Some Thoughts on Community, Connection, and Access

access The other day I come across this blog post, where the author, Cat Chapin-Bishop discussed a desire to be able to meet with someone as a peer, as opposed to needing to take a class to have access to the person. I then read a post by Jason Miller, which while not written as a response to the one I've mentioned above, fittingly enough does present a counter perspective in regards to who has access to an occult author. In his post Jason makes it clear that certain boundaries are needed when you have a certain degree of fame and that a certain level of protocol and etiquette needs to be maintained in order to connect with him. The issue that both of these people bring up in their respective ways boils down to access, specifically who has access and connection to people who are considered prominent within a given community.

My feeling on this topic comes somewhere between the two perspectives already mentioned. I am in favor of peer relationships, but I also think that the nature of such relationships changes to some degree as you become an expert in your field. Also as someone who has a bit of fame, I've found that people want access to someone famous without necessarily considering that person's needs. They want to bask in their perception of that person and as a result the relationship is less about a peer connection and more about validation of themselves via having a connection to the famous person (A great example of this in action is someone who likes to name drop who they know that's famous. It's more important to them that they are perceived as someone who knows someone famous).

Like Jason, I do have certain protocols in place when it comes to how people can connect with me, and how I prefer for them to connect with me. The reason those protocols are in place is because I want my privacy respected and because I am selective about who I let in my life. On occasion I've had people who've wanted my opinion or perspective on their projects, or even wanted me to participate in those projects (with an expectation that I would participate), as if I should feel obligated to do so. What I've felt instead is that it's been more of an intrusion on my time to write and work on my own ideas, which I'll admit are much more precious to me. As such I tend to limit my connections in specific ways, because in doing so I also preserve and cultivate my creative genius which is an integral part of my own spiritual and practical work.

Nonetheless, I also feel that it's important to connect to the community at large. I create certain opportunities for people to connect with me. Some of those opportunities are paid for, such as through the Process of Magic class or the class I'll soon be offering on Space/Time Magic, and some of those opportunities come about as a result of attending a convention where I'm speaking, at which point I do make every effort to speak with people who want to connect with me. I even offer a chance to connect with me once a month, in person, if you happen to be in PDX  (living here or visiting) and attend one of our monthly meet-ups (subscribe to my e-newsletter to learn more). People who attend those meetings regularly end up becoming friends and cultivating a deeper relationship with me because they've come to know me as Taylor the person as opposed to Taylor the author. However all of these ways to connect with me are filtered to a certain degree in order to also allow me to maintain my own space and focus on my own work and also are filtered by the fact that the type of access isn't necessarily a peer relationship, but rather a teacher/student relationship. Such a relationship can still provide a sense of connection and community, but it does not automatically provide a peer connection.

When it comes to peer relationships, I'm picky. I want people I can collaborate with or have a good discussion with, but also people who know and understand that I have my own commitments. I have a few people I connect with on a somewhat regular basis and those people aren't all fellow authors (most of them aren't in fact). They are people I'd happily meet up with for a bagel, but they are also people engaged in a similar level of work and as such my interest in developing a peer relationship is partially motivated by wanting to know more about their work and what they are doing as well as by the opportunity to brain storm together. They are people who intrigue me with what they do and as a result I connect with them because I feel a sense of connection and camaraderie based on our mutual interest (hopefully they feel the same about me).

You can't force a specific type of relationship to happen. A relationship of any type occurs organically, based on what each person brings to the relationship. For me what makes a relationship valuable is how people treat each other. Anyone who contacts me in a respectful manner will be treated respectfully.  At the same time, I do maintain the right to have my own boundaries and enforce them as needed. The fact is I still have a lot I want to write and do and in order to do that I find that I need a fair amount of me time, because that's what really allows me to do the level of research, experimentation, and writing that I want to do. I think recognizing the boundaries you need is an essential part of establishing healthy relationships with yourself and other people.

The Art of Not Knowing

not knowing In Thinking in New Boxes, one of the suggestions that the authors make is that you doubt everything you know, or that you cultivate a state of not knowing. I think of this as the art of not knowing and what it really involves is learning to recognize that everything you think you know is a filter that can keep you from being open to what you could learn. I practice the art of not knowing every day and it has helped my creativity and appreciation of the world immensely. Not knowing allows you to move out of your comfort zone (which is what you "know") and experience the magic of life. So how do you cultivate the art of not knowing?

As the authors suggest, learn to doubt everything you think you know. What you know can entrap you because while it seems to provide a sense of certainty about the world, what it also provides are filters for your experience of the world. By doubting everything you keep yourself open to experiencing the present as it is, without holding onto preconceptions that could hold you back from being fully present.

Something else that I do is continually cultivate curiosity. I'm curious about everything. I don't assume I know everything, but rather constantly ask questions and test what I think know because I'm curious to see what I'll discover. By being curious I allow myself to not know and use that not knowing to artfully uncover the mysteries of the universe.

Another way that I cultivate not knowing involves experimenting with what I'm learning about. I never take the authority's word for it, but instead test it myself to see what I can discover. Sometimes what I discover is what the authority has shared and sometimes I discover something else entirely. Whatever it is that I discover, I keep myself open to discovering it by allowing myself to experiment and test, instead of just accepting something as known.

Assume nothing, know nothing and allow yourself to use not knowing to keep you in a place of curiosity, inquiry, and experimentation. You'll discover a lot more and have a lot more fun.

Month 12 Elemental Balancing Ritual Movement: Focus

Eros 9-27-13 Since Eros brought up that we'd focus on focus in movement, I've been paying more attention to everything I'm doing from exercising and eating to writing and business. By consciously focusing on what I'm doing or how I'm doing it, I've been able to more consciously interact with the movements of everything I'm doing. I've also been continuing to study movement, especially the movements that occur in any given situation. What I've observed is that everything is in motion and yet the motion creates stillness as well. The stillness is the realization of movement, which nonetheless also leads into more movement, which is potential stillness.

9-28-13 I'm taking part 1 of the Oak, Ash, and Thorn workshop that R. J. Stewart offers. It's been a good experience so far, and one where I'm getting a lot from the workshop. I've been given two symbols that relate to my current work. I've also been mediating about tress and how the roots of a tree extend to the underworld, while the branches of the tree extend to the celestial world and the trunk mediates the mixture of under and over world energy in order to manifest reality. What's fascinating is that the meditations have given me some really interesting ideas about where to take some of the movement work. I'm looking forward to seeing what day 2 brings.

10-2-13 It's been a few days since the workshop with RJ wrapped up. Today I made an offering to Hawthorn. I drove out to a place where I'd found Hawthorn leaves and did a brief prayer of thanks and then made the appropriate offering. I felt a brief sense of acceptance and that was that. I'll start work with the next tree tomorrow in my meditations.

As for the second day of the workshop...I got an idea for pop culture magic 2.0 based on a discussion RJ had about iconotropism, which basically involves the understanding of how icons evolve as cultures bring new tropes to them. We also got into a discussion about mediation and its role in magic. Having RJ's works I felt like the discussion shed further light on what mediation is as a principle of magic and how important it is to be open to being moved by what you work with, while also being able to mediate that for other people and even yourself. I also ended up connecting with Puck as an entity, to the point that I ended up mediating him as well as connecting with another entity, of which I wrote a poem/invocation. What interests me the most about Puck is that he's a gatekeeper of the cross roads, a door opener, which is something I intimately relate to in my own work. I found it even more interesting to realize that all of the entities/deities I work with on a prolonged basis also mediate energies of the cross roads, and I've also thought of myself as an opener of the ways (as well as having others indicate that about me as well). I got a third symbol and I need to spend some time working with these symbols.

