Aligning your values with your desires

Over the last six or so years, some of the most significant magical work I've done has involved doing internal work to align my desires with my values. You might think that this would be automatic, but I don't think that's the case all the time. The challenge of the magician is to know him/herself and until you know yourself, you can't really know if your values are in alignment with your desires. Thus if you try to manifest a desire that isn't in alignment with your values, it may not stay with you, because some part of you is resistant to the manifestation. Aligning your values with your desires involves examining what your desires are and seeing if they match up with your values. If the execution of your desires doesn't align with your beliefs and values, then the result will be fleetingly. You will sabotage yourself to stay true to your values and beliefs. Not all of these values and beliefs are necessarily healthy, but they are in place as much to "protect" you, as to provide a moral compass to live your life. But being safe isn't all its cracked up to be, and can sometimes put you in a miserable situation, because part of you wants to protect yourself from taking a risk.

Aligning your values with your desires necessarily means that you need to look at the origins of both your values and your desires. Where do they come from? What influences sponsored your desires and values? Asking these questions can help you understand why you hold to the values you have and why you want what you want. That, in turn, can help you begin to either resolve the conflict between desire and value or recognize if your desire or value is holding you back in some way. Until you question and explore what motivates your choices, you can't know for certain if you are making those choices because you genuinely want to/believe in the need to do so, or if you are reacting on impulse of one kind or another.

Radio interview with Jaymi Elford

I just finished interviewing Jaymi Elford about her Tarot Business. We had a couple callers cal in at the last minute and I apologize to them, but if they wish to contact her with questions, please visit her website. Jaymi offers Tarot Readings, Tarot Classes, and Tarot pouches which can hold your tarot cards. She's also writing a book on cutting edge Tarot techniques. To learn more about her, please visit her website.

You can listen to the radio show interview below. Next week's topic will be Magical Groups and will air on Friday June 10th at 2:30pm.

Listen to internet radio with Experimental Magic on Blog Talk Radio

Belonging and Occult groups

I've never belonged to an occult group, and only briefly considered joining two, before I determined that I'd rather just pursue my own path. But recently on Facebook someone revived the Zee List and for a time I participated on that list way back when and it was interesting to observe how different people responded to the revival of the list in a different forum. The desire to belong is a current that seems to run strong in general in occultism and the forms it takes, whether it's a virtual community such as the Zee list or the more formal organizations such as the OTO or Golden Dawn. The desire to belong isn't the only reason someone will join an occult group, but I think it's fair to say it's a major reason people join. It's not a bad reason to join either, but it is an interesting one, because so much of the occult memes about being on the fringe. At the same time, it's natural that people will want to group together based on similar interests.

I never joined an occult group or lodge because I've always preferred my independence. Even with the zee list, which was never a formal group, it was more about sharing experiments, than actually being part of the group. My experiences with occult lodges in passing has been mostly negative, but I'm always open to the idea that someday I could change my mind.  But I don't think belonging to an occult group is an absolute essential. It's something many occultists do, but its equally possible to focus on your own studies or getting together with friends to discuss experiments without necessarily making it into a group organization.

Use what you got

Use what you got. That's one of my mantras when it comes to magical work, and what it means is use everything at your disposal that helps you accomplish your goal. If you feel fear or worry about a situation where you need a result, then use that worry and fear to push for the result. Don't suppress it, or try and clear it away. That will make those emotions stronger and will also tell reality you don't want the result. Make it part of your process, part of the equation that helps you accomplish your goal. Make those emotions your friends, helping you achieve your result, bringing you success because you've used them to write large the possibility that will be the new reality, the new you. Use what you got, because what you have is always a resource. It only becomes a problem if you make it a problem. Knowing how to take your unease and make it your ally is really about learning how to hold on to yourself in the face of resistance and discover what it is you truly value and desire. In knowing that you can make informed choices, and practice magic that is effective because everything you have is turned toward making it work.

Use what you got, because it is what you have...Use all the discord, every thought, every emotion, every fear, worry, and whisper...make it your own, make it your success.

