Some thoughts on protection magic

Each day I do meditation to ground myself, but part of the meditation also involves sustaining protective magic as part of the grounding aspect. Protection from what? Protection from external influences, or internal beliefs, or a combination of the two, or some dastardly wizard out to get me, because of something I said or did? I've seen several books on protection and reversal magic, where someone throws something at you and you say, "I'm rubber and you're glue." I've always found it interesting that people will buy the books and put so much effort toward protecting themselves and then I'm reminded I do daily work that essentially acts as a protection.

I think protection is important, to one degree or another. For some people, who have a need for drama, protection may be especially important as a way to protect against the magic someone else might do toward them. Whether someone is doing magic or not is a question, because for such people there is a suspicion that it's all in their heads. On the other hand, there are legitimate cases where another magician will try to mess with you for whatever reason and it pays to have protection against those people. Setting up your home with wards and reinforcing them can pay off, when someone comes knocking on your door with a desire to put the hurt on you.

But for the majority of times that I really think about magical protection, it's really for potential mundane disasters. Car accidents, natural disasters etc. It's magic you do for that eventual day when something comes up that's out of your control and the only thing you can do is hope what you've put into place will turn it aside enough to make sure you walk away.

There's always a place for protection, so long as we don't let it stop us from experiencing the world. Protect yourself, but also challenge yourself.

How I use paintings in my magical work

I use paintings in a lot of my magical work. I'm currently working on one now, which is a self-evocation piece. The majority of my paintings tend to be used for entity work of one form or another, but I also have used some of them for specific spell work, like when I created a painting for an astrological alignment that was occurring. I find that paintings provide me an opportunity to align myself with particular events, people, etc. and express that alignment as well.

This is a painting I did a while back for my work with Elephant. It's obviously not a literal painting of an elephant, but it is an expression of my connection to elephant and at the same time functions as a portal to connect with the primal energy that represents elephant.

This is a picture that represents the spider queen of time. It's fairly abstract, because it's actually focused on representing the web she weaves, but it works to convey that web as well as provide a gateway to it.

This is a painting I did for Bune to thank him for his aid in my wealth magical workings. It's his goetic seal, but it's personalized because of the painting. Any work I do involves using this painting.

As you can see paintings are an important tool in my work. I find that the creative expression puts me into the right frame of mind to do magical work, and that the space I create via my paintings is useful for shaping the magic I need to do.  Do you use any art in your magical workings, and if so how?

A couple of upcoming classes

I have a couple of upcoming classes. One is a local class, for those of you who live in the Portland-Vancouver area and one is a Teleclass. Details Below: Breathing Meditation class

In this class, Taylor Ellwood will teach you Taoist breathing techniques that you can use for meditation and for achieving closer connection to your body. Knowing how to breath correctly can help improve your health. You will learn:

• The Fusion of the Five Elements breathing and how you can use it to help you work with negative emotions and release them
• The Taoist Water breathing technique which can help you dissolve internal blockages
• How to use your breathing to attune yourself to your body’s consciousness.

When: July 9th at 1pm at New Awakenings Bookstore 404 East Main Street, Battle Ground, WA 98604 RSVP: 360-687-7817

Space/Time Magic Course

Space and time are two elements of our lives that we live with and use every day. In the classic models of magic, these elements are not overtly included. In this class, I will show you how to integrate both of these elements into your magical work. You will learn why its important to factor time and space into your magical workings, as well as how the inclusion of these elements can radically change your understanding of magic. You will also learn:

• How movement and space can be used to construct sacred space.
• How to manifest multiple possibilities using sigils.
• How to create a sigil web that maps your life in terms of space and time.
• How to work with your future and past selves.
• How to work with alternate selves and learn from them.
• Free e-book version of Space/Time Magic included! 

Space and Time are two elements that we can’t ignore if we want to really understand magic. This class will help you take your magic to the next level.

To RSVP, go here

Where research fits into experimentation

Research is an integral part of experimentation for magical work. When I'm working on a project, writing a book, or looking at working with a pop culture icon or brand, I do a lot of research. Whether its researching the history of a character, or reading up on neuroscience, I know that to get an accurate understanding of what I want to work with I need to do research that will support my experimental work. An experiment is defined, in part, by the information you have available to you, as well as by the desired outcome you want to accomplish. An experiment can't be structured effectively until you've examined relevant information that can provide an understanding of what you'll be working with.

When I first began my experimentation with neurotransmitters I'd already done my research by finding out what they were and how they worked in the brain. I couldn't have developed a neurotransmitter entity technique if I didn't already have some information on what to look for and what to potentially expect. My real test was sharing the technique with other people who hadn't necessarily done the same research. When they got similar results, that told me that the technique was sound, but also that the research had paid off, because I was able to provide enough information to help people work with the neurotransmitters effectively.

