You are your best teacher

road I was reading a post by Josephine McCarthy about meeting teachers and walking the path of magic. She makes some interesting points about being open to magic and meeting teachers, but what I get from that post is this: You are your best teacher.  And the reasoning for that statement is simply this: No matter who you meet or where you are or what you do, you ultimately have to decide if you are open to learning, and once that's decided then you need to not only learn, but actually implement what you've learned. McCarthy points out that:

If a person truly wants to evolve within magic and penetrate even a small fragment of her mysteries then the organisations and safe boundaries need to be cast off, and the magician must forge their path of magic while wandering through the forest of life. There are no short cuts, there is no ‘destination’, magic is constantly all around you: the key is to pay attention.

There's a lot of truth to that statement. Just about any magical organization I've run into seems to, on some level, sanitize the experience of magic, confine it, make it safe, make it something which is regulated. But the experience of magic isn't meant to be regulated. What I've found with the organizations I've encountered is a dulling of the mind and spirit, a loss of creativity because the focus ends up being on the social dynamics of the organization instead of on working with magic. I'd rather focus on the magic.

You are your best teacher because while anyone can teach you something, you can only really learn if you apply and implement it. This is why in my books, and the courses I teach I tell people that they need to make what they learn their own. My books, my courses can teach you something, but unless you apply it and make it your own, what you'll learn is limited. True learning occurs when you make it your own, when you do the work, and you make it a part of your life, to the point that it becomes something you've personalized and come to understand in your own unique way.

With all that said, be open to learning from other people, books, etc. Go out and have some experiences, take some risks, live life. Magic is part of all of that and I think you find magic when you look for it and make it the central part of your life, when you are open to that moment where you meet a stranger and share something unexpected with that person that changes the way both of you experience the world, or wen you read a book and it blows your mind and gets you to think in different ways than you'd ever thought before.

My latest guest post on Pagan Square explores how to work with bacteria from a non-anthropocentric approach.

Book Review: The Necessity of Strangers By Alan Gregerman

In this book, the author argues that strangers are an essential part of innovation and that to truly cultivate creativity and innovation we need to be open to new ideas, meeting strangers and learning from different cultures and disciplines outside of our own culture or discipline. The author illustrates this point through a variety of case studies in both business and everyday life to demonstrate how contact with strangers can be helpful for sparking innovation. While the case studies are interesting the author doesn't really explain how to implement these ideas. This is a good book to read to inspire you to be open to learning from other people, but while the author provides a couple of ideas on how to do that, for the most part what he discusses is shared as ideas as opposed to really examining how to implement these ideas meaningfully.  Still I recommend reading this book to challenge yourself to be more open to new ideas.

My Convention Schedule and I'm a Featured Presenter!

convention The winter Pagan convention season is upon us and I thought I'd share my convention schedule for February and March. I also am pleased to announce that I am a featured guest at Paganicon this year. Below is my schedule for each event, so that you know where and what I'll be presenting:

Pantheacon Feb 14-17

Taoist Inner Alchemical Breathing Meditations (The Alchemy of Breath) - 9pm Feb 14 San Simeon/San Martin

Secrets for how to get published at Immanion Press - 9am Feb 15 Carmel/Monterey

Magical Identity - 3pm Feb 15 Covenant of the Goddess Hospitality Suite

The Magic of Writing - 7pm Feb 16 Boardroom

Convocation Feb 20th -23rd

Space/Time Magic Feb 20th 8:30pm Huron/Ontario

Ritual Sonics: 11:30am to 1pm Windsor

Paganicon March 14th - 16th

The schedule isn't up as of yet, but I will be presenting a few workshops and I'll post an update closer to the event. I am one of the featured presenters!

Anthropocentrism and Magic

  anthropocentrism

I came across this article from Alison Lilly the other day about anthropocentrism in Paganism and Polytheism. You can find another article here where she defines Anthropocentrism in more detail. My brief definition of anthropocentrism is that it's a humancentric perspective of the world that considers experiences of consciousness in primarily human terms and applies human behavior, attributes, emotions, etc. to things that aren't human in an effort to simultaneously categorize and control what is labeled. The problem with such a perspective is that its extremely limited and presupposes that humanity and its perspective is what matters.

In my own spiritual work, one of the things I've tried to do is recognize when I'm applying anthropocentric perspectives, behaviors etc to connections I make with spiritual entities, the world around me, and anything that isn't human. The reason I seek to recognize this application of perspective is because I recognize that it is a filter that stops me from genuinely connecting with whatever it is I'm connecting with. For example, when I was doing my year long work with the element of fire, one of the realizations which came up was how mediated the experience of fire is by anthropocentric perspectives. We label fire with human attributes and emotions such as anger, passion, and creativity. This provides humans a way to understand relate to fire from a human centric perspective, but it doesn't allow you to experience fire in other ways. When I stripped away the labels, attributes and emotions associated with fire, what I experienced was something much more primal and raw, something that had more to with fire as its own force as opposed to something mediated and interpreted by human perspective. I recognized even then that to some degree I was still applying a human perspective to the experience, but as much as possible I was also being open to experiencing fire on its level.

I make the point that I was still applying human perspective because I don't think we, as humans, ever fully get away from that human perspective. This doesn't mean we shouldn't try to experience other forms of consciousness, but rather that we should acknowledge that on some level, at all times, we are interpreting a given situation through the lens of being human. With that said, by being aware of that lens, we can also open ourselves up to a given experience where we seek connection with something that isn't human and recognize when we are labeling interactions through the being human lens and put it aside to focus on the interaction. Let me share a very recent experience.

I'm currently working with the bacteria in my stomach. In my opinion, bacteria is pretty far removed from being human, but the probiotic bacteria we have in our bellies play an integral role in the digestion of our food and I want to work more closely with them via magic. In my meditations and my daily awareness I've been focusing on connecting with the bacteria. Instead of trying to label the bacteria through human terms, what I've done instead is used the feeling of digestion to make contact with the bacteria. This provides me a chance to engage them on their terms, through an activity they are doing. The experience of their consciously isn't remotely human and the communication that occurs is based more on feeling than on words or visualizations. And even with all that, I recognize I could still be applying human perspectives to the experience, but what I'm not doing is assuming a human consciousness on the other end, or human values, or human communication or anything else, because such an assumption takes away from the experience and the ability to genuinely connect with the bacteria.

I think the same applies to any kind of contact you make with something that isn't human. Even if that consciousness approaches you on human terms, using human communication, it shouldn't be assumed that it holds human values, culture, etc. It might, or it could be that its trying to meet us on our terms because its easier to communicate that way or because it wants to experience our consciousness. I figure even if an entity I'm interacting with has two arms, two legs, a a head, and a somewhat human shape, even that doesn't mean it has the same consciousness needs, etc. That can only be discovered, never assumed and when we apply anthropocentrism to such interactions we make assumptions which can be dangerous, and if nothing else are faulty by virtue of our own limited perspective.

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Manifesting Wealth: Magic for Prosperity, Love and Health is now available!

9781905713929 I'm pleased to announce that Manifesting Wealth: Magic for Prosperity, Love, and Health is now available!

To celebrate I'll be hosting a Virtual Book Release Party and FREE Workshop on Wednesday February 26th from 5-6pm PST. To learn more about the class, go here.