Book Review: Advanced Magick for Beginners (affiliate link) by Alan Chapman

As I read this book, what I found myself thinking was that while I found the exercises useful and some of the author's points salient to what he was trying to teach, there was also an odd mixture of push button magic (we don't need to know how it works) and traditional perspectives, which actually in a way fits, but also reveals what I'd consider problematic about this book. There's a tendency to stick with tried and true in occultism and this book fits that tendency. The decrying of asking how magic works fits with the traditional perspectives the author takes toward evocation and other practices and ironically defeats his criticisms of occult culture, because he ends up embodying what he is critiquing.

Is it a good book? I'd say there is some useful information here, and that an occultist will benefit from exploring the ideas. At the same time, what would be the most useful exercise for this book (and really any other book in general) is to question everything the author says, and also don't buy the push button, we don't need to know how it works model. If we don't need to know why it works, why write a book on the subject?

The Microbot approach to sickness

I've been sick lately, a weird kind of flu where my temperature has gone below the usual temp. It's not a fever, but the result is I still feel sick. Never being a person to turn aside opportunity, I've been working on a technique to deal with illness that I've been using for a little while now. It's worked to actually stop a fever in the past from developing, and in this case has been used to mitigate the current sickness and speed up the healing. The technique is based off a video game called Microbots. In that game you are a microbot sent into a body to heal it by getting rid of the virus that is in the body. The developers of the game created a stunning environment that looks like the biology of the body. Useful for visualization purposes if you're doing work to contact neurotransmitters, but also useful if you want to combat a fever or flu, especially if you want to use the microbot for that purpose.

When I feel sickness coming on, or in this latest case, when I'm in the midst of experiencing it, I'll meditate before resting and create a health servitor that will go in and start combating the sickness, while also offering support to the natural systems already in place. My microbot servitor is equipped to not just fight the sickness, but also comes with healing tools that can be used to heal the body, where needed.

I like drawing on pop culture for inspiration, and the microbot game has proven to be the perfect inspiration for this work, because its provided a model of internal work I can use with my body. It demonstrates the importance of drawing on such inspirations for your magical work. I can't say I've found anything else that provides such a useful tool for health and healing work. I'm going to continue experimenting with it, and will be sure to share details either here, or in Neuro-Space/Time Magic.

Rapturous

Tomorrow is supposedly doomsday for the Christians, where they will be raptured away and leave the rest of us alone. I'm skeptical of it happening, and I think it's silly how much people are focused on trying to get to some after life, instead of focusing on living their lives. Their's nothing rapturous about giving up the gift of life. And no matter what you believe or don't believe, life is a gift, and an experience, and not something to be so casually discarded. Some Christians claim that only God knows when the final day will occur, but the way I figure it is that the need to even have such a day is symptomatic of a disease, a kind of nihilism that focuses on debasing the human experience n favor of trying to discover a state of being that will supposedly take away all the worries and fears people have.

What about living life for the sake of living it? What about learning what this life has to offer? I'm preaching to the choir in a lot of ways, but I think there is value in this life with its follies and its triumphs.

 

Magic as a technology

I tend to approach aspects of magic as a technology and/or a process. I don't think magic as a whole can be boiled down to a set of tools or processes, but I think the actions can be examined as a process and form of technology, and that there is benefit in doing this. The benefit is the ability to personalize your approach to magic, based off understanding it as a process, and knowing what can be manipulated in that process. It interests me that I find what I consider to be a willful ignorance on the part of some occultists. There's this tendency to argue that you don't need to know how magic works and that examining magic as a technology debases the practice...as if somehow it's better to not really know or ask how it works. I think such ignorance is wasteful, and of no real value to someone practicing magic.

I don't think of magic as a science, but I do find value in the process and in understanding what factors will lead to a consistent result. And not surprisingly this has resulted in what I'd consider to be consistent results. Viewing magic as a process and technology doesn't necessarily take the magic out of magic or the mystical experiences away from it. But what it does do is provide structure for your experiences, as well as a way of recording them. And it is odd that the same proponents that argue that you don't need to know how magic works, also argue that you need to keep a journal in order to review the magical work you've done. If that isn't examining how magic works, I'm not sure what is, but I will say that knowing how magic works makes your practice a lot more focused.

