How the Wishsong of Shannara introduced me to music magic

I've been re-reading the Shannara books lately and I just finished the Wish Song of Shannara, which has always been one of my favorites of Terry Brooks's books. Something which always fascinated me about the book was the description of the wish song, which allowed a character to sing illusions and/or possibilities into reality. Reading that book was what inspired me to explore the combination of magic and music, especially via singing.

One of my first experiments with music and magic involved the creation of an entity that could was activated by signing or vibrating its name. I found it to be very useful, because I simply had to vocally sign the name in order to activate it. That was inspired by the Wishsong, and also by William Gray's writing on vocalization. But if I hadn't read wishsong, I wouldn't have thought to explore that direction. While I knew, after reading the book, that I couldn't do what the characters could do, I still felt inspired by the idea of incorporating my voice into magical work.

Even now I continue to experiment with my voice and magical work. I've been practicing throat singing, and also even trying different tongue positions in combination with vocalization to see how it changes the tone and vibration of the sounds. This is especially useful when doing invocations because it allows you to sonically and vibrationally connect with the entity you want to work with.

This is why I love pop culture. It can inspire exploration and experimentation. Most books on magic don't talk about music and magic all that much and so for me my inspiration came from reading a fantasy book that provided an idea I could explore in my magical work.

Some thoughts about the Professional Magician

Both Jason and Frater Barrabbas have written some excellent post about the route of the professional magician. Frater Barrabbas notes that the professional magician route isn't necessarily for every occultist and that doing a job he loves is actually good for him in a variety of ways. I can appreciate his perspective, and its one reason I have a professional business that is not oriented toward magic. Jason also makes a good point, that you shouldn't go into magic with a focus on making money off of it, at least not initially, and that ideally it is a calling.

I agree with both of them and I probably fall in between the two of them. I don't offer to do spells for people, although I am happy to give readings and do spiritual coaching. I write books and help to publish other people's books on magic (including a few from Frater Barrabbas) and recently I've started offering a correspondence course (with more planned down the line!). That's likely the extent of what I'll do a professional magician. I don't want to cast spells for people because I feel they should solve their own problems using their own skills. But I also don't want to work at a corporate job. I think it's a dead end, unless you get into the right discipline and frankly the disciplines I've seen that are the right fits are ones that would bore me to tears. Plus I love being self-employed because I'm able to work on my own projects, and help people in the way I've been called to help them.

I do have another business and with both that business and Magical Experiments, I'm making some inroads, which are making my life better as a result, but its taken a lot of work. And in my opinion to be a successful professional magician you have to also be successful as a self-employed person. Not everyone is cut out to be self-employed, especially because you need to actively work on your business, as well as within it. And if its a service business, which professional magic would be, expect it to take even more work. Selling a product is easier than selling a service.

I think its good that magic is becoming more of a professional activity, in the sense that it makes it that much more acceptable in mainstream society. Such inroads are always useful, but its also important to continue to focus on magic as a spiritual path. The main focus of my work is exploration of magic as a spiritual and practical process for improving life, and that focus informs my work as a professional magician.

Audience and Responsibility

Mike recently posted about audience, and specifically writing for audience, in terms of what topics should be covered and who might read what he writes. It's an interesting quandary and one I've occasionally thought about in regards to this blog. What do I choose to say? What do I choose to reveal? How responsible am I to my audience for what I write about? This isn't just about sharing magical techniques but also experiences on a variety of topics, many of which might be considered adult only.

My own take on it is that I already have written books about magic, including one that had an adult only audience in mind, as it was about sex magic. But even the books that might be inclusive of a younger audience are written for mature people (Go here for a great post on the topic of mature and audiences). I certainly feel some responsibility for the audience I am writing for in the books I've produced. I want the books to accurately represent my magical work and help people understand the process of magic and how they can better apply it to their lives. I don't feel responsible for how my audience uses the knowledge gleaned from my books, as my audience is responsible for their choices and experiences (much as I am responsible for my experiences and choices). How they choose to use and/or abuse what they get from my books is their concern and the consequences are also their concern.

When it comes to this blog, I have a different take. While I know I have an audience of readers (thank you so much), this blog is primarily a way for me to write about ongoing projects, discuss internal work and personal realizations, and other such things. It is as much for my benefit as it is for anyone reading it. I feel responsible to my audience in the sense that I want to authentically share my process and work (and even inner struggles) as a way of inspiring them, but I don't worry about who will or won't read this blog. I figure that for the most part, the people who read this blog are other practitioners of magic who want to read my insights on my work, but even if no one read this blog, it wouldn't concern me because it is a record of my work, for my benefit.

I find that when you are clear about the distinct purpose of a given tool you are using, it makes it much easier to use that too effectively. My books are written for other people. I may glance through once in a while, but I know the material in a very personal way and as such when I write a book I am not writing it for me, but rather as a way to shared refined perspectives and processes of magic. My blog is written for me and for other people, but more as a way of providing insight on the ongoing work. In a sense a book captures the end product of the process...and even though it discusses the process, it discusses from a perspective of finality, whereas with the blog there is a continual revision occurring. One is a textual artifact, the other is an organic changing entity in its own right. Each has their own value and audience in mind.

I trust that whoever reads this blog is someone who is genuinely interested in the practice of magic (though there have been occasional exceptions to that rule). There is little else that needs to be said.