Magical experimentation doesn't occur in a void. Every magician I know who experiments isn't just coming up with something off the top of their heads They are researching information, looking up what others have done, and putting together a technique to experiment with, based in part on the research they've done.

What about you? What research do you do, in order to improve your magical work?

Some experiments I'm working on

I'm currently working on some different experiments. Some of these are in concept phase, while others are being developed as practical applications. All of them represent ongoing work I'm involved in. 1. Neurotransmitter work: I've been working with neurotransmitters as entities for over 7 years now. The current work I'm doing has involved working with multiple neurotransmitters at the same time, for purposes such as emotional regulation, healing, and related work. I'm writing about this work in Neuro-Space/Time Magic.

2. Web of Space/Time: This is my system of space/time magic. I've been working on it for a while now and its partially related to the work I've been doing with movement and space, as well as exploring time's role in navigating space. There's also some work with possibilities in imaginary time. I'm writing a thorough explanation in Neuro Space/Time Magic.

3. Movement/space work: I've been exploring how to use movement as a form of magical work and expression for a while now. It's another of those current projects that's focused on the book, but also focused on working with the body as the main form of magical expression.

4. Brandscapes: This has been inspired by the class I'm teaching on pop culture magic. At this point it's a concept, but one I want to explore further as a way of working with a company entity in a purposeful, and focused manner.

These are a few projects that are on my mind. What about you? What's something interesting you are experimenting with in your magical work?

Radio show on Magical Groups

Here's the latest radio show on magical groups. Take a listen, and leave a comment, if you agree, disagree etc.

Listen to internet radio with Experimental Magic on Blog Talk Radio

Credibility, causality, and magic

When I think about causality and magic, one realization I have is that trying to make the causality of magic credible is really trying to apply a different model of thinking that may not fit magic. Magic doesn't really operate on Scientific laws of cause and effect. It has its own rules, and those rules involve a different angle and take on causality, as magic applies to it. Trying to fit magic into some box or hole of another discipline isn't useful, if you are strictly applying that discipline to magic as an explanation of it. It can be useful to draw on concepts and practices from other disciplines in your magical work, but that's a different post altogether. Wanting magic to fit some kind of scientific, rational explanation is really taking the wonder out of magic, in my opinion. Even in my own work of defining magic, I've never really tried to fit it into another discipline, so much as I've tried to explore my own experience of it. And when I think about it, magic is really about experiences. Yes it can be a technology, and an art, etc., but its more than that. It's experiences and its stepping into a frame of mind that is willing to accept those experiences and find meaning where most people wouldn't. It's not about credibility in the standard sense of the word, because such ideas of credibility are based off specific disciplines that try to structure the experience of the world in very specific ways, different from magic And to be fair, magic also is about structuring experience in a very specific way.

My point is this: Trying to approach the causality of magic in terms of credibility as derived from other disciplines doesn't work too well, because there's a predisposition to view magic as some kind of primitive activity done by people who don't know any better.

We do know better however. We know that magic works and we can even explain how it works, but the explanation we provide won't necessarily fit within the accepted perspectives of other disciplines. Nor does it need to. If the result occurs consistently, the process works and that's all the credibility you need. The causality is involved in the process and your understanding of that process is a large part of the causality of magic, and how it's bringing desired change into your life.

Book Review: The Emerald Tablet (Affiliate link) by Dennis William Hauck

This book provides a good explanation of the seven stages of alchemy and how they can be applied to a person via psychology. The author does have a tendency to mix in some inaccurate history and also tries to connect alchemy to UFOS, but even with those flaws, this is still a useful book for someone wanting to learn about alchemy and begin applying some of the concepts to his/her life. I recommend it primarily for the explanation of the seven stages of alchemy, which you can apply to your life via your own internal work.

Aligning your values with your desires

Over the last six or so years, some of the most significant magical work I've done has involved doing internal work to align my desires with my values. You might think that this would be automatic, but I don't think that's the case all the time. The challenge of the magician is to know him/herself and until you know yourself, you can't really know if your values are in alignment with your desires. Thus if you try to manifest a desire that isn't in alignment with your values, it may not stay with you, because some part of you is resistant to the manifestation. Aligning your values with your desires involves examining what your desires are and seeing if they match up with your values. If the execution of your desires doesn't align with your beliefs and values, then the result will be fleetingly. You will sabotage yourself to stay true to your values and beliefs. Not all of these values and beliefs are necessarily healthy, but they are in place as much to "protect" you, as to provide a moral compass to live your life. But being safe isn't all its cracked up to be, and can sometimes put you in a miserable situation, because part of you wants to protect yourself from taking a risk.