New books from Immanion Press - May 2011

We have 3 news books out From Megalithica Books, which is the Non-Fiction imprint of Immanion Press. Fulltrui: Patrons in Asatru

Throughout history, the ancient Northern people claimed themselves devoted to their gods. In many of the sagas and folklore, the ancients even trace back lineage directly to the divine. Today, in modern heathenry close personal relationships with deities have returned with full force. FULLTRÚI examines this phenomenon by showing real life examples of people living with patron gods.

The Inner Guide to the Megaliths by Alan Richardson

Megalithic remains are still scattered across the countryside thousands of years after being built, and their meaning – like dreams – are often the subject of intense and varying interpretation. Ordinary folk have been unexpectedly touched by these ancient sites, had the most inexplicable experiences, and have felt their own lives enlarged.

Advancing the Witches Craft by Marcus Griffin

What would you do if one of the most powerful magical forces imaginable were within your grasp? There is an entity that exists on the spirit plane that, in its purist form, is an astral projection of your magical self. And the only boundary it knows is you. This unknown entity is your shadow spirit, your “other”. Through as series of exercises, guided meditations and realignment, you will discover how to contact and join with this entity to obtain a flow of magical power and balance you never thought possible. Advancing the Witches’ Craft delves deeply into this greatly untapped resource of power that has always been available to every Witch.

 

The Adjustment Bureau

I recently watched the Adjustment Bureau, an intriguing movie that looked at predestiny, free will, and chance, from a perspective where human beings lived fairly pre-destined lives, lived according to a plan, and were monitored by "angels" who would insure they didn't deviate from the plan. The angels monitored the time line of the person by checking a tablet and seeing if the actions of the person deviated from the plan, and if they did, the angels, would make adjustments, either to the choices the person could make, or to his/her thought processes. Pretty interesting concept... I tend to approach possibilities in a similar kind of way. I'll use tarot cards, sigil webs, or other such representations to manipulate possibilities, aligning specific ones with my time line, in order to make adjustments that bring the right possibility into reality. I don't even always rely on tools. Tools, such as Tarot, make it easier to conceptualize space/time possibilities, because they act as representations of what you're trying to manipulate. But it is also possible to interact with the possibility field directly. It involves entering an altered state of mind, where you are receptive to those possibilities and can understand how they can fit into your space and time , as well as being able to keep up with the changes that occur to the possibility field, if you align possibilities into your space and time.

The ability to interact with time non-linearly, whether through tools, or through an altered state of mind, is a lot like the concept of the adjustment bureau. You aren't necessarily making a lot of big changes, so much as you are making adjustments with possibilities. Some possibilities are easier to bring into alignment, while others will require more effort. It depends on how likely the possibility will turn into reality, as well as what other possibilities you'll need to bring into alignment to make it happen. They key is to remember to be flexible in your work...don't push it too hard. Let the possibilities flow over you, and open yourself to the expression of them in your life, but only bring them into alignment when you are ready to handle the consequences.

Book Review: A Cognitive Theory of Magic (Affiliate Link) by Jesper Sorenson

This is a dense read with a lot of academic jargon. If you aren't familiar with conceptual blending or cognitive theory, I recommend reading up on those before reading this work. The other area where this book suffers is the lack of examples. The author does draw on some anthropological examples, but for the most part he obsfucates what he is trying to explain. It doesn't help that he is relying on the anthropological work of other academics, as opposed to doing some of that work himself. With that said, a careful reading of the material will provide you with an explanation of how magic seems to work, from a cognitive perspective. It's an interesting reading and the author has some intriguing ideas about how magic works from a temporal/spatial perspective, but I'd recommend reading this book carefully and in short doses, to really get where he's coming from.

3 out 5

 

A dance of possibilities

To enter into imaginary timefeeling the flow of possibilities as they merge with your linear position of reality shaping and shaped by you it all becomes one infinite, unto everything We're dancing here on the edge of time a quick slip into non-linear reality I could be everywhere, anywhere, all things and none The flow of words that come out, doesn't come close to expressing where I really am, what it is I'm becoming We are that we are, but you see we exclude all these possibilities by adhering to this space/time reality we are in. The song and dance of probability on possibility draws me in. I could stay here forever, infinite dreams flowing through me but would I ever really bring these possibilities into reality?

I am that I am back to linear reality I come with possibilities born out of imaginary time I am here with reality born anew.