Book Review Sphere of Art 2 by R. J. Stewart

This book is a continuation of the first Sphere of Art with some major differences, namely that the author introduces kabbalistic and alchemical aspects to the Sphere of Art working. I recommend this book with the caveat that it is a good idea to have some practical experience with kabbala and alchemy in order to fully benefit from the practical applications described in this book. The author does an excellent job of showing how  the sphere of art working can be refined via the disciplines mentioned above as well as how it can further be used in the magical work he teaches. The work he discusses is doable, but will take some time and discipline on your part...well worth it for the benefits involved.

Month 10 Fire Elemental Balancing Ritual

8-11-12 I haven't written in this post for half a month, not because things weren't happening but because life has been so busy. Part of it's been the catch up on work after you are done with a vacation and part of it has also been coming to the final part of a writing project I've been working on and thus focusing more on it than anything else. Whenever I get close to finishing a writing project it becomes the center of my reality. So let's see...

I've just started reading another book on relationships with my wife. It's one I'd read before, but at that time I was the only one to read it. Reading it with someone else adds a dimension to the experience because of the discussions K and I are having about the book and what the author's take on relationships means to both of us. I think that with this relationship I am discovering what love can really be, not just in terms of loving another but also myself. I can honestly say that I never felt as content or happy in my life as I've felt the last couple of years. We've had our bumps along the way, but we've been able to work through them with a level of openness and honesty that I was unable to give or receive previously.

The fire work has been interesting more in terms of the direction its pointing me to: Eros aka movement. I'll get into that more at some point, but right now its in an exploratory stage. Fire in and of itself has really been about (this month and every month) coming to peace with my passions and desires and recognizing how much they've been driven by a feeling of emptiness and restlessness, which in doing this work and the relationship work has actually become much less prevalent. I still feel restless occasionally, but I am able to identify it and work with it in a way that had eluded me in the past.

8-12-12 When I think about my place in the Pagan-Occult community, I tend to think of myself as someone on the outskirts of said community. I feel that way in just about any community, and I recognize that a lot of it is my own choice, but it also born as much from a disassociation with people in general. At times I feel like I'm an observer who is studying everything around me. What offerings I bring are genuine, but they come from the outside, offering with the unusual perspective that can only come when you choose to go away from the norm and tried and true to discover whatever else is out there.

Even as a writer and publisher I'm on the outside. I've chosen to publish my books with a small publisher that does print on demand books. While my books are carried in independent stores, you'll likely never see them on the walls of a Barnes and Noble or Powells books simply because retailers don't like it when they can't return books that don't sell.  I could probably get published by Llewellyn or another publisher at this point, but I doubt I'd have the level of control over the text or cover art that I have and generally what I've seen from the majority of publishers doesn't inspire a level of confidence in me that the work will be respected in the way it needs to be.

And that's the benefit of being on the outside...very few people care if you fit in if you already don't fit in. And not fitting in allows you some liberties you might not discover otherwise. And sometimes you even discover, as I have, that there are more people into your work then you thought there were and more people who appreciate the perspective because they see the value it brings.

8-15-12 There are days when I wake up and do not like the person I see in the mirror. Fortunately they are few and far between, but on those days I am reminded of my burdens, of my remorse, of the mistakes I've made. There are some things you never forget because you know you need to remember them as a reminder of who you don't want to be. And then too there's that feeling of wanting to find something to distract you from what you are feeling, which is absolutely the worst choice to make. You may not like what you feel, but being present with it, working through it is far better then trying to distract yourself. That's something I've had to learn the hard way, and its still something I'm learning. I'm better at this realization than I was a few years ago, but its still a struggle on a day like today. The urge to run away or lose myself or whatever else because I don't want to feel what I'm feeling is sharp, yet instead of doing all that, I chose to feel it, chose to feel my unhappiness with myself, chose to feel the pain I am feeling. I chose to be present and move in that presence through meditation and mediation of what I'm feeling. I don't know that this makes me a better person so much as it makes me someone who is choosing to be aware of his moments of weakness and vulnerability.

And there is also this other current that has recently come to my attention around movement via Eros. I need to do some movement rituals for areas of my life that I feel stuck in right now. Change happens through movement, but intentional movement is better then just any movement. The point isn't to run away. The point is to move toward a solution.

8-17-12 When you live with fear each day you must learn to face it, or otherwise let it control you. Whether its fear of change, the unknown or something else, you either learn to master it, or it masters you. When it masters you, it stops you from acting, and when you master it, you use it to motivate your actions.

8-21-12 As one cycle begins to wind down another cycle begins to wind up. Still its important to focus on the moment at hand, and appreciate what is happening now. Too many people are focused on getting to the next moment, and thus they miss out on what is happening around them right now. I used to be that way, myself, and now find myself savoring each moment I have far more than I used to. My tomorrows are not infinite and what I have to experience is what is present right now. Maintaining presence is being in the present as it presents itself to you and through you.

Is there tolerance in the Pagan community?

I came across this article yesterday which focused on the lack of tolerance that arises between different Pagan groups, both towards each other and toward other religions. I think its an insightful article that captures an issue that is sometimes swept under the rug in Paganism. I found myself empathizing with the author, having had my own experiences with intolerance in the Pagan community. Indeed one of the reasons I tend to consider myself more of an outsider is because of those experiences.

