Does the Magic move you?

In my previous post about evocation I made a point about being moved by the entities you evoke and how that should be a criteria of evocation. In thinking about this further though, I want to make another qualification. The act of magic itself should move you. So what do I mean by movement in this case? Being moved by magic is allowing yourself to experience magic as an ontological agent of change that doesn't just bring a result into you life, but also changes how you approach life, in order to sustain the result you've wanted to achieve. In other words, successful magic is something that changes your life and how you live it.

This approach treats magic as more than just a tool or technology. I don't think of magic as just a tool or technology. While I discuss process in magic quite a bit, I also think of magic as a force that is experienced. I recognize that at a certain point magic isn't something that I use, its something that I experience. I am moved by it, and the result is a changed life.

A commentary on Evocations

There's this idea about evocations that if you do them and you don't see the spirit, you aren't doing them right. Some of this attitude comes from Joe Lisiewski's books, with his focus on doing traditional evocations. The consequent result is this elitist belief that people who don't see a visible entity clearly are doing it wrong.

As someone who's done a lot of evocations, I can safely say that the criteria that you need to have a visible appearance of an entity to prove you've done it right is just a bit biased toward a traditionalist perspective of magic. Then again, I've also successfully evoked three people into my life, so that not only have I visibly seen them, but also physically felt them. To be clear though, I've never approached evocation as a mental experience that just happens in my head. The concept that an entity is just a psychological aspect of yourself is the excuse of people unwilling to apply themselves.

But what I disagree with is this notion that you have to do evocation a particular way in order to establish contact with the spirit of your choice and achieve the result you desire. Although I have a background in ceremonial magic, I've long since stopped using the props and focused on personalizing how I do magic. I figure as long as I understand the underlying principles, the entity in question isn't going care how I evoke it.

More importantly, if I'm doing it right, it won't matter if it visibly shows itself to me. I will know its presence. I will feel its presence. And maybe this just a case of semantics, but I've never visibly seen an entity, at least not with my eyes. I've visualized an entity and I have felt its presence in the room with me, but I've never physically seen one. Nonetheless I have successfully evoked entities and achieved measurable results with the aid of those entities. I've developed and maintained relationships with those entities. They have moved me.

It could be argued that if I took the time to evoke the entities using the traditional grimoires I might actually see them. Yet nonetheless, I know that my approach to evocation seems to work well. It's not traditional, because I find traditional boring. Nonetheless there is still real work involved in the practices that I'm doing. Genuine communion with an entity is not something that can be judged solely on if it appeared before you. Genuine communion is an experience and how that experience manifests may differ from person to person. Nonetheless if a person is genuinely moved by the experience, what speaks to the success is not just the manifestation of a result, but a true relationship with the entity that brings about a consequent change in the person's life that is truly sustainable.

The role of results in your process

Last week Mike wrote an article on results vs mechanics. I agree with his stance that doing magic for results is different from doing magic that is focused on process (or mechanics). A process oriented is focused on tweaking your process in order to improve it, and understand how it works. Nonetheless I also think that results play an integral role in a process oriented approach to magic.

Results are indicators that tell you if your process is working. If you don't achieve the desired result, it indicates you need to do more tweaking, and if you do obtain the desired result it indicates your process works. Nonetheless it can also tell you if you need to improve that process. I use results to tell me what works in my process and what doesn't work. Without results, I can work on a process, but I won't know if its viable until I've executed it and gotten a result.

Results matter in your process. So even though my approach to magic is process oriented, I know I need results to measure my process and evaluate where changes need to be made.

Do you think results are relevant to a process or mechanics approach to magic. Why or why not?

Book Review: The Power of Habit (Affiliate Link) by Charles Duhigg

This is a must have book if you are a business owner. The author provides case studies that show the power of habits and how habits can make a difference in your life and business. He also supplies excellent ideas on how to change negative habits. The book is well-written and the core concepts are easy to understand. You'll come away with a new appreciation for habits as well as tools for how to change them!

Game Sigil

The other day my family and I were playing a game of Triominos. This was the shape we'd put together toward the end of the game. As I looked at it, I was struck at how you could use the actual shape and tiles as part of a sigilistic working. The purpose of the game is to match tiles together by the numbers. You can get some interesting shapes as a result.

