Elemental Balancing Ritual Stillness Month 21: Giving and Receiving

sigil 6-26-16 Sometimes I like to let my mind wander. I'll lay down for a bit and just let my thoughts go and see what comes up. It's a good way of setting your creativity free. It's not the same as meditation for the purpose of clearing your mind, yet it can be a form of stillness on its own, because in letting your thoughts go free, you also allow yourself to become still. Your thoughts wander every which way and you just observe them. It frees up the creative juices and ignites the inspiration.

Doing this exercise has been helpful for me for when I'm feeling writer's block. When I write I can see the big picture, but sometimes putting the pieces together is hard. So afterwards this exercise helps to loosen the mind up. It helps you get back into the writing space, open to new discoveries.

6-29-16 Felix gave me a copy of the Art of Asking by Amanda Palmer. I started reading it that night and her story really hit me on a deep level, especially around the struggle people have with asking. I know that struggle so well, because I've always had that struggle around asking. Opening up that intimately, being that vulnerable...I've learned it slowly in the last few years. I'm still learning it, but I can see that I'm learning it and feel really good about it. I don't need to put myself behind walls of self-sufficiency. I can actually rely on people if I choose to let them in. I couldn't have that six years ago.

7-3-16 I gave myself permission today to slow down on a project and do some additional research. I've occasionally just dove in without really considering the ramifications of my choice. In this case I was putting pressure on myself to have this project underway by a certain date and I realized the pressure really wasn't worth it. So I evaluated the project and recognized that I need to do some research and then do some digestion to figure out what I really want to do with it. If executed properly this project will be very helpful, but if it isn't, it could take up valuable time and effort.

You know for all that this year has been about stillness, this has been one of the busiest years of my life, with so much change happening. The stillness has come in handy for actually keeping me steady and focused while managing all the change. And I think it'll continue to help me down the line because there will undoubtedly be more changes like this.

In the Art of Asking, an interesting point is made that if you love people enough, they'll give you everything. I struggle with that sentiment. Then again I struggle with sharing in general. Despite the fact that I'm a writer and actually share a lot, there are moments where it can be a real struggle. A lot of that struggle has more to do with me and my issues than anything else. And I think in this case it's a struggle to receive, when you've decided to share. I can share, but to receive in return? It can be painful, because when I receive I'm letting people in, letting them see me. Really see me.

7-4-16 It hit me today...a combination of reading the Art of Asking and seeing someone else I admire make some changes in her groups. When you give something, what you are really doing is deepening the relationship. You're inviting people in and you're trusting them and you're also building trust. I never really got that before. I'd cringe at the idea of giving something away for free, but that was because I didn't really understand what was happening. And now...I do...I get it. It's like a light clicked on. I need to map it out, but now my understanding is changed. It feels vulnerable, but also empowering. Letting go of control in order to see what happens.

7-7-16 I met with Antero Alli yesterday. I've decided to take his Zero lab for Paratheatre and part of the process involved the interview. I'm glad it did because it gave both of us a chance to feel each other out. In the very rare occasions where I've chosen a mentor, it's always occurred via in an in-person meeting, where we've got a sense of each other physically, emotionally, mentally, and spiritually. There's a kind of spiritual transmission that occurs in such a meeting. It's not quite the same as a full on spiritual transmission. It's more of an introduction, yet it is significant because it is how you determine if the person you might work with is in fact someone you should work with.

On a different note my experience with stillness has shifted somewhat. I've recently begun to recognize how stillness can be a gravity well, where you are still, but what you need is brought toward you by the gravity aspect of stillness.

7-10-16 First day at Disney. I let my inner child out. I had more fun than I've had in a long time. There were some interesting moments of stillness experienced, particularly in just letting go and having fun, having the experience, and just being in the experience. I'm glad I get to share this experience with my family.

7-11-16 Today I went on a 3 hour tour of Disney land, learning the history and some of the marketing behind Disney Land. What I found most fascinating was how this one person had a vision and stuck with it. He also believed in the imagination and wanted to engage the imagination of people the world over. I'd say he's succeeded. I admire that kind of drive and dedication to one's vision.

7-12-16 Tonight we attended The World of Color presentation. All these people were at it and it was amazing and I could feel this energy going through the crowd, responding to the presentation. It wasn't attention. It was belief. The myopic perspectives that many magicians have about pop culture magic occur because they have little in the way of imagination or capacity to consider that just because something isn't traditional, doesn't mean it can't have power or real impact on people. The experiences I've had over the last few days confirm all over again the validity of pop culture magic. I'll write more about in a separate post, but more than ever I'm quite pleased with how pop culture magic has become more relevant, more prevalent...its not going away, no matter how much some people wish it would would.