I think that tolerance, as a skill, is something that people need to practice on a very conscious level. It is much easier to make fun of someone else's beliefs than to consciously accept a person's beliefs, even if you don't agree with them. And consciously accepting a person's belief doesn't mean you agree with that belief...it means you agree and accept that person has the right to belief what s/he will. The problem is that people are so invested in being right that instead of accepting that someone has different beliefs, they insist on shoving their own beliefs down your throat while also trying to prove that your beliefs suck.

Within the Pagan community I have been told at various times that I am a fluffy bunny, a flake, or that I'm reinventing the wheel. I even had a pagan podcast where the people involved decided to attack me on their show because I couldn't be a nice traditional pagan like them. And what all this taught me is that even within Paganism, if you aren't the same type of Pagan as others, then some people will take exception to it.

In the post I linked to the author notes the following:

I don't see how replacing 'One True God(s)' with another 'One True God(s)' is going to change anything. The persecution might switch for a couple of thousand years but after that, it's the same thing all over again. I wish we could all let go of 'One True'. Then there would just be God and Gods and we could finally stop trying to carve out a place for our religion from someone else's hands and focus on creating a space for ourselves separate from the religion of others

It's a good point and one worth considering. You don't have to believe what I believe, but you could accept that I believe it and practice it without judging it or me. The people who try to get others to believe what they believe or try and disprove someone else's beliefs are just creating more intolerance because of a need to have other people be like them, or because they think their God demands or, or they don't believe in any gods and think everyone should be just like them.

I'm of the opinion that you can believe what you want...I may not agree with your belief, but I do accept you have the right to believe it and I'm not going to try and argue against it or convince you my beliefs are better. I have better things to do than try and force my views on someone else. That's not what my spiritual path or life is about. I'd rather devote myself to my practice and share my ideas with whoever wants to discuss them in an intelligent manner. Isn't that better than all the fussin' and feudin'?

Book Review: Living Magical Arts by R. J. Stewart

This is a definite must have book in my opinion. I see it as a successor to William G Gray's "Magical ritual Methods" Stewart does an excellent job of discussing practical magical work, particularly in describing how magic works and what the practitioner can do to refine his/her approach to magical work. I liked the methodologies presented in the book as well as the author's perspectives on different topics within magical work. This book will provide a solid grounding in how magic works and will help you improve your practice.

When Fiction shapes Reality

I read an interesting article which discussed how you can lose yourself in a fictional character and how that can affect your identity in real life: "When you “lose yourself” inside the world of a fictional character while reading a story, you may actually end up changing your own behavior and thoughts to match that of the character, a new study suggests." Reading it reminded me of Pop Culture Magick, specifically where I talk about how you can take on the identity of the pop culture character and mimic their behaviors.

According to the article this is called experience taking and can involve the person taking on the identity of the character, including feelings, emotions, thoughts, mannerisms, etc. But this experience taking only occurs if the person is able to put his/her own self-identity aside in favor of the identity of the character. It's essentially an immersive experience. I'd suggest that this also applies to movies and video games which can be just as immersive as books.

The magician can take this concept and apply it to his/her magical work, whether its with pop culture or more classical culture. It comes down to identification, specifically how well you are able to identify with a particular character and take that character on. And you also have to bear in mind that you are mediating that character's identity. In other words, it's still your perception about the character that's shaping how you take on the identity of the character.

In my own work I've sometimes found it easy to recall a specific character by either visualizing the character or humming a tune from the game that reminds me of him/her. This shows that while reading or watching or playing is needed initially to take on the identity of the character, it's possible to also recall that identity of the character. Essentially you create an anchor around the character experience that is used to recall that experience even if you haven't read the book, etc, in a while.

The relationship between magic and being

When I think about magic and identity, I think about embodiment and being. In particular with the word being, I think of it as a verb that denotes a person's life as as a process of presence entering into collaboration with reality. The presence of a person contains all the potential of the person, as well as access to possibilities of what the person can become. Magic, when employed, is a melding of the identity of the person (his/her being) with the situation. It is presence joining reality, merging possibility with what already is to create something which nonetheless contains the presence/being of the magician.

When we no longer divorce our actions from our state of being what we find is a different awareness of possibility and magic. No longer is a problem looked at as something external and separate, but instead there is an acknowledgement of the connection between the magician and the problem. The magician examines not merely the problem as it shows up in the world around him/her, but also the problem as it shows up in him/herself, to understand the connection it has to his/her life, and also to understand how to solve it, not merely in the environment around him/her, but also within.

When being is a verb there is a recognition that ontology is not some static image of identity, but an active presence of identity that challenges the magician to know him/herself as a fluid reality that mixes with possibility on a regular basis. We are all gates to possibility, and thus our state of being is one of change. Identity, when perceived this way, is not about attachments but about becoming and unbecoming all at once. Magic is a process of identity, part of the becoming and unbecoming, simultaneously binding us to possibilities while undoing connections to others. Reality itself is no longer perceived as static, so much as it is a canvas to be painted on. What seems real falls away as possibilities are embodied in everyday life. What becomes real is a melding of presence and reality and as such it can become unreal under the right circumstances.