My books are available as e-books

I'm pleased to announce that my books are available as e-books. Immanion Press has also made some of our other occult books into e-books as well. You can purchase my books as e-books if you visit Smashwords and search for them, or if you visit the book page and click on the link that directs you to the e-book page. Smashwords publishes the books in a variety of e-book formats. I'm really pleased to have them available as e-books and hope you will enjoy them in that format as well as the print format.

How to use distraction to improve focus

Sometimes when I do my daily meditation, I turn on the TV or music and play it in the background where I can see or hear it. And then I do my meditation, using the distractions as a way to focus my mind. You wouldn't think it would work, because it is a distraction, but it does work, because I use the distraction as a focusing tool to help my improve my discipline. Anyone can meditate in a quiet room with nothing going on around them. Admittedly, the distraction then might be the monkey mind chattering away, and it is a potent distraction, but sometimes I find that external distractions are even harder to silence, as it were, because they grab the monkey mind's attention and get it chattering about the distraction.

That's the whole point of having active distractions going on. It forces you to focus or get lost in the distraction. I see meditation as not just a practice to calm my mind, or even focus it, but also as a discipline tool for any kind of magical work I do, and since magic doesn't always occur in the confines of a quiet room, it can be very useful to create an environment where you might need to do some magic.

Its the same reason I'll sometimes meditate near a busy street or in a park where people are playing. Learning how to tune out the distractions is an important skill all occultists to cultivate. When your dealing with the chaos of people around you, or a TV or video game playing it forces you to sharpen your mind, to pay more attention to what you are doing. And that's something we need to do. When we start to take what we're doing for granted, we get sloppy. But if you have to focus all of your attention on what you are doing because of a distraction, it causes you to appreciate anew what it is you are doing and why you're doing it.

So next time you do your daily ritual, do it with a television on, or an obnoxious song playing. Do it where other people are doing things. Use it to focus you on what you are doing. Everything else is just an illusion in the background. All that really exists is you and the magic.

Upcoming Neurotransmitter Entity Class

On May11th I'll be teaching the Neurotransmitter Entity class, and we'll be meeting for 3 weeks via a teleclass to learn about how to work with Neurotransmitters and other aspects of the human body. It should be an exciting class and if you haven't signed up yet, I invite you to, as it's an opportunity to explore your relationship with your body from a different angle. I find the body to be a universe all its own, complete with mysteries. This class provides techniques that can help you start to unravel the mysteries of that universe and develop an entirely new relationship with your body. Most importantly it's an opportunity to have some experimenting with magic and seeing what you can learn about yourself in the process. If you haven't signed up already, click on the link above, or this one here and RSVP for the class. The cost is $60, and what you'll get is a free chapter of Inner Alchemy and a free chapter of my upcoming book Neuro-Space/Time Magic, as well as recordings of our class and access to a members only site.

 

Further thoughts on theme music and magic

When I think about theme music, I think of how I can graft a particular song to an emotional mood and then use that song to inspire emotional energy I can use for my magical or business work. Not just any song will do. For instance, I'm listening to DJ Soulslinger while I write this. It's good music, but it doesn't pitch an emotional response in me, so while I enjoy listening to it, I wouldn't use it as a theme. The song has to be something that resonates on an emotional level, something that gets you to feel something, and something that you can sing within your own head, when you can't listen to it. And the emotional response needs to be something you can actually use. If a song makes you feel depressed and you can't find a magical use for it, then it's not a theme song. It might be a song you listen to when you feel down, but a theme song is a call to action, a call to make a change. Now if you can use that song as a way to channel your feelings of depression then it could be a theme song.

Your song doesn't need to have words either. I love the score to Dynasty Tactics 2 and can hum it and find inspiration from it. I've used that score in magical work, as a way to charge my energy. There's no words, but the sounds are enough to invoke an emotional response and that's enough to make it work.

It really comes down to finding music that makes your soul sing and consequently stirs the very power within you necessary to make magic happen. Different music can and does embody different themes. What I would use for a wealth magic working would differ from what I'd use for a love magic working. So long s you can identify a theme that a song fits...use it. You don't need to listen to it to invoke the theme. Just sing it and let it carry your emotions into the magical work you'll be doing.