The book blurb is below:

In Manifesting Wealth: Magic for Prosperity, Love, and Health, Taylor Ellwood shares a holistic approach to wealth magic that focuses on all areas of your life. True wealth, while involving finances, also includes your health and your relationships. In this book you'll learn how to manifest wealth by exploring what wealth really means to you, as well as as how you manifest it in your life. You will learn:

• Financial tips and resources to reduce debt and improve investments • How to proactively plan for a happier, healthier life • How to define what wealth means to you and start manifesting it in your life. • How to create and sustain proactive relationships with the people in your life. • How and when to apply wealth magic to manifest prosperity in your life.

If you want to manifest wealth, you need to learn the skills that will help you proactively and holistically manifest it as an enduring part of your life. This book will teach you those skills and the magic to manifest prosperity, love, and health.

Manifesting Wealth: Magic for Prosperity, Love, and Health gives readers information that will take them from concept, to the reality of embracing wealth, to improve their quality of life. Taylor Ellwood has created a book that is full of ideas and information, pushing the reader beyond old ideals of wealth, to a more holistic sense of possessing great personal wealth. - Crystal Blanton Author of Pain and Faith in a Wiccan World

 

Space/Time Entity Research

spacetime I'm currently working on the space/time magic correspondence course and I recently finished writing the lesson on space/time magic deities and entities. What fascinates me is that there are some deities and entities that help with space/time work, even in traditional spiritualities and practices. However, what I've also noted is that what a given entity focuses on is typically either time OR space, but not both together. This is important to understand because there is a conflation of space and time that occurs, where they are treated as one and the same, when in fact, they really aren't. While space and time obviously intersect, what each does and represents is distinct. When working with a deity or entity, understanding this distinction can be essential in order to effectively develop the relationship.

What I'm curious about, and where I hope readers of this blog will help, is discovering what space/time deities and entities you work with and how you work with them. I've listed ones such as Fotamecus and Ceronitis, as well as more traditional ones such as mahakala and the goetic Daemons who help with time, but if possible, I'd love it people could share in the comments what deities and entities they work with, when it comes to space/time magic work.

 

Why I write about creativity and innovation so much

I'm reading Cursor's Fury right now, which is part of the Codex Alera series by Jim Butcher. The one character Tavi is different from everyone else because he can't seem to work with the furies (spirits) that everyone else works with. However this particular disability forces him to become creative in how he handles situations. He doesn't stick with conventional wisdom because conventional wisdom doesn't really work for him. And as time goes on, it becomes apparent that conventional wisdom, while useful in its own way, also ends up holding a lot of change and innovation back.

I've never really been a fan of conventional wisdom of any sort. I think it has something to offer and should on occasion be heeded, but I also think there's something to be said for just doing something to see what will happen and to learn from the experience. I've been talking about innovation and creativity a lot on this blog lately, partially because of what I'm reading, but also because its so much of what drives my approach to magic. I write about it a lot because there's so much out there arguing the opposite that I feel its essential to call out the necessity of innovation and creativity in spiritual practices.

It must seem odd in a way to associate innovation with spiritual practices, but if we consider that everything can evolve over time it starts to make sense. And magic isn't just a spiritual practice. It's also a practical discipline which people apply to their lives in order to create favorable circumstances and opportunities. And for that reason alone creativity and innovation is needed, because we want to keep our practices relevant with the demands and problems of the times. But I also find that creativity and innovation are part of the spiritual dimension, providing us a way to get out of our heads and get into the presence of whatever spirits we work with. And sometimes it can even help us examine the spirits from other perspectives we might not otherwise consider, and in the process stop applying our own limitations to those same beings.

Conventional wisdom and conventional answers aren't always the best solution. Sometimes you have to do things the hard way because what it does is push you to be innovative and find unconventional solutions. I'll admit that I prefer to do things the hard way or to phrase it differently, I prefer to develop my own solutions because as much as I recognize that what others have done before provides its own wisdom, I also realize that depending on my own experience and my willingness to take risks provides more satisfaction. I recognize that may not be the case for everyone, and as a result not everyone will want to do things the hard way. There's value in that too, up to the point that you deal with a situation where the conventional answers, the tried and true ways of doing things doesn't work and then you need to get creative.

How do you get creative with your magical work? How does it inform your practice and how you approach situations where you employ magic?

In other news Bill Whitcomb and I were interviewed by Mindful Cyborgs about the Book of Good Practices.

Elemental Balancing Ritual Movement Month 15: Drive

Eros 12-26-13: I'm reading Magician's End by Raymond Feist. He's one of my favorite fantasy authors, in part because he manages to offer some intriguing metaphysical considerations. Any case, in this book, at one point one of the characters encounters a lover who is long dead, which stirs up emotions for him and he remembers something said to him: "Feelings don't make sense, but they can drive us, and that's what you have to understand most of all. People will often do imponderable things because of how they feel, not because of what they think." I read that and I agree. People do what they do moreso because of the feelings that drive them than what they think. We can fool ourselves into believing we make choices for purely rational reasons, but the truth is we really don't. We make choices driven by our emotions and then rationalize those choices afterwards. I've always been a person driven by my emotions and I recognize that and accept it as part of being human. The choices I make are always informed by emotions and I know that consciously recognizing those emotions is important for really being in touch with movement, but also being in touch with what informs the motives for making a given choice.

12-29-13: As I've been meditating further on drive, I've been considering how different emotions drive people. Fear, hatred, love, happiness...all of these emotions drive people and others as well. There's no one emotion that drives everyone, and if anything I think it's usually a mixture of emotions and they change due to various situations. It makes me appreciate how important it is to be aware of your emotions, aware of what drives you and why it drives you. There's no right or wrong answer, but knowing what emotions are driving you can do a lot to help you move consciously instead of unconsciously.

1-1-2014: New Years is always a funny time for me. It feels liminal and yet it doesn't. For me the year starts and ends on my birthday. So it's a new year...and whatever that means. There's a sense of renewal and new movement, but its illusory. One month, one day, could be as good as any other to mark the change of a year. That said January 1st does mark the anniversary of Kat and I's marriage and we are married 3 years now. In February it'll be 4 years since we met.

1-6-14: The last couple of days have been heavy. Kat helped me with something that no one else has ever been able to help me with, that no one else has ever really been able to handle. She helped me with my emptiness. Deep down, when you really get into the deepest movement, the underlying motive for everything I do, it's all about the emptiness, all about that feeling at the center of my being, that gnawing, gaping emptiness, that cutting edge of zero bleeding me out. And while, in the last few years, I've come to a better place with it than I had before, it's still something that I live with. The other night Kat brought up a tough subject for both of us and as we discussed it at length, I ultimately pointed her to that feeling of emptiness and how much it drives me, how much tension there is in dealing with it, how much it hurts to feel it everyday. Later on we did a meditation around it and she helped me realize the origin of it.

Before I was even born, but when my mom was pregnant, she was going through a very hard period of life. She was depressed, and she had a virus, which actually ended up partially blinding her in one of her eyes. She was also dealing with my dad's philandering. Kat mentioned to me that an unborn fetus ends up soaking up a lot more than just the food the mom provides, but also the emotions, energy etc. I'm going to actually look up some of that information, because I think it could explain a lot about that feeling of emptiness. We also discussed my first memory, which is a memory where my mom gave me to my dad in an airport. I was about one and they were both angry at each other and I was crying a lot. I actually have a dream of that event where I vividly remember it. Kat thinks that also contributed to my feeling of emptiness and me trying to find ways to fill it up via love.

