How do you define wealth?

One of the questions I'm asking and answering as I start work on the wealth magic book is how I define wealth. Do I define it as money? The answer is yes and no. I think money is an essential characteristic of wealth, but doesn't solely represent wealth. Actually I'd argue that money can represent wealth, but it can also represent poverty and a whole host of other meanings. Money as a symbol is...quite diverse in meaning.

Wealth, on the other hand, isn't necessarily so diverse, but certainly it can be illusive. What is wealth? What does it really mean to be wealthy? The definition of wealth is something that seems to tease people. And what one person defines as wealth another person disagrees with...not that it really matters. The real question is: Can I embody my definition of wealth in a way that is maintainable?

Speaking from experience, its taken me a while to embody wealth in my life, and maintain it. I'm still learning how to do it, although I seem to be getting better at it each day. Persistence is another ingredient of wealth. You have to be persistent and focused on it, in order to attain it. That's actually true of anything you want in life. If you really want it, you'll find a way (maybe even an A).

Magic is one means toward that end, and when you combine multiple means (like creating multiple income streams) it makes it much easier to achieve the desired result. My own quest toward wealth has focused on using multiple means to that end, and its a continual project, one I enjoy thoroughly. If you don't enjoy it, I advise not seeking it.

My definition of wealth is simple. I love to live by my own rules. Life on my terms is wealth. This isn't to say I'm in control of everything, but rather that I am doing what I love to do, at my leisure, and maintaining and improving it, while also being able to enjoy everything that brings pleasure to me, and allows me to continue to work on the projects I value most. That's my definition of wealth.

What's yours?

A Vision of Tomorrow

Each year I do a cut-up collage, which essentially serves as a magical enchantment for the next year. This particular magical working is inspired by William S. Burroughs, and I always make a point to listen to Burroughs when doing this working. This year's collage was dedicated to Bune as both an evocation of him for Wealth Magic purposes and also as a way of praising and raising attention about him.

At the same time this collage and the other one are magical workings for my businesses, or vision boards if you like. I'm in the process of rebranding for my main business, as well as working on the social media presence for Immanion Press, and I'm even doing some refining of magical experiments. It's a lot of work, but its also a lot of fun.

How this works is twofold. Your scissors is the tool of cutting. You cut any previosu meanings away when you cut the words and images out. Then when you put the collage together, you glue your meanings into the words and images, imprinting them with your desires. The glue is the imprint of meaning on the blank void of paper, bringing meaning with image and word to create an enchantment (or evocation) of the desired reality. You can fire the enchantment off a variety of ways, whether its via sex magic, or using your creativity as the firing mechanism, or showing it in a public space, with people sharing it as the firing mechanism.

 

Pre-makes: an example of retro pop culture

I've started doing some research for my new Pop Culture Magic book. Bill Whitcomb recently told me about Pre-makes, which are little video previews of current movies remade as if they had originally been shot in the early fifties. The one above is a pre-make version of Ghostbusters. Aside from the charming use of older footage, these premakes grabbed my attention because of how it combined retro pop culture with modern versions of pop culture.

I think, with the right video skills, it'd be easy to make any of these premakes into an audio-visual enchantment or evocation of some kind that could be charged by the views, and even social media activity that people created around the videos. You could even set it up that every time the video was shared it was fired again. These kinds of videos can provide an infinite variety of opportunities for the enterprising magician who has time and expertise in making them.

Looking at this video, what I was most struck by, however, was how the person who created it was able to take themes from a later movie and apply them to a collage of images from older movies and "re-make" the story or at least a trailer of the story. It illustrates how themes can be re-appropriated into different media, and also how no story is so original that there isn't some basis for it in the past.

What do you think?

The requisite new year post

It's 2012. When you look back on 2011, you might be thinking of everything you accomplished or everything you didn't do. Maybe you're also thinking of new year resolutions or how you'll do what you didn't get to in 2012.

Stop. Just stop for a moment. Those are all such automatic thoughts, such cultural promptings that its worthwhile to consider a different tact and step out of the automatic grind that is New Years.

Every day of the year signals a new year that is starting, because one year ago that day started and ended. But we only think of the new year a couple times out of the year. We think of it in January and you might think of it also around your birthday or around Samhain, if that's your thing, but in general people don't consider that a year can end on any day, and begin on any other day. It's all arbitrary.