7-14-16 Today I started crying...not sad crying, but rather crying because I felt these walls in my heart melt. I felt such love for Kat, such a recognition of how dear she is to me, how much I love her, how much she means to me, how deeply she has touched my life. I've never cried like that for anyone other than when I had to leave my mom when I was young, and its not like I'm leaving Kat, but its rather that I just realize how much I love her, how important she is and how glad I am that we found each other.

7-18-16 Back from Disneyland. It feels surreal. I entered into this alternate dimension for 5 days and now I'm back, but I've been changed by the experience. I'd never been there before, but allowing myself to really get into the experience brought up so many memories from my childhood. For that matter my inner child got to thoroughly come out and enjoy just being a kid again. That's really how I felt, while there. I could just be a kid. It was a life changing experience. I'm still processing it, but I'm so glad I went.

7-21-16 Over the last week I've noticed that my stillness meditation has changed a bit. The experience of Stillness has become like a field of gravity, where I am still, and events, people, etc., are pulled toward me. It's quite fascinating and I'm going to experiment with it further. I know this experience can happen because I've read about it, but until recently it didn't happen with me. And it wasn't something I was looking for so much as it just started to happen on its own.

Pop Culture Magic Foundations Starts on August 9th

Are you ready to level up your pop culture magic? On August 9th, the first round of pop culture magic foundations goes live, and this class will be different from my other classes. We'll be doing it as a webinar, which means you'll get to ask me questions, live, among other things.

Want to learn more about pop culture magic foundations? Watch the video below:

In pop culture magic foundations, I will show you how you can:

  • Develop deeper relationships with pop culture spirits
  • Create your own pop culture magic system
  • Put together magical techniques based off pop culture.
  • and much more.

If you want to learn more and sign up for the class, visit here.

How to keep your relationships with your spirits top of mind

Eligos Sometimes its really easy to let your relationships with your spirits fall away. You get busy with living your life, working your work, and whatever else and despite your best intentions, the relationship you have with the spiritual part of your life falls to the wayside. Recently I was having a conversation with my friend Felix and he was telling me how our mutual spiritual daemon Eligos had been showing up and I thought to myself, "I haven't had a conversation with him in a while."

As I shared in a recent Facebook Live video, Eligos and I did have a conversation shortly after and we both agreed that I'd been so busy writing (which ironically is his domain) that I needed to take a break from it and my break should be dedicated to him. Then my other spiritual entities chimed in and said they also wanted the break dedicated to them...so end result they're all getting a dedication on the first day of my retreat, coming up in a couple weeks (and I'll likely do a live video of that).

Over the years my relationship with my spirits has changed. At the beginning I believed in them as objective beings, then somewhere along the way I thought of them as psychological constructs...Now I've gone back the other way and I suspect I'll stay that way. I've had too many experiences occur that have convinced me it's NOT all in my head. But keeping your relationship with your spirits is its own commitment.

I do a daily prayer, but there's something to be said for having a relationship where you walk with your spirits. What I mean by that is that your interaction with them isn't so formal and set up that you always need a ritual in order to connect with them. In my case, I can feel Eligos when I write. And I can feel him when I'm reading or watching or really drawing inspiration from any source of creativity. Now some people will tell you not to take this kind of approach to working with spirits, but honestly I've never been one to go with conventional wisdom. It's sooo...boring. More to the point I've always wanted a different kind of relationship with my spirits.

So often the relationship people have with their spirits is either one where the spirit is called up and asked to do some tasks or the spirit is communed with, worshiped. I've done both in my time, but in choosing to walk with my spirits, what I've really looked for is a more intimate relationship with the spirits who are part of my life. I'm not talking a romantic relationship or a sexual one (They aren't really interested in either, unless its as a way to connect). The intimacy is found in what is shared voluntarily, and so much can be shared without bring romance or sex into the equation. In fact, when I see people talking about having a romantic connection with a spirit or the spirit sex they want to have, what it really tells me is how much they aren't in touch with themselves, because what they've fallen for (to be honest what all of us have fallen for at one time or another) is the misguided notion that romance and sex is the only way to be intimate. Romance and sex are just a couple of ways to be intimate and there isn't always intimacy even then. Real intimacy takes work and you won't find that truth shared in romance novels or porn films.