It's a lot to process, and yet I feel that what she pointed out makes a lot of sense. I have felt this sense of emptiness for as long as I can recall. I want to do some research on this, and I'll undoubtedly share what I discover, but Kat said something else I've taken to heart, which is that I can take this feeling of emptiness and make it into an ally that helps me connect with other people. She described some of her own work around that and I've seen it first hand. I know I can do this and I feel it is an integral part of my work with movement.

1-10-14 The other day, my friend Erik pointed something out to me that made sense when I heard it, but hearing it made me recognize it consciously. He said that I'm the type of person who has to agree to the boundaries that I have in my life. That if I don't have that agreement then I resist those boundaries. And he's right. I've never been one to accept other peoples' boundaries lightly. When I was a child and was told what I couldn't do, I went and did it. One of the reasons I'm self-employed is because I like to work on my own terms. I've always been driven by a need to establish my own boundaries and rules. And yet, in thinking about what Erik has said, I also realize that sometimes I have agreed to boundaries presented to me by other people. What's gotten that agreement to occur has really been more of a consensual agreement than anything else. We came to the agreement together. If we didn't come to the agreement together, then it was a boundary imposed on me and that's what I take issue with. I want to be brought in on any boundary I'm going to live with. This realization helps me recognize that drive for freedom and for consensual agreement as something essential to who I am and to my sense of happiness.

I told Kat today that I was ready to let her love me. That probably seems odd, but in some ways I've always kept a part of myself locked away from anyone, and not allowed that part to be open to being loved. That part is the emptiness and as such its not really a surprise that I've had such an antagonistic relationship with it. I'm not sure how to love or accept it, and I say that even after having worked with it extensively. I don't expect that Kat loving that part is the solution, but I feel it's part of the solution to making peace with that part of myself.

1-11-14 One of the things I've realized recently is how much a person's wounds can end up wounding someone else. You are wounded and you are living your life trying to work that wound out or acting it, and other people around you get wounded because of it. I know I have wounded people in my life with my wounds and I also know they have wounded me with their wounds. I suppose its just part of living life, but when you own your wounds and actively work on healing them and coming to some peace and resolution its good to let other people help you with it. You don't have to be alone with your wound or try to heal it on your own. For so long I've felt alone, but I realize that much of that loneliness has been self-imposed by myself. At the same time part of owning your wound is recognizing how you've wounded other people with it. I feel like I've recognized it multiple times, in all honesty, but that each time I've recognized it, I've developed a deeper understanding of the wound that I lacked before.

1-15-14 I've been doing some thinking about the neurotransmitters and hormones behind that feeling of emptiness I experience. I've been meaning to get back to that work for sometime, but this provides further motivation, because when I feel empty, I know what it feels like on a physiological level as well as an energetic level. And if I pay attention that feeling, then I can take appropriate actions, such as exercising, which does a lot to change the physiological experience in my body each time I exercise.

1-17-14 I've recently started doing a more intensive version of Tae Bo. I've alternated between the original Tae Bo exercise and the new one, but I'm noticing that the original exercise doesn't require the same amount of effort anymore. There is still some effort, but it comes pretty easy, whereas the other is a stretch, but is also starting to get a bit easier. At some point, I see myself phasing the original version out for the more intensive one and then adding another, even more intensive version to that one. There's momentum in all of that and I feel excited to have hit this place where I am feeling able to push myself harder and as a result doing more intensive exercise. Movement, once resistance is tipped, becomes much easier with the right momentum behind it.

I went to a Venus ritual conducted by my friend Erik Roth and a person he was co-leading the ritual. They did a good job with the ritual and explanations . At one point there was a pathworking to meet your inner Venus, your anima really. In my case, it was a tall, steely eyed, dominant woman, with dark hair a subtle, sensual strength to her, my inner woman, and I felt her engage me and tell me that I could draw on her support with the work I was doing around emptiness, but also in any other area of my life. I've always felt in touch with my feminine self, but meeting her in this way was really intriguing in its own right.

1-18-14 I'm reading Born for Love: Why Empathy is Endangered and Essential. The first chapter talks quite a bit about the way babies learn and the bonding experiences they have as babies with their mothers and how essential this bonding behavior is because of what it teaches children about love and empathy. And I realize, given what I know about my very early childhood that I didn't really receive the essential bonding I must have needed. I don't believe I was even with my mother by the time I was 1 and even if I was, from the stories I've been told it was a very chaotic period of life for her and I was a very unhappy baby at that time. And what does all that have to do with love and empathy? From what I can tell this early time is so essential that it plays a significant role in how a person handles love, gives love, etc., and also plays a role in how empathetic a person is. So I wonder then how this has or hasn't effected me. Certainly when I look at the emptiness and my relationship with love, I am struck by how much I am driven to find something to occupy or fill up that sense of emptiness and how my experiences with love have been less about being present with someone and more about filling that sense of emptiness. Being present seems to me to be more about feeling a sense of empathy and connection...wanting to know how the other person feels as opposed to just wanting something from the person. Being present is something I'm still figuring out, and truth to tell I think that if you have a well developed sense of empathy its easier to be present with yourself and consequently with other people as well. Still I'm willing to learn all this and I'm not backing away from the need for it. I'd like to think it could help me be a better person as a result.

1-20-14 I've been meditating a lot on what I read the other day and my reaction to it. I've come to the conclusion that I've never really been present with myself or any other person. When I look at my life in general, let alone relationships with other people, I'm struck by how I'm always focused on the next thing, person, projects, etc. as opposed to really being present with wherever I'm at and whoever I'm with.  To some degree, with Kat, I've learned to become more present, but even so I still find that I'm not really present with myself. Part of it definitely goes back to some of those early life experiences, but part of it also is something within western culture...we haven't been taught how to sit still with ourselves, how to just be. Each day, when I do Zhine meditation, I'm struck by how this meditation is probably one of the hardest for me because it involves just being as opposed to thinking or doing or anything else.

This month has been about drive and I think I've learned a lot about what drives me. I'd like to change what drives me though or learn to work with it differently than I have. I feel that the experiences I'm having as I work with the element of movement and navigate my astrological dark night of the soul are providing a path toward such work. I feel tumultuous and stormy, and yet I also see sunlight peeking through, realizations coming, and an inner sense of self emerging that has more clarity than I have previously ever had.

Temporal Awareness in Space/Time Magic

 

stm

I'm reading When: The Art of Perfect Timing. It's an intriguing book that explores the mechanics of temporal design and explores how they can be applied to events. One of the concepts explored is synchronous risk, which examines how present and future use of a given space impact each other and either reduce or raise risk. I found this concept interesting because of how it could be applied to explore multiple possibilities occurring in a given space, as well as how risk could be applied to assess the likelihood of a possibility manifesting into reality. The author also points something out about our awareness of time: "We miss timing issues, or make wrong decisions about them, not simply because our world is complex and uncertain, but because the way we describe the world and the tasks we must accomplish omit the kinds of facts we need. I call these fragmentary descriptions time impoverished because they fail to include all the sequences, rates, shapes, punctuation marks, intervals, leads, lags overlaps, and other time-related characteristics that are part of the temporal structure of everything that happens, every action that is taken, every plan that is implemented." I think he has a point.

Our awareness of time is mainly linear, and it is a limited awareness of time, focused more on experiencing time as a seamless flow of events as opposed to really perceiving and exploring it as distinct units. It is true that we have units of time such as minutes or hours, but the kind of awareness the author is examining has more to do with how events overlap and effect each other and I think this is a subtle distinction that many people miss out on. As the author points out the timing of a given event can be significant because of how people perceive it. Ironically people won't necessarily examine the timing of the event, so much as the event itself. But the timing is significant because of how it influences perception and how it helps to manifest a given possibility into reality. When we pay attention to the timing we recognize that it informs the very actions we take.