Beyond all that I've been contemplating focus and its place or lack thereof in my life. I actually recognize that in some ways I have been very unfocused. That might sound odd to some people, but when I consider the last decade of my life, I see a lot of wandering, a lot of drifting. I'm okay with that because I needed it, but I'm also ready for it to end, and I've been giving a lot of thought to what I can be great at and how that can focus my efforts in whatever I'm doing.

10-3-13 I finished reading Good to Great last night and I woke up early this morning with a profound realization: I need to be great at what I'm called to do and what I'm called to do isn't the business coaching. What I'm called to do is the spiritual work, the writing, the classes, the coaching that I can offer through that particular medium. I've felt so scattered, so unfocused because I've tried to do too many things at the same time and because I've bought into limiting beliefs and fears about being an occult author and pursuing this work full time. Some of those limiting beliefs are my own, formed when I first started writing and felt that as an occult writer I'd never be able to make a living from it (obviously there are writers who can and have done it by offering more than just writing). But some of it also comes from other people who applied their own fears to me or showed me in one form or another that they felt I was a burden or a drain and that they didn't really believe in what I could do. The thing is I've lurched from business to business, trying to find something that makes me want to get up and get started with my day, and as I've done this I've learned certain lessons. I've learned that I prefer to be self-employed. I've also learned that I love working with people. And now I'm really taking to heart something a coach of mine said to me: You can't two chase two rabbits at the same time. I've been chasing two rabbits at the same time for a while now. I've got a publishing business I help run, I've got my writing and spiritual work, and I've got the business coaching, but what I've also got is a split in focus with not much getting done at all. I haven't really given myself over to any one thing.

I can't give up my writing or the magic. It's what I live, love, breathe, etc. It's my life, my work, my everything. And the publishing is part of that work, part of the spiritual calling I have, part of something I need to do for the sake of what that publishing represents. But the business coaching is something else. I like it and I'm good at it, but it doesn't call to me in the same way. It never has. It's also a giant time commitment. The amount of networking I do alone eats up so much time that a lot of days I don't feel like writing. I'm peopled out and just want to recharge.

I woke up this morning and I answered this question of what I can be great at, what I know I''m great at. I told Kat about it, laying it all out, the fears, the realizations, everything and she said to me: I support you completely. I believe in you completely. I know you are called to do this and I'm willing to support what you want to do. Hearing that and knowing it's true, knowing that what I really feel called to do is supported and believed in. This made me feel good. I'm ready to really pursue what I am called to do.

10-6-13 In my meditation today Bune came to visit and we had a long discussion about money habits. He pointed out that I needed to make some changes in lifestyle and really focus in on the long term vision of where Kat and I want to be. It's easy to get so caught up in now, but he's got a really good point and it really struck home to me, especially as he reviewed how I've handled my business money and made some suggestions on things I could change. After my work with him, I went to the crossroads and discovered that the next tree I need to work with is Oak. There's some interesting ideas I'll share eventually in a separate once I've connected with all the trees.

10-7-13 I'm reading Make Magic of your Life by T. Thorn Coyle. She makes an interesting about obsession and how it consumes you. My own experiences with obsession certainly validate that perception of it, whereas she considers desire to be something that runs deeps and speaks to what we really want. Working with desire is uncovering what we really want and making it part of our lives, while obsession is running from what we want, getting lost in something, but not being honest about what we really want from it. When I apply this to myself, I see the obsession show up in my relationships and the driving need I've felt to fill up the emptiness within myself. I still feel that on occasion and I'm still figuring out as a result what my desires are and what my obsessions are, but as I've learned to mediate the emptiness and not run from it, its made it easier for me to focus in on doing this internal work and helping me uncover my desires, while also letting the obsessions go.

10-10-13 The past half week has really drawn my awareness to the fact that I am my own worst enemy when it comes to focus. While I manage to get a lot done, I can be fairly scattered in my approach to work and life. I think in some ways I've been scattered because I've been focused on several different directions. That and realizing how much networking I've been doing and how exhausted I am from it. I'm realizing how much of an introvert I am and this in turn has helped me see how much I need to focus my efforts toward my projects and writing over anything else.

10-16-13 Since I last wrote in this entry I've been examining my focus or lack thereof and come to a few conclusions. I've decided to cut back on networking events for the business coaching, and I've also decided to only check e-mail and social media twice a day. Implementing these actions has already made me feel better and more focused than I was before. I'm getting to some of the writing I've been wanting to do and even planning a class for some time in the future. It's funny how certain situations have to come to a flash point where the arrival at such a point forces you to evaluate what you're doing and how you're doing it and provides you a way to make changes that frees up some of the mental and emotional space you were investing elsewhere.

10-18-13 One of the most important lessons I've learned is that acting on impulse can create a lot of problems. Since the realization I had a few weeks ago about what I'm great at, I've really just focused on thinking about what actions to take, which I've written about above, but ultimately I came to the conclusions that tossing the baby out with the bathwater (i.e. stopping business coaching altogether) isn't a good idea. I do like business coaching, and what I realized I really needed was to evaluate my time and refocus on the writing, but still keep the business coaching, because it is a business that is continuing to grow.

I've always been an impulsive person and it has rarely served me in a good way. My impulsiveness has seen me make life decisions that I've ultimately regretted because they put me in situations where I ended up more miserable than anything else. So spending some time really thinking about my choices and what I want to do has been really helpful and a useful application of focus. I don't need to be scattered and floundering every which way. I've done enough of that already, but being focused and really being present with a given decision...that's something I'm going to keep doing.

10-19-13 Writing is its own magic, a feeling of flow and creative application that turns into manifestation and action on the part of writer and reader. When I write and I am really into it, it feels like the heart of the universe has opened up to me and revealed its secrets, allowing me to be a medium that in turn shares those secrets with anyone willing to read the words I share. Writing brings me to life in a way that almost nothing else does (only magic makes me feel the same). Writing is a reality in and of itself, an altered state of consciousness and identity that causes the rest of the world to fade away in the clatter of keys and the connection to the creative urge that speaks the words of the universe through me.

10-21-13 It's my birthday. I am 37 today, the age my parents were when I was born. That's a bit mind blowing in and of itself. This last weekend Kat took me to Astoria for as a birthday gift. We visited the Flavel House, Cultural Museum, and the Jail where they filmed the opening scenes of the Goonies. Each place was interesting in its own way. At the Flavel house, both Kat and I felt the presence of the ghosts on the property. The town itself is an interesting place with a lot of history.

On Sunday, when we got back, we went for a walk and made offerings to Oak, Ash, and Thorn, followed by the offering  make to Dragon. I felt a bit frustrated in regards to the trees, because I'd had trouble identifying them, so Kat pointed out that I just needed to let myself feel as opposed to think about them and she was quite right. I'd been too busy intellectualizing them. This morning, when I meditated, I let myself reach out to them and I connected to them. They told me the symbols I'd gotten during the weekend workshop were symbols I could use in the space/time magic work I'm doing, and were also meant to help me connect with them. I'm going to meditate on those symbols over the next couple of days.

Usually at this time of year, on this day of my birth I transition from one element to another. I've chosen this time around to stick with the element of movement for another year. There's a lot more for me to experience with that element and I'm open to discovering whatever it is I learn.

Happy Birthday to me!

