Building up sexual energy in Sex magic

When you read most books on Western sex magic, one of the discoveries you make is that there's a lot of focus on polarities, with a belief that men embody the active principle and women embody the passive principle. In other words, the women are supposed to lay there passively, while the man generates and directs the sex magical activity. Personally, I don't really buy into polarity model or the belief that a man has to be the active principle and the woman has to be the passive principle. But something I've experimented with has involved being the passive partner...not even so much in terms of physical activity but rather in terms of supplying the sexual energy that is then directed by my partner. But the word passive is actually misleading, because I'm still playing an active part...it's just that I'm not directing the energy toward the goal we've decided to focus on. So what is my role then in sex magic?

I use Taoist breathing techniques, while I'm having sex. I use the breathing techniques as a method for circulating my internal awareness, chi, energy, etc. So when I'm doing sex magic, I'm basically circulating the energy between myself and my partner, building it up again and again as I continue the breathing and other activities. She takes the built up energy and focuses it on the goal. She's in the director's role, if you will, but my own role is far from passive...I'm not directing the energy, but I build it up, so it can then be directed by my partner.

In my approach I suppose both people (or more) are engaged in some activity. There's no real polarity at work. If anything, it moves past such labels as male or female into a place where what matters is what each person is doing with the sexual energy. There's collaboration involved, really, because each person needs to know what the other(s) are doing, in order to play his/her part effectively. And this approach, this attitude, this perspective works well for me. We do the sex magic, we get the ball rolling and life changes.

Magic Experiments Radio show re-started

I've re-started the magical experiments radio show. In this show I discuss process and magic with my occasional co-host and magical partner Kat. I'll be doing these radio shows about once every 2 weeks, so keep an ear out for them.

Book Review: The Secret Pulse of Time by Stefan Klein

The Secret Pulse of Time is a very interesting book that looks at time from a number of angles, most notably cultural and neuroscience angles. I found it to be a refreshing read because it didn't focus on the conventional approach, which is usually physics, but actually delved into other disciplines and there take on time. The author also provided some excellent examples to back up what he was discussing. I found some of his thoughts on information overload particularly relevant, especially with the advent of social media. I highly recommend this book.

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Some thoughts on Giving in magic

Recently I posted the following message to my Facebook and Twitter accounts

What are you willing to give in order to get what you want? There's always some giving involved in magic.

I received some interesting responses to it, ranging from the argument that sacrifice isn't a necessary part of every magical act to the idea of sacrificing unwanted ego complexes to the idea of swapping energy for energy. All of these were good responses and what I appreciated the most was the thoughtfulness that went into the responses.

My own take on what I wrote, with more of an explanation than 140 characters, is that within every act of magic the magician needs to give something in order to make the magic work. And what does that really mean? Magic doesn't happen by itself. The magician at the very least needs to provide a goal and/or vision with an accompanying action. There is always a purpose for doing magic, and the magician supplies that purpose via the goal or vision, as well as with some kind of action taken.

The action also can't be nebulous so the magician needs to provide some kind of structure in which that action takes place. The environment of ritual space for example may need to be constructed, or there may be a need to pick certain ritual tools that will be used, but even more important than all of that is actually determining what you will do, both magically and mundanely. And all of that is also an act of giving, because magic doesn't take place if you don't provide some form or process by which it can actually be worked.

And then there's the final point on giving, which will probably show something of of a less than contemporary attitude on my part to giving. If you choose to work with some external agency, what are you willing to give to it, in return for its aid? I know it's popular to believe any entity is just some kind of psychological construct, but personally I tend to think there's more to an entity than that. So when I work with an entity, I ask myself what I'm willing to provide. I don't see it as a sacrifice either, so much as an exchange of some kind. I want something, and I recognize I could use some help, so I go get that help and I offer something in return.

For some people, taking the psychological approach with entities seems to work, and perhaps in the end it,s all in my head, but I've found that erring toward my own conventions on giving and magic has worked really well. So it's part of my process.