Intimacy is found in sharing and sharing can take many different forms.

To be intimate with your spirits is to invite them into your life, to walk beside you. It is to make an offering of experience, to share the moment across the boundaries of flesh and spirit. When I eat food and one of the spirits is along for the ride to taste what I eat, that is intimacy. Or when I go on a walk and I open my senses to the spirits so that feel something of what I'm experiencing that is intimacy. And sometimes the intimacy is found in doing the art or the writing and just letting yourself be open to experiencing the divine inspiration.

It's a conversation, but rarely with words and when the words are expressed its just another form of sharing, sound reaching out to connect with the internal reality of the spirit, evoking it forth so it is here, right here, with you in this moment. But they're always there to some degree or another, if you let them. It's a lot less complicated than most people portray it because once you have the connection it's always there to some degree...it's just a matter of choice...do you want to let these spirits in that you've worked with or do you only want to bring them in on special occasions. I opt to let them in on a regular basis.

Most magicians will tell you not to do that, by the way.

My first real intimate experience with the spirits happened when I was eighteen. I'd been reading these books on elemental hermeticism and I decided I wanted to connect with the elemental faeries, really connect with them. I didn't want to just do a ritual. I could do those and they worked, but I knew there was something more, something deeper to be had. So I did a ritual working, but this time in the ritual I did something different.

I gave them something.

I know offerings have become a fairly popular topic, but at the time I was doing the ritual there wasn't any writing out there on why you needed to make offerings to spirits, or if there was, it wasn't in any book I was reading. And the offer I made was a bit different. It wasn't food, it wasn't drink. It was part of my life essence, in the form of blood. Pretty damn intimate.

Most magicians will tell you not to do that, by the way.

I gave them blood. And I asked them, in return, for some of their life essence. I wanted to connect with them in the most intimate way possible by making them and I part of each other. They agreed. We exchanged life force and from that experience what I learned was something significant.

What you are willing to give and what you are willing to take on is exactly what determines your relationship with the spirits.

I've applied that realization to every relationship I've had with the spirits (and to a number of relationships with people) and its worked for me. So when my relationships with the spirits isn't top of mind what I recognize really is I'm giving less and taking on less and its up to me to change that, with an occasional nudge on the part on one spirit or another.

I couldn't imagine taking the standard approach to working with spirits that I see so many people take. And the inevitable questions I get about my own practice usually focus on why I have such a different relationship with the spirits I work with. My standard answer is I treat them with respect. I figure that answer is what they really need to learn first. Are they even respecting the spirits they work with? Are they trying to form a collaborative relationship? Usually they aren't because they've fallen for the stereotypical approach of call a spirit up, threaten it to get it to work for you formula...So really they need to learn a different way, one that's focused on respect.

To this day I've never had any negative experiences with the spirits I've worked with. I've heard stories of other people having negative experiences with some of the same spirits I work with and what I see missing is the respect...and what I wrote above about what you give and what you take on.

It comes down to respect and responsibility...and intimacy.

June 2016 Magical Experiments Podcast

Did you miss an episode of the Magical Experiments podcast in June? Click the links below to listen to the episodes! Magical Experiments Podcast: Art and Magic panel with Felix Warren, Colleen Chitty and Cate Anevski.

Magical Experiments Podcast: Experimentation in Magic with Bill Duvendack.

Magical Experiments Podcast: The Magic in Marketing, Color, and Influence with Dubious Monk

Magical Experiments Podcast: The Magic of Math with Benjamin Gitchel

New paranormal interview with me: Interview about pop culture magic on the new paranormal.

Book Review: Time The Ultimate Energy by Murry Hope

I was introduced to this book by a friend who thought I might find it fascinating. He was right. this is a lost book of space/time magic. A lot of the concepts are dated and its fair to say this book is more theory than practice. In fact I wish the author had included exercises. Nonetheless if you're interested in space/time magic this book is worth picking up and reading. If nothing else it illustrates that there is more work out there to be discovered, both in term of magical work, and also in terms people who've contributed to magic as an evolving discipline.

The Difference between Belief and Attention in Pop Culture Magic

Thiede I've been thinking about belief and what it is and how it shows up in magical practice over the last couple weeks. I've asked members of the Pop Culture Magick and Magical Experiments Facebook groups to share their own thoughts and I've gotten some great answers with a range of perspectives. Naturally considering belief and its role in magic has also gotten me to consider attention and its role in magic.