Why traditional models of elemental magic don't work for me

tibetan elements I've posted about this topic before, but a book I'm reading, Healing with Form, Energy, and Light by Tenzin Wangyal Rinpoche, prompted some further thoughts on this subject. In the book he explains that while five elements may seem too few to account for the diversity, he feels that the five elements can be continually developed into more subtle divisions. And it's a good point he makes. I think if you examine any model of elemental magic, you'll find a similar rationale. But I disagree with it, and while I respect that such a model does work for many people and is traditional foundation for elemental magic I think that why I disagree with it boils down to a sense that while you can associate a variety of attributes to a given element, it doesn't accurately portray those attributes. What it does do is provide a way to categorize behaviors, activities, etc into a particular element so that you can in turn say "X activity, behavior, etc., is like fire." This categorization gives people a way to conceptually understand something, but it also limits that understanding to the context of the association, and this limitation applies both to the element and what's associated with the element. In other words, if I associate certain attributes with fire, I limit my understanding of fire to those attributes.

In my own work with elemental magic, I've decided to treat whatever I'm working with as its own element. For example, instead of associating movement with a classic element, I've made it into its own element. By doing so, I feel that I can interact with and understand movement in a way that wouldn't be possible if I lumped it into another element. In my own approach to elemental magic, I've discovered that working with a given concept as an element in its own right has been more useful because its helped me really engage and understand how that element shows up in my life. This has allowed me to apply that concept more meaningfully to my life and practice because I'm exploring it as it is instead of trying to categorize it.

A traditional model to elemental magic focuses on categorization because its an easy way to understand an experience that's happened. But are you really engaging an experience when you can just categorize file it away? I'd argue that you really can't engage an experience unless you are willing to directly take part in it, which means shedding any categorizations you have and just allowing yourself to have the experience. In working with movement, as I recently shared, I discovered and am continuing to discover a lot I didn't really know about movement and wouldn't have thought of, if I hadn't been willing to treat movement as an elemental force. Now, you might argue that by treating movement as an elemental force, I'm still categorizing it, and you'd be right, by I'm not associating it with other elements, but instead treating it as an elemental force in its own right. And it may be that I am limiting my experience in that way, but I've also found that I'm still experiencing more of movement than I'd ever experienced before.

The same has been true of my work other elements, including the classic elements. When I worked with the element of fire, I had a hard time initially weening myself from the associations I had with it, but I found that as I stripped those associations away, I ended up having a different appreciation of fire as an element. It was much more primal than how I'd thought of it. I'd challenge you to consider taking a different approach to your own elemental work. Instead of sticking with the classic associations, try to just experience the element as it is. It may gave you a different insight and relationship than you'd previously had.

 

An update on my writing projects

book_mystical_journeys  

It's been a while since I've done an update on my writing projects. So here's where I'm at with various projects.

1. Mystical Journeys: The Magical Journal of Taylor Ellwood (2011-2012) is now available from Immanion Press. This is a collection of all the blog posts on this website from 2011 to 2012. I'm not planning on deleting any of the posts, but if you want a book where all of them are referenced or you are just fascinated with my writing and various ideas, this is a good book to pick up. Both years were productive years, where I re-found my love of writing and magic.

2. The Book of Good Practices Vol 1 and The Book of God Practices Workbook by Bill Whitcomb and Taylor Ellwood is now available (self-published). I've been working on a book project with Bill Whitcomb for about 4 years. We finally finished it and are making the core books available as e-books, and the workbook available as a print book. Parts 2 and 3 will be published in the near future and eventually we plan on publishing all three parts as a print book.

3. The Space/Time Magic Correspondence course is coming together slowly. I think it will come together a lot faster now that I'm re-evaluating some of my priorities and scaling back on other activities which have been a distraction from the writing.

4. Manifesting Wealth (my wealth magic book) is done with editing. I'll be doing layout for it in the near future. The cover is currently being worked on and if all goes well, it'll be available in January of 2014.

5. I've just started on Pop Culture Magic 2.0. At one point I wasn't sure I wanted to write more on the topic of Pop Culture Magic, but I've had a change of heart, due in no small part to seeing so many people actually working with and expanding on the concepts of Pop Culture Magick. I've got some intriguing ideas to share.

So it looks like my writing is fully back. I just need to make sure I have time to do it as well as the related work around it. And down the line, I'm going to start writing some fiction...I have ideas there that would be a lot of fun to write.

Pop Culture Magic/Geekomancer survey

mystery I came across the survey below via S. Rune Emerson's post on Pagansquare and thought I'd answer it as well. The idea was originally taken and adapted from asksecularwitch on Tumblr. I would guess that I'd be considered a geekomancer, given my interest in pop culture magic, so I'm answering the survey in that vein.

1. As a Geekomancer or Practitioner of Geekomancy/pop culture magic, where do your moral and ethics come from?

Primarily they come from my own experiences. It's fair to say that I take a situational approach to morals and ethics. I see situations as shades of gray and act accordingly. All that said, I do have some definite boundaries about what I won't do, and as I've continued to do a lot of meditation and internal work, I've found that the chaos in my life has diminished a lot, so I favor applying more proactive approaches to handling situations and recognizing my role in said situations so I can take appropriate responsibility.

2. Is it hard to interact with people who don't relate to the geekomantic/pop culture magic practices?

It can be when it comes to pop culture magic. While that's not the only type of magic I practice, and I have an extensive foundation in Western and Far Eastern spiritual practices, I find that with pop culture magic you either have people who love it and respond well to it (thankfully much more now) or you have people who get bent out of shape and feel it's a threat to their spiritual practices or try to put it down as something which isn't serious magic. For the most part, I avoid interacting with the latter type of people because they already figure they know everything (thus their dogmatism and need to attack something different) and any argument with me is just going to be an exercise in futility for all involved.

3. Have you had any problems with being a Geekomancer/pop culture magic [such as people being aggressive to you because you're a geek]?

On occasion, mainly when dealing with dogmatic people who think they know everything about magic. Otherwise, it hasn't been an issue. I did go trough a love/hate period with pop culture magic, due in large part to the hostile reactions I got toward it, but I've come to realize that what matters is that what I do works and that I'll find other people who want to share in it, if they feel called to it.

4. What is your opinion on what constitutes "magical orthodoxy?"

Hmmm...I think magic practice can be perceived as a process and if you understand the process, i.e. how magic works, you can apply it to anything you want to draw on. The key is to recognize that the props are merely window dressings, and the real process is what you actually do with magical work.

5. How do you interact [if at all] with more 'traditional' or culturally-accepted spirits and gods?

I have some interaction with a few such beings and we seem to get along fine. I treat them with respect, much as I'd like to be treated.

6. Where are the origins of your practice?

I wanted to practice magic since I was 7 or 8 and first began reading fantasy. Eventually I discovered magic was real and I started experimenting with it. My experiences form the basis of my practice, but they are also informed by my studies and interests. I'd have to say that Raistlin from Dragonlance is part of the origin of my practice. I always resonated with his character and what that character went through, and why magic is so important. I felt and feel the same way to this day.

7. What are the big items that you practice within your practice [example: Divination, Spellwork, Herbalism, Spirit Work, etc] and how do you deal with them on a fundamental level as a Geekomancer?

Meditation, practical magic (sorry I don't do spells), entity work. And ow I deal with them...I make it a part of my everyday life.

8. Have you met other magicians like you?

There's a couple of people I've met in person who have a similar interest in pop culture magic, and a larger amount online as well. That said, it's few and far between, and when you add in my other interests such as space/time magic or Inner alchemy, it becomes even smaller. I'm a pioneer of experimental magical practice, but its good to see more pop culture magicians.