Magical practice based on an ontological approach frees the magician from a doing and having perspective which tends to cause the magician to objectify reality and even him/herself. To have something is to own it and possess it, and yet it also possesses you. To do something is to act on it and yet try and separate yourself from it, ignoring that it has its own influence on you. Such perspectives limit the magician and dull the mind. The ontological approach acknowledges that everything is connected and that what is acted on, also acts on the magician. There is no objectification of reality, but instead a profound realization of connection and understanding that any situation encountered by the magician has a connection that goes deeper than what casual observation displays. And when the magician can make changes to his/her presence, the core of his/her own reality, s/he also makes changes to reality around him/her, changing the ontological state of not only him/herself but also reality as s/he interacts and understands it.

Planetary magic experiment update

I finished the last of the drawings. The one pictured above is Neptune's. Once I finished the drawings I did consecrations on each of them which involved asking them how I could work with them as well as asking for them to imbue the drawings with the requisite planetary energies.

Since doing that I've employed particular planets for particular tasks. For example, I've utilized Saturn to help me end a business relationship (so far so good). The other day I worked with Mars, asking to be kept on track while working on projects and found myself very focused, with very few distractions. On Friday I worked with Venus and Jupiter in terms of setting up the energy of the day to enjoy love and wealth respectively. I worked with Uranus to promote creativity.

In each case I noticed that after picking a theme or themes for the day via the planets that the energy of the day shifted to fit the planetary energy being worked with. It's something I'll continue to work with, but I'm rather pleased with how this experiment has worked out so far.

Book Review Financial Sorcery by Jason Miller

This is a practical guide to wealth magic, and just as importantly mundane measures a person can take to grow and sustain his/her monetary wealth. What I like best is how Jason Miller mixes magic with practical advice and shows why mundane measures must be employed along with magical efforts to succeed in wealth magic. He presents a variety of ideas on topics ranging from money management and investments to finding a job and getting a promotion to running your own business. I also like that he includes suggested reading with other books you can read to improve your financial knowledge. This is definitely a book you want to read if you are looking to employ wealth magic in your life.

The Magic List

Recently my wife introduced me to the show My name is Earl. It's a hilarious show with an interesting premise about Karma and lists. On a side note I am glad I discovered this show now, as opposed to a few years back, as I can happily indulge in bad accents, which this show definitely provokes.

But what has interested me most is the concept of the list, and Karma holding the main character to fulfilling the list. The character needs to make up for all the bad things he's done so he can live a good life. It's simplistic in a way and the character's choice to do it is based more on a selfish desire than a genuine wish to make up for harm done, but he changes as time goes on.

I don't necessarily think I'd go and create a list of every bad thing I've done, but I do think there's some truth to the notion that how you live your life creates what comes into your life. For a long time I lived a very chaotic life. Some of that was due to circumstances I had no control over initially, and some of it was due to my own choices. I wouldn't say it was a bad life, but it was chaotic and as such I encountered a lot of chaos as well. Then eight or so years ago I started doing internal work such as the elemental balancing ritual and meditation to work through the internal chaos. And as I did this work, I gradually found that my life started to change. Less chaos, more stability, and more realization of the impact my actions had on others and myself.

Continuing to do this work even now has shown me that it is possible to change your life, but to truly change you must be willing to examine in depth and take responsibility for your choices and the consequences of those choices. I am not an enlightened person and I have definitely made my share of bad choices and mistakes and hurt some people along the way. I'd never deny any of that, for the denial of such things denies an essential part of my life and identity. But even as I don't deny my choices, I also don't deny that I've made some good choices and had some positive impact on others through those choices. Most important however is the continued work to recognize and release myself from reaction so that I can make choices from a well-considered, conscious place of mind, body, and spirit.

A magic list might just be what some people need to change their lives, but genuine change must occur at the core of the person, through a realization of what the person can become, as opposed to some nebulous force that holds you accountable to change. If changed is prompted by an external force is it really genuine? Only if that change brings with it a realization on your own part of a desire to change yourself because you recognize a need to be responsible to yourself and others for your actions. Transformation starts from within and manifests outward in the way you live your life and in what kinds of situations you encounter as a result of your actions.

I can't say I'm a good person. Then again it's not necessarily my desire to be "good." (whatever that is). I can say, more and more, that I am a person of my own conscious choices and that I am content to live with the consequences of those choices, even when those consequences aren't favorable. I couldn't have said that 8 years ago. It's the conscious choices you make, both internally and externally, that speak to your identity and its expression on the world. You don't need a magic list or Karma for that...but what you do need is a willingness to hold yourself accountable and make your choices based on values you have chosen as opposed to ones provided to you by someone else. Move beyond your reactions...embody the life you want to live, based on the values you've chosen. That's magic...living life on your terms.

Charity special for Round 2 of the Process of Magic

For this week until Saturday the 18th, if you sign up for the Process of Magic class, I will donate half of your sign-up fee to Stepping Stones, which is a charity that helps Nigerian children accused of being Witches to reintegrate into their lives, as well as providing education, clothing, and other services to those children. This is a charity I support each time I do this class as a way of helping people who've been accused of being something they are not, being driven out, and/or killed as a result.