Religion and Business part 2

I recently attended a business luncheon where the keynote speaker spoke about his business. Among other things he talked at some length about how he dedicated his business to God and trusted in the vision and path God revealed to him. Before every major business decision, he'd pray to God for guidance. It was interesting to note that many people in the room seemed quite comfortable with his god talk and seemed to agree with what he did. I'll admit I had my own knee jerk reaction, but I got over it fairly quick and then I really paid attention to what he was discussing, because I realized I could take what he was discussing and apply it with a magical focus. Instead of working with a god (though one could be useful), I could work with a wealth or business entity who's sole purpose was to focus on growing the business. I could even work with the business itself as an entity, consulting with it about major decisions and using its advice. Maybe it sounds a little farfetched, but is it really?

The keynote speaker's business is doing really well and what's most fascinating is how many times they've gotten really good business deals because they brought it to God and let him does his work. As a magician, it's clear to me that this person has gotten a direct tap to the field of probabilities and gotten some useful results. And you don't need to be a Christian to make that happen, because it's not so much about the religion as it's about the process.

This business owner prays to God each time a decision comes up and is specific in his prayers. Then he lets go and lets it happen. Sounds similar to sigil and spell work.

The magician can take a similar approach. I've actually done that in corporate world, by creating an entity out of the project I was working on and having the entity guide me in my work and interactions with co-workers. Applying it to your own business works in a similar manner, with the added benefit of already having a logo and name for the business, which can house the entity. Before you make any major decisions, do a consult with your entity, explaining what you want to accomplish and directing it's focus toward helping to manifest the desired result. Then let it work and do your part and watch what happens: Manifested reality.

As simple as that.

Definitions and Personalizing Magic

One of my passions, when it comes to magic, is really about personalizing it to fit the circumstances of your life and what you draw inspiration from. When I learned ceremonial magic, I realized that to make it really effective, I had to personalize it, fit it to my style and understanding of the world. Thus Pop Culture Magic came about, a direct answer to how I could personalize magic to fit my cultural background and interests. Recently on the Magical Experiments page on Facebook, I asked what pop culture others drew inspiration from. One person found the Justice League to be an effective pantheon, while another person drew on the Circle of Magi  series. Another mentioned the Dune series, and another mentioned the Invisibles series. All of these people found inspiration from non-traditional sources and yet clearly those examples worked for them.

Magic really needs to be about personalization, which is why I always urge that people develop their own definitions, while also learning from other people's definitions and explanations about magic. The ability to draw on your own understanding of magic and to personalize what you do magically is what makes magic work so effectively. Learn the foundations of magic...learn how others do what they do, but then challenge that in your own work and don't let others gainsay you from doing so. You can only know your limits, if you are truly willing to experiment and test what you've learned by personalizing to fit your understanding of your place in the world and universe and how you move that place, and move all else to create perfect alignment with your desired change. That truly only happens when you challenge what you've learned with experiences and make the knowledge your own through experiental doing!

How to get out of the Funk

I've been feeling a bit funky, a bit depressed lately. Nothing I can't handle, but sometimes circumstances will get you down, and of course, in the end you need to pick yourself up. I found my answer for getting out of the funk from a somewhat unlikely but rather useful source. I've been watching episodes of Ally McBeal on Netflix (It was a lawyer dramedy from 1997 to 2002). It's a quirky, funny show, for the most part, but there was something I found relevant for getting out of my funk. The main character Ally is told she needs a musical theme, something she can draw inspiration from when she's feeling unhappy. And you know...that's actually a useful idea to play with. She certainly did, dancing to it, singing it, etc. She used a song to set the tone of her emotions.

I've actually used music quite a bit, both for setting up the mood in magical rituals, but also for inspiring emotions. The right song, the right words, can do a lot to get you out of a funk or put you into a particular mood. So when I watched the show, it didn't surprise me, so much as it reminded me of how I can use music to get out of a funk. I think it's a kind of magic (pun intended).

Seriously, though, I have used music to to create specific moods and used that to charge sigils, or used it to create a persona for a situation. Music moves us, and so its wise to use it as a magical tool to move us to the spaces we want to embody in our lives.