9. Do you have any core doctrines, practices, or principles that you work through? [Such as: Using X gemstones because Y, for example]

I treat magic as a process, and I'd say that informs everything else I do. In that process can be found the principles of magic. My approach to magic is methodical, and that kind of thinking is what really makes my practice what it is.

10. How long have you been practicing Geekomancy, pop culture magic vs Any Other Type of Magic [assuming you've practiced more than Geekomancy]?

I've been practicing pop culture magic since 1995, which is just two years after I started practicing magic. I started sharing my work in 1997 and eventually wrote Pop Culture Magick in 2003 (published 2004).

11. How do you view concepts like the soul, ghosts, afterlife, etc?

I don't really care to be honest. I've had enough near death experiences that I know there's something on the other side, but I figure it'll be important when I'm dead.

12. Is there are particular location that you practice in and what are the reasonings for that?

I do magic anywhere, because it is everywhere.

13. Compared to others [either who have answered this survey or who you've met] what is your feelings on others who practice Geekomancy/pop culture magic? It makes me happy to see other people practicing pop culture magic and it makes me feel vindicated that i'm right that pop culture magic is a viable form of magical practice.

Bonus: What comes to mind when I say: "Balloon"?  Loud scrunchy noises, hot air, and bright colors. Pop!

 

My Altar to Elephant

Elephant  

I've always been fascinated with Elephants. Even as a young child, they were my favorite animal and still are to this day. Over the years, I've collected elephant statues, read up on elephants to learn more about how they act, and supported non-profits focused on helping Elephants. An acquaintance gifted me Elephant skin that she'd somehow found as well as bracelets made of Elephant hair. I use both in my magical workings.

In my system of Space/Time Magic, Elephant is one of the spirit guides I work with. He is the guardian of the gates of time and space, the guardian of the crossroads. Before I work with the web, I always ask his permission.

Today, Elephant asked me for his own altar and told me that if I visited the Goodwill store up the street, I'd find what I needed. So I drove up to the goodwill store, and I found a foldable bookshelf and he indicated that the top shelf was for him and anything associated with him. I brought it home, dusted it and prepped it for Elephant. The picture above contains everything related to Elephant that I have, other than the necklaces that I wear on occasion.  I also have a painting I did, as well as a picture of Elephant from an artist. I have a mask of Elephant also, which hangs in my office.

I don't know that I'd call Elephant my totem spirit (perhaps he is). I do know that Elephant is a presence in my life that I strongly resonate with. Someday I plan to get a tattoo of Elephant on my body as another way to honor his presence in my life, but this altar is a good start.

My changing relationship with movement

movement As I've been working with movement as an elemental force for the last year, my understanding of it has changed. And I have no doubt it'll continue to change as I work with it for another year. When I first began contemplating movement as an elemental force, I thought of it purely in the sense of physical movement, but as I continued to work with Eros as an avatar of movement, and worked with movement as an element overall, I came to realize that there was a lot more to movement than just the obvious physical movement a person can do.

First there's the recognition of what you are moving around and through. Movement of any type takes place in an environment where other factors need to be considered. You might never consider them consciously, but they nonetheless are something that effects how you can move. For example, if you walk into a room you need to consider what's in the room and how you will move around it. Even when you are moving around outside, you still need to move around objects. And an additional factor is navigation. Where are you going and how will you move there?

But movement is more than just physical. When you want to manifest a possibility into reality, it involves movement. You may need to take certain actions, or do a working to align variables that effect the realization of the possibility. When you understand movement plays a role, you can utilize it as a principle of magic that aids you in your workings. Movement as a metaphysical force isn't just the alignment of variables, but also an awareness of how everything fits together. When you move, you aren't just moving one part, but rather everything. This may not be readily apparent, but I find that movement is really a pattern in a way. What's being moved is the pattern of reality, the entirety. A movement may occur in one area and spread out like a ripple. Understanding this about movement can change your awareness of what movement is and how it works in your life.

My work with movement has also helped me appreciate its relationship with stillness. I'll eventually be working with stillness in more depth, but I see how movement leads into stillness, and how constant movement is not necessarily as good for a person as one might think. Movement has its place, but so does stillness, and stillness sets movement up. Both interact with each other to support what each element can provide.

The reason I'm working with movement for another year is that I feel like I've barely scratched the surface. So much of the initial work has centered around my own issues and so there is a need to explore movement further in detail as it applies to the metaphysical and physical realities that I'm engaged in. And I feel that there's a lot to learn as it applies to space/time magic. I've shared some of my realizations along those lines, but there is more to come and I'm open to discovering what it is.

How being great defines my spirituality

Good to Great I recently finished reading Good to Great (review below). It's a book about what makes some businesses great, but as with anything else you can apply the principles in the book to your spiritual work. As I've been reading this book, I've been thinking a lot about what I'm great at, about what I can do that not just anyone else can do and I recommend reading the book and asking yourself the same question, because you may find that it changes your life, work, and spiritual practices...or it may just confirm something you already know, but give you a different perspective on it.

I think that asking yourself what you can be great at can define your spiritual work as well as your practical life. When you ask yourself what you can be great at spiritually what you are really doing is focusing on what brings you to life, when it comes to spiritual matters. For example if you identify as a reconstructionist, perhaps what you are great at is identifying with, researching, and implementing practices from a spiritual tradition that speaks to you with its values and practices. I'd argue that what you identify with, what you feel called to defines what you can be great at.

I feel called to experiment. I identify myself as an experimenter, and for me its what brings the greatest joy to my spiritual practice. It's what makes great as a magician, because I've recognized that my identification with experimentation makes me great. It's what makes my spiritual path thrive, and it provides me a deep seated sense of connection to magic because I recognize how it fits in with my passion and my curiosity. Reading Good to Great just helped me understand that even more because I recognize that what I am great at is experimenting with magic, experimenting with different perspectives, methodologies, etc. What makes you great with your spiritual practice?

Book Review: Good to Great by Jim Collins

This is a must read book that will change more tan just how you run your business. It will change your life, because it will ask you a tough question: What can you be great at? In this book the author explores what makes some businesses "good" and makes other businesses great. What he reveals is that businesses who know what they are great at and focus on that to the exclusion of everything else are the businesses that become great because they understand their core value and culture. They make themselves great because they are so focused on what they can be great at, that they make it the entire purpose of their work and lives. They define their core values and let those values inform everything they do. This is a book that will help you understand how to be great at your business or your life for that matter. The case studies and principles they explore show how some businesses become great and why they stay great. Buy this book and read it because it will change your perspective on business and life.

Some Thoughts about Oaths and Offerings

Dragon 1 This last weekend I attended a weekend workshop by RJ Stewart and Anastacia Nutt which is the Oak, Ash, and Thorn workshop for Faery work. I highly recommend their classes if you are wanting to learn more about magic in general as well about working with the Faery. In any case, they made some interesting points about oaths and offerings, which I want to share, as well as my own considerations of what was said. I've included pictures of my finished dragon tattoo, which is an offering I made to Dragon to honor his role in my life.

In regards to oaths, RJ noted that the stereotypical treatment of oaths is that when an oath is made, if its broken dire consequences occur and that it's implied its entirely on you to honor the oath. However he offered a different perspective on oaths, wherein an oath should be made in good faith, but that both parties need to do their part to honor the oath. In other words, if I make an oath to a particular spirit or deity, it's both on me and the deity to honor the oath. He said that the effort should be 50% from both sides. Not only did I find this to be a much more sensible explanation of oaths, but I also think there's some value to approaching oaths in that way. If an oath is entirely on the head of the person giving the oath, then there is an imbalance already involved because who or whatever the oath is being made to is expecting everything and providing nothing. On the other hand if the deity is also contributing to the upholding of the oath, then what occurs is a genuine relationship. I don't think I've come across an explicit explanation such as what RJ offers, but I find his explanation to make the most sense and certainly to be a better one than the stereotypical definition offered about oaths.