What are your thoughts? Anything I'm missing or that you would add?

Process instead of results

For many magicians, my work still falls into the category of chaos magic, and so to them I am a chaote. I, on the other hand, disagree, because while there are certainly elements of chaos magic I draw on, I also utilize a wide variety of other systems. To which one might say, "Wait a minute Taylor isn't chaos magic all about taking different systems of magic and mashing them together and using what works to get achievable and demonstrative results?" Yes it is, and there's a very distinct difference from my own approach, because while I acknowledge that results are important, my focus is on process, specifically understanding how what I'm doing works and how to refine and improve it. Process is key to truly understanding magic. Results are just road signs showing you the way, but process is how you get there. Without understanding process all you have is push-button magic. You may get results, but just achieving results isn't enough. Process is how you refine and define those results. Process is how you experiment, instead of just doing magic. When you know your process you can change it, test it, develop it further. So while my work may seem similar to chaos magic, it's really not, because it's mainly about process, and less about results.

An audience with the Spider Goddess of Time

Today I decided to do a working with the Spider Goddess of Time. I've been working with the other entities for the element of Time, but hadn't contacted her since the first night I switched over to the element of time. I opened my memory box and used it to surf the silver web of time, to the center, which is where the Spider Goddess resides. Once there, she showed me a technique I could use to examine the weaving of the strands of time that connect me to different people, situations, etc., and how I could then edit the strands accordingly. I decided to then work with this technique, by looking at two different people I'm connected to and editing the strands of time. In one case it's editing the strands to factor in a change of relationship, so that the person will be more accepting of those changes, because the strands that previously supported a specific type of relationship aren't in place anymore to continue supporting it, due to changing circumstances in both our lives.

The other case was doing a working the strands of time for a friend dealing with some medical issues. In this case, the editing focused on editing out the cause of the medical issues, removing them from that person's timeline, as it were, so that they would no longer be an issue. I figure if there's no longer a temporal anchor for the cause of the medical issue, then the medical issue will no longer exist.

Since I did this just today, I don't know for sure if it's worked, but I'm fairly sure I'll know soon enough and I will be doing some more work with this technique, to experiment with and refine it.

Time as a commodity

I've been reading the Secret Pulse of Time by Stefan Klein lately and in it he talks about how the Western concept of time used to be event based until the first clock was put on a Church belltower back in the 14th century. Later on time became even more regulated in the 19th century. And all of this, according to him, has led to an approach toward treating time as a commodity. I would agree, especially when phrases such as "Time is money" are offered as a way of justifying how people approach time. The other point Stefan makes is that people try to pack in as much as possible in as little time as possible, because of this commodity based approach. In fact, the focus tends to be on what someone has gotten done in a given day as opposed to actually slowing down and enjoying the day. This isn't surprising, when we think about how much information is available and how much demand that puts on a given person to process the information, as well as do something with it.

Stefan doesn't really present any clear solutions to this issue, but in my own experience I've found that being selective about the information I focus on helps. This is why I don't have Cable television or satellite, or get newspapers or have social media on my mobile phone. The flow of information is regulated by specific boundaries I have in place to make that information manageable. I've found that regulating the information hasn't significantly hurt my ability to keep up with what's going on, but has lead to lower stress, because I'm not constantly trying to process energy.

The other thing I do is meditate each day, and part of that is to simply re-balance my mental landscape, but also to give myself down time from the information so that I can process and consider it's importance. I find that doing such work not only helps me greatly, but also enhances the level of interaction, because I have more focus than I would if I'm constantly bombarded by information or worried about how much time I don't have. In fact, meditation has taught me to slow down and not be in such a hurry with my life. I realize I'll never get everything in a given day and instead of stressing about it, I do what I can and also spend time enjoying my life. Time then becomes less of a commodity and more of a cycle, going back to an event based approach to it, instead of counting the seconds and trying to do everything at once.

