Magic

My holiday special

If you're shopping for that magician in your life, or just for yourself, the following holiday deal is on until winter solstice. Buy three books from me and get a fourth one free. You can find a list of my books here. Also I'm still taking sign-ups for my class, so if you're interested in spending a year learning magic from yours truly, consider taking the Magical Experiments class. I promise it'll be a challenging and interesting year. I do take payment plans.

Most of all, have safe and happy holidays. I know I will.

Where your attention goes...

Kat and I recently had an interesting discussion about how what you watch on TV or play on a video game can vividly imprint itself on your psyche. I certainly agree that this can occur. I've been playing Assassin's Creed Brotherhood since I got it last week and there were nights I went to sleep and dreamed the game. My attention was focused on the game so much that it was what was prevalent to my consciousness. One of the choices I made in my early twenties was to no longer get Cable TV, because I didn't want to clog my psyche with irrelevant advertisements and TV shows, and as my example of the video game shows, it is easy to imprint on your psyche external memes. While I definitely enjoy the game, I can say that having such vivid dreams about it did impress upon me once again why I'm so careful about what I expose myself to.

For the magician, the ability to focus and empty the mind is key for fully immersing him/herself in the magical work s/he is doing. And in my opinion, being able to have control over your imagination, and thus using it as a tool is also key to fully exercising it in your magical work. The imagination is the key to the door of magic. So while it is good to play a game or watch a show, it's also worthwhile to spend some time away from modern media, so that you use it sparingly and not let it consume your life.

I enjoy games a lot, but I've made it a point to also play board games and the like, because there is some imagination involved and it gets me to use it instead of just letting it be hijacked by the TV or videogame console. I think its important to exercise your imagination regularly and recognize it as a magical tool that you want to respect. So remember to take a break from the TV, computer, or videogame, or mobile phone sometimes. That break will help you get some perspective and focus for your magical work.

Magic and the Scientific Method

I was recently asked on Twitter the following question: Can magickal ritual stand up to scrutiny of scientific method? My response was: Not unless science accepts that magic is a subjective experience.

Let's unpack that statement. In my opinion, and from reading a variety of books, it seems that some magicians try to scientifically "prove" the existence of magic, Goetic demons etc., or if they are disillusioned by trying to be a magician, give it up and argue it doesn't exist, or its all in our heads.

While I certainly appreciate that science can offer some criticisms and even principles about magic, I would argue that magic as practice and process isn't as straightforward as science is. People customize magical practices a lot. Certainly I've done that, in part because I've found that sticking with what others have done hasn't worked for me as well as it might for them. I've found that I've been able to achieve consistent results that tell me magic is real, and other people who've tried my  processes have also achieved results. Nonetheless, I've also noted that when those same people customize the process to fit their own understanding of the universe, it seems to be more efficacious, and my thought on that is that what makes magic what it is, has less to do with replicating an overt process, and more to do with understanding the process from an internal perspective. In other words, it's not so much about objective, as it is about subjectivity, and more specifically the subject's relationship with him/herself, others, and the universe at large.

Whereas with science the idea seems to be that you follow a set process in order to replicate results, and if you deviate from that process, it's no longer considered to be science. This isn't to say that some degree of customization and creativity doesn't occur in science, but even when it does, its rigorously tested by many people, doing the same process in order to determine the validity of said process.

It could be argued that ritual provides the same kind of rigor, or that the variety of books written with spells and techniques demonstrates processes that if followed show the "science" of magic. The problem however is that what people look for in this kind of situation is irrefutable, objective proof. So if I do an evocation of a Goetic Demon, but no one sees it, people will argue its not real, that there is no objective proof to demonstrate it's existence. Yet, I don't know that such a criteria really applies to beings that very may well have objective existence, albeit in a different dimension. And more importantly, if we are looking for proof, then the results speak more tangibly than anything else to the efficacy of the process.

In my own work with entities and with magic in general what I've found to be so compelling about magic and why I continue to practice it is that it doesn't just solve some problems or generate results. It provides me an explanation of the universe, my place in it, and how I can utilize magic to make changes to that agreement. And in that sense, what makes it work isn't just a process but a choice, my choice, to believe...