So 2012 is here. What has really changed from yesterday or the day before? Nothing but numbers. Nothing but an arbitrary measurement of what time it is. Take that new year fervor you feel, that burning passion that you will make changes and ask yourself: "How can I sustain this each day of the year, every year, so I actually make the changes I want to make?"

Each day provides you an opportunity to change, to make a difference in your life or someone else's. Sustaining the momentum is what the real challenge is. People start out with resolutions and then they are ground away. Nothing feels new, everything lacks a certain luster. Sound familiar?

If you want a new you...if you want to keep those resolutions, develop a long term sustainable plan that you can hold yourself to, and if possible get some help with accountability by partnering up with someone else who wants to make changes.

Successful long term magical work is based on a systematic approach to what you are working on. Thus, for example, I have my year long elemental balancing rituals, which serve to focus my internal work on specific themes that I can use to measure my change or lack thereof over the course of the year.

I'm developing an online correspondence course for people who want to learn my approach to magic. It seem to be quite the rage right now...actually I think its been that way for a while. What sustains my approach to this particular project is the idea that once its completed, it'll be very easy to add changes onto it, while providing anyone who takes it a chance to experiment with my approach to magic. But the only way such a program will work is if the people taking the class actually have a sustainable model for integrating what they are learning into their daily lives.

It's 2012. What will you do to develop a sustainable process that you can use to create effective change in your life and maintain that change?

Latest Radio Interview

Here's the archived version of the recent interview I did about my new book Magical Identity with Justin from Sothis Media. If you didn't get to listen to interview, or just want to listen to it again, click this link!

Book Review Self Comes to Mind by Antonio Damasio

This is an interesting book that presents what I'd consider to be an ontological perspective on neuroscience, identity, and consciousness. The author presents some intriguing ideas about the intersection of these concepts, particularly where consciousness originates from. I'd highly recommend this book as one that will get you to think about your brain and body in a new way, as well as provide new perspectives on what self is and where consciousness fits into it all.

Social Media Magic

I'm debating right now what my next book will be about, but I've already got some good ideas percolating. No it won't be social media magic...though that could be the name of a chapter.

Anyway, I've been playing around with my Facebook Timeline, adding some events to points in the past, mainly where I moved to and where I've lived. I wish they would let you create future events on your timeline, but it doesn't look like they do. However the possibilities of using an FB timeline for a bit of retroactive magic does excite me, especially when you can add pictures and videos to a specific date in time. You can graphically rewrite your timeline and make it into a very creative experience.

For example I've added several fiction events to my timeline. I've done it for the sheer humor of it, but there's nothing to say that you couldn't go in and rewrite portions of your life with modified details, and use that as a kind of narrative that also retroactively rewrites your life. And if you can get people into participating with you via tagging, you can even come up with some clever meta events.

It's really about having fun, but also getting creative with your life. Changing what happened on the timeline might open up some possibilities for you, or if nothing else give you closure on events in your life. It's something I'll keep playing with, as much for whimsy as for any magical purpose. The time line is a graphic and textual narrative of your life. It can represent where you've been, who you've met, what you've done...and it can part fact and part fiction. FB probably wants it to be all fact, but why make it all fact?

What about you? How would you experiment with the Facebook timeline?

Self-Evocation 2011

Here's my latest painting. It's a self-Evocation painting. I do these occasionally and I use them to paint an internal landscape of my consciousness. This one is actually quite nice and feels much more peaceful compared to some of the other ones.

A self-evocation is really a snapshot of time, a way to connect with a particular moment of my life. I've used the paintings occasionally to interact with younger versions of myself. In a sense the paintings act as a temporal powerspot. It's not the only method I use for accessing past versions of myself, but it is a useful method to use, and one that provides something to focus on to help you reach that past point of existence.

Archetypal actions

I've been watching Nikita lately, which is the newest rendition of La Femme Nikita. In one of the episodes, the actress playing Nikita does the famous action of diving into the laundry chute to avoid being incinerated by the missile. You know the action I'm talking about. It's the action that occurred in both movies and likely occurred in the other La Femme Nikita series as well. It's what I call an archetypal action, an action that defines and embodies the archetype or character. It makes you think of all the iterations of that character. It brings that character to life for you.

If you're an actor, or a magician doing that action can also make for an effective invocation, though I'd recommend against diving down chutes to avoid being incinerated. My point being however that if you look at pop culture and mythology in general you will likely find specific actions or activities that a given character, god, etc did and those actions are part of the archetypal consciousness of that being. You may even find that there are actions that repeat across different cultures, with the result being that the action taps into something deeper than the faces that happen to display the action. You tap into the essence of the archetype, something faceless, that nonetheless represents what it is you want access to. An archetype isn't just the face, after all...it's the actions that embody the concept.