You get the satisfaction of helping some people in need, plus the opportunity to take a class that examines magic from a process oriented perspective. Below is an outline of the course:

Lesson 1: An overview of the process of magic

Lesson 2: You and Definitions of Magic

Lesson 3: Results, Change, and their respective roles in magic

Lesson 4: The anatomy of the process of magic

Lesson 5: Culture, Ethics and Ideology

Lesson 6: What isn't essential to the process of magic

Lesson 7: Connection and its role in the magical process

Lesson 8: Intention, Attention, and Magic

Lesson 9: Inhibitory Actions and Magic

Lesson 10: Excitatory Actions and Magic

Lesson 11: Internal Work

Lesson 12: Spiritual allies and the magical process

Lesson 13: Invocation 1

Lesson 14: Invocation 2

Lesson 15: Evocation 1

Lesson 16: Evocation 2

Lesson 17: Divination

Lesson 18: Enchantment

Lesson 19: Astral Projection

Lesson 20: Banishing

Lesson 21: Attunement with the land

Lesson 22: The Role of Limitation in the Process of Magic

Lesson 23: The role of Transformation in the Process of Magic

Lesson 24: The role of Mundane actions in the Process of Magic and What is your process of Magic?

The reality of overnight success in magic

R. J. Stewart, in Sphere of Art 2 notes: "It takes a long time to make something happen instantly by magic." I smiled when I read that, because it reminded me of what's said about overnight success, but also because it's true about magic. Magic doesn't just happen. There is a level of preparation and work that goes into a magical working that is important to consider. And even beyond there is also all the other experiences and training a person has which informs his/her approach to magic. It takes a long time to make something happen instantly speaks really to the experience of the magician, and the realization that even a unplanned, on the spot act of magic nonetheless has a history behind it that informs what's happening.

Experiences are the core building block for a magician. Reading books and understanding the principles of magic are important, but experiences are how you make magic your own and how you really come to know it. You can't know something you've experienced it...until it becomes a part of you and your outlook on the world. It's that knowing which allows you to express it in the world, and in yourself. And through that knowing magic can instantly happen because you've invested the time and experience into the magical work you do.

Book Review: After the Honeymoon by Daniel Wile

This is a must read book for anyone who is married or is in a serious relationships and wants to learn how to use conflict to improve your relationship. The skills in this books can also be applied to friendships, and business relationships. What I like about this book is that the author really explores the anatomy of conflicts, and how it shows up. He provides case studies and examples. Best of all, following the advice in the book works. You can turn conflict into a conversation that really gets to the heart of the issues being expressed in the conflict.

Media page is now up and Process of Magic Round 2 starts today!

First off, I've created a media page which has links to radio shows where I've been interviewed. It doesn't have every radio show I've been interviewed on, but it has a decent number. I'll add more as time goes on, as well as any events where I'm videoed and its accessible to others.

Secondly, the Second Round of the Process of Magic class starts up today. If you missed out on the first round and you wanted to take the class, now's the time. Or if you have questions about the class and want to know what's involved, contact me. I'm looking forward to working with the second round of students!

A word about copyright

I got a Google alert recently that showed that one of my books was available for free download on a site. I checked it out. I never put the book on that site and my publisher didn't either. So I sent them a DMCA takedown notice. Hopefully that will resolve the problem, at least temporarily. It's a good thing that I had an alert in place, because I doubt I'd find out otherwise. When I posted about this on some social networks, one person asked why I was concerned.

I'm concerned because I'm the author of that book. I spent who knows how many hours researching, experimenting, writing, and revising that book. And honestly, I'm not going to get a lot of compensation for the book. I'm writing for a niche audience within a niche audience. I get royalties and if I'm selling the book directly, I might make a bit more money then if the book is sold through Amazon or a bookstore, but either way I'm still not making a lot. But you know what? I want to be compensated for my hard work and effort. I want to get paid, even if its not a lot, for the writing I've done. I don't think that's unreasonable.

I know...some people will say: "Information wants to be free!" It's amazing how they have ascribed a desire to information, but as far as I know information doesn't give a flying fig about whether its free or not. Me, on the other hand...I care about the information I've compiled and written and put together and since I consider it to be my information, I can safely it doesn't want to be free. If it wants anything, it wants proper respect given to it and to the labors of someone who's worked to produce it.

I don't have a problem with Fair Use or a person quoting me (I do like proper attribution though!). I don't have a problem with a person writing about his/her experiences with my ideas and techniques. But I do have a problem when I see a site that offers a free download of my writing. My effort, my creation, my books deserve more respect. And its that same respect that I give every time I buy a book, quote and cite it, and for that matter review it, so others can get my take on it. That's why it concerns me...that's why it matters.

Artistic Tools and magical transformation

In a recent post I briefly discussed how artistic tools bring a practical element that goes beyond their symbolic representation in magical work. I favor using my paintbrush as a magical tool, or a colored pencil, or anything else along those lines, because there is a level of practical application that goes beyond the symbolic representation that the brush can represent.

In fact what appeals the most to me is that the practical application of a paintbrush involves transformation. A blank canvas is transformed by the very brush stroke that leaves a mark, a manifestation of the concept being painted. The same applies to pens, pencils, clay, and any other artistic tool you can think of. The tool is used to change something. This appeals to me, in terms of using magical tools because its not just a symbolic act, but an actual action you can take.

Of course there is some symbolism associated with the artistic tools. For example, I think of my brush as symbolically representing a wand and all the attributes associated with the wand. But the practical aspect appeals because it moves a tool to a level of expression that exemplifies and carries out the magical act of transformation. You don't get that same experience with more traditional tools, and given that experience is a crucial part of magical work, shouldn't we draw on whatever resources allow us to embody it?