Why I'm offering classes

I was asked today if I have a group of experimental magicians I work with at this point. I told the person that's what my classes are for, and that's pretty much the case. I have, at several different periods of time, had groups of people I worked with, but at this point in time I've decided to offer classes, because I've found that most of those groups ended up turning into classes anyway. It's easier for me to offer classes on specific subjects people might want to learn about and go more in-depth with those classes, while also creating opportunities for people to experiment and get some feedback. The additional benefit is that people that aren't local to where I'm at, can still get the opportunity to work with me, if they want to.

At the same time I'm offering these classes because I'm trying to bring a bit of extra income on the side of my other business. I feel that the uniqueness of what I offer and the opportunity to get feedback is worth the cost of the class. I'm not planning on doing any more experimental groups per se, so much as continue to offer these classes, which could be seen as TAZ experimental labs. And that is why I'm offering classes.

Cells and Time

Today I did another meditation with the cells of my body for purposes of developing a better understanding of how they interface with time. The understanding I got from my interaction was that time was a cyclical indicator of not only their activities, but also lifespan. The internal clock they have, when functioning correctly regulates the lifespan and keeps the body communicating and working together. I got the sense that cancer, when it occurred, seemed to occur partially because the time function of the cell was no longer calibrated with the rest of the body. So it seems that time, as cells experience it, is essential for regulating and synchronizing the communication between cells and keeping the body functioning. It's a schedule keeper and regulator, which suggests that tampering with it could lead to unpleasant consequences. I'll be continuing further work in this area, and as always I find it fascinating to plumb the depths of the body and how it interacts.

Update on Laban and Space/Time Cellular work

I've been continuing to integrate Laban into my morning meditation/workout. I've mastered all the basic stretches and I'm now incorporating the dimensional movements into what I'm doing. I'm noticing subtle differences in my awareness of my body and how I move. My core is getting strengthened and my sense of balance is improving as a result. I've also found that Laban has helped me hit some useful meditation states, in terms of connecting with the consciousness of my body on the level of the body. However, I've also found it useful to continue pursuing my work with time and the body on the cellular level, with my meditations. Instead of trying to create a unified body consciousness with this approach, I've focused on simply interacting with each cell as its own consciousness, but also focused on working with the way they communicate with each other, with an emphasis focused on the cell's own sense of time (cells have their own internal clocks, which actually integrate into the overall sense of biological time). I've used this work to synchronize the internal time of the cells, thus far. There's more to be done, but that's where I'm at.

Changes to the website

You may have noticed that over the last month I've changed the Magical Experiments blog into the the Magical Experiments website. These changes have partially arisen due to changing life circumstances and also because I'm getting more active again in my magical work. I've changed the wordpress theme for the site, to reflect these changes. I'm now offering Tarot readings. I use the Elemental Hexagon Deck, which uses the periodic table.Check out the page on Tarot readings to learn more.

I'm also offering tele-classes. The first one will be on Inner Alchemy and is an eight week course where I'll be teaching some of the methods and practices I've developed for doing internal work, as well as also teaching some Taoist breathing practices. To learn more about this class visit the classes pages.

I'm excited about the future of my own practices. Work continues apace on the new book, and I've also got a few other projects I'll be revealing at some point. I thank all of you for your support.

Review of Malice by Chris Wooding

I was intrigued with the title and layout of this book from the start, but once I started reading it, I couldn't stop turning the pages to find out what would happen. The inclusion of the comics format also really enhanced the story and drew me in further. I'm really impressed with this author's work. while it's written for young teens, adults who enjoy fantasy and SF will also like reading it. I'm already looking forward to the next book and enthusiastically recommend this one to anyone who wants to read an engrossing story.