I figure you could approach this technique in two different ways. You could do a solo working where you lay all the pieces on the blank side and then start pulling pieces and matching them together until you get a shape that you can use for a sigil. Or you could do a group working, where instead of focusing on winning the game, everyone focuses their intent on building a sigil shape that they'll use for the magical working. The entire activity could be focused on the actual working you want to accomplish, with the goal being to use the pieces to create the shape or appearance for the sigil to work.

I know it's a little odd and different. Why not stick with the same old, same old, right? But I like having fun with magic and this has a lot of potential for fun as well as working as a focus tool.

Have you repurposed any games for magical purposes? If so, how?

Habits and Magic

I've been reading The Power of Habit by Charles Duhigg. He breaks habits down to a cycle of a cue, routine, and Reward and explains that what makes habits really stick is the craving we feel when we get something that we want more of. When I read this I began thinking about how it applied to magic, or didn't apply.

I could see it applying to a daily practice. A person does a given set of exercises and meditation practices each day and receives an award of not only feeling accomplished about it, but also feeling physiological responses that create craving to experience, kind of like a runner's high. I know after I do my meditations each day, I not only feel calm and focused, I also feel a sense of pleasure and that's part of what motivates me to continue doing the meditation.

But this can be extended further. We talk about results quite a bit in magic, and what defines if someone is successful is the achievement of a measurable result. And the achievement of that result brings a sense of happiness, and a sense of power...and perhaps a craving for more results. This could even be where the admonition of lusting for results comes into play.

At the same time creating a habit of your magical practice doesn't have to be about a lust for results, so much as its about achieving a sense of well-being and fulfillment that a person wants to sustain. And then there's the added factor of considering whether the craving a habit can bring about is a conscious experience, or just a physiological inducement that we may not entirely be aware of.

How much of what we do is a result of habit? It's an interesting question to consider both in context to your life and magical practice.

What's your magical language?

What's your magical language? What terms do you use to describe and define your magical workings? This post is prompted by Mike Sententia's writings about etheric software. What I've recognized is that he's drawn on software programming terminology to help describe his approach to magic. I've seen him draw on some other discourses as well, most notably from the medical community. For that matter I also draw on different terminology that's not traditionally occult oriented to help explain my approaches to magic. Whether its linguistics or culture studies or something else, the different discourses I've had access to influence my explanations about magic to other people, as well as how I construct magical workings.

What disciplines do you draw on? What terminology do you use to explain and define magic, both for yourself, and others? It's a good idea to look at those questions and do some work with them. The language we use can simultaneously open us to possibilities we hadn't considered, even as it also limits us by nature of how it frames our model and application of magic.

One of the reasons I've diversified my reading and exposure to a variety of disciplines is to keep myself open to new ideas and challenge the models I rely on. While a model can provide a useful explanation, it also creates tunnel vision that funnels our acceptance of a given situation into specific lines of inquiry that rule out anything that doesn't fit the model. The terminology we use needs to be carefully examined for not only what it allows us to explains, but also how it can limit our explanations.

Language is powerful, and often times we don't realize how powerful it can truly be. The reason a person can nitpick a definition speaks to the power of language, because a definition defines a person's perception of reality about what its defining. Testing your terminology makes you aware of how it can help you and allows you to critically examine where its failing you.

Book Review: The Wealth Magick Workbook (Affiliate Link) by Dave Lee

This is probably the best book on wealth magic I've found, mainly because the author does such a good job of differentiating between what wealth is and what money is. His approach, consequently shows the shortcomings of enchanting for money without really understanding how that money will apply to your overall sense of wealth. He provides some excellent exercises, which I highly recommend doing. I only wish the wealth section of the book preceded the money magic section, but overall its an excellent book for anyone who wants to do wealth magic.

5 out of 5

Riding the Dragon

It's officially the year of the Dragon, and according to the Chinese Zodiac, it's a Water Dragon Year. I was born in the year of the Dragon and although I am not Chinese, I have always identified heavily with Draconic energy and with the attributes associated with people born in the year of the Dragon. The motto for the Dragon is "I Reign." On Sunday night, I put together a ritual where I invoked the spirit of the Dragon and let it ride my body. My partner Kat witnessed the ritual and ended up speaking with Dragon as well. The initial part of the ritual involved the prep work.