Part of my work with identity has involved using space and movement to shift identity. Archetypal actions can be a part of that work, particularly when you want to invoke a spirit by embodying it. Actions allow the spirit to take over, to possess and become part of your experience even as you enter into its experience. I've done such actions in my work with Elephant and Dragon for example, but also with various characters I've worked with. By mimicking the movements and actions, a person invites a different body awareness, and can use that awareness to call to the entity of choice that s/he wants to work with.

 

A Yule Ritual

The other night, for our Magical Experiments meeting, we decided to do a Yule Feast and Ritual. The Feast was Roast Beef, Mashed Potatoes, carrots, beans, garlic bread and spiced wine and cider. It was an excellent way to celebrate the solstice, with good friends. But it was also a magical act, in and of itself, celebrating each other's fortune and also promoting that prosperity for the next year. The ritual was a simple, but focused working. We were first given papyrus reed and a pen. On the paper we wrote down or drew a symbol of something we wanted to get rid or banish from our lives. We had the option of telling others what we were getting rid of and then we lit it on fire and focused our intention on banishing it from our lives.

Afterwards we were each given a candle and on the candle we wrote or carved a symbol that represented what we wanted to bring into the new year. We burned the candles for a bit, but then snuffed them. I have mine on my desk and I will light it again on the first of the year.

Tonight we're buying the ashes, so that what was banished is recycled to the Earth.

Elemental Balancing Ritual Fire Month 2

11-27-11 Something which has always frightened me has been my own fire. It's frightened me, in part because of the various people in my life who at one time or another told me I was too passionate, too intense, or just plain too much. I've gotten so used to pushing that intensity down or directing it other places because no one wanted to handle it. But it wasn't just the intensity. It's also been the anger. Fire embodied anger for me for a long time, and I've never been comfortable with anger, from myself or anyone else. As I was meditating today Dragon pointed out that fire didn't have to be any of these things. That the only one who'd perceived it that way had been me, but also I didn't have to continue perceiving myself in a particular way either. That's something I've been discovering in my relationship with Kat, and also discovering that I am not too much for myself or someone else.

I've always been driven by my passion. That can be good or it can be bad. Just depends on what you make of it, but I'm not going to bank the fire of my life or my relationship with fire because of an ill conceived perception. If I hold onto it, I empower it...and if I let it go, I open myself to new possibilities.

12-2-11 The meditations have focused on anger this week. Dragon had me do a history of anger, both in terms of how I've seen anger expressed and how I've expressed it. When I look at the history of anger, I start with my Dad. With him, anger was always a volcanic eruption. It would build and build up and then one day explode. His anger was always fast and hard, and you never knew what would set him off. Both my step-mom and mom tended to be more passive aggressive in certain ways, though my step mom would also be overly aggressive. She encouraged it in her daughter as well, who learned early on that she could take her anger out on me with no repercussions. What I learned early on was that I had to repress my anger. I wasn't allowed to show it, and if I did show it, I got disciplined.

Even later on I had experiences where for the most part other people expressed anger, while I kept a lid on it, except for the rare occasions when it'd pop out in a volcano. Consequently my own relationship with my feeling of anger is an uncomfortable one. Even with the internal work I've done, I still feel afraid of my own anger. I've recently been working on expressing it, and listening to it, instead of repressing it and this seems to help, but learning to listen to an emotion you've normally repressed isn't very easy. Listening to my anger means letting myself be vulnerable to feelings of hurt as well. It's not that I'm not aware of those feelings, and that I even feel them, but feeling them in conscious conjunction with anger is a whole another experience.

12-5-11 In today's meditation, Dragon pointed out that anger, for me, seemed to really be about control. specifically not feeling control and wanting control. I think that's true for me. When I look at the situations in my life a common theme is not feeling like I had control...feeling like I was under someone else's thumb. And the anger I feel is an anger of not feeling acknowledged. It's an anger that I haven't let go, because I'm trying to cling on to some kind of acknowledgement of the hurt I've felt. Yet that anger doesn't give me that acknowledgement. It just ends up being something I stew in.

