,

Elemental Balancing Ritual Creativity Month 20

,

5-22-2020 I had some vivid dreams last night around some actions and behaviors that I feel a deep sense of shame about. And in the meditation today, the focus was around not just moving to the supernal of Chesed, Geburah and Tiphareth but also around working with that feeling of shame and coming to a place of forgiveness for myself…coming to a place where I wasn’t beating myself for past actions and choices but instead simply acknowledging my responsibility while forgiving myself as well. And to be clear...It’s not that I want forgiveness from anyone else, but rather that I choose to forgive myself as a deliberate action to find healing around things that I did.

5-23-2020 I decided to sign up for the cloud hands qi gong class coming up in the early part of June. I feel like it will contribute to that deeper exploration of the internal work I’m currently undergoing. This deeper internal work is allowing me to encounter some deeper blockages around shame, rejection, and other issues that I haven’t fully dealt with. This morning I had a realization about my former relationships and how rejected I felt in most of them, which contributed to my reactionary behavior around them. If I was feeling rejected in the main relationship, I’d try and go elsewhere. That in turn would reinforce the behaviors on the part of the other person, creating a vicious loop that really hurt all involved.

Fortunately I’ve managed to change that with a lot of internal work on my part and lately because I’m going deeper its giving me to chance to work on these blockages around shame and rejection that are deeply embedded and begin undoing them and forgiving myself in the process. It’s not easy work, because it really does bring me face to face with judgement, but also with compassion, which makes the supernal work around all of this perfect. I need to find the right balance of accountability and responsibility with self-forgiveness. I think I can do that with this work.

,

Two examples of pop culture spirits I'm working with

,

I’m currently engaged in three pop culture magic workings. I’m going to share two of those workings now, because it’s a good example of how working with two different pop cultures can be effective, under the right circumstances. The two workings are focused on the same goal. Each working is an evocation of a pop culture spirit that’s been chosen for strategic purposes. The pop culture spirits I’m working with are Grand Admiral Thrawn from Star Wars and Sam Bridges Porter from Death Stranding.

I’m working with Grand Admiral Thrawn because of his strategic genius and his ability to apply unconventional thinking toward solving situations. Thrawn has an appreciation of art, and uses the study of art to understand other cultures and the way those cultures behave. Thrawn also puts his community first. He doesn’t act from selfish ambition, but rather from a focus on trying to figure out how best to serve his community and put the community welfare first.

Why I integrate the mundane into the magical

I was recently asked by a reader why I emphasize integrating mundane actions into magical work, especially when no one else really seems to write about it. Doesn’t taking mundane actions defeat the point of doing magical work? Why should we marry the mundane to the magical, if magic is supposed to allow us to pull off the impossible.

I can’t speak for why other writers mostly ignore integrating the mundane into their magical work. I can tell you why I do it and write about it. I’m a very practical person in every aspect of my life, and that includes the spiritual work I do. But I also don’t really separate the mundane from the magical. The mundane actions I take are part of the magical work I do. Making a distinction between specific actions and categorizing those actions as magical or mundane ignores something pivotal to life itself: How we live our lives is informed by how we define our lives.

Do I define my life as compartmentalized sections? Or do I define my life by how I truly want to live it…a magical life where every choice and action is magical?

Why you need to work the process of magic

Sometimes, in your magical practice, you can be so caught up in the results you want that you forget something essential about your practice: that you need to work the process of your magic and worry less about the results. I found myself having this re-realization recently because I was getting fixated on a specific result and when I recognized I was getting fixated, I gently reminded myself that I needed to re-orient and focus on the process instead of the result.

Now it may seem strange to say that in the context of results based magic. After all, if you’re focused on getting a result, shouldn’t the result matter the most? That’s a good question to ask and it is fair to say that conventionally results are treated as king/queen in that context. But as I’ve learned with my practice, it can actually be more beneficial to focus less on the result and more on the process, especially when you’re engaged in long term magical work.

,

How I craft magical tools

,

One of the practices that I like to do is craft my own magical tools. The benefit of creating your own magical tools is that you have this intimate experience with the entire process where you marry the emotional, mental, spiritual associations and correspondences to the physical tool you are creating. The result is that you know that tool in a different way than one you might be. You’ve created it.

But there’s an interesting challenge with creating a magical tool. What if you don’t have the skill set to tool making tools to create a magical tool? What do you then? For instance I don’t how to work with metal, and while I have limited experience working with wood. I don’t have the tools or space to work with wood. What do you when you want to create magical tools, but can’t create them traditionally?

What should a daily practice of magic look like?

The other day I was asked what a daily practice of magic ought to look like, for someone who’s starting to practice magic. The answer I give is going to be general for a specific reason: I can give you some suggestions on what a practice ought to look like, but the specific practices you decide to do are your own, and should be, because what works for me may not work for you, and vice versa. I throw that in there, because as always, YOU are the authority of your life and so you should be the one to decide what you’ll do or not do.

With that said, I do have some recommendations on daily magical practice that can greatly benefit you and is really applicable across the board to anyone who is new or who has been practicing magic for a while. And if you don’t already do a daily practice, I highly recommend it because by making it a regular part of your life, you really get the benefits that are otherwise missed out on.

So what are my daily magic recommendations?

,

Elemental Balancing Ritual Creativity Month 19

,

4-24-2020 This month I switched over to working with Kether, Chockmah and Binah, with the associated archangels, planetary energies etc. The focus of the meditation has involved being present with all three sephiroth and the paths that connect them, while opening myself to the experience of all that being mediated through me. It builds off what I’ve previously done with an aim toward encompassing the entire experience.