Prep work

I decided that a Green Tea offering and Rice would be appropriate. While that was being made, I also decided I would paint my body, in order to invoke the spirit of the dragon.Here's a picture of the ritual tools: Brushes and Q-tips for the painting as well as Body Paints:

I've always liked using body paints for ritual work. There's something powerful about painting symbols onto your body, as a way to shift your presence into a ritual space. You Embody what you work, even as you create to embody the sacredness of the ritual. First I painted Talons on my legs:

I chose Blue talons for the Water Element. I then painted the Arm talons in Orange to acknowledge the element of Fire (since I was born in the year of the Fire Dragon).

Finally I finished up by painting my chest, stomach and Face with a design that I felt embodied the energy of the Dragon.

After the body paint was applied, the offerings were brought into the ritual room. Additionally a Hot bath was started up with a Green Tea Fizz added in for scent and ambiance. Both the doors of the ritual room and the bath room were closed.

To invoke the Dragon, I first presented the offering to a statue of Dragon. It's a statue of a Western Dragon, but the spirit of Dragon was not offended.

The offering was a bowl of Rice and Green Tea. The bowls there offering was served in actually have enameled blue dragons and phoenixes on them.

I danced, allowing Dragon to take over my movements. At first he was on the floor moving on all fours. but gradually he climbed up until he was on two feet, and then continued to dance with angular movements. He had a low hiss according to Kat. After he'd danced for a bit, he drank some Tea, ate some Rice, and then drank some further Tea. He danced a bit longer. Then he walked to Kat and beckoned her to stand. He placed his mouth against her throat, and breathed into it, from three different directions. Kat said her neck felt different afterwards, that energy had been breathed into it.

Next he spoke with her about my desire to channel the energy of the Dragon for the Year. He told her he knew my desire to channel it toward business prosperity and Creativity for my writing and art. He also told her that it was important for us to continue our ongoing work together as it pertained to finances and love. The momentum of this year would really help with that work. Finally he told her that each week he wanted an offering made to him in the bowls that we'd used that night and once a month he wanted a full invocation/possession ritual. Kat was asked to relay that message to me.

After that he walked to the door of the ritual room. He explained that when he opened the door he would be opening it to financial and relationship success for both of us. After he opened that door, he opened the door to the bathing room, again explaining that he was also opening it to prosperity and creativity for my business and writing/artistic endeavors.

The bath was used to wrap up the invocation. He went into the water, and Kat bathed the body, and afterwards I emerged as the paints were removed. She told me the conditions he'd asked for and I felt them reasonable.

This was a powerful experience for me, both in terms of the ritual itself, and in terms of reclaiming my artistic approach to magic. I haven't used body paints in a long time and my choice to use them was part of my reclaiming and celebrating of my artistry and its place in my magical practice.

Book Review: The War of Art (Affiliate Link) by Stephen Pressfield

This is the kind of book you need to read whether you're an artist, writer, musician, or a business owner. In this book, the author explores the feeling of resistance and how it shows up to impede your work as well as presenting strategies to help you overcome that resistance. He also discusses metaphysical aspects of inspiration. I found his advice useful and to the point. It helped me identify places where resistance had shown up to impede my own work. This book is essential because it provides a different perspective on resistance, while helping you find ways around and through it. Pick it up today!

Secrecy and Magic

Mike posted some excellent thoughts about how secrecy destroys knowledge. I agree with him. I've always found the culture of secrecy within the occult to be problematic. I get that, at least as it pertains to magical orders, that the secrets of those orders are maintained to determine who gets into the magical clubhouse and also to demonstrate proficiency in that order. But the dare to be silent aspect of magic has always struck as a form of false modesty, inspired by a desire to posture and smile cryptically, knowing that you are special because you reveal no secrets.

That's a bit exaggerated, but I've never bought into the dare to be silent schtick. Certainly Crowley, one of the proponents of that rule had no problem being anything but silent when it came to his practices. I say dare to be vocal, dare to share your ideas. Dare to share your experiences so others can learn and in turn share their own.

I was reading recently about a scientist in the mid 16th or 17th century. He'd developed this microscope, one of a kind, that provided a level of accuracy that had previously been missing. He wouldn't share the design. He wanted to keep it secret. To this day no one has any idea how he built his microscope. Since then better microscopes have been developed, but what a waste of knowledge, because of need to keep the technology secret.