Attention and belief are not the same.

Let me use some examples from pop culture magic to demonstrate the difference between attention and belief and also show why it is possible to believe in a pop culture spirit and develop a sacred connection as a result. In pop culture, its fair to say that attention plays a prevalent role. When you watch a T.V. show, play a game, or listen to your favorite band you are giving attention to what you are focused on. That attention, in and of itself, does have some power to it.

Nonetheless I can give attention to something without giving it much in the way of belief. For example, I've enjoyed watching the Marvel Universe movies. I've given attention to the characters by watching the movies and reading the comics. I've even given attention in the form of one shot magical workings designed to achieve a specific result. Yet I wouldn't say that I have a deep and intimate relationship with characters from the Marvel universe. I don't believe in them beyond the time I watch the movie or read the comic book and suspend my disbelief long enough to enjoy what I'm doing. What I give them is attention.

This isn't to say I can't do some effective magical workings with them, as I can, but it's not the same as developing an intimate, deep, long term relationship. And that's where I think belief comes into play. Belief is a commitment, that goes beyond the surface level of attention and really allows you and the pop culture spirit to develop something for the long term.

My work with Thiede from the Wraeththu series is a good example. I first encountered Thiede when I read the Wraeththu series, but my relationship with him wasn't just for the duration of reading the books (though I've read them many times). I started doing magical workings with him, but it wasn't a one-shot deal. It was a relationship that developed because I chose to believe in him. The workings I've done with him have happened over the past 18 years and will more than likely continue to occur because he plays a significant role in my cosmology. There is an element of the sacred in my relationship with him and so I don't think that what I give him is just attention. It is belief...belief in the relationship, belief that he is real, belief that my relationship with him has significance and that it has changed my life.

To write that relationship off as if it was just attention, merely because Thiede is pop culture is to ignore the intention of creating and cultivating a relationship that lasts over an extended period of time. And my relationship isn't just with Thiede, but also the other Dehara I've discovered and worked with. I've deliberately built those relationships, cultivated in part by my intentional choice to believe in the Dehara. I've helped develop a system of magic around these beings and I make them a part of my daily life. This isn't attention...this is belief.

And it could happen with any other pop culture.

It depends on what type of relationship you want to develop with the pop culture spirits you want to work with. If you choose to make them part of your daily life, then its more than just attention at work and don't let anyone else tell you otherwise.

 

Elemental Balancing Ritual Stillness Month 20: Fear Unfolding

sigil 5-23-16: We're all in a process of learning. There's never a moment where you have it all figured out. Even when you think you have it figured, you'll uncover something else that'll show that you don't. That's something I love about living life. The realizations are't always pleasant or fun, but I'm always learning and that love of learning is what makes life exciting to be apart of.

5-25-16 Today I was hit with this feeling of fear. Fear of change, but also fear of mortality...and I don't mean death, but more like recognizing I'm aging and how much more work has to go into taking care of the body and feeling fear around that. It happened because I was given some new exercises to do by my acupuncturist and then afterwards he did the session with me and in it I just felt this fear come up. When I told him about it, he said that fear is held in by the Kidneys, which is true, so I guess it isn't surprising that as we're continuing to do this work on my lower back, some fears rear their heads, but its no fun to feel it and to recognize how in some ways that fear has shown more subtly in the challenges I'm dealing in my life and business.

I realize I feel a fear of change because I realize I'm not as young as I was. When you're young, you shrug things off, but as you get older, you feel much more intimately the frailty of the flesh and that's scary to recognize. I did some Taoist meditation later on and I'm going to keep working with this fear, which I think of as the fear of the mid life crisis.

5-28-16 The last few days I've been going in deep with that fear I've been feeling and just stilling myself while I'm with it. It washes over me like an ocean wave, the roar of the wave coming down, the power threatening to take me under, but I am still and I allow it to wash over me so I can experience it profoundly and allow myself to recognize the attachment I have to it. The attachment is that the fear, in its own way, is a justification for whatever isn't working.  And so in releasing that attachment I go deeper into the narrative behind that attachment and what I see is how that narrative is really about trying to avoid making changes or adapting to changes, perhaps because so much change has already happened.