Not very objective and scientific perhaps, but given how often magic has worked in my life, my belief in it works for me, and my understanding of the processes used also works. And I think that's more important than trying to prove it to everyone else.

Update on Bune Working

I'd posted a little while back about a group working with Bune, a Goetic demon. Since working with Bune, it's been interesting to note results that have been achieved. My friend Bill ended up staying hired at his current job, while my partner Kat landed a full time position with a job she wanted. I've been finding inspiration in a new business direction, one that I think will be more authentic for me, while one of the other participants has also been exploring starting a business and finding some creative direction in it, after the working. There are many people I know who've practiced magic in the past and then stopped, disillusioned because they didn't get some kind of result they wanted, but I often wonder how much of that is a reflection on them as opposed to the magic or whatever they were working with. In working with Bune, clear expectations of what actions we needed to take were expressed in order to solicit his help. Not following through on those actions would show our unwillingness to take on any other steps that were more practically oriented toward manifesting our collective desires.

I'm reminded of a saying: "God helps those who helps themselves" Which I translate to this: Declare your intention to the universe and then start making it happen, so that the universe can align your declaration with your actions. Seems pretty simple, but I think some people conceive of magic as a kind of cure-all technology. I'll do the magic and that alone will be enough. But Magic doesn't really work that way. It's a way to communicate with the universe at large, or rather with your place in the universe at large, but communication is just one step of the process for making changes. The mundane actions we undertake are a confirmation of our own willingness to follow through.

In working with Bune, I'm struck also by the simple reality that what makes my work with him so real isn't a physical manifestation of him appearing in all of his glory, but rather a profound recognition that what makes my work with him or any other entity so powerful is my CHOICE to believe in those entities and allow for their objective existence. And my proof is found in working my process and in the results that occur as a result of following through in actions and in belief.

Kink Magic is going out of print

My ex-wife and I recently came to an agreement that Kink Magic, which was co-authored by both of us, will be taken out of print as of the end of 2010. As such I will soon be taking down my page on this site to that particular book. Before I do that however, I have ten copies of Kink Magic left to sell, which I'll be happy to autograph. I also plan to write a new book on the subject, which will draw on some material from the previous book, but also go into some new directions. I don't know when this book will come out, so while you have a chance, consider getting a copy of Kink Magic from me. I've got ten copies left, but I can't guarantee how long I'll have them.

If you want a copy of the book, click the link above and order from me.

Communication as a principle of magic

Communication. We do it everyday, sometimes in ways we don't even realize. And it happens all around us and within us as well. Communication is one of the most fundamental principles of magic. Without it magic wouldn't work, because whether you're working with an entity, doing a spell with friends, or performing some other ritual activity, it all comes down to being able to communicate. Even when people do a solo ritual, they still announce their intention to the universe in some manner or form as a way of framing the activity. Communication is an activity that's always fascinated me. How an idea is explained to someone, or how people get into an argument. Throw in body language and communication takes on a different level of meaning. And applying communication to magic also fascinates because communication plays such a large role in the magical process.

The role communication plays is this: It's how we express to the universe, to the self, etc., what it is we want to manifest. It's how we connect to something else, in order to establish a commonality that allows manifestation. That's my take on it.

What about you? What role does communication play in your approach to magic?

Experimental Magic Course

I've been teaching magic to different people for a while now. And I've written some books on magic as well that has touched other people in a meaningful way. It's something I enjoy doing quite a lot. For a while, I've noticed that there are some authors who are really good at not only teaching classes, but also charging for them. And I not only think that's perfectly acceptable, I also think that I'd like to be able to offer my own expertise on magic to people who are interested in taking a class. Thus I've come up with the Experimental Magic Course. It's a year long course you can take from the comfort of your own home. The focus of the course is teaching people a practical process-oriented approach to magic that gets meaningful results in your life. We will not only draw on different magical systems, but also on disciplines outside of magic including social sciences and rhetoric, to name just a couple.