In my own magical work, I pay a lot of attention to the timing of when a given possibility should manifest. If it manifests too soon or too late then it hasn't really performed what I needed it to perform. The timing is significant because it plays a role in the effectiveness of the desired result getting me what I want. So when I do a magical working, I factor the timing of the result into the working so that I not only manifest a given result, but also achieve it exactly when I need it and not a moment sooner or later than that. The way that I writing timing into the magical working involves understanding the event I want to manifest and placing it into context within the rest of my life. I ask myself where the event fits into my life and then plan it accordingly and what I find is that the magical working is much more effective because everything is timed and planned for.

The author notes that people are able to think of the distant past or future without having to imagine the path through time  that would be needed to get to that moment in the past of future. This is an advantage in one sense because we can conceive of distinct events and probabilities as singular moments in and of themselves, but the disadvantage is that we may not factor in the sequences and other temporal dynamics that would lead up to the distinct moment. When planning the timing of a working, I find it helpful to explore the distinct path that leads up to it. I want to know what would need to occur to make a given event manifest. By being aware of the temporal sequences and spatial changes that could occur, I can plan for variables and enable my magical working to incorporate them into the manifestation of the desired possibility.

The timing in magical work is partially so important because you want to build momentum behind the manifestation of your desired possibility. The more momentum you build through proper timing, the easier it is to manifest the possibility at the right time and space. When I want to manifest a result, part of the timing work I do involves setting up specific moments that build off each other to help manifest the possibility. By factoring in the elements of timing I can get enough ommph behind the working to make it happen when I want it to, but with all the momentum of the universe behind it.

Weaving the Web starts on March 29th

Mark your calendars: Weaving the Web happens on March 29th and 30th Space and Time are a web that weaves the possibilities of magic into the realities of life. When you learn to weave the web of space and time, you learn how to manifest possibility into reality.

Learn how to integrate the elements of space and time into your magical practice during a two day workshop, in Portland, Oregon.

In this 2 day Weekend Intensive you will learn about:

What the web of space and time is and how it can be integrated into magical and spiritual practices.

  • Why space and time are principles of magic and how to work with them in your magical practice.
  • What the practical space/time magic techniques are and how they can be used to manifest possibilities into reality.
  • How to use meditation to connect with past and future selves, as well as explore probable outcomes before they occur.
  • Who the inner contacts and spirits are that you can connect with to do further work with space/time magic.
  • How space and time can be applied to your spiritual tradition by understanding them as principles of magic.
  • Plus, Plenty of time for YOUR Questions!
​This Weekend intensive occurs on March 29th and 30th.

For full class details visit:

http://magicalexperiments.com/classes-by-taylor/weaving-the-web/

3 Great Bonuses!

Bonus #1: Access to a private online forum that is specifically for this class, where you can share your continued work with the material with me and your class mates.

Bonus #2: 3 Free Hour Long Teleconferences that will occur after the workshop where you can ask me questions and share your experiences.

Bonus #3: Free MP3 Recordings of the Teleconferences.

Registration Fee:

The Registration fee for this course is $189 if you register by March 1st. If you register after March 1st the fee is $229.

For more class details, and to register, go to:

http://magicalexperiments.com/classes-by-taylor/weaving-the-web/

I'm looking forward to working with you during this weekend of space/time magic!

The journey and the experience

Journey, games Those who built the legendary companies wisely understood that it is better to understand who you are than where you are going - for where you are going will almost certainly change. From Built to Last by Jim Collins and Jerry Porras

I found this saying and I feel it applies as much to a person's spiritual journey as it does to the creation of a great business. So much focus is on the journey that we sometimes forget how important it is to simply be present for the experience. Knowing who you are (as best you can) provides a guiding light for your journey, a north star as it were that keeps you on course during your journey. I think that what makes the journey meaningful is the experience and that experience is meditated by your identity, that awareness of who you are.

So much emphasis is put on the journey, but the journey changes constantly. The one constant you have is yourself, and even that changes, but what makes it constant is that it is you, it is part of you, something you know and experience each day. The journey changes and yet it is always relative to your sense of self and as such is oriented around that self hood and how it responds to the journey as it unfolds. If you recognize this, then you can rely on that sense of self to ground you in your journey, for no matter where you go, there you are.

As to how all this relates to magic and your practice of it, its a reminder that even the magic itself can't replace your sense of identity or its role in your life. Knowing who you is the essential principle of magic, because from that awareness arises the drives that inform what you are doing magic for. When you apply magic to your journey, you are inevitably applying it from that sense of self in order to bring the journey back into alignment with who you know yourself to be. At the same time, the journey may illuminate that sense of self and provide you a different perspective that consequently changes the values informing the journey. Being open to this is always useful, for no self awareness should be so static that you can't change it as needed. Your identity, while grounding your journey, is nonetheless something which should be open to change from the very experiences you have.

Everything changes...when you accept that then you are open to the journey and the experience because nothing is set in stone and change is welcomed as an inevitable part of what will happen. We can't stop change, but we can move with it, and flow into it and use it propel us forward, while also steering the north star of our self knowledge and awareness.

The Realities of Pagan Publishing and Publicity

quill I recently talked about the glamour of Pagan Publishing. I'm going to let you in on another dirty secret, something not really talked about, but nonetheless present in the Pagan news media, convention scene, and publishing world. If you're an author, and you're not with one of the bigger publishers, prepared to be ignored by the Pagan news media and publicity and convention scene unless you are willing to do a lot of work to make yourself heard or have such an interesting angle they can't ignore you without looking really bad for doing so. Don't get me wrong, all authors with publishers big and small have to do their marketing, but in general authors with bigger publishers get preferential treatment. Authors with smaller publishers that don't have the same resources need to advocate for themselves and prepare to be ignored a lot of the time because they aren't with a big publisher.

For example, a pagan convention recently had a featured guest appear. This author has written  few books and has been around for a while. His books are all from larger publishers, so there's some benefit for suddenly naming this author a featured guest. Now he may have asked to become such a guest, or not. I don't know if he did or didn't, but I'm going to guess he probably didn't. Yours truly, on the other hand, who is attending the same convention and has written more than a few books didn't even get contacted about becoming a featured guest. So what did I do? I emailed them. We'll see if I become a featured guest or not. But here's the ugly truth: When you are with a small publisher you better be prepared to ask for and advocate for what you want, because no one will give it to you. When you're with a larger publisher, you get some of the love from the news media and the conventions just because you're with that bigger publisher.

I've been writing books for ten years, have a dozen books to my name, with more on the way, and I can tell you it doesn't mean squat in and of itself. Books don't sell themselves....your publicity or lack thereof does and any author will tell you that you've got to be prepared to work that publicity for all its worth. However when you're with a bigger publisher doors open a lot easier. The same applies to getting into the Pagan news, becoming a blogger at one one of the Pagan news portals or one of the other outlets, etc. The bigger publishers command more respect, not because they've earned it per se, but because they've got the publicity and marketing resources that help with these kinds of things. I think it sucks, but there it is: the reality of publicity, the Pagan convention circuit, and Pagan Publishing. If you aren't with a big publisher, you have to work harder to get noticed and you should expect that even then you'll get brushed aside, or given delays or told that such and such author from a bigger publisher is the one they'll give the cover photo to. I've had all of that happen to me in the last couple years, despite the fact that I've been writing for a long time.