6-4-16 Today I thought about an incident that occurred in high school. I was on tennis team, as was this other kid who was a bit of a braggart. No one on the team liked either of us. I was that weird id who wasn't from the area originally, and he was the braggart. So a few of the other kids on the high school team decided to approach me to beat up this other kid. I think they had this notion that because I lived in a city prior to living in York, I'd know how to fight, or maybe they just figured that if both of us fought, we'd both get kicked off the team. So they manipulated me into fighting him. I didn't see at the time. I think I wanted to feel accepted and for once they were being kind of nice to me. So I got into the fight with the braggart. I bloodied my knuckles. He bloodied his. I lost the fight, but he got kicked off the team. We both got manipulated.

So why am I even writing about this? Well I've been doing further work around that fear I felt and not surprisingly anger has come up as well, and part of what comes up with those emotions are the associated memories and experiences you haven't fully dealt with. So I'm writing about that experience because It's something I've held on to...it's been an attachment that's held me back. I've entered into stillness to really feel it and I'll probably do that over the next few sessions because that's how you let go of those attachments that would otherwise hold you back.

6-10-16 I'm feeling really good about some choices I've made professionally and personally as a result of the stillness work I've done. By stilling myself and really checking in with myself I'm not compromising anymore. I'm going to focus on staying true to how I need to show up because that's what really matters. The time I have and really my overall life satisfaction requires that level of honesty. And following through on it, results wise verifies that I'm on the right course.

6-11-16 I've been thinking about my high school experiences a bit, which isn't surprising given that my daughter just graduated from high school. I hated high school. I was an outsider, and it was made very clear to me everyday. When I graduated, I was really happy to finish up and get out. I knew I was leaving behind a place and people that provided little in the way of joy. For some people high school is an experience they miss. They look forward to the reunions and reminiscing over that period of time. I'll never go to a high school reunion because why would I spend time with people who hated me? There's little reason to reminisce. If anything it is now that is important, now that I enjoy because life is so much richer and deeper.

6-13-16 I got featured on a who's who list of occultists. I'll admit to being surprised that I got on any such list. The surprise is there in part because I've made it a point to just do my own thing. I'm not really involved in most of the occult drama that happens on the web or otherwise, and that's become very purposeful on my part, because I'd rather just focus on doing what I do and focus on helping the people who feel called to come my way. I'll just keep doing that and if I get recognized or not, it's all the same to me.

6-22-16 Fear comes in a variety of forms and the work of stillness, in part, is learning how to be present with all those forms of fear so that instead of them controlling you, you learn how to be present with them and work with them to educate yourself. A lot of this month I've just been sitting with my fears, really allowing myself to get to know them. I've found it to be quite empowering in its own right. So often the fear a person feels can stew underneath the surface and erupt, but never really be worked with. In stilling myself and really allowing myself to feel it on my terms, I've opened myself to it and allowed my fear to teach me. It'll be continuing work, but I'm glad I'm doing it.

Trans Pagan: Life at the Intersection of Faith and Gender Call for Papers

Trans Pagan: Life at the Intersection of Faith and Gender

Email for inquiries and submissions: dee@paganfm.com

Megalithica Books, an imprint of Immanion Press (Stafford, U.K./Portland, OR, U.S.A) is seeking submissions for Trans Pagan: Life at the Intersection of Faith and Gender

This anthology examines the interesectionality of transgender lives and Pagan faith. It will explore such questions as:

  • What does it mean to be transgender?
  • Why are transgender individuals drawn to a Pagan spiritual path?
  • What are the implications for male-female duality in covens and groups that accept transgender members?
  • How can the Pagan community support our Transgender brothers and sisters?
  • What can the Pagan community learn about themselves from transgender individuals?
  • How can we dispel fear and speak to intolerance in the Pagan community and beyond?
  • What unique perspectives can transgender individuals bring to Pagan groups that permit all of us to better understand ourselves and the divine?
  • What have been the experience of our trans allies?
  • How can transgender experience help to inform the larger Pagan community?
  • Ritual ideas for transgender groups, or for groups with transgender members.

The vision for this anthology is to include a combination of academic and personally inspired pieces that explore the experience of transgender lives within a Pagan context.