One of the reasons I write this blog is to share my ideas and current projects. I realize that some reader or another could take the idea and do something with it. I want them to actually. Same for the reason I write my books. Secrecy does destroy knowledge.

What's so special about secrecy anyway? I've never seen the point, which is probably why I never joined a magical order either. It would be too hard for me to keep secrets that, imo, shouldn't be kept. I'd make a bad lodge member.

What's your take on secrecy in the occult?

Why Magic is ultimately a personal experience

I've been reading Magick of Thought, a blog by Mike Sententia. It's an interesting blog and his approach to magic is innovative, but it also highlights why I think of magic as a more of a personal experience. When I read his work, I get where he's coming from, but I wouldn't really approach magic from that angle, and I don't think he'd really approach magic from the angle that I take. I find his approach to be a very technical process, that relies on a very precise and somewhat scientific defining of reality and how everything works. Ironically, my own process is not too dissimilar. Much like Mike, I'm a stickler for definitions and my own process is again based on a very precise understanding of how magic works and where it fits into the rest of life. But there are differences, and when I read his blog I see those differences and I actually appreciate them, both in terms of providing me topics to write on, and also for the fact that Mike conveys a very unique vision and approach to magic, which is not something  come across everyday.

But what stands out the most to me is that ultimately for Mike, myself, and for  many other magicians I know is this: The process of magic, the defining of magic...all of it is a personal experience. You know the joke: Ask five Pagans what Magic is and you'll get six definitions. Actually you'll probably get more. It's the diversity of those experiences which is so important, because it provides a variety of experiences that other people can learn from. Certainly in reading Mike's blog, I've had an opportunity to look at magic from his perspective, and although it doesn't necessarily quite fit into my experiences, it nonetheless provides some perspective that I can and apply to my magical work.

When I first started experimenting with pop culture and magic, what I cam to realize is that all the ritual finery, actions etc., are just props. What matters is the underlying principles. If you understand the principles of magic, you can personalize the props and you can even personalize the principles. I certainly have and nothing has happened beyond what I wanted to have happen.

Magic is a personal experience and although we can provide a methodology and process to explain it, its still subject to interpretation and ultimately to personalization. The effective magician takes what someone else has put out there, and modifies it to fit his/her understanding of magic. And the test: does it still work? If that test is passed, that is what matters.That is what proves it works.

My altar redone and claimed

Recently Kat and I captured a few wild kittens and tamed them. During that process we allowed them to use my altar as a den of sorts, so for a little while it wasn't an altar so much as home. Now the kitten are relatively tame and enjoy the exploration of our entire home. As such I've reclaimed my altar, but I decided to play with it just a bit. I usually have the chess set arranged in the pre-game pattern but this time I decided to set it up as if a game was already being played. I'm not entirely sure how I'll experiment with this as yet, but I do have some ideas, as it pertains to wealth magic, and even magic for my life. I could associate different pieces with people or events happening in my life (or that I want to happen) and then use the chess board to "play" the possibility field into my favor.

I've added some modeling clays and also a bag of body paints, a reminder of how important art is to my magical workings, and the need to re-integrate it into my work. Now that I'm feeling back to my creative genius, the need to express it is something I'm planning already for a ritual next weekend.

Elephant also has a prominent role on the altar. He has for a while, but I think he'll have an even more active role soon. The Memory box is in its usual space, as our the dual Tarot decks I use in my readings. It's good to have my altar back. It's going to be seeing a lot of activity in the coming months!

Safety and Magic

This post is prompted in part by Rowan Pendragon's post about Safety in Wicca and in part by the latest episode of Once Upon a Time, where Rumpelstiltskin learns that magic always has a price.  My whole approach to magic is focused on experimentation, which necessarily involves experimenting with magic in ways that aren't necessarily tested or true at the time. There's a bit of risk involved.

I also hold a traditional view of magic, I suppose, in that I think that magic comes with a price. I know its not fashionable to look at magic in that way, but in my experiences there is always a payment. Magic never comes free, nor should it. If you desire a result, you have to put something into attaining it and if you choose to work with an entity, then you need to be prepared to offer something in return.

When I did my ritual where I gave my blood to the elemental spirits in return for some of their power, I wasn't going for a safe version of magic. I was offering something of value, something that had meaning in return for something of equal value from the elemental spirits. I knew I had to offer something of value and the fact that I gave blood, which might be considered scary to some didn't bother me at all.