Round 2 of the Process of Magic class goes live in a week

In just a week the second round of the Process of Magic class will go live! You'll get 24 lessons for $80. I was just given this testimonial by one the of the people taking the first round of this course:

Taylor Ellwood's Process of Magic Class is a delightful and much needed breathe of Fresh Air. Unlike so many other Magic classes it offers new and provocative ideas that are well presented. The class has no bias. It informs the neophyte and the seasoned.  This is not Magic of the Month; this is a Magical method that informs and inspires new thinking.  Highly recommended! --BW

If you'd like to learn more about the class, contact me, and I'll send you the welcome packet!

An intriguing definition of magic

In Living Magical Arts, R.J. Stewart offers the following definition about magic: "Magic is a set of methods arranging awareness according to patterns" Its an interesting definition of magic because it acknowledges that there is kind of symmetry to magical work that can be found through the creation or apprehension of patterns. When we consider magical techniques from this definition, what is clear is that the techniques are used to create a specific way to relate to the universe. Magic, in that sense, can be considered a methodology for relating to the universe by arranging pattens via techniques that produce changes in reality.

Why I find this definition intriguing is because its an elegant way to consider how magic works, and depicts the way it works in terms of recognizing how a pattern can change through manipulation. It's not necessarily a better definition than other ones out there, but its a definition that cuts to the heart of what magic does and how it works, and that is not something easily found in most definitions. That kind of clarity is what is needed when discussing magic and the practice of it. I like it a lot and although its not necessarily my definition of magic, it makes sense and its one I'd favor over others.

Inner Transformation

In Magical Identity, I discussed at length the importance of internal work to the magical process, and to creating an empowered identity for the magician. I also noted that at least in Western Magic there seemed to be a tendency to gloss over the internal work in favor of achieving practical results. Or on the opposite end, the focus would be on a model such as the Tree of Life, but with little focus on doing internal work. I've found a couple of exceptions, and one of those is R. J. Stewart's work. Actually reading him, in some ways, is like reading William G Gray's work, which makes sense when you consider that Gray was one of Stewart's mentors. But I think the difference I see is a much more articulate focus on internal work.

In Living Magical Arts, Stewart discusses the following about transformation: "Magic begins by changing yourself, but eventually it changes the whole world if enough selves partake of it." He goes onto to note the following about magical symbols (which would includes physical tools such as your cup, rod, sword, wand, etc.: "The main, indeed the only, real function of magical symbols is to transform the magician." This is where he reminds me of William Gray, especially in Magical Ritual Methods, because Gray discusses at length that for the magician to master a tool, s/he ultimately needs to make it part of his/her consciousness.

Now on an aside, one of the reasons I favor a paintbrush as a magical tool is because there is a level or practical work that can be done with it that goes beyond being a symbol. A paintbrush or pen for that matter is a more potent tool and symbol precisely because it offers a level of transformation that goes beyond the symbolic. There is something very magical about touching a pen on paper or a brush on canvas and consequently transforming something into something else. In fact, there's a level of internal work that occurs in such artistic expressions (more on that in a later post).

But getting back to the original topic, I think that magic becomes truly effective when you understand that it fundamentally involves change through intentional transformation, and when you also realize that the most effective magic works by changing the internal reality of the magician first, and then changing the environment around him/her. Results based magic that doesn't factor in the needed internal work is typically reactive magic, done more as a reaction to a problem and as an attempt to solve said problem. Results obtained through a reactive approach to magic don't last long. The magician will sabotage him/herself because some part of his/her internal reality doesn't agree with the obtained result.

To truly understand transformation and change, you must be willing to shape yourself as well as shape the environment around you. It might even be argued that you need to be willing to be shaped by the magic, in order to truly benefit from it. Fundamentally what is being asked is: "Are you truly ready and willing to handle the responsibility of changing your reality?" You can only answer yes when you've done the internal work that allows you to critically examine your place in the universe and willingly change that place by changing your internal reality. Place, or space isn't just a physical placement...it is a metaphysical, emotional, and mental place as well. It is the embodiment of your relationship with the universe. To change your place, work from within, and let it manifest without.

In the majority of the magical work I currently do the focus is on embodying the magic, starting from within, or bringing the desired possibility into my space, and choosing to become it and letting it move me accordingly. Genuine transformation is the understanding that you are moved by the magic and by your own commitment to doing the necessary internal work that paves the way to the new expression of reality that expresses your connection with the universe and the space you embody.

The influence of Cut-up on my magical work

Reading over some of the bibliographic articles in thee Psychick Bible reminded me of my own history with the cut-up technique that William S. Burroughs and Brion Gysin developed. In the spring of 1998, I had the fortune to take an English literature class that focused on the works of William S. Burroughs. The professor was one of those rare academics who was willing to take risks and offer something different from the standard fare you'd typically find in colleges. That course introduced me to William S. Burroughs and his writings, and changed my life. In Burroughs, especially his later works, I found an author I could identify with. Throughout his works were allusions to esotericism, and how to incorporate magic into writing, and how writing could shape space and time...and of course the cut-up technique. Ironically, I took the course because I wasn't sure what else to take, but taking it challenged me to look at writing and literature in a different way than I ever had, and it was ideal for a young occultist that was just beginning to explore magic from an experimental perspective.