The cost of the course is $200, which comes out to less than $4 per lesson. That price won't stay the same, but I'm charging that amount because this will be the first year I teach the course, and I'll want to iron out the bugs.

Of course this class will also focus on experimentation, specifically teaching participants how to experiment with magic so they can develop their own customized systems of practice. So if you're interested in taking a year long class with me, consider my Experimental Magic Course.

An exercise in make believe

This year my partner decided to surprise me with a Halloween/birthday party that was also a murder mystery dinner. Needless to say all of us had fun, but a critical component of having fun involved everyone being willing to engage in an exercise of make believe in order to become the character they were supposed to represent. In fact it was somewhat like invocation... When I invoke an entity there's a process at work which involves as a key component my willingness to believe in the entity and believe that I can open myself to allow it to enter my body. I don't consider it make believe per se, but I recognize that imagination is a a fundamental component that helps to make invocation effective. Imagination is a path that allows you to become something else.

At the party,I played the party of an ancient mummy. We even wrapped me up in some toilet paper, which kinda worked. When I spoke, I made sure I spoke in a wheezing voice. I shuffled around and in short allowed myself to become that character. It wasn't the same as invocation, but I still had to use my imagination to get into character.

I think imagination is one of the more powerful tools a magician has, and its important to cultivate that tool whenever you can. One of the reasons I read a lot and play games is to exercise my imagination. I've found that my imagination has helped me look at the world in unusual ways that has benefited me on numerous occasions.

What about you? How is imagination important to your magical work?

The problem with esoteric terminology

So often one of the problems I notice within occult culture is a tendency to couch problems and situations and everything else into esoteric terminology, as if by doing so, it will somehow make everything seem more cool. As you can probably guess, I'm not a fan of using obscure terminology needlessly. Back in my tech writer days, I found that if you wanted to practically explain how to use a product or technology or program, you had to use language that everyone could understand. You rarely used obscure terminology unless you really needed to. To apply this to magic, I find that relying on esoteric language often just confuses the issue. Sure you can use elemental or different types of energies to handle a situation, but really what does that mean? Don't get me wrong, I work with elemental energies, entities, etc., but at some point I've got to be able to translate all of that to how I live my life and how it effects my life, and doing that usually involves moving away from the esoteric language to the everyday language. For example, instead of coming up with some made up term to describe internal work, I just use the phrase internal work. If people don't get what you are trying to explain, it's probably because you're too invested in using language they could care less about. And how we use language is a magical act sometimes, so if we acknowledge that, it's wise to use language that is going to have the most significant effect on the target audience we want to reach. This applies as much to yourself as it applies to other people, because you are always your audience.

Mind mapping and magic

One of the creative techniques I've appropriated for magical work is mind mapping. If you're not familiar with mind mapping, it involves creating a central idea and then drawing lines to related bubbles with information. It's a useful technique for organizing information and also helping you see where the information fits into your process. One of the resources I've drawn on for mind-mapping is Unstuck Focused and Organized with Mind Mapping (Affiliate link), which is a book that shows you how to keep mind mapping uncomplicated, while also helping you organize it. There also some audio files included where the author interviews successful business people who've used it for their businesses. While mindmapping can be used for business, it can also be used for magical purposes. For example, if you're putting together a ritual, you can use mind mapping to outline the elements of the ritual, assign roles, and organize the process of the ritual. Likewise if you're developing a magical process or technique mind-mapping can be used to discover weak areas in the process you're developing, or it can be used to discover further areas for experimentation.

My spider web sigil technique is partially based off of mind mapping, and I've found it useful for mapping out my life and the people, places, etc., of influence that effect what I'm doing. Mind-mapping in general is just a useful technique for looking at the world, your profession, life, spirituality, etc., in a different way.