I'll admit this post is a rant and I'm sure some of you are thinking that I'm being a bit egotistical, but you know what? I've worked hard to get my name out there and that, in and of itself, does not guarantee success. I know this, because I know the realities of networking. In my day business, I do a lot of networking and I can tell you that the more well connected you are the easier it is to get access to resources you want. The less connected you are, the harder it is. I've been ignored and sidelined a lot over the years and its really frustrating. When I see certain authors favored over other authors and see that for the most part, they are with bigger publishers, what it tells me is that there is some bias in place in favor of authors with bigger publishers. Now it could be argued that I should just play the game, get published by a bigger publisher and then I'll get some of those doors opened, but I like the publisher I'm with and more importantly I'd rather kick the board over and reset the game and make it so that the pagans new media and the convention people actually recognize authors that aren't with the bigger publishers and spread some publicity love our way. I don't think it's unreasonable to want that, but I suspect that it'll only happen if issues such as these continue to be pointed out. So to those of you in the pagan news media and convention circuit, I have a simple request: Stop focusing on just the BNPS with the big publishers and start noticing some of us who are with smaller presses, but also have something equally valuable to share with the community.

 

How to keep it real in your writing

The other day I got a book review of A Magical Life. It was a good review, but I think what I liked best about it was something the reviewer said, which spoke to how the book affected him/her. The reviewer mentioned that the book would move from topic to topic, from personal to philosophical etc and that it gave him/her a case of mood whiplash (which might be trouble for me if the insurance claim has anything to say about it!). Now you might wonder why  like that best, and its not because I want anyone to suffer as a result of reading my writing, but rather because the writing got some kind of response. And to me that is what keeps writing real...when your audience responds. It may not always be a favorable response (though overall it seemed to be in this case), but a response of any kind means that the writing resonated with you. Yes even if you hate the writing, it still resonated on some level.

How do you keep it real in writing? Write about your experiences and be genuine about what you share. In this blog and in my books, what I share is my experiences, both the successes and failures because I think sharing both keeps it real. Anyone who reads my works knows they aren't just getting theory or practice, but also the experiences that inform both. When you write anything, even fiction, there still needs to be some basis for experience, something you put into the writing that your readers can relate to.

Part of keeping it real also is knowing and defining your audience. Not just anyone will be your reader and indeed your writing isn't for everyone. But if you know who your audience is, then you already are writing for them as much as for yourself. For example my audience typically has an intermediate level of experience with magic (at least) and is interesting in experimenting and personalizing their magical practice. They may only be interested in specific topics that I write about, but what all of them like about my writing is the unusual perspectives I share, and the different angles I apply to my magical work. Knowing this about my audience helps me connect with them better. At the same time, I'd also say my audience is me and I just happen to be sharing what I've written with other people. I find that both perspectives on audience are helpful for me because it speaks to the reality that writing while being for other people is also an intimate activity that can be just for you.

Special 2 class deal on Alchemy of Breath and Sonic Ritual Magic

Master the fundamentals of breath and sound as your learn how to work with your body as part of your magical and spiritual work. In the Alchemy of Breath you'll learn how to use breath to raise your energy. You'll also learn:

  • Why Breath can be a spiritual tool and what you can use it for in your magical work.
  • What the different types of breathing meditations are.
  • How breath work can be used to work with your voice.

In Ritual Sonics you'll learn how to integrate your voice into your spirituality. You'll also learn:

  • How to vocalize and vibrate your voice.
  • How to use your voice in meditation to lead to deeper trances.
  • How to use your voice in pathworking, invocation and other magical techniques.

And with each class, I'll also make sure we have time for YOUR questions!

We meet on Sunday January 26th from 2 pm to 4:30 pm at the Deforest House, located at 7145 Se 67th Ave, Portland OR.

2 Great Bonuses!

Bonus #1: A Free Hour Long Teleconferences that will occur after the workshops where you can ask me questions and share your experiences.
Bonus #2: Free MP3 Recordings of the Teleconference.Registration Fee:

The Registration fee for these classes is $40, but if you bring a friend you can both save $10 each on the classes, which means the classes will only cost $30 each for both of you!

How to sign up:

Contact me to RSVP for the classes. The fees are due the day of the class.

The Glamour of the Pagan Publishing Industry

Books I came across this blog entry from S. Connolly about the future of esoteric publishing and found myself in agreement with what she wrote. I find the publishing industry to be a quixotic beast to say the least. You have larger publishers who focus on publishing books that will sell to a larger market. You have smaller publishers, which focus on more niche markets because they have smaller overhead, but also because it is for very specific audiences. I am not the bigger publishers' audience, though they might disagree and say I was. The majority of books the bigger publishers put out just don't interest me, and usually are written for an audience that is just starting out, or is at best, an intermediate audience. Much like S. Connolly, I am very picky about what I pick up. In fact, the last time I picked up a book from a bigger pagan publisher, it was Jason Miller's Financial Sorcery, which was in 2012. Since then I've picked up a handful of occult books, all of them from smaller presses. The majority of books I buy aren't even occult books anymore because most of its just the same old, same old, which I've already read. I want something different and I have to go elsewhere to find it.

Authors face a hard choice, I think, when it comes to publishing. Do you go with a larger publisher who can give you better royalties (maybe even an advance) but also be required to write books for that larger audience? Or do you write a book that's for a niche audience, which won't make as much money, but will provide you more artistic control over your voice? Some authors opt for doing both, while other authors choose to stick with one type of publisher or another. For a short time, I considered publishing one of my book with a larger publisher, but it didn't really work out. I decided ultimately that it was better to publish with Immanion. Yes the audience is smaller, the royalties are smaller, and I don't have access to some of the resources that larger publishers have (or at least I have to get creative to get in front of those resources). But I do have that creative control and I'm writing for a specialized audience. Most of what I write is something that'll be found by people looking for something specialized and specific to what they need.

For readers, I have the following advice. Ask yourself what you really hope to get out of a given book. What is it you really want? How will it contribute to your magical work, your spirituality, your journey as a person? Then look through the book and decide if its really what you want. Not all books are equal or worth it. What you really want is something that contributes to your life, your practice, etc.

I used the word glamour in the title. It's an apt word which describes just how much of an illusion the whole publishing world is. Yes we have our BNP's, oh so glitzy and fabulous, our publishers, our news media ready to put a spin on what's relevant or not to Pagans, but it's all just a lot of words, a lot of image. The reality is something else. It's something experienced each time you choose to apply magic to your life, each time you do the work and make it part of your being. Anything you get should really be about the relevance it has to your spiritual work. Because when you strip all the glamour away what you'll see is other people and you'll know if they're work has value only in relationship to the work you are doing. An author is only an authority because enough people find him/her relevant and think it worthwhile to read the books and attend the workshops, but that same author is only an authority to him/herself if s/he is really doing the work, as opposed to just talking a good game. So strip away the glamour and ask yourself: Would I really want to meet and work with the person who's written this book? If the answer is yes, buy the book and if not, leave it be...

 

Stranger and Stranger

Stranger I'm reading the Necessity of Strangers by Alan Gregerman, which argues for the value of strangers in your life, because of how they open your horizons. The author points out that everyone you meet initially is a stranger, which is certainly true, but what I really like about the book is that it advocates that what strangers provide you is new perspectives that challenge how you think and what you do. And I think that challenge is essential if you want to experiment in a given discipline. As I've written before, one of the reasons I am able to experiment with magic is that I keep myself open to a variety of perspectives that fall outside the traditional occult disciplines, because I find that such perspectives provide me different angles through which to examine magic and my processes. Those different perspectives are what keeps magic relevant and fresh and provides opportunities to evolve it.