I've come to realize as well that I'll likely not get the acknowledgement I want from the people who've hurt me. and Maybe even if they did, it wouldn't be enough. It all comes back to holding on to this anger, to this hurt that I've felt. Dragon asked me what it would be like to actually let go of that anger, to actually release it, instead of holding onto it and letting it define my identity. I don't want that anger to identify my identity, but I know why I've held onto it so much. For so long, going back to my childhood, holding onto that anger was what got me through difficult situations. They couldn't take my anger from me, and I could use it to prove they were wrong. That kind of motivation was what kept me going through a lot of hard times. But holding onto it now doesn't really help. I'm not happy holding on to it. I need to learn to let go.

12-7-11 I allowed myself to articulate my anger, and the underlying feeling of rejection that seems to accompany that anger. It's not anger toward just one person, but a lifetime of people, who in one way or another showed me that I wasn't a high or important priority in their lives. Being able to articulate that to Kat, to share that pain and anger helped. The realizations I've been having about my anger and the underlying emotional bedrock that supports it shows me how important it is that I finally feel like I am an actual priority to someone. There's a sense of relief and disbelief.

12-8-11 I always find it fascinating how the experiences in my life fit neatly into the theme I'm working on. Today at my small Business Management class, the instructor brought up the value of changing your stories. He said the stories we tell ourselves set up the scripts and situations we find ourselves in. I certainly know this, but hearing it again today caused me to experience it a different way and apply this idea of rewriting old stories into new ones to some of the stories I have been telling myself as I've been working with my anger this month. For example, telling myself a new story of: I am loved, wanted, desired, needed, appreciated, and supported in what I do, and how I choose to do it is a powerful change for me. I hadn't, until recently, ever really felt supported. Now I do.

12-17-11 Owning my anger, acknowledging and taking responsibility, but also choosing to know I can feel anger. I've been thinking about that all week, and how I can own my anger to empower myself. Owning anger isn't pushing it down. Owning anger, for me, is learning to let go, instead of holding on so tight. I don't need it to define my identity anymore.

Desire has been coming up a lot as well, which makes sense, given how much fire is associated with desire. I've explored desire in other elements, but fire brings its own perspective on desire. Desire has such twists in it. to be desired and to desire. Am I desired for one aspect, or is the desire for the real me?

12-18-11 Sometimes the person I'm the angriest with is myself. I've always found it hard to forgive myself for what I consider mistakes. My first marriage is an example of that. I'm angry at myself for staying so long in what was clearly an unhealthy relationship for myself and the ex. The choices I made in that relationship are ones I've looked over and questioned, because they were symptomatic of the underlying unhappiness. I'm responsible for staying in that relationship for so long. Still hindsight is 20 20 and as I've continued the internal work around that relationship and the choices I made in it, I have to acknowledge that where I am now is not where I was then. I can look back and judge myself or I can look back and see a very fallible person who made very real mistakes and has since learned from those mistakes. I don't feel the anger often toward myself anymore, but occasionally it still comes up, and tells me I still have healing and forgiveness to do.

12-21-11 The other day Kat and I were having a conversation and she said, "I know you're angry with me. Let me in." It took a while, but eventually I told her what I was feeling angry about. It was interesting for me, because even though I knew I felt angry, being so honest about it involved being so vulnerable as well. It was hard to be so vulnerable, but it was also so freeing to tell her how I really felt. So often I've held my anger in, until finally its erupted...how much better to simply admit it, and be open about it. As this month ends, I feel more comfortable with my anger, and with what the work with element fire has revealed about it. That's what the elemental balance work is all about.

Spatial Dynamics and Magic

Space is one of those elements that continues to fascinate me, especially when I look at how people use space to situate and express their own identity. I came to this perspective through the anthropological of Edward T. Hall and Alexander Laban's perspectives on space and movement. The occupation of space whether with objects or with politics or spirituality. The application of space in a person's sense of identity via home, work, car, etc. Now apply this to magic. Magic is about changing a space. It changes a space by turning possibility into reality. Space changes, becomes a different space when a possibility is brought into reality. Space is changed by time, with the understanding that time is what brings possibility into reality, while space provides the necessary anchor for reality to exist in.

A person is his/her own space. Space acts on space and in turn is acted on by space. The person expresses his/her space in the external space, but that same space also shapes the person's identity. When a person performs an act of magic s/her is inviting in both time, and specific defined spaces to modify the current space s/he inhabits, both in terms of identity, and in terms of circumstances the person is in.