Here are some suggested topics to give you an idea of the focus of this anthology:

  • Youthful experiences of Transgender Pagans.
  • As a transgender individual, what drew you to a Pagan spiritual path? How does your gender inform your spiritual practice?
  • How has intolerance of a non-traditional gender identity touched you or your loved ones, and how have you overcome it?
  • Violence against transgender individuals.
  • The effects of stigmatization on depression and suicide.
  • Building a healthy and welcoming Pagan group.
  • Seeing our Gods and Goddesses from a transgender perspective.
  • Exploring the Native American concept of the 2-spirit individual.
  • Initiation of transgender or gender-queer individuals in traditional Wiccan covens.
  • The “othering” of transgender Pagans by some Pagan groups and its impact on the greater Pagan community.
  • Stereotypes and prejudice and the impact on spiritual or magic workings.
  • Being the only transgender person in a coven, group or community
  • Accommodation of transgender individuals at Pagan conventions and events.
  • How discrimination harms the Pagan Community, and how it shows up in the Pagan Community
  • How can the Pagan Community export a welcoming and accepting attitude to our wider communities; how can we be a model for others.
  • What has worked in our groves, covens and groups, and what have we learned as leaders – as individuals and as groups?
  • Rituals, spiritual poems or songs that can be used in rituals, such as initiation or other ceremonies involving the transgender experience.

Rough drafts are due by September 1. These drafts will be edited in a back-and-forth process with the editor. Essays should be 1500-4000 words, although if your work falls outside those limits, do submit it – we can discuss this during the editing process. Drop us an email if you are unsure whether your idea fits into the content. The sooner you start the communication process the better, as after the deadline we won’t be considering additional ideas.

Essay requirements:

• Citations for all quoted, paraphrased, or otherwise unoriginal material • Bibliography of works cited • Prefer APA format

Write in your voice! If you’re academically inclined or trained, feel free to be as intelligent and technical as you like. If your work entirely talks in the first person about your own experience, please include this also. There is a wide range of voices, and we are interested in being as inclusive of style as possible.

Accepted contributors will receive a free copy of the anthology when it is published and additional copies sold at 40% off the cover price to contributors. All contributors will be provided with a contract upon final acceptance of their essays, not when they are accepted for editing. If your essay is not accepted for the anthology, we will tell you after the first round of edits.

The anthology will be edited by Deirdre Hebert. Deirdre is a transgender Pagan whose writing career ranges from technical writing to radio news copy. She is the host of PaganFM – one of the longest-running Pagan podcasts and radio programs. She was the editor of Wicca Revealed, the textbook for Magicka School, and is the author of The Pagan in Recovery: The Twelve Steps From a Pagan Perspective, a contributor to Out of the Broom Closet, and has authored articles for a number of Pagan journals and periodicals.

Deirdre can be reached at dee@paganfm.com which will be the email address for communications regarding this project.

Immanion Press is a small independent press based in the United Kingdom. Founded by author Storm Constantine, it expanded into occult nonfiction in 2004 with the publication of Taylor Ellwood’s Pop Culture Magick. Today, Immanion’s nonfiction line, under the Megalithica Books imprint, has a growing reputation for edgy, experimental texts on primarily intermediate and advanced pagan and occult topics. Find out more at http://www.immanion-press.com.

If you can't see it, It isn't real: A commentary on pop culture mythology

pop culture mythology I was recently reading an article about one of my favorite shows and the "death" of a character in that show. I put the word death in quotations, because the death happened off the T.V. screen, and the writer of the article noted that fans debated whether the character was really dead and as a result were coming up with their own alternatives to the "death" of the character. What fascinated me about it is that while the people creating the T.V. show will state that the character is dead, because the death happened off screen, there is room for interpretation.

The axiom in pop culture magic that describes this is: If you can't see it, it isn't real.

It probably doesn't help that you'll sometimes see shows where a character "dies" and the actor says that they won't be coming back to the show, and then in the next season, presto chango, the actor has reappeared. We've come to expect that the character will come back, especially if the death isn't shown. We've also gotten use to the misdirection that's put out there...we expect it and we see through it.

However even if the character never does come back onto the show, the fans still have their own say about characters. A character may die on a show, but if it isn't seen, the fans can interpret that and spin it in their own way. They can come up with fan fiction, where they share their own mythological take on what happened to the character. And what's important about that is that when fans start developing their own mythology around a character, they've brought that character to life beyond what occurred with the show. The relationship is no longer just the fan enjoying the show. The relationship is personal and intimate.

Pop culture mythology is never solely built by the creators or the companies that sponsor them. It's true that the creators set the canon and the companies support that canon, but the fans are the ones who bring the mythology alive. Whether you're watching a show or reading a book or listening to a song, you are more than just a passive receiver. Your imagination is what creates the connection between you and the characters you love and your imagination helps you develop the mythology you work with.

If you can't see it, it isn't real.