Such perspectives can be found in books and other materials, but also through meeting other people. One of the reasons I like to meet with people outside of my usual sphere of influence is that it provides me an opportunity to get new perspectives by learning about them and how they perceive the world. I may or may not agree with them, but even if I don't agree it still provides me different insights and ways to experience the world, and those insights are critical for experimentation purposes. Indeed, one of the reasons that I like my day time business is that it provides me lots of opportunities to meet with people who don't share the same sub culture interests or beliefs. I feel that such contact enriches me and my practice of my magic because I'm not just meeting people I agree with or people who share similar beliefs. I'm not keeping myself in a bubble that has everything I'm familiar with, but instead challenging myself to experience something new, even though what is new and different may not fit inside what I already know.

Sometimes it doesn't. A lot of times it doesn't. When I work with people that hold different beliefs or values, it can be uncomfortable, but that discomfort is good because it challenges the safe, conventional perspectives I have. Such a challenge is needed in order to keep a person grounded in my opinion. When you get wrapped up in your safe, conventional world view, supported by everyone around you, you lose touch, because you aren't challenging yourself or your views. You aren't staying open to new ideas or to discovering what you might not know. All of this is needed in a person's life, and I think in his/her spiritual practice as well. We see all too often the dangers that occur when a person is isolated from contrary views. S/he can become a fanatic fundamentalist, convinced that his/her way is the only way, Such a perspective leads to a dulling of the person.

So what are you doing to meet strangers, to keep yourself open to new perspectives?

 

Some Thoughts on Building Community

community The concept of community has always been an interest of mine. I think it's been so important because I never really felt like I was part of a community. I felt like an outsider for so much of my life and while I wanted to be part of different communities, I could never really figure out how. Then the answer came to me...instead of trying to be part of something, why not just develop your own community. And that's what I decided to do. My initial forays into community building weren't very successful, but they were illustrative of what I needed to do. For example, when I first moved to Portland, I decided to start up a meetup at my house, where various friends could come and I'd present on some of the magical experiments I was working on. I soon realized that although the classes were a success, they weren't an effective way to build community, because the focus wasn't on being a community. I eventually stopped teaching and for a while just drifted.

My next attempt at building community was a bit more successful. I decided to propose a game night to my friends, where we could get together once a week and play various board games. And sometime after that I started another magical meetup night, but instead of just me teaching people, we decided to rotate it so that different members taught or shared what they are are working on. We also made it in to a potluck so that all of us could share a meal together. And through these activities I discovered that I was building a community. I've learned a couple of key lessons that I think can be applied by anyone seeking to build community in their own areas.

1. Don't assume that belonging to a given subculture automatically makes you part of the community at large. What I've discovered over the years is that although I identify myself as a Pagan and occultist, it doesn't necessarily mean I'm part of the community. This is a lesson I've learned at various locations and what it has really taught me is that to become part of a community you have to work at it. It doesn't happen just because you identify with a given subculture. And something else to remember is that you'll have multiple communities of a subculture. For example, in Portland, there is a chapter of the OTO in town, a community of hermetic magicians, several different general pagan communities, the magical experiments community as well as various solitaries (and probably some I don't know of). Not every community with be a fit for a given person, but given time you'll either find the right community or create one.

2. Shared interests are an excellent way to build community. I have found that shared interests are important for cultivating and strengthening community. I didn't have much in common with the majority of communities I encountered when I moved to Portland, so I decided to form my own and with my friends found people who had similar interests, which helped to build an investment in the community that was forming. Finding people who share your interests, both esoteric and otherwise, can be very helpful for establishing community, and providing a foundation of shared values that also appeals to other people who want something similar.

3. Shared responsibilities increase community participation. My first attempt at forming community didn't work because I was solely responsible for it and it was more or less a class as opposed to an actual community gathering. When I tried again, one of the things I asked for was that other people took turns presenting on topics of their own interest. By doing this, the other people became more invested and participation rose. We also made it into a social event, by making it happen around a meal and asking everyone to bring a dish of food for the meal.

4. It can be useful to keep your community semi-private. We don't post our events on social media sites such as Facebook. The community is semi-private in that people can bring guests, but the only online mention of the community typically occurs in my newsletter and in an e-list that is only for people who are part of the community. The reason it isn't public is because the community isn't automatically for everyone. It's for people who have shared interests, want to share what they are working on and also want to learn from others. The community is for people who feel called to join it and typically what I find is that a person will visit once and know shortly thereafter if s/he feels called to participate.

5. A community gels around a stable place to meet. A stable place to meet does a lot to solidify the community. Kat and I open our home up to the people in our community for our gatherings. I've noticed something similar in other stable communities and I think having one place for everyone to convene is helpful because it provides a stable physical environment that everyone knows.

Building a community of any sort takes effort and participation on the part of everyone that's involved. A community is only successful if the people involved in it make the effort to build and sustain the community together. The tips I've offered above can be helpful, but feel free to share some of yours in the comments below!

Unique

Sometimes I feel so keenly the edge of Zero,the loneliness of one I am unique I'm told as if it were a gift and blessing but such uniquity is a burden as well providing a singular vision not shared by others I see at angles no one else sees understand the universe in a way so rare that it either invokes ridicule or awe from those who witness it. I can put magic together such as you've never known to make the universe dance and sing at my caress but there's no who knows that part of me that dances on the edge of zero gazing into the merging of not and all 0 and 1 discovering the secrets of creations, the tremors of destruction the dissonant harmony of all things and none Oh what secrets I could tell you if you could find a way to walk my path but there's no one to walk this path with me no one to really understand the way I see things. I am as alone as alone can be walking this path with my secret self along tongue lolling out eyes laughing mockingly you know, you know, you know but what you don't know is so much more. I'll continue on this path awhile but I fear I won't find another soul I'm unique you see, so different as far as others can tell. There's no one here to share this journey I'm on. I'm out here on the edge singing my song, telling my story, but there's no one there to hear no one there to tell.

The Magic of your Appearance

suit When I was growing up, I used to believe that a person's appearance, that what s/he wore didn't matter. I had bought into this counter cultural belief that appearance didn't matter and wasn't genuine (which is ironic because every counter culture I know of has a specific image and appearance that is important and indicative of whether you belong or don't belong). My perspective on this has changed quite a bit, especially once I became self-employed. I find that appearance is important and that how you dress can help make an initial impression that is important in its own right. Your appearance has its own magic, in a sense, and I think it can be quite useful to work with that on a magical level.

The clothes you wear, while not inherently possessing magic, nonetheless do possess something else: The perceptions of other people as they look at those clothes on you. What is the image you convey, the impression that you make, the presence you embody? It is, of course, your presence, but it is a presence mediated by others as well. Tap into that mediation and what you tap into is how to turn the perceptions of others into a glamour all its own. And you know, we do it all the time. The goth wears black clothing to present a specific presence, with different ideas associated with it. To other goths, the clothes indicate belonging, and to yet other people, they indicate that the person is a goth. That's one example, but I'm sure you can think of others that apply.