 

Fear and Magic

I read a post where the writer argued that if you weren't feeling fear in your magical practice, you either aren't human, or you are trying hard to stay in your safety zone. I get the point of this post, and to some degree I agree with it. Feeling some fear as you break your boundaries and challenge your identity is a good thing. It means you're doing the hard work. Challenging yourself to move forward when you feel fear is a necessary part of life in general. When I practice magic though, I don't feel fear. I feel empowerment. I feel excited, alive, vibrant. Magic is life, magic is power, magic is turning the impossible into reality. When I feel fear, I feel it in the moments when I do internal work, and I face within myself those weaknesses and issues and hurts and pains. That's when I feel fear. That's why I do my internal work...to reach a place of understanding and resolution with those fears so that when I practice my magical work, there is resolve and knowing that what I do aligns to my identity.

We all approach magical work differently. When I work with the elementals and spirits I approach them as friends, as companions. Other people do not. I think how you approach such beings sets the tone for the type of interaction you'll have with them. Thus to approach them as friends, to approach them with confidence is my own way of knowing them. It works because it's something I feel confident in. It works because I know my place in relationship to their own.

Fear is a funny emotion. It can paralyze a person, motivate a person...it can block and push. I find that knowing where to encounter fear changes your magical practice. Encountering it in my internal work and making it an active part of that work has changed the external work and the need to do the external work, and changed my life...its much quieter now than it was before.

A new Year, A new you

I saw this blog entry on Twitter and was intrigued by what the person had to say  about reinventing herself. It reminds me a bit of the elemental balancing ritual I do each year. I'm in the 2nd month of my new year, and in a sense the new person I'm discovering as I work with the element of fire. But it also made me think about the fact that I'm in the process of reinventing two of my businesses. I'm reinventing Magical Experiments, slowly but surely, both in terms of offering correspondence courses (I'm working on the magical process course currently) and in terms of branding. But with Imagine Your Reality, I'm reinventing the entire business. I've just gotten the social media piece nailed down, and I'm finally turning toward the business coaching part and redoing my entire business plan. It's a reinvention of identity, both for myself, but also for people I want to market my services too.  It's an ongoing challenge, because I'm not just writing a new business plan, I'm also doing a fair amount of internal work. For example at our class, we were challenged to rewrite our internal stories into more positive ones. What does it have to do with business? Quite a lot actually, because the internal reality you believe is the reality that manifests in your life.

Each year, the elemental balancing ritual is part of my reinvention. The thematic approach provides enough structure to make consistent changes, while providing enough freedom to allow yourself to experience the lessons needed to make those changes happen. A necessary part of that process involves keeping a journal of sorts, which is why I blog on this journal about the experiences each month. The only exception has been a two year gap, wherein I focused on Magical Identity. You won't necessarily find such personal entries in it, but it nonetheless encapsulates the experiences of two years of reinvention.

Change is a constant. Embracing change within your magical practice is how you take control of the change you experience and make it part of your identity.

An infinity of possibilities

Multi-angled eyesstare into an infinity of possibilities absorbed in the flow of time acting on space unrealized possibilities folding into realities not are own as well fall into shimmering waves of existential bliss The angles of the angels reveals place, purpose, function, What are they but what they identify with? The angles of the demons reveals place, purpose, function The angles of the gods reveals place, purpose, function And what do you reveal child of light and shadow? You represent possibilities outside such fixed identities laughing chaos that reveals there's so much more than just form, function, place, or purpose I cannot be more than what I am is only reserved for those beings that have chosen that their function, form, place, and purpose have more importance than the opportunity to change and grow. You are that you are, I am that I am, the Breath of the universe ripples through your life and you reveal in that moment the glory of your multi-angled eyes... You'll pick and choose and turn possibilities into realities and we'll dance in those realities even as we look into the infinity of all things and none.

Tarot Readings and spontaneous spreads

 

I was doing dual deck tarot readings at the local yule fair last week and what stood out to me was how people would create their own spreads, which didn't necessarily look like anything I'd create, but nonetheless made perfect sense for those people. What I liked about that realization is that it proves that fixed spreads are not a necessary part of Tarot reading. In fact, I'd argue that the spontaneous creation of new spreads made the reading more effective because the layout of the cards demonstrated the mental "space" of the person, and how the different cards were situated in that space.