Pop culture mythology is flexible. The canon is important, but so are the fans and how they respond to the canon. And for the pop culture magician, its important to remember that the very act of doing pop culture magic is also a shaping of the mythology of the pop culture you are working with. So when a favorite character "dies" don't write them off. The pop culture mythology doesn't automatically end. It only ends when the fans stop contributing and believing in the mythology. So you decide...what is or isn't real in your pop culture mythology?

 

Why we need to be inclusive in the Pagan Community

I've never really felt like I belonged in the Pagan and occult community. Sure I write books about magic, but I've gotten a lot of flack over the years for sharing my unconventional ideas. At some point, I realized that instead of trying to fit in to the community around me, I should just create my own and that's how Magical Experiments, as a community, was born. One of the foundational principles of my community is that we are inclusive of other people. I think its important to be inclusive because when you are inclusive you open yourself up to truly learning from the experiences, differences, and similarities of other people, and as a result you grow as does your community.

In this video I share why its important to be inclusive and how it helps your community when you open your mind, heart and spirit to people from different backgrounds and experiences.

The Process of Magic starts in one week

Copyright Taylor Ellwood 2016 The latest round of the process of magic starts in one week, on June 8th. In the process of magic you will get a fresh perspective on your magical practice that will help you understand what is actually happening when you do a magical working. We'll explore the fundamental principles of magic so that you can see how they show up in your magical work.

Ultimately you will be able to take apart any magical working and then put it back together in way that is personalized to you. The benefits of that personalization are better results and a magical practice that is consistent because it fits who you are.

Here's a couple testimonials from other people who've taken the class:

Taylor Ellwood’s approach to magic looks at your life, looks at what you want to change and then uses your magic to improve the situation. If it does not work, improve your magic! Magic is a creative process that ties intimately into our lives and changes not only an outward situation but the magician itself.

In the beginning you will take a look at that process, something I have never seen discussed before. After that Taylor Ellwood supplies a large tool box for magical work. It ranges from creative techniques like using cut-ups to the creation of magical entities tailor-made for the magician’s needs. There are a lot of potential magical helpers on your way, gods and demons alike, and you will learn how to establish a healthy relationship with such beings that is mutually benefiting to you and them.

In no time you are doing magic that improves your life instead of reading about magic or pondering about what magic could do for you if only you could find the time to actually start practicing it. I can recommend this course for everyone who would like to become the active shaper of his or her live again.

Testimonial from Wolf Kaminksi

I have been reading and experimenting with magic and the occult for over five years and it seemed like I was going off in too many directions, without a map to guide me. I felt like I was spinning my wheels. This course helped me focus, without tying me into any particular Religion or belief system. If you are looking for a course that builds a foundation for your understanding and practice of Magic, this is the one!
This course has been amazing and I truly value your knowledge, experience and writing ability. I also like the fact that you are innovative and creative in your approach and take a progressive view of magic and are not mired down in some conservative tradition or other. You are on the “cutting edge” of magic and I am sincerely grateful to have the opportunity to take courses from you! Last but not least, you are ethical, conscientious and relate very well to your students.
Testimonial from G. Marlett

 

 

May 2016 Magical Experiments podcasts

Copyright Taylor Ellwood 2016 Magical Experiments Radio: What is magical experimentation with Rufus Opus

Magical Experiments Radio: Performance art and identity magic with Maviin.

Magical Experiments Radio: The Pop Culture Magic of Dance and Theatre with Heather Greene

Magical Experiments Radio: The Inner Alchemy of the Heart with Dr. Van Warren

Magical Experiments Radio: Music and Magic Panel with John Searing and Hannah Haddix

Book Review: The Magical Universe of William S. Burroughs by Matthew Stevens

This is a fascinating biography that explores the occult interests of William S. Burroughs. I always knew Burroughs was into magic and learned a lot from what he shares in his books, but this was fascinating to read because it speaks to his experiences and interests in magic and where those interests started as well as what he explored. Whether you're an occultist or a die hard Burroughs fan, this is a must read book.

Do you enjoy my writing, videos and the magical experiments podcast? If so please donate. Your donations go toward the costs of the podcast and this website. Even a dollar helps me maintain and continue the work that you are enjoying. Thanks!

The Magic Rhythm of Writing

Writing The other night Heather Greene and I talked about the pop culture magic of dance and Theatre. In the midst of that very fun conversation Heather brought up an intriguing point about the rhythm of writing. She explained that when she was writing she wrote to a beat. In other words as she wrote she'd ask herself where she wanted the writing to slow down or speed up or do something else altogether.