Aligning your values with your desires necessarily means that you need to look at the origins of both your values and your desires. Where do they come from? What influences sponsored your desires and values? Asking these questions can help you understand why you hold to the values you have and why you want what you want. That, in turn, can help you begin to either resolve the conflict between desire and value or recognize if your desire or value is holding you back in some way. Until you question and explore what motivates your choices, you can't know for certain if you are making those choices because you genuinely want to/believe in the need to do so, or if you are reacting on impulse of one kind or another.

Radio interview with Jaymi Elford

I just finished interviewing Jaymi Elford about her Tarot Business. We had a couple callers cal in at the last minute and I apologize to them, but if they wish to contact her with questions, please visit her website. Jaymi offers Tarot Readings, Tarot Classes, and Tarot pouches which can hold your tarot cards. She's also writing a book on cutting edge Tarot techniques. To learn more about her, please visit her website.

You can listen to the radio show interview below. Next week's topic will be Magical Groups and will air on Friday June 10th at 2:30pm.

Listen to internet radio with Experimental Magic on Blog Talk Radio

Belonging and Occult groups

I've never belonged to an occult group, and only briefly considered joining two, before I determined that I'd rather just pursue my own path. But recently on Facebook someone revived the Zee List and for a time I participated on that list way back when and it was interesting to observe how different people responded to the revival of the list in a different forum. The desire to belong is a current that seems to run strong in general in occultism and the forms it takes, whether it's a virtual community such as the Zee list or the more formal organizations such as the OTO or Golden Dawn. The desire to belong isn't the only reason someone will join an occult group, but I think it's fair to say it's a major reason people join. It's not a bad reason to join either, but it is an interesting one, because so much of the occult memes about being on the fringe. At the same time, it's natural that people will want to group together based on similar interests.

I never joined an occult group or lodge because I've always preferred my independence. Even with the zee list, which was never a formal group, it was more about sharing experiments, than actually being part of the group. My experiences with occult lodges in passing has been mostly negative, but I'm always open to the idea that someday I could change my mind.  But I don't think belonging to an occult group is an absolute essential. It's something many occultists do, but its equally possible to focus on your own studies or getting together with friends to discuss experiments without necessarily making it into a group organization.

Use what you got

Use what you got. That's one of my mantras when it comes to magical work, and what it means is use everything at your disposal that helps you accomplish your goal. If you feel fear or worry about a situation where you need a result, then use that worry and fear to push for the result. Don't suppress it, or try and clear it away. That will make those emotions stronger and will also tell reality you don't want the result. Make it part of your process, part of the equation that helps you accomplish your goal. Make those emotions your friends, helping you achieve your result, bringing you success because you've used them to write large the possibility that will be the new reality, the new you. Use what you got, because what you have is always a resource. It only becomes a problem if you make it a problem. Knowing how to take your unease and make it your ally is really about learning how to hold on to yourself in the face of resistance and discover what it is you truly value and desire. In knowing that you can make informed choices, and practice magic that is effective because everything you have is turned toward making it work.

Use what you got, because it is what you have...Use all the discord, every thought, every emotion, every fear, worry, and whisper...make it your own, make it your success.

Book Review: Advanced Magick for Beginners (affiliate link) by Alan Chapman

As I read this book, what I found myself thinking was that while I found the exercises useful and some of the author's points salient to what he was trying to teach, there was also an odd mixture of push button magic (we don't need to know how it works) and traditional perspectives, which actually in a way fits, but also reveals what I'd consider problematic about this book. There's a tendency to stick with tried and true in occultism and this book fits that tendency. The decrying of asking how magic works fits with the traditional perspectives the author takes toward evocation and other practices and ironically defeats his criticisms of occult culture, because he ends up embodying what he is critiquing.

Is it a good book? I'd say there is some useful information here, and that an occultist will benefit from exploring the ideas. At the same time, what would be the most useful exercise for this book (and really any other book in general) is to question everything the author says, and also don't buy the push button, we don't need to know how it works model. If we don't need to know why it works, why write a book on the subject?

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The Microbot approach to sickness

I've been sick lately, a weird kind of flu where my temperature has gone below the usual temp. It's not a fever, but the result is I still feel sick. Never being a person to turn aside opportunity, I've been working on a technique to deal with illness that I've been using for a little while now. It's worked to actually stop a fever in the past from developing, and in this case has been used to mitigate the current sickness and speed up the healing. The technique is based off a video game called Microbots. In that game you are a microbot sent into a body to heal it by getting rid of the virus that is in the body. The developers of the game created a stunning environment that looks like the biology of the body. Useful for visualization purposes if you're doing work to contact neurotransmitters, but also useful if you want to combat a fever or flu, especially if you want to use the microbot for that purpose.