Space, mental and physical, is part of how a person defines his/her identity. The manipulation of space via placement of objects is part of that identification process and it can tell a lot about what obstacles a person is encountered. A spread that is chaotic with elements all over the place still has an order to it, even if its an order that only the person who created the spread understands. A reading I recently did initially looked very chaotic. It took asking some questions to really get to the central issue, but once those questions were asked the spread made complete sense and fit the issue rather well.

What makes this approach dynamic however is that if you use a tarot reading as an act of enchantment, you can make the person's ability to change the spread, to reorganize it an essential part of the reading. In other words, the person changes the spatial identity s/he inhabits by changing how the cards are spatially organized, as well as how s/he understands the underlying message of the card. The result is a different reading, one that plots how the person will make changes to the existing pattern in order to resolve whatever issues are represented.

Here's a podcast episode where I talk about some of my initial experiments with Tarot.

An update on My New Book, Magical Identity

 

Here's a picture of the cover, done by Kat Lunoe. Doesn't it look great? Magical Identity is currently being edited. I had to switch editors, which pushed the book release date back to March of 2012. However I'm not presenting at Pantheacon this year, so it actually works out that the book will be out a bit later. It gives me time to finish revisions and add in some more content that I've developed since I finished the first draft.

I'm reading the very last book I need to read for research. I've actually taken a little break from it, because I've spent the last couple months reading books I'd found out about that could be relevant to the book. All that reading reminds me of graduate school, where I'd literally spend up to 12 hours reading (they'd have preferred 16 but I believed in having fun time...it's not an approved academic activity however).

I'm really excited about almost having this book done. I'll be doing radio interviews soon about it and just knowing that finally, after so many years I've got another book on magic coming out...That has me pumped.It might be the last book for a little while as well. I have ideas for other books, but I'm very much at a pre-research phase with those books. However, I think Magical Identity will be my best book yet, especially because it deals with themes of space and time as well as neuroscience.

Change starts from within

"Everyone thinks of changing the world, but no one thinks of changing themselves" Leo Tolstoy When I think about Western Magic, and one of my problems, this statement from Tolstoy sums it up nicely. In late teens and early to mid twenties, I remember being that person who wanted to change the world, but didn't think of changing himself. That's not surprising because within western magic there is no overt forms of internal work provided, beyond perhaps some pathworking exercises. I had to go to Eastern systems such as Taoism to really discover in-depth meditation techniques. Since learning those techniques and implementing them into my daily practice, I've found that there is much less of an overt need to change the world. In fact, usually where the change needs to start is from within.

Magical techniques such as sigils or evocation aren't focused on internal work. There's nothing wrong with that, but it is worth the magician's time to actually apply some degree of introspection in order to look at the underlying motivations behind doing the work. Such internal work can help clarify the motivations and even ensure that the working will be successful by removing any internal resistance toward it.

Internal work is an essential part of magical practice. When I take magical students on, we spend a fair amount of time initially exploring what their values and beliefs are, how they define themselves and their place in the world, as well as teaching them meditation techniques. I've found that this initial work is crucial because it helps them remove a lot of internal obstacles and most importantly helps them understand how to effectively use magic to make changes in the world around them. Practitioners who actively use internal work will also cut down on the need to do more overt acts of magic...and not surprisingly will also lower the overall level of drama and chaos as they work out their issues. Instead of having such issues come up in their lives, the practitioners are able to identify  the triggers and make changes to their behaviors. The result is a better life and more clarity about what they want and need to live such a life.

Magic on The Edge 2.0 call for Papers

Magic on the Edge 2.0 is an anthology of experimental occultism, testing the cutting edges of magical practice to reveal intriguing experiments and new ideas, to push the future of magical practice forward and provide further inspiration for other practitioners. It is edited by Taylor Ellwood, the managing non-fiction editor of Immanion Press. It is a sequel to Magick on the Edge, which was published in 2006 by Immanion Press We are looking for articles 3k to 6k words in length on topics that can include the following:

  • Innovative explorations of magical traditions
  • Experimental techniques with contemporary disciplines such as space/time magic, internal alchemy, laboratory alchemy, ceremonial magic, neoshamanism, etc.,
  • Creative meditation practices
  • Unconventional approaches to ceremonial magic and other traditional practices of magic
  • The blending of art or science with magic.
  • Each article needs to include a practical exercise for readers
  • Got an idea? Run it by me and I'll give you feedback (see contact info below).

The deadline for articles has been pushed back to October 15th. We are looking to publish this anthology in 2013.