When I think of the cut-up technique, I think of cutting up magazines and newspapers and my own writing and then gluing it altogether in my room, and later taking it and transcribing it to some story I was writing, while listening to the spoken word of William S. Burroughs, his dry crackling voice gleefully describing alien situations, weird sex, and evil old men out to conquer death. That was my first real work with cut-up and it was something I continuously experimented with over the period of about 4 or 5 years. I still do an annual collage or two each year (you can see one of the 2012 ones in this post).

I later began experimenting with cut-up via magical work more directly, actually using the altered state of consciousness to do an automatic cut-up sigil in the style of Austin Osman Spare's sigil work. These cut-up sigils were used for a variety of purposes including the two evocations I mentioned in my recent post about magic and proof. I found this approach to be highly effect because it literally involved a rewrite of reality. First I'd cut-up the conventional reality that had already been created, and then reform it into my own collage message to the universe, complete with a reformatted space and time. The universe has always been kind enough to respond and its a technique I use to this day.

What fascinates me the most about cut-up is how it can be adapted to a wide variety of mediums outside of writing. Art, sound, and video all offer potential explorations of cut-up, some of which have already been experimented with by various people. Cut-up is a mutable technique, a mutable form, and inspires mutation in general. It's flexibility, in terms of mediums, makes it ideal as a magical technique because its not restricted to a specific way to do it.

Here's to William S. Burroughs and Brion Gysin for offering a new perspective on writing and in the process offering so much more!

Round 2 of the Process of Magic Class

Round 2 of the Process of Magic class is starting up Wednesday August 8th.

Magic is a process. Regardless of what magical type of magical working you do, you are using a process to shape and define reality as well as yourself. In this 24 lesson class, we will explore what the process of magic is and how it applies to your magical work. The end result will be a dynamic reshaping of your magical practice into a personalized system that you will be able to use to consistently generate results for the betterment of your life. You will learn:

• How to develop your own definition of magic and why its important to have your own definition.
• Explore a process oriented approach to magical practices, that will help you optimize their usage in your life.
• How to personalize your magical system to improve its efficacy in your life.
• Why its important to do internal work and how that internal work can help you improve your magical work.

The Process of Magic course focuses on what really matters: Learning how to use magic to proactively improve your life. This course will teach you a different perspective and approach to magic that will help you evaluate it and apply it to improve the quality of your life.

I'm offering the Process of Magic class for $80. If you are interested in taking it, please contact me. Below is an outline of the course:

Lesson 1: An overview of the process of magic

Lesson 2: You and Definitions of Magic

Lesson 3: Results, Change, and their respective roles in magic

Lesson 4: The anatomy of the process of magic

Lesson 5: Culture, Ethics and Ideology

Lesson 6: What isn't essential to the process of magic

Lesson 7: Connection and its role in the magical process

Lesson 8: Intention, Attention, and Magic

Lesson 9: Inhibitory Actions and Magic

Lesson 10: Excitatory Actions and Magic

Lesson 11: Internal Work

Lesson 12: Spiritual allies and the magical process

Lesson 13: Invocation 1

Lesson 14: Invocation 2

Lesson 15: Evocation 1

Lesson 16: Evocation 2

Lesson 17: Divination

Lesson 18: Enchantment

Lesson 19: Astral Projection

Lesson 20: Banishing

Lesson 21: Attunement with the land

Lesson 22: The Role of Limitation in the Process of Magic

Lesson 23: The role of Mundane actions in the Process of Magic

Lesson 24: Final project: What is your process of magic?

Lesson 1: An overview of the process of magic

Lesson 2: You and Definitions of Magic

Lesson 3: Results, Change, and their respective roles in magic

Lesson 4: The anatomy of the process of magic

Lesson 5: Culture, Ethics and Ideology

Lesson 6: What isn't essential to the process of magic

Lesson 7: Connection and its role in the magical process

Lesson 8: Intention, Attention, and Magic

Lesson 9: Inhibitory Actions and Magic

Lesson 10: Excitatory Actions and Magic

Lesson 11: Internal Work

Lesson 12: Spiritual allies and the magical process

Lesson 13: Invocation 1

Lesson 14: Invocation 2

Lesson 15: Evocation 1

Lesson 16: Evocation 2

Lesson 17: Divination

Lesson 18: Enchantment

Lesson 19: Astral Projection

Lesson 20: Banishing

Lesson 21: Attunement with the land

Lesson 22: The Role of Limitation in the Process of Magic

Lesson 23: The role of Mundane actions in the Process of Magic

Lesson 24: Final project: What is your process of magic?

Why should you take this class?

If you’re looking for a different perspective on magic that explores the underlying principles of how magic works, instead of focusing on the tools, ceremonies, and other optional features, this class is for you. I approach magic unconventionally and explore what really makes it work. If you’re feeling frustrated with your magical work, or just want a challenge and change in how you practice magic, take my course, and explore the process of magic.

Contact me to learn more.