When I put on a suit, I often think that what I'm really putting on is a magical garb of some sort. The suit becomes ritual garb for business meetings. It's expected at those meetings, and without it I wouldn't necessarily fit in or at least not be as accepted. Yes we can argue that its superficial to judge a person based on the clothes s/he wears, but if that's so why then does clothing matter so much? Why put all the effort into finding the right clothing for the right occasion? No one I know doesn't prepare on some level for an outing without putting attention into the appearance, what s/he will wear, and how it will appear to other people. When I put on a suit, I think about what it is supposed to convey. A suit conveys reputation, authority, as well as belonging in certain settings (and not belonging in other settings).

When you put any clothing on, take a moment to really settle into the presence of that clothing, into the message you are sending? What is your appearance trying to convey? What impressions do you want people to get? How will those impressions help you? Do the color choices of the clothing help you in your appearance or do they create some cognitive disconnect? When you wear your clothes step into them and make them part of your identity, part of what you are presenting to the world. Your appearance isn't you, but it is you...it is what you present to others, and it can be a gateway all its own.

Appearance matters. We can tell ourselves it doesn't and that its superficial to think it does matter, but when we tell ourselves such a message we are being hypocrites. After all, every time you put some thought into what you wear, you care about your appearance...it matters. I say let it matter, and step into it and make it part of your magical part, part of your work with your identity. Be present with yourself in the clothing you wear and let yourself be open to how that in and of itself speaks for you. There's magic to explore there if you are willing to be open to it.

Elemental Balancing Ritual Movement Month 14: Redirection

Eros 11-25-13 On Sunday we discovered that our water has been reduced to a trickle. We got the landlord over and he tried to figure the issue out. Tomorrow we'll have a plumber over to do a helium test, which will hopefully isolate where the leak is, but in all this I'm reminded of just how blessed I am to have water. Yes, this is an inconvenience, but compared to many people, it's just that. Kat and I are adapting as needed to handle it and that adaptation encapsulates for me the need to be able to redirect movement, to adjust to the difficulties and pleasures of life as they come your way. There is no certainty, no guarantee and what makes someone able to survive and even live is really based on how they adapt to the difficulties facing them. Do they let those difficulties define them and get them all bent out of shape or do they do what they can, get the help they need, and then focus on what's working. I've always been the latter kind of person. I might freak out for a moment and get upset, but I realize that indulging in those feelings is a waste of energy and effort that could be better applied to resolving the situation more effectively.

11-29-13 The other day, I got into an exchange with someone I consider to be a bit of a troll. This person consistently accuses other people of making fallacious arguments and then makes the same arguments. I think of this person as an Alpha Geek, the geek that always has to be right, always has to have the last word, and is always antagonistic because s/he has nothing better to do with his/her life. So I decided to set some boundaries, and let the troll know that if this person would continue to argue with me in the way s/he had previously done, I wouldn't bother responding. Not surprisingly the response was a typical alpha geek response. How I feel about it, however, is that I did the right thing. I set my boundaries and stopped participating in what I consider to be a non-constructive exchange. Instead of allowing movement to continue in a direction that had no benefit for me, and lots of frustration, I chose to re-direct and whether the person moved with me or not didn't really matter. At one time, I'd have gotten into a lot of drama with a person like that, but anymore I just don't care. I have too much I want to do with my life to spend time debating with someone who feels that s/he needs to be right more than actually engaging in constructive dialogue.

And then there's Thanksgiving. Thanksgiving is one of my favorite holidays. Kat and I had people over for dinner. I made the Turkey, while she made stuffing and green bean casserole. Making the Turkey is my favorite part and I've actually gotten pretty good at it. There's a process of basting and applying a mixture to it so that the Turkey has a taste of herbs to it. Fun stuff that I love to do. But Thanksgiving also brings up some other memories. I actually ended up thinking about my step-mom and her kids, probably because of memories with the holidays and also because my half-brother has recently done a couple of questionable activities, which have gotten him in trouble. I feel some empathy for him, but I also feel some tough life needs to be applied, and I have a feeling neither him nor my half-sister really had much in the way of tough love applied to them. What I recall, from my childhood was that I was the scapegoat and my half-sister was the golden child who could do no wrong. And if she did something wrong, I ended up blamed for it. That never sat right with me, and I recall the last Christmas I spent with my dad and the step-mom and telling my half sister that Santa wasn't real. I'll admit I told her out of a bit of spite and she believed it. My step-mom was furious and yelled at me, grabbed me and and then grounded me. I realize now I told my half-sister that because I wanted to take something from her, from her mom too, because of how I'd been treated. I wanted them both to feel some of the pain they'd caused me. And I say that not because I feel guilty about it now (I don't), but because I realize how much my interactions from those early years plays a role in the narrative of my life and my interactions with other people. My way of handling people in power has been to sneak around and sabotage them. I've done it in personal relationships, professional relationships, and everything in between. It's passive aggressive (and I own that), but it was learned because I didn't feel I could really speak or be me. I had to fit into a role and I didn't like that role...and I see that replicated throughout my life and where I do feel bad about it has more to do with how it has affected people in my life more recently. Because the thing is, I'm not in that dynamic anymore and I didn't have to be at any time in my adult life, and yet there it is...My baggage, my issues put me into that role, no one else. I own that and I also own the responsibility and power I have to change that. I don't have to keep doing the same movement again and again and again...it's my choice if I choose to do so.

11-30-2013 I painted tonight, closed myself off from everything and everyone and just painted. My paintings are highly personal. I share them, but they are for my spiritual work, and I've decided that I'll never put them up for sale, partially because of that reason and partially because I'd suspect that if anyone did my buy my paintings they'd do so more because I'd painted them than for the aesthetic quality of the paintings. I've actually mulled having my paintings destroyed when I die for those reasons. Not sure if I will or won't, but I lean more toward having them destroyed in the event of my death.

12-4-13 I did a talk on networking at one of the chambers I'm a member of. As I got ready to do the talk, I felt myself get restless. It used to be that I got nervous, but now its restless, eager, anticipatory, wanting to move, ready to move, ready to share. When I came up to speak, I felt myself come alive. Truth is I love professional speaking, because it can be quite a rush to share a message, to fully get into the moment and become a conduit for what you are sharing. Afterwards you realize it's time to ground, go back into yourself, but while you are speaking, it's something else...

Some days its hard to exercise. I think of exercise as a redirection of movement, because I'm re-directing myself to exercise instead of continuing to work or be a couch potato. There are days when exercise seems easy to do and days where all that keeps me doing it is my commitment to my health. On those days, the need to redirect my thoughts and movement are the strongest because all I really want to do is not exercise, yet I know that exercising will make me feel better in the long run, and even in the short run. It's that awareness which keeps me going, keeps me exercising, keeps me realizing that the way to being healthier isn't to give into what's easiest, but to focus on what's most important.

12-8-13 Yesterday I hit a wall. Actually I'd been hitting that wall the last few days, but yesterday was when I acknowledged it. I didn't feel inspired to write and in fact was at a loss as to what to write. When I feel that way, it hits hard because for me, writing is my medium of expression. So I started to do some layout work, while watching an episode of Star Trek Voyager and in the episode one of the characters was told to take a break and I stopped and I realized I needed to take a break from the computer, from writing, editing and layout and do something else, so I went to my bedroom and curled up with some books and my PS Vita and alternated between playing video games and reading. And it really did something for my mood because part way through reading I got an idea for an article I'm going to write. I still didn't write, because I realized I needed to give myself permission to just take a break and do something that wasn't focused on trying to generate an idea to write about.

Today, when I did my meditations, I went in deep. I felt/saw/experienced the various forms of movement in my life, becoming those movements, allowing myself to be those movements. There's no other way to really explain it, but it was a profound experience of movement as an element.