For more information or questions contact Taylor

Changing your Identity by Shifting your Balance

Every year I do an elemental balancing ritual. The purpose of this ritual is to create balance in my life by working on aspects of myself that need to be balanced. Really what I'm doing it changing my overall identity by shifting the balance using an intensive working to generate a specific direction for my internal work. I think its worked well to help me make conscious changes to who I am in a positive manner. Internal work isn't something that can be done in one moment. It takes dedication and focus. I figure that by shifting my balance using elemental energy each year, I can actually put dedicated time into internal work that focuses on particular themes I need to work on. I put a year's time into each elemental theme and a years work does provide enough time to make substantive changes to a person's identity. It's not easy work, but it is work that makes your life easier.

Shifting your identity, your state of being, if you will, necessarily changes the relationships that you are in. I've had friendships fall away, a marriage end, and and started new relationships in large part because of the elemental balance work I've done. Shifting your identity also shifts the connections you have with people. You have to decide if that is worth it. I think it is worth it, because even though some relationships have changed, what has changed even more, on a fundamental level is my relationship with myself and how I live in the world. And I find the changes to be satisfying. I like who I am as a result of doing the work.

I've always said that you can't please everyone and I mention that because when you engage in internal work you necessarily have to accept that the changes you make won't please everyone. That's part of the price of doing internal work. You confront who you are, you make changes to your identity and those changes manifest in how you interact with the world.

Changing your balance changes your place in the universe and your awareness of that place. You start asking hard questions of yourself and others and you look at what you can change and you make those changes because you want to shift your balance, want to shift to a new place. That's what internal work does. It spurs you on, pushes you to make changes, demands the best from you, refines you alchemically, and when you do all of that the result is a changed person, someone different from before. And everything that doesn't fit, falls away.

 

Book Review: On Desire (Affiliate Link) by William Irvine

On Desire is a fascinating book that looks at how we interact with desire. The author comes off as a little prudish, advocating more of an approach of ignoring desires, but even with that tone, the book provides a look at what desire is, what the neurological basis of it is, as well as how different cultures and communities deal with desire. I would have liked to have seen exercises in this book from the author. It is more of a philosophical treatise than anything else, but still worth a read.

Elemental Fire Month 1

10-22-2011 I've been staying very mindful of the element of fire in my life. I attended a divination party tonight, where you could offer readings or get readings. I did five readings for different people and told them about the magical experimenters meeting. And while doing their readings, while talking with them, I had a sense of seeking, a sense of fire as seeking, discovering, but also a sense of fire as a qualifier. Intuitively I knew that the people that needed the invitation would follow up on it because it was the right invitation for them and they'd fit the group as well. 10-25-2011 The last few days has involved a dialogue between Dragon and myself about Fire, passion, and consumption. What stands out most is the focus on fire as a metaphor for passion and why that's not such a good thing. Dragon points out that fire ultimately consumes, and if passion is fire, than its more about consumption than anything else. If fire is a metaphor for passion, there can be danger in that metaphor, in terms of how people approach passion. And I think he's right. My experiences with passion, in part, has been more about trying to experience a sensation that I might think of as fire, but in the process I've gotten burned a lot, because it's not something which is sustainable. Dragon pointed out that fires eventually consume themselves, until there's nothing left to give...Some interesting thoughts come to mind about American Culture and its focus on consumption. What does that teach us, about ourselves, others etc? Is it all something to be consumed, or can we really experience it?

10-31-2011 Fire just is. The association of doing and activity is meaning attributed to fire, but dragon asked me what it would be like to just contemplate fire as it is, instead of contemplating fire as doing something.

11-07-11 Dragon brought up something that really grabbed my attention. He said what a person fixates on or desires or obsesses over can burn him/her and the people in his/her life, because f how it consumes them. But if a person can consume and let go of what s/he desires, then it no longer takes up his/her energy in quite the same way. Now this is nothing new...you find this advice in meditation, but looking at it from the perspective of fire, and consuming something so it turns to smoke and then is wafted away...that's what grabbed my attention. And I have to admit that I'm in this process of consuming instead of being consumed. Not an easy process, but it is freeing up a lot of energy.

11-16-11 I haven't been as good about updating this entry as I'd like, but a lot's happened. Kat and I noticed that the stray black cat that lives near our house had kittens. It's getting really cold out, and this summer we'd actually found a dead kitten. It was pretty upsetting. So we decided to catch the mama cat (to neuter it) and catch the kittens as well. We managed to catch two of the kittens. The other one is gone, may be dead or alive, and the mama cat hasn't shown up lately. I took the trap back today, but I'll deploy it if she comes back. What does all this have to do with fire?