Pop culture magic working with Stingray Sam

My dear friend Bill recently introduced me to a movie called Stingray Sam, which is the story of a space cowboy who has to fulfill a mission in order to finish paying off his debt to society. The theme song of the movie is: "Stingray Sam is not a hero, but he does do the things that folks don't do that need to be done. He's got a bravery inside, that won't let him run away, will not let him run!"

I found this song to be very evocative and also found that I really liked the character of Stingray Sam. There was a strong resonance with this character, who isn't necessarily a hero, but is someone who will do the things that other folks won't do. I recognized that he could be a really useful influence for me to draw on, when it came to doing things in my business that I didn't want to do, but knew needed to be done.

Not only would Stingray Sam motivate me to do those things that need to be done, but he would also insist I do them when I didn't want to. At the same time, Stingray Sam has a natural charisma and friendliness that I could draw on with my interactions with people, a kind of integrity that would make those people feel comfortable, without feeling like I was imposing on them.

Recently, I got flyers for my business and have been hitting the streets with them. In my mind, I played the Stingray Sam as I walked around handing out flyers, drawing on his influence to help me be comfortable with something I normally wouldn't do, but also so I could draw on his personality traits, in my interactions with other people. I even adapted my accent to his accent, so that I sounded like him. I noticed that throughout the time I did this, I felt very happy and comfortable. It was rather interesting, and quite useful as well.

I would note that Stingray Sam is most effective when you are doing activities you normally would not do that need to be done, or doing activities that other people don't do that need to be done. I definitely felt an instant connection to this pop culture entity, and would highly recommend to others that you watch the movie, if you want to work with the entity.

Curiousity is my main motivation for magic

I just got God of War 3 for the playstation. I haven't played it yet. I've been busy watching the two commentary films about god of war. Why? Because what always interests me about a game, book, experiment, etc.,  is what goes into the creation of it. God of War is so fascinating to me, because it's a modern retelling and reinvention of Greek myth, but it's also the technology and the explanations for the game design and why certain features were chosen that also interests me. I like understanding the process that informs the result, and feel that you can't really appreciate the result or understand it, if you don't understand the process that achieved the result. So I'm curious about process, and that's what motivates not only my interest in a game, but also my interest in magic. It's not enough to get a result. You have to understand the process, and to do that you have to be curious about the process and the elements that comprise it. I love learning about so many seemingly unrelated topics, because I realize they all do connect together inevitably. To only explore one topic or focus only on the result is to ignore the fundamental connection that informs the process and evolution of any discipline or practice.

Curiosity motivates my approach to magic, because I want to learn everything I can. I know I won't learn everything, but learning and connecting what I do, does provide new ways of thinking about life, magic, and manifestation. It provides inspiration and consideration, and thus new angles reveal themselves, new patterns unfold, and I understand magic and life in a new way.

Update on Laban work

I've been doing the first set of dance stretches in the Laban book for a little while now and discovered in the process an awareness of my body and its muscles I previously lacked. It's quite an intriguing feeling and it's translated out into the dance floor in terms of some moves I've been doing that previously I wouldn't have thought of. I also have used it as part of my paratheatrical work and one of my next paratheatrical works is going to involve using excitatory work to get in touch with my body consciousness, per the suggestion of a reader of this blog. I find that Laban combines very nicely with paratheatrical work in terms of getting the body revved up, but this will a further experiment of actually using Laban to work with my body consciousness directly.

On a different note, I did take a different tact with the body work, in terms of inhibitory meditation and found that focusing just on one cell led to better results in terms of working with the consciousness of the cell and getting another possible direction I can take my time work as a result.