I'd never explicitly come across that approach to writing.

Yet I knew what she was talking about because of my own background in literacy and rhetoric, my interest in experimental writers, and of course my own experiments in writing.

Over this past half year I've been doing some experimenting with my writing, so when she talked about the beat of the writing, it made a lot of sense to me and yet it also got me thinking not just about the writing, but the magic in the writing.

The magic in writing is alllll about the response of the people reading the writing. If there's no response, the writing isn't manifesting anything. But if people respond, then something is happening. People are doing something, changing something, becoming something. The writing plays a role in that.

But if you want writing to do that you've got to think about more than just the words you write. You've got to think about the format and appearance of the writing.

This blog post is an example of what I'm writing about.

Note the words which have been bolded for emphasis...That emphasis calls attention to some concept or technique or fact that I want to make apparent to you...or it evokes an emotion, a shared experience that you can connect and empathize with.

Because this is online writing, my paragraphs are shorter. The sentences vary in length and aren't always complete because I'm going for more of a conversational approach.

Then there's the use of punctuation, which creates its own rhythm in the sentence, and in the reading experience. Go back and read the sentence with the ellipses. How does that reading experience differ from the reading experience of a sentence with commas or a period?

Writing has a rhythm and it doesn't have to be poetry to have that rhythm.

The magic of the writing is how the reader responds to the writing; What do they do as a result of reading the writing?

Actually you see this principle at work in speeches as well. A gifted professional speaker knows when to pause, when to speak slowly and when to speak fast. They know how to insert punctuation into the speech, and how to get the attention on the key points of the talk.

So much of my love for writing comes from the formatting of writing, the set up of the sentences and the punctuation and the crafting of the words. It's not just writing words on a page....it's crafting a message that gets a response, whether its a like, share, or comment, or a click on the link that brings you to another site. It's the thoughts the person has after reading, and the actions they take, inspired by the writing.

There's a lot of magic in all of that activity. You just need to recognize it and work it into the writing you do and watch as it takes on a life of its own.

Do you enjoy my writing, videos and the magical experiments podcast? If so please donate. Your donations go toward the costs of the podcast and this website. Even a dollar helps me maintain and continue the work that you are enjoying. Thanks!

How pop culture can inspire practical magic techniques

I love pop culture and part of what I love about it is how it inspires my magical practice, especially in developing practical techniques. If you look at the pop culture you love with a critical eye toward exploring the mechanics of pop culture magic, what you can discover is how take some of the ideas and apply them to your magical work. In the video below I explain how you can go about doing this.

How to get your daily magical practice back on track

Meditation

A couple weeks back I wrote about what to do when your magical practice is in a slump. Wouldn't you know it? After I wrote that article my magical practice went into a slump, albeit due to the fact that my lovely wife got very sick with Pneumonia. I needed to focus on getting her better, so my daily routine went out the window, and that included my magical practice.

Fortunately I had an energetic reserve to draw on during that week, but once she got better I felt pretty tired, and I needed to rebuild my energetic reserve (watch this video to learn more about that). What I needed to do was get my practice back on track and yet I was feeling decidely unmotivated.

I'm sure you can relate to that.

We all have moments where we get thrown off our daily routines and as a result our practices suffer. And after the problems are resolved, it can be all too easy to let your routine go to the way side. It takes an act of discipline and will to get yourself back on track and focused once again on your practice.

Yet once you do you rediscover all the benefits of doing the daily practice.

  • You get more focused and clear on what needs to be done.
  • You get more creative and inspired
  • You feel grounded and centered
  • You connect with the spiritual world and bring it back to the rest of your life.

Those kinds of benefits are powerful, especially when you experience them everyday. They are also cumulative. I know this because when I don't have interruptions to my magical practice, I'm connected to the heart of the universe, and when I don't do my practice, I just don't feel so on or grounded.

So how do you get back on track?

You just decided that you'll start your practice up again and you do it. The first day back is hard, because you're having to reconnect to everything. The next day gets easier, but its an act of discipline and will that moves you back into connection with your spiritual powers and helps you turn the potential of your soul into the manifestation of reality.

You get back on that practice and you do it. It's really as simple as that, and yet as simple as that is, you got to do the work.

P.S. The next round of the process of magic starts June 8th. If you need help developing a consistent practice and sticking with it, this class will be perfect for you.