Along with that, I’ve been continuing to do Gods play in the clouds Qi gong and the basic Bua Gua walk I’ve learned. What I’m noticing is a distinct change in my chi and ho the energy feels. It’s meshing with the sphere of art work as well. I feel like this is an integral part of the path forward with this work.

4-26-2020 Working with the supernals is different from working individually with the Sephiroth. You’re dealing with the interplay of energies, which can be its own thing, it can be tempting to sort it out, when in fact, it just needs to be experienced as its ow thing. It’s a good reminder to not control the experience, but instead simply be open to it.

,

What happens when the internal work gets hard

,

I discuss how to handle internal work when it gets hard and share some of my own experiences around that as well as how to handle thoughts in internal work.

Learn how magic works at magical experiments university: https://magical-experiments.teachable.com/

Get free e-books at http://www.magicalexperiments.com/free-books

Some methods for increasing intelligence and creativity

One of my areas of interest in magical experimentation is the question of how magic can be used to modify a person. I was recently asked if there’s a way to use magic to increase intelligence. This, to my mind, falls under using magic to modify a person. The question that has to be considered is what exactly is meant by intelligence. Should the increasing of intelligence focus strictly on intellectual intelligence or should it branch out to include emotional intelligence, bodily intelligence, or other forms of intelligence?

In my own work around this very topic I’ve focused on a holistic approach to intelligence that doesn’t privilege one type of intelligence over another. The reason for that is because intelligence comes in many forms and focusing on just one type of intelligence over any others doesn’t necessarily accomplish the goal, especially if there is more than one type of intelligence involved in something you want to change about yourself.

The Magic of Writing is available

3D_Book_Render.png

Learn how to apply practical magic and writing techniques together to achieve consistent results that transform your life.

In the Magic of Writing, I show you how writing can become a potent magical tool that you can use to achieve consistent results.

Best of all you don't need to be a an author or writer to use writing magic. All you need to do is pick up the pen, paper, or keyboard, and start creating writing that allows you to embody your magic and generate real results that change your life.

In this book you'll learn the following:

  • How to create definitions that you can use to program your magical workings

  • How to change time and space using writing

  • How the design of writing can help you influence the way people read your writing.

  • How to create enchantments with metaphors.

  • How to use the power of story to rewrite your life and experiences

  • How to get results with your writing magic that transforms your life.

The Magic of writing will introduce a whole new set of techniques and tools to your magical practice that will enable you to get amazing results that change your life.

Get the print book
Get the E-book

How I calculate probabilities in order to manifest them

Picture copyright Taylor Ellwood 2020

Picture copyright Taylor Ellwood 2020

I was recently asked if I have a method of calculating a probability and how likely it is to manifest as a reality. The person wanted to know if I use a divination method or anything else along those lines in order to calculate the probability. As it turns out I have a way that I calculate probabilities in order to determine if I’m going to manifest them. I should also be clear and mention that I’m not interested in predicting world events or things along those lines. My calculation efforts are entirely focused around achieving results.

This recent blog post speaks to my stance on divination and how I use divination to manifest results, but the calculation aspect of divination is found in the presentation and manipulation of information. Any divination technique presents information within specific contexts, and usually the context most focused on is the information itself. But a look at the design aspects of divination can also be useful because of how that design can be used to calculate and manipulate a probability.

For instance, with tarot cards, the design aspect shows up in 3 distinct ways: the art, the spread, and the positioning of the cards. The art, obviously, is the medium by which information is primarily expressed and presented. But for purposes of calculating a probability, I like to look at the spread and the positioning of the cards. I don’t use fixed spreads with my readings, because I find them to be limiting, in no small part because the design of a given spread is used to portray the information of the reading in the context of the spread, even if that context isn’t always applicable to the reading. the same applies to the positioning of the card. I have no real investment in whether a card is reversed or not, unless it’s useful to use that positioning as a way of opening and closing aspects of the reading.

So how I do use the spread and position design to calculate probability?

When I create my own spreads, I create them for each situation and I use the spread to help calculate the probability, because where a card is placed can signify its influence on the possibility, but also the route of least resistance and its that route I’m particularly interested in. If I want to manifest a result, I want to use the path of least resistance, because the less resistance there is, the easier to manifest the possibility. But the calculation of that route is also the creation of it, because the spread isn’t just used to determine the best possible path…it’s also used to create it.

Likewise my use of positioning is really about using the position to determine what information/influences I want to either amplify or minimize. The position of a card either indicates that other cards and what they represent should be applied fully to the path of least resistance or that the information/influence should be contained and mitigated or redirected differently.

I calculate a probability on the basis of what effort and actions will be needed to manifest the probability into a result, and how that effort and action must be aligned with available influences and resources that can pave the way for realization of the result, i.e. the path of least resistance. By using my divination tool to create a path of least resistance and align or redirect relevant information, I’m able to determine how likely a probability could become a result, while also creating an avenue of manifestation that starts the process for turning the probability into reality.

The use of design in this process plays an important role because it contextualizes the information and focuses it toward the specific outcome. This is also true outside of divination. The design of any process of magic has implications about how that process will work and what it will do to help you achieve a result. Studying the design aspects can help you optimize your magical workings, because you aren’t just focused on the information or actions, but also the context in which everything is happening. Using design to turn that context into something that works for you can make your magical work that much more effective.

Get my workbook