Elemental Balancing Ritual Fire Month 9

6-28-12 The last weekend has been a whirlwind of activity with a dear friend ending up in the hospital and us possibly losing a cat, because he managed to get outside and and panicked. Yet through all of that I've been thinking about my tendency to be a hot head at times or maybe its better to word it as impulsive. I've tempered it some over the years, but there's no denying that there is still and likely always will be some degree of impulsiveness in my choices and temperament. I don't think this is really any different from any other person, but I think being more consciously aware of it allows me to see how such impulsiveness really sabotages my own interests and efforts. It's something that doesn't sit well with me, because I know that letting the moment define my actions is the exact opposite of what I want to do. I want to define the moment and doing that, in part, really involves reining that impulsiveness in. 6-30-12 The cat is back. I actually did an experiment where I invoked myself into him. I've done invocations into people before, but doing it into an animal is different. I directed him home and even showed him where to show up, outside our bedroom window. Late last night there he was calling for us to get him back in doors.

7-8-12 A couple of thoughts have been on my mind. The first has been on the impulsiveness. I don't know if impulsiveness is associated with fire, but if it isn't for most people, for the purposes of this moment, it is for me. When I look at impulsiveness in my life, I don't just see it in regards to my temper, but in regards to a lot of other decisions. My relationship history springs to mind...moving 2/3rds of the way across the states comes to mind. Other things come to mind. And I don't think impulsiveness is necessarily bad. It's gotten me into some bad situations, but also gotten me into some good ones. But I don't like hindsight telling me what I might've realized if I'd just put some distance between myself and some of the choices I've made. Looking back tells me a lot though, enough to temper that impulsiveness and to recognize it for what it is, in present situations.

The other thought is on being valued and it came up in relationship to impulsiveness specifically because in thinking about choices I'd made, one realization I gradually had was that the people in my life, the important people, family, lovers, friends...defining their importance involved realizing something significant. If someone is important to me, its because that person has chosen to make me just as important. If I'm not a priority in a person's life or a low priority then chances are I'll move on...it's better than being low person on the totem pool consistently. Impulsiveness doesn't lend itself to that realization, but stick around long enough or just pay close attention and you'll realize if you're important or not important. What a person says and how the person acts will speak loudly to where you fit in that person's life. I say that with awareness that I've been the person on all sides of the equation when it comes to priority and value, which is a reason I'm more selective about people. If I'm going to let you in, then I've chosen to make you important, and if you let me in, you've done the same.

7-16-12 I'm in Canada right now, visiting in-laws and soaking in the area. I've also been reading more of Draja Mickaharic's works. It fascinates me to read books that draw on a more traditional approach to magic, right down to the use of specific herbs and other components. I don't doubt it works either, having done the occasional component laden spell back in the day. It's just not something I've felt to be necessary, whereas in his writing, its clear he does. It makes me wonder how much the tool defines the practice, versus the magician.

In other news I've been thinking about this year long work with fire and how so much of it has been defined by the attributes associated with fire, as opposed to dealing directly with fire in and of itself. I think with work like this what you end up dealing with are two factors. One factor is the cultural associations with a given element, and the second factor is your own issues with the element. In my case, I've definitely encountered both factors in this work and at the same time realized that there is so much more to be worked with, when it comes to a given element. That's why some of my work also focuses on fire as a physical force, especially observing it in action. There's a lot you can learn from observing a physical elemental force at work that can help you move beyond the cultural and personal filters that may come up. In my case observing fire as it cooks a meal or as it destroys a piece of paper makes quite an impression in terms of the physical force of fire. It doesn't so much destroy as it changes, though the change might be inimical to life. In anycase, its a recognition that there's so much than what is usually focused on. Its easy to focus on associations and attributions, but what about looking at the physical changes?

7-19-12 Had a nightmare last night. I was attending a college for a degree and was living with three other people. The college I attended didn't have a neopagan college group or many other people who practiced magic. The roommates were upset I practiced and I was dragged up before the school board to discuss the matter. It gets resolved because another person volunteers to let me live in his room. He doesn't care about what I believe as I long as I respect his life style choices. A resolution of sorts, but it's also a reminder of all the times I've had to deal with people who have decided to stick their noses into my life and try and dictate what I should believe or practice. Such people may claim they are trying to "save" me or something else along those lines, but in reality they are just doing it to deal with their own insecurities and what they don't like is that I've chosen my path and they want to dissuade me from it. They might even feel that they are doing my audience a favor, all of you readers of the blog and my books, but really, they aren't. I figure, in the end, it is the responsibility of all my readers to choose what they will or won't apply from my writing. The writing, after all, is just my opinion and experiences. What you derive from it is your responsibility and your choice.

7-22-12 Coming back home is always an experience. Portland and really the state of Oregon is home for me. There is no other place I've ever felt so connected to, or so at rest in. Traveling in the state is different from traveling out of it. Even n the Far Eastern parts or Oregon I've felt just as at home as I do in PDX, whereas leaving the state always brings an awareness that I've left home. And when I come back, I feel the energy of this land reach up and take me back into its fold. It has claimed me as much as I have claimed it.

7-25-12 Re-connected with the college professor who taught the Burroughs class. It's so rare for me to try and make a connection with the past that I'm actually rather pleased I have in this case. There is a difference found in connecting with someone after years have passed as well. You've both changed and consequently how you interact with each other changes as well. In other news I've been implementing some exercises from a book called Positive Intelligence. It's been useful for examining and shorting out specific behaviors I've noted earlier in this entry. More on it next month.