Dragon brought up a very important point. When you create a spark, you are responsible for nurturing it and using it wisely. When I think about the mama cat, I remember that my ex-wife chose to feed her. I don't know if it would've stuck around anyway, but I do know that feeding it encouraged it to stay in the neighborhood. I realized that I should've tried to catch that mama cat much earlier than now. More importantly, in catching these two kittens I felt that I had chosen to take on the responsibility of doing something with them. The animal control shelter told me if they weren't tame enough, they'd be euthanized, and that they might be euthanized anyway because of how many cats they have. There's no way I'd let two cats be euthanized simply because they'd been caught. I've learned about another place, the Cat Adoption Team, where they don't euthanize cats, but we have had these kittens for a week and we've all gotten attached to them. They seem to feel the same. And the point here is this: You always have a responsibility to see through what you take on. I've taken on those two kittens. They're part of my responsibility, that spark of life I've nurtured by capturing them and taming them.

11-18-2011 Sometimes I wonder if I've left my passion for all things occult somewhere else. Actually I sometimes wonder if I've left my passion for lots of things somewhere else. And I guess that's a reason I'm doing this work with the element of fire. I want to get in touch with that passion, and yet ironically I think I am in touch with that passion...it's just a slow process of rekindling it. I let it get banked by personal circumstances, by my choices to try and make myself into something I wasn't. Never again. Never again will I give my fire, my passion, my intensity away or push it down. That kind of give away can hurt you so much and it hurts your creativity as much as it hurts in other ways. I feel like my creativity is finally coming back because my passion has a safe place to be.

11-21-11 There is nothing worse than feeling that you failed yourself or someone else. And yet failure prompts growth and change. It forces you to reassess what's truly important and then claim that importance through the actions you take to bring change to your life. The ashes of defeat are also the loam that prompts growth. What you hold dearest can fall away in a moment and yet when it falls away it reveals who you are through how you respond. Do you rail against it? Do you accept it and learn from it? Do you burn yourself or do you warm yourself? It's a fine balance to walk. I choose to cultivate a warm fire instead of a vengeful fire. Where that takes me as a result is hopefully to a better place in my healing as well as in my passion.

 

How to learn process and apply it to magic

I talk about the process of magic a lot on here, but a question that might arise is: What exactly is process and how do I learn it? Or more specifically, How do I turn magic into a process? I learned about process from two different disciplines: Academia and Technical Writing. Both disciplines are process oriented, albeit in different ways. In academia, the process is research oriented. If you have an angle you want to explore, you need to do a lot of research and find corresponding evidence that supports your claim, and protects it from potential attacks by other people. This approach to process is more theory oriented than anything else, but it taught me a lot about how to construct an argument, and develop a defense for that argument. It also taught me to appreciate research and the need to ground any work you do in what others have already laid out. To this day, my approach to magic is always based in ongoing research into various subjects that are relevant to the experiments I'm working on. At the same time, academia also taught me the dangers of being too focused on theory. Within the particular disciplines I studied there was very little application, which caused me to question what, if anything, was really being done with the research academics were conducting. I recognized that while research is a necessary and integral part of a process, it must be balanced by something else.

Technical writing was the other discipline that taught me about process. It likely helped that my first tech writing job was at Boeing, where one of the phrases is: "Process is king" In that position, I learned that good technical writing had to address the right audience, while providing step by step practical explanations of how to use a given technology. Research also still played a role, but the practical application was the most important part. If you couldn't apply it, it didn't matter. That made sense to me and I realized it was the missing piece that academia didn't have. If you can't apply it, it doesn't matter. Or in occult terms, if you can't apply it, you're just an armchair magician.

That's how I learned process, but I doubt most people really want to follow my exact footsteps. But the two lessons you can take from those steps are: Anything you do must be grounded in research in order to show others where its come from and If you can't practically apply what you are working on to improving your life, it doesn't matter.

So figure out what you need to research and determine if you can apply it to your life. But there's another lesson I learned from technical writing as well, that can help you develop a process. Everything you do can be broken down into steps.

Once you break something into steps you have a rudimentary process. Apply lessons one and two as well and you have a full fledged process. And lets not forget you also need to measure results. If you have a process, you have a result and you need to measure that result to determine if your process works. A process is only effective if you can consistently achieve the result you've designed the process for.