In regards to offerings, RJ noted that the reason spirits want food is because they get something back from our process of manifestation. The spirits can't cook food, are responsible for the initial growing process. However when we cook food we are doing something they can't do and changing the nature of the food, and this provides them a kind of sustenance or energy as a result. He recommends making an offering a week, and suggests moderation in this practice. Again this is something which makes sense to me and I like his approach to this particular practice. I have been integrating offerings into my daily work via the form of a prayer of thanks, but his suggestions about offerings are ones I'm also going to integrate.

I recognize that other people have their own perspectives on offerings and oaths, but I find that RJ's perspectives are what resonate with me, and I think it is important to discover and recognize how a given principle of magic manifests in your life. It may manifest differently for you than it would for others, or you may find that one definition makes more sense than another. Different people will have different perspectives on what works and why it works...the key is to find your own and understand and implement it.

Dragon 2

Hanaliel Haliel

Hanaliel HalielEst ash lath mor! Est tash mine koros sava! Iat ies Jah More Tu! Toros Sime Yehs Jah Kor!

Hanaliel Haliel guard us as we seek the gates to the heart of the universe Open the doors of the crossroads

Hanaliel Haliel Est ash lath mor! Hanaliel Haliel Guardian Angel of the door six winged messenger and guardian sword your jeweled eyes see all see into our hearts and judge us if we are not worthy to open the doors to the crossroads of creation Open to us who are sincere in our words actions and goals to connect with the spirits of the other worlds

Hanaliel Haliel Est ash lath mor!

Definitions and sense of self as intersections of identity

identity I'm reading Thinking in New Boxes.  It's a good book, and I know this because it's gotten me thinking along some interesting vectors. In Thinking in New Boxes, the author explains how there's no such thing as thinking outside the box. He claims we all think in boxes and even if we get outside of one box, we're still thinking in another box, because of we use "boxes" to define and explain the world around us. Essentially, boxes are labels, definitions, models, etc., for helping us navigate and understand our experiences. He makes an interesting point when he notes, "To make sense of all these disparate inputs (stimuli, elements, events, etc.,) your mind either relies on preexisting categories that it has already created or, if none of those categories fits the present reality, it generates new ones." And what this prompted me to realize is that categorizations also can apply to a person's sense of self, and thus create intersections of identity.

Part of this realization also comes from something else the author said, namely that in order to deal with complicated aspects of real life we need to use "boxes" in order to compartmentalize those aspects. This compartmentalization creates an intersection of identity, where the "box" is used to shape an identity that handles what's in the box. So for example, you have a job identity, which is different from your romance identity. Both of these identities exist in you and can even come to the fore at the same time, but typically one will be more prevalent than another based on the environment you are in, as well as whatever stimuli you're dealing with at the time. The reason we come up with different identities is to handle the boxes, but also because it allows us to switch off when we go into another situation which calls for another identity to come to the fore.

So this is taking me in some interesting directions, because I'm also thinking about definitions and how they are used to define a perceived reality according to the agenda of the definer. When we add in the above idea, what we come up with as well is that definitions don't just define a perceived reality, but also the identity of the person using the definition. In other words, definitions define the person as much as they define whatever is being defined. This might seem like a bit of a stretch, but consider that part of the agenda for a definition is that it not only defines something, but also defines a person's interaction with that thing, and by extension the identity of the person. In this sense then a definition becomes an intersection of identity, both the identity of the definer, and the identity of the people who use the definition, as well as the definition in and of itself.

For magical work, this intersection of identity and definition can be useful for exploring how particular identities are formed and sustained as well as how they can be modified. If we can consider that definitions are a categorization of not only ideas, but also identity, then whatever definitions we use need to be chose carefully, and in fact this may be why it's better to develop our own definitions. At the same time, we can also explore the identity of the person or people who developed the definitions and better understand why they chose to define something in the way they did. This understanding can help us in the formation of our own identities as well as the definitions we use, and make the magical work more meaningful.

Why Service to your community is an integral part of spiritual work

service When we talk about magic and spiritual work, most of the time the focus is on a person's journey into his/her spirituality, but I think that another component of a person's spiritual work is the service you engage in with the community around you. That service can involve the Pagan community you are apart of, but I also think it should include service to the larger community that you are apart of. Service to the community is an integral part of your spiritual work because it provides you a way to give to the community. And service doesn't need to be complicated. It could involve working at a soup kitchen or donating some time to a nonprofit that you believe in, but regardless of what you, why you are doing it is because you feel a call to serve your community.

I also think that this call to be of service can be applied to your profession. As the managing non fiction editor of Immanion Press, one of the things I've focused on is how I can use the press to serve the community. One of the missions that I've set for Immanion Press is that we publish books on issues that need to be addressed in the Pagan community, but aren't being addressed overtly. For example Women's Voices in Magic was published because I felt it important to have an anthology that strictly represented what women had to offer on magic. Similarly Shades of Faith is anthology which focuses on Pagans of color speaking about their experiences in the Pagan community. Immanion Press will be publishing  new anthology called Rooted in the Body, Seeking the Spirit later this year which focuses on people with disabilities sharing their experiences in the Pagan community. Each of these anthologies were put together because I saw a need to focus on these topics.

In each case, I found someone to edit the anthology who was qualified to edit it and could do an excellent job of reaching out to their respective communities. I recognized as a white male that while I saw a need for each of these anthologies and could hep them get published, I wasn't the one to edit them. Instead as part of my service to the community I needed to find the right person who could edit the anthology and who would feel a similar passion for the anthology that I felt. I also recognized that I could help set up the circumstances, but I needed to step away, provide enough support to help each editor, but also let them run the project their way. This showed them that I respected their work and the work with the people they were working with. I think that Brandy Williams, Crystal Blanton, and Tara Masery Miller all demonstrate that passion in their respective anthologies.

What I love the most is hearing how each of these anthologies empowered the people who wrote for them and helped to facilitate and promote much needed conversations in the Pagan community. The anthologies are a way that Immanion Press can serve the community, and it has even helped to get some of the people to continue writing and sharing. To me, while Immanion Press is a publisher that publishes books, it's also a publisher willing to publish work that might be edgy and controversial because it gets conversations to happen and raises awareness about issues that the Pagan community needs to address to continue to evolve.

Publishing is a passion of mine, but part of that passion is informed by my desire to serve the community I am apart of. For me, one the best ways I can serve the Pagan community is no only publish my own work, but empower other people to write their books, in their voice, to their audience. And what really excites me is helping to publish the anthologies and other works that promote discussion about issues in our community that might otherwise not be focused on as overtly. Publishing is part of my spiritual work, because the books we publish are for the Pagan community, and so I see it as a form of service. I don't make a salary for the work I do for Immanion Press, and what little I do get paid amounts to pennies for hours of work, but why I'm doing isn't for the pay, but rather for the opportunity to help people share their words with the audience that needs to read them. In doing so I serve a part of my spiritual calling. And I think that informs a lot of my approach to magic as a result, because it's not just about my journey, but other people's journeys.

 

Month 11 Elemental Balancing Ritual Movement: Resistance

Eros 8-23-13 Today I meditated on some advice a student provided me and had a breakthrough of sorts in regards to some offerings I can make. It's a combined breakthrough because I'm also taking a class on how to market classes, and so it fit right in line with that...synchronicity aligning the information to crystallize possibilities into reality.