Magic isn't meant to be sanitized or safe. Truth to tell, spirituality in general isn't meant to be safe or sanitized. It challenges you to grow as a person and puts you in some uncomfortable places. If it doesn't, you're doing it wrong.

Part of the thrill of magic, part of the experience is the willingness to go places where angels fear to walk, where there be dragons and the unknown. What's the point, if you don't challenge yourself?

How do you define wealth?

One of the questions I'm asking and answering as I start work on the wealth magic book is how I define wealth. Do I define it as money? The answer is yes and no. I think money is an essential characteristic of wealth, but doesn't solely represent wealth. Actually I'd argue that money can represent wealth, but it can also represent poverty and a whole host of other meanings. Money as a symbol is...quite diverse in meaning.

Wealth, on the other hand, isn't necessarily so diverse, but certainly it can be illusive. What is wealth? What does it really mean to be wealthy? The definition of wealth is something that seems to tease people. And what one person defines as wealth another person disagrees with...not that it really matters. The real question is: Can I embody my definition of wealth in a way that is maintainable?

Speaking from experience, its taken me a while to embody wealth in my life, and maintain it. I'm still learning how to do it, although I seem to be getting better at it each day. Persistence is another ingredient of wealth. You have to be persistent and focused on it, in order to attain it. That's actually true of anything you want in life. If you really want it, you'll find a way (maybe even an A).

Magic is one means toward that end, and when you combine multiple means (like creating multiple income streams) it makes it much easier to achieve the desired result. My own quest toward wealth has focused on using multiple means to that end, and its a continual project, one I enjoy thoroughly. If you don't enjoy it, I advise not seeking it.

My definition of wealth is simple. I love to live by my own rules. Life on my terms is wealth. This isn't to say I'm in control of everything, but rather that I am doing what I love to do, at my leisure, and maintaining and improving it, while also being able to enjoy everything that brings pleasure to me, and allows me to continue to work on the projects I value most. That's my definition of wealth.

What's yours?

A Vision of Tomorrow

Each year I do a cut-up collage, which essentially serves as a magical enchantment for the next year. This particular magical working is inspired by William S. Burroughs, and I always make a point to listen to Burroughs when doing this working. This year's collage was dedicated to Bune as both an evocation of him for Wealth Magic purposes and also as a way of praising and raising attention about him.

At the same time this collage and the other one are magical workings for my businesses, or vision boards if you like. I'm in the process of rebranding for my main business, as well as working on the social media presence for Immanion Press, and I'm even doing some refining of magical experiments. It's a lot of work, but its also a lot of fun.

How this works is twofold. Your scissors is the tool of cutting. You cut any previosu meanings away when you cut the words and images out. Then when you put the collage together, you glue your meanings into the words and images, imprinting them with your desires. The glue is the imprint of meaning on the blank void of paper, bringing meaning with image and word to create an enchantment (or evocation) of the desired reality. You can fire the enchantment off a variety of ways, whether its via sex magic, or using your creativity as the firing mechanism, or showing it in a public space, with people sharing it as the firing mechanism.

The requisite new year post

It's 2012. When you look back on 2011, you might be thinking of everything you accomplished or everything you didn't do. Maybe you're also thinking of new year resolutions or how you'll do what you didn't get to in 2012.

Stop. Just stop for a moment. Those are all such automatic thoughts, such cultural promptings that its worthwhile to consider a different tact and step out of the automatic grind that is New Years.

Every day of the year signals a new year that is starting, because one year ago that day started and ended. But we only think of the new year a couple times out of the year. We think of it in January and you might think of it also around your birthday or around Samhain, if that's your thing, but in general people don't consider that a year can end on any day, and begin on any other day. It's all arbitrary.

So 2012 is here. What has really changed from yesterday or the day before? Nothing but numbers. Nothing but an arbitrary measurement of what time it is. Take that new year fervor you feel, that burning passion that you will make changes and ask yourself: "How can I sustain this each day of the year, every year, so I actually make the changes I want to make?"

Each day provides you an opportunity to change, to make a difference in your life or someone else's. Sustaining the momentum is what the real challenge is. People start out with resolutions and then they are ground away. Nothing feels new, everything lacks a certain luster. Sound familiar?