When I feel sickness coming on, or in this latest case, when I'm in the midst of experiencing it, I'll meditate before resting and create a health servitor that will go in and start combating the sickness, while also offering support to the natural systems already in place. My microbot servitor is equipped to not just fight the sickness, but also comes with healing tools that can be used to heal the body, where needed.

I like drawing on pop culture for inspiration, and the microbot game has proven to be the perfect inspiration for this work, because its provided a model of internal work I can use with my body. It demonstrates the importance of drawing on such inspirations for your magical work. I can't say I've found anything else that provides such a useful tool for health and healing work. I'm going to continue experimenting with it, and will be sure to share details either here, or in Neuro-Space/Time Magic.

Rapturous

Tomorrow is supposedly doomsday for the Christians, where they will be raptured away and leave the rest of us alone. I'm skeptical of it happening, and I think it's silly how much people are focused on trying to get to some after life, instead of focusing on living their lives. Their's nothing rapturous about giving up the gift of life. And no matter what you believe or don't believe, life is a gift, and an experience, and not something to be so casually discarded. Some Christians claim that only God knows when the final day will occur, but the way I figure it is that the need to even have such a day is symptomatic of a disease, a kind of nihilism that focuses on debasing the human experience n favor of trying to discover a state of being that will supposedly take away all the worries and fears people have.

What about living life for the sake of living it? What about learning what this life has to offer? I'm preaching to the choir in a lot of ways, but I think there is value in this life with its follies and its triumphs.

Magic as a technology

I tend to approach aspects of magic as a technology and/or a process. I don't think magic as a whole can be boiled down to a set of tools or processes, but I think the actions can be examined as a process and form of technology, and that there is benefit in doing this. The benefit is the ability to personalize your approach to magic, based off understanding it as a process, and knowing what can be manipulated in that process. It interests me that I find what I consider to be a willful ignorance on the part of some occultists. There's this tendency to argue that you don't need to know how magic works and that examining magic as a technology debases the practice...as if somehow it's better to not really know or ask how it works. I think such ignorance is wasteful, and of no real value to someone practicing magic.

I don't think of magic as a science, but I do find value in the process and in understanding what factors will lead to a consistent result. And not surprisingly this has resulted in what I'd consider to be consistent results. Viewing magic as a process and technology doesn't necessarily take the magic out of magic or the mystical experiences away from it. But what it does do is provide structure for your experiences, as well as a way of recording them. And it is odd that the same proponents that argue that you don't need to know how magic works, also argue that you need to keep a journal in order to review the magical work you've done. If that isn't examining how magic works, I'm not sure what is, but I will say that knowing how magic works makes your practice a lot more focused.

New books from Immanion Press - May 2011

We have 3 news books out From Megalithica Books, which is the Non-Fiction imprint of Immanion Press. Fulltrui: Patrons in Asatru

Throughout history, the ancient Northern people claimed themselves devoted to their gods. In many of the sagas and folklore, the ancients even trace back lineage directly to the divine. Today, in modern heathenry close personal relationships with deities have returned with full force. FULLTRÚI examines this phenomenon by showing real life examples of people living with patron gods.

The Inner Guide to the Megaliths by Alan Richardson

Megalithic remains are still scattered across the countryside thousands of years after being built, and their meaning – like dreams – are often the subject of intense and varying interpretation. Ordinary folk have been unexpectedly touched by these ancient sites, had the most inexplicable experiences, and have felt their own lives enlarged.

Advancing the Witches Craft by Marcus Griffin

What would you do if one of the most powerful magical forces imaginable were within your grasp? There is an entity that exists on the spirit plane that, in its purist form, is an astral projection of your magical self. And the only boundary it knows is you. This unknown entity is your shadow spirit, your “other”. Through as series of exercises, guided meditations and realignment, you will discover how to contact and join with this entity to obtain a flow of magical power and balance you never thought possible. Advancing the Witches’ Craft delves deeply into this greatly untapped resource of power that has always been available to every Witch.