I've also been in a bit of a funk. Although that's likely been obvious. Working with the element of movement and working through this Pluto cycle is kicking my ass in good ways, but it doesn't mean it's always fun (is it ever fun to get your ass kicked?) Still all this work, all these realizations, all of it is something that can be faced. Admiral Stockdale said "You must never confuse faith that you will prevail in the end, which you can never afford to lose, with the discipline to confront the most brutal facts of your current reality." The choice to be persistent while facing the realities of a given situation is a trait that is worth cultivating because its what helps you survive and beat the odds. Doing internal work calls on you to face the brutal realities of yourself, but at the same time requires persistence to see the work through, because if you really do the work you will change, and how you change will more than likely make you a better person. It just won't seem like it when you're doing the actual work because you'll be facing particular issues you didn't want to face. Persistence will carry you through.

8-24-13 Today Kat and I were talking about my creativity and she said to me that my current creativity wasn't just a period of time, but that it would be with me for the rest of my life...that she'd make sure I had the necessary support and space to continue doing the creative work I've been doing. It meant a lot to hear that...to really let it sink in that my current creative period doesn't have to end or stop. Having support like that is so important to me, so essential to my well-being and sense of satisfaction.

8-27-13 Maryhill was an interesting adventure. The museum was kind of bizarre because there was no specific theme to it. You had art, royal jewels, dolls, etc...Perhaps what was most interesting to me was how the place felt. There was this one room full of Christian icons that made me feel nauseous. It did not like non-believers. And there was another room where there were six corridors spreading out from a hub. It was disorienting whenever I came out of one of those corridors. I'm not sure I'd go back, but I liked having the adventure just for the sake of doing it.

8-29-13 One of my fears as an author and publisher is that my work is irrelevant. Sounds odd, doesn't it? But in all honesty I think every artist, musician, author, etc., has that fear. I'm just being honest about it. I was going through my meditations today and Eros suggested that before I continue, I should stop and write about what I'm feeling around this issue, so here I am. I've stopped myself from writing about it before, because I don't want to be labeled as a drama queen or or a conspiracy nut for noting how irrelevant I feel sometimes in the occult world, but what the hell...why not? Will anyone notice or care anyway? Perhaps some critic or hater of mine who will take joy out of my admission of feeling irrelevant. I do feel irrelevant sometimes. What I do doesn't quite fit in any particular schema of the Pagan Occult world, which then makes it hard to determine if there is relevance in my work. I was recently told by the publisher of a magazine that the interview I'd done for that magazine was going to be pushed back because my interview doesn't fit any of the forthcoming themes of the magazine. She wants to publish it, but she isn't sure were it fits because what I talk about is so different. I expressed understanding, but some part of me feels crushed. Is what I do really so different that it can't be placed within an issue?

And then I look at other authors who get a fair amount of publicity on a regular basis and I feel a bit envious of them. They'll get quoted about their take on magic on well known Pagan media blogs, and me...not at all. Is what I write just not that interesting? Maybe. I know I'll keep writing it anyway because there is an audience there...a slowly emerging audience, but one that nonetheless is there. I'll be persistent, because persistence wins out. But I'd be lying if I didn't admit that I want my writing to be relevant. I want it to mean something to other people beyond me. I want it to be something that people notice. I didn't write any of my books just to write. I write them because I have a message to convey to people. And I don't think its egotistical to want to be relevant, to want to know that the message has some meaning to someone besides myself.

I know that my writing doesn't necessarily fit conventional themes of Paganism or occultism. I don't know that it ever will. I'm not interested in commenting on the Golden Dawn or some magical tradition. And I don't feel that should be the measuring stick of what makes something relevant. But sometimes it seems like what is relevant is what's already established. If it's old we like it, and if its new, forget it.

Well enough of my pity party. Yes I feel irrelevant in this moment, and it sucks. But I'm not going to let it keep me down, because regardless of how relevant I am or am not, I've got work to do and things I want to share and someone's bound to come across all this and find it meaningful, but only if I keep putting it out there.

9-1-13 Today we drove to the Ape Caves in Washington. On the way there I was reading Wonders of the Natural Mind by Tenzin Wangyal Rinpoche, where he discusses the three layers of reality. Afterwards I meditated and Eros came to visit and discussed movement in relationship to the three layers of reality. He explained movement as a principle of reality and how changes made on one level needed to be factored into the other levels as well. He used an example of a magical working I'm currently doing to demonstrate all of the factors that needed to be considered and how movement as a principle could be applied to consider those factors. It's something that I'm going to do more meditating on. I understood it in one sense and in another sense, I know that I don't quite get it. Nonetheless  it intrigues me because of how movement is explored as a principle of magic, and really of change.

9-6-2013 Further meditations on movement have been in the same as what I mentioned in the entry just above this one. I "see" how everything that is part of the movement fits together and causes the movement to happen. It makes me appreciate that there are a variety of factors with movement of any type that may not be considered, but nonetheless are relevant to making movement occur. This seems to be true with physical movement, but also the movement of events, ideas, magic, what have you. A recognition of these factors is useful for fully connecting with what is being moved, and being able to move it toward the result you want to manifest. I'm sure continued meditation and work with the element will provide more enlightenment on this topic.

9-9-2013 Further meditation on movement has involved examining a given situation, event, etc., and looking at the role of movement in that situation and event, specifically in terms of understanding how movement manifests in a given situation, why it manifests the way it does, and how it can be changed (if it can be changed). I was watching a video with Kat about networks of people. The guy in the video was talking about he studied a network of people over ten or twenty years to see how obesity could be linked to the network and it was fascinating to observe how the network moved and changed in regards to that variable. It made me see how movement can be such a subtle force in our lives, and yet how interconnected it is, and what is moved into our lives. What's really fascinating to consider is that the people you are connected to all have a degree of influence on your life that you may not even be aware of. When you're certain food or doing certain activities, it may in part be related to the people in your life and how they are influencing your actions.

9-13-13 I attended a presentation on Quantum Mechanics and Business. What I found interesting was how relevant it was to describing magic as a process. The presenter did a credible job of explaining the principles, specifically why you need to define an outcome and believe in the outcome in order to turn it from a possibility into a reality. He acknowledged there is more involved than just believing in the outcome, but the belief and having a defined outcome is essential, which makes sense to me.

9-16-13 I'm reading Good to Great, which is a business book that some useful insights for why businesses are great. One thing he notes is that great businesses focus on what they can be great at. It got me to thinking about my magical practice and what I'm great at. I figure I'm great at experimenting with magic, at taking a system or process or technique apart, and understanding it, and then personalizing it. That's what I like to do and its what I'm great at. And I actually like that as a realization. Yes, I don't fit any convenient occult or pagan label, but I know what I'm at and I'd rather be doing what I'm great at, than anything else.

I've also been meditating further with Eros on movement and today we focused on resistance and movement. He notes that resistance can indicate several different ideas to consider. Resistance can indicate you are going in the wrong direction or doing something that isn't working, but it can also indicate that you are coming up against some problems that you need to be aware of. Resistance can be useful because it helps you understand what is or isn't working with what you're doing or where you want to move to. He also pointed out that the pat to least resistance isn't always the best path, because resistance can make you aware of what movement isn't doing for you.