If you want a new you...if you want to keep those resolutions, develop a long term sustainable plan that you can hold yourself to, and if possible get some help with accountability by partnering up with someone else who wants to make changes.

Successful long term magical work is based on a systematic approach to what you are working on. Thus, for example, I have my year long elemental balancing rituals, which serve to focus my internal work on specific themes that I can use to measure my change or lack thereof over the course of the year.

I'm developing an online correspondence course for people who want to learn my approach to magic. It seem to be quite the rage right now...actually I think its been that way for a while. What sustains my approach to this particular project is the idea that once its completed, it'll be very easy to add changes onto it, while providing anyone who takes it a chance to experiment with my approach to magic. But the only way such a program will work is if the people taking the class actually have a sustainable model for integrating what they are learning into their daily lives.

It's 2012. What will you do to develop a sustainable process that you can use to create effective change in your life and maintain that change?

Latest Radio Interview

Here's the archived version of the recent interview I did about my new book Magical Identity with Justin from Sothis Media. If you didn't get to listen to interview, or just want to listen to it again, click this link!

Book Review Self Comes to Mind by Antonio Damasio

This is an interesting book that presents what I'd consider to be an ontological perspective on neuroscience, identity, and consciousness. The author presents some intriguing ideas about the intersection of these concepts, particularly where consciousness originates from. I'd highly recommend this book as one that will get you to think about your brain and body in a new way, as well as provide new perspectives on what self is and where consciousness fits into it all.

Social Media Magic

I'm debating right now what my next book will be about, but I've already got some good ideas percolating. No it won't be social media magic...though that could be the name of a chapter.

Anyway, I've been playing around with my Facebook Timeline, adding some events to points in the past, mainly where I moved to and where I've lived. I wish they would let you create future events on your timeline, but it doesn't look like they do. However the possibilities of using an FB timeline for a bit of retroactive magic does excite me, especially when you can add pictures and videos to a specific date in time. You can graphically rewrite your timeline and make it into a very creative experience.

For example I've added several fiction events to my timeline. I've done it for the sheer humor of it, but there's nothing to say that you couldn't go in and rewrite portions of your life with modified details, and use that as a kind of narrative that also retroactively rewrites your life. And if you can get people into participating with you via tagging, you can even come up with some clever meta events.

It's really about having fun, but also getting creative with your life. Changing what happened on the timeline might open up some possibilities for you, or if nothing else give you closure on events in your life. It's something I'll keep playing with, as much for whimsy as for any magical purpose. The time line is a graphic and textual narrative of your life. It can represent where you've been, who you've met, what you've done...and it can part fact and part fiction. FB probably wants it to be all fact, but why make it all fact?

What about you? How would you experiment with the Facebook timeline?

Self-Evocation 2011

Here's my latest painting. It's a self-Evocation painting. I do these occasionally and I use them to paint an internal landscape of my consciousness. This one is actually quite nice and feels much more peaceful compared to some of the other ones.

A self-evocation is really a snapshot of time, a way to connect with a particular moment of my life. I've used the paintings occasionally to interact with younger versions of myself. In a sense the paintings act as a temporal powerspot. It's not the only method I use for accessing past versions of myself, but it is a useful method to use, and one that provides something to focus on to help you reach that past point of existence.

Archetypal actions

I've been watching Nikita lately, which is the newest rendition of La Femme Nikita. In one of the episodes, the actress playing Nikita does the famous action of diving into the laundry chute to avoid being incinerated by the missile. You know the action I'm talking about. It's the action that occurred in both movies and likely occurred in the other La Femme Nikita series as well. It's what I call an archetypal action, an action that defines and embodies the archetype or character. It makes you think of all the iterations of that character. It brings that character to life for you.

If you're an actor, or a magician doing that action can also make for an effective invocation, though I'd recommend against diving down chutes to avoid being incinerated. My point being however that if you look at pop culture and mythology in general you will likely find specific actions or activities that a given character, god, etc did and those actions are part of the archetypal consciousness of that being. You may even find that there are actions that repeat across different cultures, with the result being that the action taps into something deeper than the faces that happen to display the action. You tap into the essence of the archetype, something faceless, that nonetheless represents what it is you want access to. An archetype isn't just the face, after all...it's the actions that embody the concept.