Why I choose to use my name publically

When I was eighteen, I was outed from the broom closet by the parents of a friend. I remember coming home and being told by my mom that I had a half hour to either burn my books or move out. I had no job, half a tank of gas, and was in high school, so I opted to burn the books, though I hid the ones I hadn't read. I remember she even made me burn my books of magic comic series just because it had the word magic in it. I also remember feeling shame for my choice and a week later telling her that if she ever made me make that choice again I would disown her. Half a year later, still eighteen, I remember getting a phone call from one of the parents of that friend. He threatened to kill me and sang hymns, telling me how I was damned to hell for my beliefs. I told him I had a crossbow bolt for him and called the police. He didn't call after the police had called him, but those two experiences helped me realize something fundamental: Hiding my beliefs wasn't the answer. By hiding my beliefs I encouraged the very ignorance those people displayed toward me. I determined that I would never hide my beliefs. I wrote my books using my name, regardless of what professional or personal consequences might occur, because I knew that it was more important to be transparent than to hide what I believe because of the ignorance and fear of others.

Fast forward to the present. I am kinky, poly, and an occultist. I'm also a self-employed business and social media consultant. If you google my name you'll find a mixture of all of these realities in the search results. I was told recently by a business mentor that several people felt the dragon on my business site was occultish. I doubt they'd actually searched my name, but I recall telling her that if they were that freaked out by the logo then they'd be even more freaked out by my beliefs.

Ironically, perhaps, I've encountered people in the business world that have told me that they also practice magic...so perhaps my openness has encouraged them to be more open as well. What I do know is this: By choosing to be open about my beliefs I feel that I'm making a statement of integrity and hopefully educating the ignorant in the process that my beliefs do not destine for hell or make me an unsuitable person in any other way, shape, or form.

I will never hide my choices or who I am, to make it convenient for someone else. If you choose not to do business with me because of my spiritual and lifestyle choices, or choose to judge me because of your own inadequacies, it's not my problem. I cannot and will not lessen myself for any person or business just to coddle their sense of reality. I'd rather people accepted me for who I am, and while in the course of my business day, I don't blatantly advertise my lifestyle choices and beliefs, if the conversation comes up I don't hide it either. Because when we choose to hide, that's when we lose.

Body consciousness experiment

Today I decided to start working with the consciousness of my body and its perception of time. My first step was to do a meditation where I got in touch with the consciousness of my body as an overarching consciousness. In other words, instead of trying to connect with just a cell, I would try to connect with my entire body's sense of consciousness. I think my approach to this was informed by being human, and the human tendency to think of consciousness as singular. I'm not sure how effective that was, in this particular case. I did start out small, with one cell, and thought that I might connect with the entire consciousness by getting the cell to communicate to other cells a consistent message. This did seem to work to some degree, as I got to a point where I had a definite impression I was in touch with what I might consider to be a body consciousness that was comprised of multiple consciousnesses that were focused on communicating together to communicate with me, but it didn't feel (for lack of better word) right. Nor was it really helpful for me, in terms of working with the sense of time. Instead what I did get was a communication of urgency, which pushed me out of trance and got me into the bathroom. I can't say the body didn't communicate, for it surely did, but I think I will take a different tack to this experiment next time. Still you can't know what will work until you try and trying this approach did help some. I just don't think it's the right approach...

Review of The Hidden Brain

Review of The Hidden Brain by Shankar Vedantam Proponents of mindfulness and conscious intent may be disappointed when they read this book and realize just how much our unconscious dictates and influences our decisions. The author isn't afraid to tackle tough issues, such as how the hidden brain influences people's thinking about racial and gender issues, as well as how the group mind can actually harm you as opposed to help you. I found this to be a fascinating read because the author presents some compelling evidence that supports his claim and shows just how much the unconscious effects everyday life and decisions. I recommend this book as a refreshing and eye-opening perspective on how we make decisions.

5 out of 5

Working with Purson part 2

This morning, after my regular meditations, I decided to do a working with Purson. In this working, we ended up discussing the limitations of the concept of time. Purson noted that time is ultimately a subjective experience, used as a way of indicating change. But time does not age us, nor does it cause a building to go back to nature or cause the sun to rise and fall. We might attribute those events to time, because time is a comfortably abstract concept that can explain all of that. the reality is that nature is responsible for these kinds of changes. Just as water and air erode a rock over time, so to does a building gradually get changed by the caress of nature. The sun doesn't even rise, so much as the Earth moves around it. And as for the human body, the biology of the body inevitably changes, so that eventually death occurs.

