experiential embodiment

How Embodiment connects you to your environment

The majority of my current magical experimentation is on experiential embodiment, which is focused on entering into a conscious relationship with the body, as opposed to merely inhabiting it and treating it as an object. Yet what I’m finding with this work is that it’s not merely helping me continue to collaborate with my body as a living universe in its own right, but also connecting me more intimately with the environment and world I live in, as well as with the fellow living beings I share this space with.

I’m reading the Spell of the Sensuous and Processmind and both books explore how connecting with your body also opens you up to connect with your environment. What both authors recognize is that the choice to be sensually and experientially present with your body necessarily also opens you up to becoming present with the space you are interacting with in your everyday life. Embodiment teaches us not to take for granted the world we live in or the bodies we are fortunate enough to have access to.

Liminal Space and experiential magic

I’ve started re-reading the Spell of the Sensuous, which is one of those books I’d make mandatory for any magician. In the book the author notes that the magician’s place is on the edge of society, mediating both the human community and the community of nature and spirits that the magician connects with. This role is essential and the magician maintains it in order to connect with the wild, with the spirits and as a result bring about equilibrium in the human community.

The author shares this contextual definition based on his experiences in SE Asia, and so I found myself asking if what he defined as the magician’s place is applicable to Western society. And I think it is. Not the least perhaps because I’ve always seen myself on the edge and that I prefer to live in hard to find places that have a connection to nature, but just as importantly because I think that regardless of where you live, its necessary to find a way to connect with the larger world around you, and with what awaits in that world, both in terms of life and spirit.

Experience and the art of magic

If process is the methodology of magic, experience is the art of magic.

When I talk about experience, I’m talking about engaging your magical work on a sensorial level, opening yourself to the subtle nuances of magic as it expresses itself in your life.

Experiential aspects of magic can happen during ritual workings. In fact a lot of magical workings are purposely designed to engage the magician sensually in order to alter the consciousness and prepare the magician for the spiritual workings, but ritual is just one example of experiential work in magic.

Memory, Embodiment and Exercise

In the last couple of months I've been memorizing some chants for some work I'm doing with the Elemental Archangels. The purpose of memorizing the chants is to embed and embody specific associations with the archangels and the correspondences that they mediate. By memorizing the chants, I'm not just learning the words, but also developing an understanding of what those words represent and creating and deepening my connection with the archangels.

I find that memorization is a skill that isn't always appreciated in magical work. The idea of memorizing correspondences or chants can seem like a lot of tedious work, from a surface perspective. The value of memorizing chants and correspondences is that its actually a process that allows you to intimately connect and get to know what you are working with.

Where I'm going next with magic: Experiential Embodiment

I've been thinking a lot about where I want to go next with magic. When I wrote Magical Identity, I felt like it planted a seed for what I'll term experiential embodiment. But like any seed, some time was needed to let it germinate and flower. 

But for the near to intermediate future I'm finished with pop culture magic and I find myself coming back to experiential embodiment, both in the form of the current book I'm writing, and in my magical experimentation in general.