The Adjustment Bureau

I recently watched the Adjustment Bureau, an intriguing movie that looked at predestiny, free will, and chance, from a perspective where human beings lived fairly pre-destined lives, lived according to a plan, and were monitored by "angels" who would insure they didn't deviate from the plan. The angels monitored the time line of the person by checking a tablet and seeing if the actions of the person deviated from the plan, and if they did, the angels, would make adjustments, either to the choices the person could make, or to his/her thought processes. Pretty interesting concept... I tend to approach possibilities in a similar kind of way. I'll use tarot cards, sigil webs, or other such representations to manipulate possibilities, aligning specific ones with my time line, in order to make adjustments that bring the right possibility into reality. I don't even always rely on tools. Tools, such as Tarot, make it easier to conceptualize space/time possibilities, because they act as representations of what you're trying to manipulate. But it is also possible to interact with the possibility field directly. It involves entering an altered state of mind, where you are receptive to those possibilities and can understand how they can fit into your space and time , as well as being able to keep up with the changes that occur to the possibility field, if you align possibilities into your space and time.

The ability to interact with time non-linearly, whether through tools, or through an altered state of mind, is a lot like the concept of the adjustment bureau. You aren't necessarily making a lot of big changes, so much as you are making adjustments with possibilities. Some possibilities are easier to bring into alignment, while others will require more effort. It depends on how likely the possibility will turn into reality, as well as what other possibilities you'll need to bring into alignment to make it happen. They key is to remember to be flexible in your work...don't push it too hard. Let the possibilities flow over you, and open yourself to the expression of them in your life, but only bring them into alignment when you are ready to handle the consequences.

Book Review: A Cognitive Theory of Magic (Affiliate Link) by Jesper Sorenson

This is a dense read with a lot of academic jargon. If you aren't familiar with conceptual blending or cognitive theory, I recommend reading up on those before reading this work. The other area where this book suffers is the lack of examples. The author does draw on some anthropological examples, but for the most part he obsfucates what he is trying to explain. It doesn't help that he is relying on the anthropological work of other academics, as opposed to doing some of that work himself. With that said, a careful reading of the material will provide you with an explanation of how magic seems to work, from a cognitive perspective. It's an interesting reading and the author has some intriguing ideas about how magic works from a temporal/spatial perspective, but I'd recommend reading this book carefully and in short doses, to really get where he's coming from.

3 out 5

A dance of possibilities

To enter into imaginary timefeeling the flow of possibilities as they merge with your linear position of reality shaping and shaped by you it all becomes one infinite, unto everything We're dancing here on the edge of time a quick slip into non-linear reality I could be everywhere, anywhere, all things and none The flow of words that come out, doesn't come close to expressing where I really am, what it is I'm becoming We are that we are, but you see we exclude all these possibilities by adhering to this space/time reality we are in. The song and dance of probability on possibility draws me in. I could stay here forever, infinite dreams flowing through me but would I ever really bring these possibilities into reality?

I am that I am back to linear reality I come with possibilities born out of imaginary time I am here with reality born anew.

My books are available as e-books

I'm pleased to announce that my books are available as e-books. Immanion Press has also made some of our other occult books into e-books as well. You can purchase my books as e-books if you visit Smashwords and search for them, or if you visit the book page and click on the link that directs you to the e-book page. Smashwords publishes the books in a variety of e-book formats. I'm really pleased to have them available as e-books and hope you will enjoy them in that format as well as the print format.

How to use distraction to improve focus

Sometimes when I do my daily meditation, I turn on the TV or music and play it in the background where I can see or hear it. And then I do my meditation, using the distractions as a way to focus my mind. You wouldn't think it would work, because it is a distraction, but it does work, because I use the distraction as a focusing tool to help my improve my discipline. Anyone can meditate in a quiet room with nothing going on around them. Admittedly, the distraction then might be the monkey mind chattering away, and it is a potent distraction, but sometimes I find that external distractions are even harder to silence, as it were, because they grab the monkey mind's attention and get it chattering about the distraction.

That's the whole point of having active distractions going on. It forces you to focus or get lost in the distraction. I see meditation as not just a practice to calm my mind, or even focus it, but also as a discipline tool for any kind of magical work I do, and since magic doesn't always occur in the confines of a quiet room, it can be very useful to create an environment where you might need to do some magic.

Its the same reason I'll sometimes meditate near a busy street or in a park where people are playing. Learning how to tune out the distractions is an important skill all occultists to cultivate. When your dealing with the chaos of people around you, or a TV or video game playing it forces you to sharpen your mind, to pay more attention to what you are doing. And that's something we need to do. When we start to take what we're doing for granted, we get sloppy. But if you have to focus all of your attention on what you are doing because of a distraction, it causes you to appreciate anew what it is you are doing and why you're doing it.

So next time you do your daily ritual, do it with a television on, or an obnoxious song playing. Do it where other people are doing things. Use it to focus you on what you are doing. Everything else is just an illusion in the background. All that really exists is you and the magic.