patrick Dunn, Cat Vincent, Lupa, myself, and others.

I direct readers of this blog to my article: The Evolution of Magic, which has an important announcement at the end of it. Also my new column: Occult Author Spotlight debuts with a look at Pascal Beverly Randolph. The other articles are also really good. I found Dunn's article on creating an imaginary friend particularly intriguing.

So check out the Samhain issue of Rending the Veil and see what's being done by some of the cutting edge occultists.

When to walk away from working with other people

My Interview with Abigail Doherty. This was a fascinating interview, where I learned about some intriguing energy work techniques as well as Abigail's work with animals. When to Walk Away from Working with Other people

Mostly I write about magical experiments on here. Today however, I had an adventure where I chose to walk away from a situation where I might've done magic with people. Now, I'm really picky about who I work with. I have definite criteria that need to be met:

  1. Must have a well-rounded background in magical practices and also non-magical disciplines. By well-rounded I mean someone who's studied magic extensively enough to know that the occult does not begin nor end with Crowley, and has some familiarity with not just hermeticism or chaos magic, but also Eastern approaches to magic. Being well-rounded in non-magical disciplines involves learning more a variety of disciplines such as finance, semiotics, the sciences, linguistics etc.
  2. Must have a critical, but open mind when it comes to experimentation. Know how to question the process and refine it.
  3. Must be able to show consistent effort in magical practice. No high holiday magicians here!

So today I was going to meet up with a small group of people who were trying to grow their magical group. I went mainly to see what they were doing and cause I'm curious about what others are doing. When I went there, I couldn't find them, mainly because they weren't where they said they would be. When I did encounter them, they wanted to go into a graveayrd to do their ritual. This made me feel uneasy. I don't believe in doing rituals in graveyards for the simple reasons that a graveyard is a very personal place for the dead and those people who come to honor their ancestors. None of the people I went with had ancestors there and neither did I. When they told me their ritual and mentioned it could be changed around in whatever way worked for other people, I knew at the point I couldn't work with them. Also my intuition had strongly picked up on the feeling that we were not wanted there and that the ritual was not welcome. I told them that it didn't feel right and I left without partaking in their ritual.

I walked away from working with these people because they didn't strike me as very organized or aware of magical practice. I questioned each of them a bit about their background and quickly realized they didn't seem to have what I might consider a solid foundation of magical practice. Nor were they at the place they indicated I should meet them, which seemed flaky to me. Finally, they didn't seem aware that there ritual might not be wanted. This especially bothered me, because if you practice magic, you ought to be able to sense if what you're doing is welcome or not and I definitely could tell that the dead did not want to be disturbed.

I never do magic with people I feel uneasy about. If I have any doubts, I walk away. And the reason I walk away is because you are sharing your energy with those people...It's important to be wise and careful about that. Think about your own standards for who you will practice with. What makes that person someone you'd work with? What tells you that you shouldn't work with someone? Think as well about the culture you want to be part of? Do these people represent that culture? If you have any doubts, walk away. You'll be doing yourself and those people a favor.

The Emperor

In the course of getting involved in the Emptiness working, I've had an intriguing encounter with another pop culture entity, namely the Emperor Palpatine from Star Wars, aka Darth Sidious. It probably didn't help that until a couple weeks ago I was playing The Force Unleashed, wherein the character appears, but even so the appearance of this entity in the Emptiness working is appropriate since a lot of the emotions I'm dealing with would fall under the "Dark Side" of the spectrum. I am of course aware of just how treacherous and power hungry this particular entity is. Yet in dealing with the emotions I've encountered, he's been a quiet presence occasionally offering advice...though I have yet to shoot lightning from my hands. His advice has mainly consisted of allowing myself to feel the emotion and give it expression in the act of feeling it. For me the giving of expression to those emotions has involved some opening up, but also the dissolution of the meotion by feeling it, and the adding of that energy to the feeling of emptiness, which provides a sensation of a neutral mindset, with an enhanced awareness of my immediate environment as well as the patterns of behavior and action that people are involved in. Obviously this a bit different than how the Emperor is portrayed in Star Wars, and yet it seems appropriate. The emperor is a manipulator...to be an effective manipulator he needs to be able to observe others dispassionately...he needs to be able to be empty at times. While I don't intend to become a manipulator, I do know that learning to be comfortable with emptiness is learning to be comfortable with achieving a state of mind that flows with emotion, but doesn't let the emotion take control.

This has also lead into a new direction with my energy work: Learning how to dissolve my emotional energy without automatically cycling it via a Taoist technique. Instead, I'm dissolving the energ and settling it into the feeling of emptiness itself, which ends up actually infusing the energy into me. When working with energy like this, I feel the energy settle into a vast river or stream that is within the emptiness.

I am continuing to work with the Taoist styles of energetic work, but I also think there is some value toward what I'm exploring through the emptiness working. I'm also starting to realize just how much I need to make certain changes in some plans I have for the future...I have so much to share.