Banishing people

Over time, I have found it occasionally necessary to do a banishment working to banish people from my life. I've found that continuing to tolerate their influence, energy, or presence in my life makes me unhappy and so instead of continuing to compromise the overall value and happiness in my life, it's easier to just banish the people. When I talk about banishing someone, I'm not talking about harming the person. While I may not like the person and may not want him/her in my life, I also don't want the person harmed. I just want him/her gone. For me, its not a matter of harming, so much as removing something that no longer belongs in my life. I wish them the best (even the people I don't like), but I don't need to continue to put up with them.

There are several techniques I've developed for this purpose. One is to create a sigil web and include in it all the people, experiences, events, etc that I currently have in my life. The ones I want to keep, I strengthen and the ones I want to banish, I cut out of the web. I then burn their symbols and put the ash on the road. I don't want it on the ground I live, since that would invite them back into my life.

The other technique is somewhat similar, but also different Instead of creating a web, I create a sigil for the person I no longer want in my life. I put in that sigil all the feelings I have about the person. Then I burn the sigil take it off property. By putting the emotions I feel toward the person into the sigil, I'm able to free myself of an feelings I have toward that person. This is a good technique to use for someone you don't like.

I think its healthy to banish people from your life. You can't and won't necessarily be friends with everyone and it's important to maintain your boundaries and protect yourself from undesirable influences. Banishing allows you to do that and also allows you to ground yourself.

Evocation and the process of magic

Traditional evocation is a technique magicians use to work with entities. It differs from invocation in that the magician is summoning the entity into the environment around him/her. Evocation is typically used to summon an entity so that it can perform a specific task that the magician requests of it. Some forms of evocation involve summoning an entity and then compelling it to aid you by invoking other entities that are opposite of it. This essentially amounts to threatening or compelling the entity into doing the task for you. I recommend against it, and would suggest bargaining with entity, and honoring your end of the bargain. When doing evocation, it's a good idea to consider why you are doing the evocation, and if the task you want the entity to perform can be accomplished another way. There will be certain types of tasks that are better suited to entities and certain ones that you can resolve yourself. I use evocation when I want the entity to perform that involves influencing a specific behavior or activity in my favor, but still leaves me with the actual decision. For example, one entity I work with is focused on making me aware of potential opportunities. I still have to choose to follow through on those opportunities, but the entity takes care of an essential task that I simply couldn't do. Its focus is on scanning space/time for the opportunities and than making me aware of them. It's not a skill I have, but it's a skill that entity has.

On the other hand, evoking an entity to do something you could handle yourself is wasteful and also keeps you from sharpening your own skills. It's important to recognize this distinction so that you can improve your skills. For example, I once wanted to buy a car. Instead of creating an entity, I did an enchantment to obtain the money I needed to purchase the card. I already had a job, but I knew I needed more money than I'd have available at short notice. By doing the enchantment, I was able to focus on very specific details the entity might not have considered. I realized I needed to attend to the task, instead of assigning it to an entity. It's a case of picking the right tool for the right job, and with evocation, it's better to have an entity do something you can't do, then have it do something you could've easily handled yourself.

In ceremonial magic, evocation is done with specific tools, incenses, and other props that are used to create a specific atmosphere that accommodates the entity as well as the altered state of mind the practitioner needs to be in to work with the entity. However, evocation can also be done with collages , paintings, and other techniques that are non-traditional but still enable the magician to make a connection with the entity. Although some magicians will claim that traditional approaches are more powerful, I've found that using more artistic approaches to evocation has been successful. I think it comes down to understanding that evocation, much like any other magical technique, is really based on your understanding of the fundamental principles at work. If you understand those principles, you can make evocation regardless of what tools you use.

Evocation isn't limited to evoking entities. The magician can evoke specific behaviors or emotions, or even do an evocation of another person or a past/future version of him/herself. Just as with invocation, it ultimately comes down to connection, and understanding how to use evocation to create and embody a connection you want to manifest in the environment around you. I have successfully evoked people into my life, by using specific attributes as a way to create a connection with people who had those attributes. Evocation operates on the principle of connection and names. The name of an entity, or an attribute, or a person is a powerful tool that allows the magician to create a connection to the manifestation of the entity, attribute, or person. That connection is used to pull the entity or person into his/her life and to embody the attribute from within him/herself in the external environment.