12-13-13 Sometimes in order to re-direct a movement you need to actually experience the movement in full to understand how it works and how it affects your life. Then, with that understand, you can make changes to the movement and re-direct it into a direction that is more beneficial to you. It might seem odd to actually go through a movement without changing it, but I don't think change can effectively occur without understanding the original movement.

12-17-13 I hung up the two paintings I recently created. One is hung on the wall over the bed, and the other is hung on the ceiling over the bed. One is used to invoke the sphere of art, which functions similar to a tesseract space/time magical working, and the other is used to interface directly with the cross roads, as a space/time junction of sorts. Both paintings function together and are an essential part of my continued space/time work. What fascinates me is how you can bind a given magical operation to a symbol or tool, like a painting, and then call it forth when you need it, instantly performed. I build a lot my magical tools that way, as I find it useful to have certain operations automated, but it's not something I see with most other people's works. I feel that if you can capture the essence of a practice and embody it into an object, it should effectively be something you can use to call forth that actual working.

12-18-13 Every movement a person makes is chosen. It can be an unconscious or conscious choice, but it is always chosen by him/her as part of his/her life and intention. Something to contemplate further, as I consider my own movements and how I've chosen them both consciously and unconsciously. I realized today that my choices, when it came to significant partners in my life, has been modeled of one degree or another by my interactions with my step-mom. How Freudian, right? But nonetheless certain patterns of strictness and behavior display themselves in different ways with the people I've gotten involved and I recognize that in some way I've been trying to resolve that relationship, to find closure to what happened to me early on, and it has played out in the various relationships I've been in. Makes me look at those relationships with different eyes, different awareness of myself and my movements, and how I will move as I continue on in this journey of life.

Some further awareness on this topic after considering what I meditated on. With just about every person of authority in my life, I have always, on some level, resented their authority and done my best to subvert it, and do what I wanted. It's not the most mature way to handle such issues, in large part because I presume the person has authority, instead of actually developing a relationship of equals. And while its true as a child that my step mom had authority over me, it certainly needn't apply to my life now, and yet I can safely say I have applied it to my relationships and that as a result I have sabotaged those relationships. I have not stepped up to be the man I could be, or the person I could be in my relationships (and yes I think there is a distinction between the two). And while my respective exes share some burden of the responsibility for the relationship, so do I, and while I've claimed that responsibility, I've never claimed it in this way, because I've never really understood that aspect of myself which responds to authority in quite the way that my work with movement has revealed it to me. I feel like I've had a critical moment of awareness occur, which has helped me better understand so many of my choices, not just in terms of behavior, but life choices as well. With such understanding comes change, and fortunately I've already been in a process of change that has shifted my approach to relationships from one where I've sought authority, to one where I seek a relationship of equals.

12-22-13 For the yule version of the magical experiments community meeting I presented on the elemental balancing work and on my work with movement. It was interesting to watch people react to the recognition that committing to the kind of work will change your life. A couple of people acknowledged that they felt uncomfortable with the level of commitment involved and with how it could change their lives. I get that, and yet I feel it important to really call out just how intense this kind of work can be. You do this kind of work and it does change you. It changes your relationships, it changes your sense of self. It calls on you to get serious and own your shit instead of continuing to act it out. If you're not experiencing changes as a result of doing this kind of work, you're not doing it right. This work is intentional and it calls on you to be intentional about your life. And it's not an easy process. If you were to meet the person who first started doing this work nine years ago, you'd have met a very chaotic individual. Over the last nine years, a lot of the rough edges have been worked out, but as with anything there is a cost. And while I don't think all of my life changes in the last 9 years are due solely to the elemental balancing work, I do think it's played a significant role in those changes.

So I noted their reactions and told them that the work could be hard, but also rewarding. At the same time, it's a calling of sorts. You don't do this kind of work on a whim....you do it because you accept the need to change your life and change how you live it. I'd do it all again, because that work, as hard as it has been, has also been liberating. So much of the dross has fallen away and I feel that my life has become much more stable overall, and that I've also focused more on my callings in life because the distractions have been cleared away.

12-23-13 Kat and I got new phones today. We'd gotten fed up with AT&T, which has poor service for where we live. And why do I mention this seemingly mundane detail? This month is about re-direction and it seems fitting to include that as part of the month. Beyond that, we visited the Chinese Gardens, which allowed me to rewrite a memory as well as experience Kat's first visit to the garden. The Chinese Gardens are a magical place. It feels like you look through different windows and see different realities. I feel that as I continue this working, I'm moving into a different reality as ell. Where I'll end up, I don't know, but the destination is perhaps the journey itself as opposed to any specific place.

Pop Culture Identity ideas

pop culture I've recently picked up some books on pop culture studies, to supplement the existing ones I had, and to help me with the research aspect of Pop Culture Magic 2.0. While I've written the first chapter of the book, I've felt the need to temporarily focus more on research and experimentation, and this has proven to be a wise idea. One of the books I'm reading is Textual Poachers by Henry Jenkins. I wish I'd read it back when I was writing Pop Culture Magick, because it would've supported a lot of the arguments I made about pop culture, but better later than never. What's most fascinating about the book thus far, is the focus on how fans have made their own interpretations of pop culture, and in a sense created their own identities around pop culture.

Textual Poachers was written over twenty years ago, but I see the same trends in pop culture now, and if anything they are much more significant. Cosplay, for example, speaks to how fans become characters they like, and in turn have their own identities shaped by that interaction. I've written about this topic in Multi-Media Magic, but what fascinates about it now, even more than before, is how identity pops up as an element of pop culture. I feel that the evolution of pop culture magic involves the integration of identity as an essential part of making pop culture a viable medium of magic.

When I examine pop culture now, as opposed to ten years ago, what stands out is how much pop culture seems to involve integrating the people into it. Cosplay is one example, but video games are another, and social media is yet another. There's this creation of multiple identities all linked together, sharing the identity of a person, but also changing that identity via the mediums being utilized. My own experiments with different forms of media as part of the formation of identity has shown me how much those mediums can help you experiment with your identity and map new behaviors and habits onto it as a result of describing the role those behavior/s habits have on you. It indicates to me just how much the identity of a person goes beyond a person's physical expression of that identity (i.e. body) and shows up in the person's life through their art, pictures, textual interactions. At the same time, I think the body is being integrated even more into explorations of identity and pop culture certainly plays a role in that exploration.

I feel that an evolution of pop culture magic will more than ever necessitate the participation of the magician in pop culture, not merely as a replicator of a given pop culture, but a creator of pop culture content that also is an expression of his/her identity and magical work (whether overtly or subtly). The magician mediates pop culture, becomes pop culture, is an expression of pop culture, and brings all of that back into his/her own sense of identity. There's a cycle there and it's one I'm hoping to explore more thoroughly as I continue to research, experiment, and write the book.

Book Review: Predictably Irrational: The Hidden Forces that shape our Decisions by Dan Ariely

In this book, Dan Ariely shares the irrational aspects of our behavior and shows just how much sway and influence those aspects have in our decision making processes. We are far from being rational and logical about our choices, but fool ourselves into believing we're rational (which is irrational in and of itself). Through a variety of case studies, Ariely demonstrates how irrational we are, as well as showing how different environmental influences effect us. He explores the relationship we have with social and business behaviors, money, as well as stealing, dishonesty, and a variety of other behaviors that are all part of our irrational makeup. This is a must read book if you want to understand your own decision making process better and if you are fascinated with human behavior.