9-19-13 In today's meditation with Eros, he showed me my creativity and how it lights my brain up and moves me. I saw larger flashes of synaptic light in a field of lights, and could feel my mind move with those flashes. He also told me that when I let myself be creative, I'm really letting myself be open to being moved by my creativity. He's right. When I'm creative I am moved by what I'm creating. I flow with it and give p some degree of control to allow it to manifest. Maybe control is the resistance I've been dealing with...what holds me and keeps me back because I'm not opening myself up to the process to let it flow. In Make Magic of your Life by T. Thorn Coyle, she notes of Eros the following: "The souls' longing to return to a state of pure connection is directed by eros...Eros is the sexual impulse that moves the planets around the sun, draws the drop of water to the river, and - more important for the Greeks, draws the soul back to its source." I find that fascinating because my work with Eros and Movement is about connection, as much as anything else. What moves me? What do I move? How does movement play a role in my life? These are the questions I'm asking and answering through the work with the element of movement, and wen I see independent confirmation of this work it tells me I've tapped into something deeper than just the work I'm doing. I'm connecting with the heart of the universe and moving to its rhythm.

Why doubt can be healthy for our spiritual work

Doubt Peter Dybing shared an intriguing post about Doubt and True Belief the other day. I think he makes a good point about doubt, namely that doubt is a healthy feeling to cultivate. I've always believed in cultivating doubt in my own practice, because I recognize that doubt can provide me the necessary skepticism needed to take apart whatever process I'm engaged in, to discover if that process is working or if I need to adjust it and improve on it.

When we don't cultivate doubt, but instead believe without question, what we lose is an awareness of the world around us. We become tunnel visioned, and embrace a very filtered reality, one which conforms to what we wish reality would be. The question is, is such a filtered reality good for us, and in my experience it isn't. The reason is because a filtered reality causes you to only see what you want to see, instead of truly being aware of what's around you.

It could be argued that magic presents person with a filtered reality, but I think that only applies when the magician is so fixated on the result that s/he fails to really examine what s/he is doing with critical awareness. Critical awareness is the ability to examine what you are doing or anything else and ask why. When we don't ask why, we are allowing ourselves to buy into with blind faith. With doubt, you can still have faith, but be able to critically examine it and acknowledge whether it is really working for you or against you. Cultivate doubt as a tool that keeps you sharp and focused with your magical work.

Book Review: Magical Knowledge Book 1 Foundations by Josephine McCarthy

This is a solid 101 book which provides sound advice about the realities of magic and some of the dangers that can occur whether you are new to magic or have been practicing it for years. While I occasionally disagreed with the author about experimentation or other such topics, I did agree overall with her points and cautions. The book has a few practical exercises in it, which are useful to practice, especially in terms of making contact with inner connections, but I'd really recommend this book as a must read before you even practice magic. If you still want to practice after you read this book and do the exercises in it, then at least you are forewarned and armed accordingly.

Why a regular practice trumps occasional reactive magic

candle Jason Miller recently shared a post about a taxonomy of his magical practice and made the point that regular magical practice is better than doing occasional magic. I agree with him, and find that if anything the occasional use of magic tends to be more reactive, done as a response to a situation, whereas a regular practice is a recognition that magic is lived, not just done for convenience. Magic is lived when you make it a regular part of your life. Jason's also correct in noting that a daily practice can remove a lot of the need for doing reactive magic. From my own experiences, the need to do reactive magic has significantly decreased because a daily practice has helped me recognize my own role in those situations and allowed me to work on those issue and fix so that problems don't arise as frequently.

Like Jason, I'd have to say that meditation is the foundation of my daily practice, and is essential for smoothing my life out, because meditation is what allows me to do the internal work that is used to grind the dross of my life into something better. I do meditation every day because it makes life better, focuses me, and allows me to recognize and work on the issues and baggage I bring to the table. By doing such work, the chaos in my life has decreased because I'm facing the root causes on my own end. Meditation has all been useful for strengthening connections with inner contacts and spirits that I work with.

However meditation may not be what you want to do. There's other practices you can do that can still be part of a daily practice. For example, you could recite a mantra or burn a candle and do some kind of magic with that. Or you could do a magical working like the Lesser Banishing Ritual of the Pentagram each day. When I first started practicing I did magical workings, where I vocalized the names of God and later did energy work with the chakras. Jason also has some good suggestions for daily practice on his blog post.

You can also do more than one practice. I do meditation, but I also do energy work each day. The point is that you are doing something which focuses your magical work and opens you to experiencing the spiritual world each day as a regular part of your practice. By making magic a part of your everyday life you are making it a part of your life, as opposed to just doing it when you really need something. The problem with doing it when you really need something is that sometimes it won't work the way you hoped, because you don't necessarily have the spiritual oomph to make it happen. Daily practice, much like daily exercise is a building up and toning of your spiritual power and it teaches you how to focus it so that when you really need it, the magic comes through for you.

How to deal with depression in a spiritual community

depression Teo Bishop recently wrote a post where he discussed how he was dealing with some depression. He decided to take anti-depressants to help him deal with it, but noted how one of the issues that surrounds depression was one where the spiritual community itself argues that if you're spiritual enough you should be able to handle depression without needing anti-depressants. The problem with this argument is that it assumes that spirituality has the answer to depression and that by having it, you will be free of depression. It's similar to the law of attraction idea that if you don't think you'll get sick, you'll never get sick. It doesn't work. When spiritual communities argue that spirituality alone should be enough to handle depression or anything else along those lines, what they are arguing is that spirituality should somehow solve all problems. But that's not the function of spirituality, and it also ignores the simple fact that each person must develop their own solutions with all the resources they have available to them.

One of my favorite books, Relaxing into Your Being by B. K. Frantzis, demonstrates this understanding. The author explains numerous times that meditation doesn't heal depression and that in fact it may end up causing more depression because of what you are dealing with. He suggests that meditation may not be the best solution for dealing with depression and that therapy and/or medication might be better and that if you are going to use meditation for dealing with internal issues, that you should do it in conjunction with therapy. And I've found, from my own experiences, that such advice is well worth following. Back when I was doing the emptiness working, it became apparent very quickly that I needed therapy as part of the necessary work in order to deal with all the issues that came up around emptiness.

The truth is that when you just turn to spirituality as the solution, you aren't using all the tools at your disposal and you aren't considering the impact it can have on people around you, when they have to deal with you and your issues on a regular basis. Spirituality isn't a universal salve or cure all. It can provide answers and tools for working through things, but its wise to recognize when you need to draw on other resources such as therapy or medication. I also think it's wise to examine your reaction to the feeling of depression. Unfortunately there is a stigma associated with depression that causes people to shy away from acknowledging that they feel depressed. I wonder how much easier it might be to simply acknowledge that you do feel a particular way.

I've had to deal with depression a lot in my life. As I wrote in Inner Alchemy, I did find a way to work with my neurotransmitters which helped me solve an electro chemical imbalance in my brain, but it doesn't mean depression just went away and I never experienced it again. It just means that I no longer had an electro chemical predisposition to being depressed all the time. Nonetheless I still feel depressed on occasion. Even on Friday of last week, I woke up and was in a bit of a funk initially. How I handled it involved first acknowledging that I did feel that way and that it was okay to feel that way. And that's an important first step, which I don't think many people take the time to do. It's ok that you're feeling depressed. There's nothing unnatural about it or wrong with feeling depressed. It can and does effect your functionality and productivity, but maybe that, in and of itself, is worth looking at instead of automatically trying to change it.