Part of my work with identity has involved using space and movement to shift identity. Archetypal actions can be a part of that work, particularly when you want to invoke a spirit by embodying it. Actions allow the spirit to take over, to possess and become part of your experience even as you enter into its experience. I've done such actions in my work with Elephant and Dragon for example, but also with various characters I've worked with. By mimicking the movements and actions, a person invites a different body awareness, and can use that awareness to call to the entity of choice that s/he wants to work with.

A Yule Ritual

The other night, for our Magical Experiments meeting, we decided to do a Yule Feast and Ritual. The Feast was Roast Beef, Mashed Potatoes, carrots, beans, garlic bread and spiced wine and cider. It was an excellent way to celebrate the solstice, with good friends. But it was also a magical act, in and of itself, celebrating each other's fortune and also promoting that prosperity for the next year. The ritual was a simple, but focused working. We were first given papyrus reed and a pen. On the paper we wrote down or drew a symbol of something we wanted to get rid or banish from our lives. We had the option of telling others what we were getting rid of and then we lit it on fire and focused our intention on banishing it from our lives.

Afterwards we were each given a candle and on the candle we wrote or carved a symbol that represented what we wanted to bring into the new year. We burned the candles for a bit, but then snuffed them. I have mine on my desk and I will light it again on the first of the year.

Tonight we're buying the ashes, so that what was banished is recycled to the Earth.

Fear and Magic

I read a post where the writer argued that if you weren't feeling fear in your magical practice, you either aren't human, or you are trying hard to stay in your safety zone. I get the point of this post, and to some degree I agree with it. Feeling some fear as you break your boundaries and challenge your identity is a good thing. It means you're doing the hard work. Challenging yourself to move forward when you feel fear is a necessary part of life in general. When I practice magic though, I don't feel fear. I feel empowerment. I feel excited, alive, vibrant. Magic is life, magic is power, magic is turning the impossible into reality. When I feel fear, I feel it in the moments when I do internal work, and I face within myself those weaknesses and issues and hurts and pains. That's when I feel fear. That's why I do my internal work...to reach a place of understanding and resolution with those fears so that when I practice my magical work, there is resolve and knowing that what I do aligns to my identity.

We all approach magical work differently. When I work with the elementals and spirits I approach them as friends, as companions. Other people do not. I think how you approach such beings sets the tone for the type of interaction you'll have with them. Thus to approach them as friends, to approach them with confidence is my own way of knowing them. It works because it's something I feel confident in. It works because I know my place in relationship to their own.

Fear is a funny emotion. It can paralyze a person, motivate a person...it can block and push. I find that knowing where to encounter fear changes your magical practice. Encountering it in my internal work and making it an active part of that work has changed the external work and the need to do the external work, and changed my life...its much quieter now than it was before.

A new Year, A new you

I saw this blog entry on Twitter and was intrigued by what the person had to say  about reinventing herself. It reminds me a bit of the elemental balancing ritual I do each year. I'm in the 2nd month of my new year, and in a sense the new person I'm discovering as I work with the element of fire. But it also made me think about the fact that I'm in the process of reinventing two of my businesses. I'm reinventing Magical Experiments, slowly but surely, both in terms of offering correspondence courses (I'm working on the magical process course currently) and in terms of branding. But with Imagine Your Reality, I'm reinventing the entire business. I've just gotten the social media piece nailed down, and I'm finally turning toward the business coaching part and redoing my entire business plan. It's a reinvention of identity, both for myself, but also for people I want to market my services too.  It's an ongoing challenge, because I'm not just writing a new business plan, I'm also doing a fair amount of internal work. For example at our class, we were challenged to rewrite our internal stories into more positive ones. What does it have to do with business? Quite a lot actually, because the internal reality you believe is the reality that manifests in your life.

Each year, the elemental balancing ritual is part of my reinvention. The thematic approach provides enough structure to make consistent changes, while providing enough freedom to allow yourself to experience the lessons needed to make those changes happen. A necessary part of that process involves keeping a journal of sorts, which is why I blog on this journal about the experiences each month. The only exception has been a two year gap, wherein I focused on Magical Identity. You won't necessarily find such personal entries in it, but it nonetheless encapsulates the experiences of two years of reinvention.

Change is a constant. Embracing change within your magical practice is how you take control of the change you experience and make it part of your identity.