Yet so often is much if not all of this attributed to time, partially because we use time to measure the rate at which these changes occur, but partially because time has become a metaphor for change. Purson's point, however, is that it's important to recognize the limitations of that metaphor so that we can understand and work with the concept of time with more accuracy.

He suggested that I work with my body's sense of time more closely, specifically working with it on the cellular level so that I could understand how time works on the biological level. So I have my next experiment set out for me...how gracious Purson is!

At the same time, We discussed how the biological markers of time are what allows a person to find variants of him/herself or if you will possibilities of him/herself...which makes sense. I did such work using the DNA as a way of finding possible versions of myself.

Purson also noted that the concept of time is really useful for working with possibilities, because it lends itself to helping a perceive those possibilities and bring them into reality.

Overall an interesting session. I have some directions to move in with my time work, some of which is a continuation of previous work, but from new angles.

Tattoos as magical oaths

I was looking at the green wolf paw tattoo that I got shortly after Lupa and I got married. We're getting divorced now, but it never once occurred to me to get the tattoo removed. In fact, I intend to keep it, because it's a very significant tattoo to me, as are all my other ones. I consider my body to be the most powerful magical "tool" I have. It is a physical embodiment of my life, and a record of that living. When I get a tattoo on my body, I am placing a record of a significant even, entity, or person in my life, but also taking a magical oath in relationship to that event, entity, or person, as it pertains to my life.

My first tattoo is a red orange phoenix with my symbol on it. I got it to signify my choice to move from the East to the West, to signify a Rebirth in my life. It marks my choice to rebirth my life completely and its fair to say since moving to the West coast, I have rebirthed my life in ways I couldn't even imagine.

My second Tattoo is the Green Wolf Paw, with an L in it. It represents Lupa. I got it because I wanted to mark in my skin the permanence of my relationship with Lupa. While we're no longer romantic partners and will soon be divorced, Lupa is a significant person in my life. She will always be in my life, in some capacity just by the fact that we wrote a book together. I'm comfortable with that idea.

My third Tattoo is a Blue Dragon. The Blue Dragon represents PDX and Northern Oregon. It's a magical oath that signifies the recognition that Portland and the surrounding area is my home and a place I intend to live for the rest of my life. While I have admittedly not visited many other countries, I have been all over the US and this is the one place that has always felt like home.

My fourth Tattoo is a pair of eyes and a phrase: From 0 to 1. It represents the year of emptiness work, my connection with my highest self and my vow to recognize and appreciate emptiness, instead of trying to fill it. From 0 to 1 also signifies the choice to manifest possibility into pro-activity, instead of reactivity.

All of these tattoos are powerful for me. They are something I can't remove, because even if I did remove them, something would be left. They are a record of my life, but also oaths I've taken. I've only realized that recently in a fully conscious way, but this recognition speaks mindfully to me of the choices I've made in my life.

A meditation on love

This morning I decided to meditate on love, and more specifically on a realization I had of a pattern of getting involved with people I showed interest in over the last couple of years who, in one form or another, didn't fully return the interest. This includes people I would actually have a romantic relationship with. This pattern is a variant of a pattern I used to have where I'd only get involved with people I knew would reject me. I did a Taoist dissolving technique and used the breath to lead me to the place where I felt the physical blockage, around my heart. I sat with the blockage, letting the breath go in and out, and around the blockage, gradually loosening up the feeling of tension in my body. As the tension dissipated, I let the emotions "talk" to me, show me really what the issue is. In this case, I saw myself restraining myself to fit into what I thought other people wanted. I could see this belt across my body. It fit uncomfortable and it was being used to constrain and restrain me.