One of the problems that people face when it comes to emotions is learning how to sit with those emotions and feel them. We act them out a lot of times, but acting them out isn't necessarily the same as feeling them. Learning how to feel them involves learning to acknowledge that you are feeling the emotion and allowing yourself to feel it.  A lot of people will say, "I don't want to feel depressed" and I can certainly appreciate not wanting to feel that way, but I think so much of the approach to depression is focused on avoiding it that we don't always allow ourselves to fully recognize when we do feel it or consider what it might be trying to tell us.

There are different ways to handle depression. Anti-depressant meds are one way, as therapy is another. I think meditation can be helpful with depression provided some type of oversight is included in the process. I've also found that physical exercise helps me when I'm feeling down, because its causing me to do something that gets me out of whatever mental rut I'm in. Whatever you do to handle depression, just remember that it is okay to feel it, and that acknowledging that you feel it doesn't make you weak, but rather is the first step toward helping you work with those feelings. And don't be afraid to reach out to others who are qualified to help with such feelings, because they can help you make sense of what you are experiencing.

Vanity as a form of pop culture magic

Taylor 1998 One of the aspects of social media which really fascinates me is how much it appeals to the vanity that many people have. Facebook is a prime example, wherein people will post a variety of pictures of themselves, as well as various things associated with themselves such as pictures of the food they are eating, activities they are doing, etc., often for an audience of people who they don't even know in person. You see similar variants on sites such as Google + and Twitter. And what you'll also see is that a lot of people will end up feeding the vanity of a given person by liking the photos and/or commenting on them. You see this vanity occur also when people share text updates about activities they are doing. Other people will like the update and sometimes comment. And all of this activity creates a kind of vanity magic in my mind, where what people are interacting with is an idealized version of the person who's updates and pictures they are liking and commenting on. I say idealized because whatever is presented to people is purposely chosen and creates a filter. What we see and read is presented to us and craft's a particular image, which may not be "real" but nonetheless becomes a reality in and of itself, and an entity in its own right.

I've seen this principle of vanity employed over the years with celebrities and other authors. For that matter, in my own way I've used this principle as well, because the truth is that no matter what I present on here or else where, it will always be filtered and biased. Social media may offer an illusory belief that we can share an unfiltered perspectives of ourselves, but think carefully about your own social media interactions. What are you really presenting?

This principle of vanity has been in effect for far longer than social media, but social media makes it blatant. And consequently the magician can also experiment with such vanity. For example, I've purposely chosen to write fictitious status updates on my Facebook timeline for the purposes of creating a vanity narrative about myself. Recently I've observed someone else who has chosen to take pictures from her list of friends and use a picture of a friend as her Facebook avatar, again as a way of experimenting with the vanity principle.

I think you can take it even further. You can purposely create this persona of yourself with specific pictures chosen and text written that creates an alterego of sorts. It could be the creation of the person you wish you could be, or it could be something else altogether, with the comments and likes received used to not only fuel the existence of this alterego, but also it's connection with you and how you become it and vice versa. Then this vanity becomes an identity magic used to establish a new identity for yourself. In fact, I'd argue that what social media really presents to people is an opportunity to re-create their own identity within in an environment of participation, where other people's interactions help to shape the new identity being formed through social media actions. I see this kind of vanity as a form of pop culture magic, where technology and audience participation and interaction is used to create the social identity and reality of the person.

The picture I've included in this post is a picture of me circa 1998, at State College. I present it with a sense of amusement, as much of my image has changed and yet hasn't changed. The past presents its own vanity, its own persona, all of which feeds into this social identity/reality. In fact, when you think about it, what social media has really done is allowed us to connect our past and present images and commentary to the internet and injected all of that into the superconsciousness of humanity, in a much more conscious way than had previously occurred. The reality of our identities are mediated now as much by the audience all of us have as by our own attempts.

Process of Magic Round 7 Starting October 2nd

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Magic is a process that changes you and your relationship with the world, if you understand how the process works.

In this 24 lesson class, we will explore what the process of magic is and how it applies to you and your magical work. If you’re looking for a different perspective on magic that explores the underlying principles of how magic works, instead of focusing on the tools, ceremonies, and other optional features, this class is for you. I approach magic unconventionally and explore what really makes it work. What you’ll get, when you take this course, is a comprehensive understanding of how magic works, what you can change in order to enhance your magical workings, and a foundational approach to magic practice that consistently creates results. The end result of taking this class will be a dynamic reshaping of your magical practice into a personalized system that you will be able to use to consistently generate results for the betterment of your life.

Want to learn more about class? Visit this page to get more details and sign up for the class. Look below for an outline of the course:

Lesson 1: An overview of the process of magic

Lesson 2: You and Definitions of Magic

Lesson 3: Results, Change, and their respective roles in magic

Lesson 4: The anatomy of the process of magic

Lesson 5: Culture, Ethics and Ideology

Lesson 6: What isn't essential to the process of magic

Lesson 7: Connection and its role in the magical process

Lesson 8: Intention, Attention, and Magic

Lesson 9: Inhibitory Actions and Magic

Lesson 10: Excitatory Actions and Magic

Lesson 11: Internal Work

Lesson 12: Spiritual allies and the magical process

Lesson 13: Invocation 1

Lesson 14: Invocation 2

Lesson 15: Evocation 1

Lesson 16: Evocation 2

Lesson 17: Divination

Lesson 18: Enchantment

Lesson 19: Astral Projection

Lesson 20: Banishing

Lesson 21: Attunement with the land

Lesson 22: The Role of Limitation in the Process of Magic

Lesson 23: The role of Transformation in the Process of Magic

Lesson 24: The role of Mundane actions in the Process of Magic

Why I'm an idea generator

idea generation Every so often I look at the reviews people leave about my books. One of the comments that I see on occasion is that my work is great for idea generation. The reviewers, I think, wish my work wasn't so oriented toward idea generation, because I get the sense that the comment is not a compliment, so much as a criticism. Regardless of what the comment really is or isn't, I actually take it as a compliment. I've never wanted to write spellbooks or anything else that smacks of me holding the hand of someone else and walking them through how to do something. I didn't learn magic in that way. I learned it by reading, practicing what I learned, and then generating ideas about what I could do, and it's my hope that my work provides the same inspiration.

Now I realize some people want something different. They want someone to hold their hands and help them understand how to do something. And that's an expectation that readers should have for a 101 book on magic or Paganism. But when it comes to an intermediate to advanced book on magic (which I consider all of my work to be) the expectation should naturally change to one where its understood that the reader is reading the book to get ideas about where they can take their magical practice. While I always include exercises in my books for a person to do (and I hope they do them), what I'm really presenting is where my own work has taken me and providing suggestions on how someone can take my work and extend it further. I want to help people generate ideas, which is why I also emphasize the importance of experimenting with magic and being your own authority.

Even in classes I teach, while I certainly teach a technique, I want people to come away with ideas of their own about what they could do or how they could do something. Generating ideas for people allows them to make what they're learning something that becomes personalized. It becomes their own magical technique, instead of something taught to them by someone else. When you make something your own, you understand it in a way that is distinct from whatever you were taught. You learn it from your own experience, and without the filters and biases bring into whatever they are teaching.

I never had a magical teacher, beyond two very brief stints that didn't work out. I read books, but I was always reading them with an eye toward how I could take the concepts and make them my own. Perhaps if I'd been taught by someone my books would be less oriented toward idea generation, but I think my readers would be poorer for it. Idea generation is a good thing because it indicates that the real value you are finding in the writing is the ideas you are getting from it, as opposed to whatever instruction is provided. I say read to teach yourself. The writing is just a platform to bounce ideas off of.

My latest article on Pagansquare explains why the question of why is so important in magical work.