I decided to undo the belt. I pulled it out of it's clasp, and slipped it off. Immediately my body seemed to relax. And I heard," It's more important to be you than to try and fit yourself to other people's expectations. Aren't you tired of trying to be something you aren't?

Good advice. I am tired of holding myself back...not letting myself be the passionate, intense person I can be. I've tried to stuff myself into a box, with my relationships, instead of being true with myself and recognizing when a relationship isn't a good fit for me. And in the process I've hurt myself and the person I was trying to be a fit for.

I took the belt off and realized that I'm ready to be done with relationships where I'm trying to fit into what that person wants. I'd rather be myself and be appreciated for that, without having to constrain myself. And sure I'm willing to collaborate with someone, to figure out how we can be positive influences in each other's lives, but I don't want to be afraid that I'm too much or too intense for someone.

I kept breathing in and out, and gradually came back to this moment, this space, yet different. I don't feel so tense...so constrained.

Magical Experiments is now a website

As you may or may not know, My ex-wife Lupa and I have gotten a divorce. It's a very amiable divorce, but we've agreed we're better off as friends, as opposed to romantic partners. One of the results of this has been a mutual decision to remove me from her website the Greenwolf. As such, in my persona as an occult author, I've moved my online presence to This blog, which I've turned into a website! I've created pages for each of my books, as well as the anthologies I've edited and you can order autographed copies of my books directly from me. I've also set up an e-newsletter list, where I'll post special content as well as occasional contests. You can sign up for it, either by clicking the link in this post or clicking the link on the right side bar under subscribe to my e-newsletter.

I've also set up a twitter account called magicexperiment and I'll be posting all my magical and spiritual content there from now on, while reserving my teriel account for my other business. Finally I've set up a Facebook fan page for my site, so please feel free to fan me.

In the near future, I'll be starting to offer teleseminars of some of my talks, so be on the look out for those in the near future.

There's been a lot of changes in my life recently, but I think they are all mostly positive. claiming this blog as a site is also part of my journey to claim my identity as myself.

Working with Purson part 1

Tonight I did my first working with Purson, who is a goetic Daimon of Time, and is also the guardian of time in my elemental time work. I first asked Elephant if I could open the gates of time and space and he allowed me to do so. Then I called to Purson. I had the painting of his Seal on my right and the image of him in the Goetia on my left, with the Memory Box, in front of me. I placed my hands on the memory box, and journeyed into the spider web of time, where I encountered him. He was riding the bear and he blew his horn the silver gossamer strands of time vibrated in the sound.

He asked me if I understood the purpose of space and I explained I did, that each point of space represented a place, and that space itself was stillness not move. He told me then that time is the movement through space and that we move from space to space through time.

I felt a sense of movement in myself and he told me that was the silver strands of time. Each strand represents a multitude of possibilities, and when it is vibrated some of those possibilities can be accessed and turned into reality. That process occurs through the melding of the movement of time, to spacial stillness, which grounds the possibility into reality.

I saw then all these strands as webbing across spatial nodes, a spider web of time, where webbing could be sent in any direction to reach any nodal spatial point. Purson told me it was our linear limitations that made us think of time as a straight line, as a 2d experience, when it's really a multi-dimensional movement of possibility. He also told me that it was important to vibrate strands of time gently, not to force it, but rather to use just the slightest touch or sound, and then blew his horn to demonstrate, the sound rippling onward and onward and onward, never fading so much as changing our perceptions of it, because of how it changed the movement of time.

I thought then of Cerontis, my time entity and he said that what Cerontis did was act as a gravity well for the strands of time, directing them toward me. I had the perception then of these silver strands in my hands, wrapped around them, and that I didn't even need to move my hands to vibrate, but could gently direct my awareness to a given strand and start the process of movement that would generate the possibilities that I would want to manifest at a spatial node. After that Purson told me we'd work more later, but to meditate for now on what I learned and I realized as well he'd sent some of this information to me this past week, because I'd already been thinking along these lines, but now all the pieces fit together.