Pattern Recognition and magic in your life

For my birthday, my partner Kat got me this game called Attika. It's a game where you try to build a city from one temple to another temple or just try to build the entire city. You also have "neighbors" trying to build their cities. And what's most interesting is that to get extra turns you have to build the city in the right order. For that matter to get free buildings, building in order is encouraged. It's a fun and challenging game, because it involves looking at the environment you are building in, and recognizing the patterns, spatially, and resource wise that will allow you to successfully build a city. When I think about it, this game describes a lot of how I approach magic now. To me, successful magic is a process, and a form of pattern recognition. Where, why, when, how, what I will do the magic for all fits into the larger pattern of living my life. Just doing magic to get someone or get money or solve some temporary problem is thinking small, too small really, if you can't recognize where that activity fits into the larger pattern of your life, and into the habits you exhibit and/or want to change. What does it mean to put magic into getting a job in the greater pattern of your life. Don't get me wrong, getting a job can be important for survival needs, but when we do a magical act, if we focus only on the short term or basic needs, what else are we missing out on in the pattern of our lives?

When I talk about magic as a process, I'm also talking about how magic takes one's internal reality and translates into the external reality. But along with magic there is also all the demons and dysfunctions as well as virtues that a person has, which is also brought into external reality, and if we ignore all of that, we may find that our magical work proves less effective because we our working against ourselves and against the patterns of our lives. When, instead, we look at the patterns in our lives, and examine where magic can be applied to change those patterns proactively or help us achieve our overall goals, life becomes easier to live. Instead of getting that crappy job that covers the basics, but leaves us miserable and wanting to leave, we find that job that meets our higher needs as well as our basic needs and brings us fulfillment.

While life isn't quite like the board game I mentioned, recognizing the patterns of identity and how we express them and consequently how we manifest our choices is essential to knowing how and where to apply magic in a useful and truly meaningful manner. Instead of reacting, let's look at our environment, both internal and external, and consider carefully what we will do that will meaningfully improve our lives, instead of just going through the motions.

My work with Bune

I recently decided to work with the Goetic Demon Bune, who amongst other things, provides riches to a person. As you can probably guess my focus was on doing a wealth magic working with him. However riches is a very ambiguous term so I knew I needed to decide how I wanted to work with Bune and how that kind of working would relate to wealth magic. Just wanting him to get me money or wealth wasn't realistic because it'd leave plenty of loopholes. Instead I looked at the circumstances already available to me. In this case I run a business and have another business I'm about to start. I provide services to clients and I'm developing product lines. I realized that what I wanted was to work with an entity that would help me become more aware of business opportunities and ping my intuition to notify me of potential clients and business opportunities. I consulted Bune to see if he could provide me these services and he agreed that he could. In return he wanted a dedication at a meal and for a book on wealth magic, a painting, and a blog post about my work with him. These seemed like reasonable requests for me to fulfill, so I agreed to them.

I've since created a painting to Bune and hung it in my business office. I'm writing this blog post, and I'll likely write others to provide updates on the efficacy of the working and I did a dedication to him at a meal in his honor. By doing all these activities I am showing him my willingness to develop a partnership and relationship. That's my preference in working with entities in general. It's better to establish a relationship of mutual benefit instead of trying to command or control something.

I did this working last week, but I've already seen a couple opportunities arise. I'm excited to see what will happen. By taking the time to define the role and activities I wanted Bune to perform in, I've also created the path of least resistance for him to do what he does, while also providing a path for how it can occur.

Call For Papers: Oops, Wrong Chat: A Survival Guide to World of Warcraft

Taylor's Note: I posted this because of my own interest in Pop culture and also to support my publisher. Most of the books you’ll find written about WoW attempt to come at the game from an academic viewpoint, thereby to give it some credibility and respectability among the uninitiated who look at it with a dubious eye. We already know that non-gamers regard us MMO fans as geeks and freaks, somehow sucked into this nerdiverse that is anathema to real life.

Well, we think it’s about time the balance was redressed. We don’t need to apologise for our passion to those who just don’t ‘get’ it because they simply haven’t tried it. Neither do we need to dress it up as academic study. ‘Oops, Wrong Chat’ will be an affectionate yet honest look at the world of Azeroth, informing those who are not informed and entertaining those who are already fellow travellers in that world.

We are looking for well-written witty and/or insightful articles that talk about the gamer’s experiences in World of Warcraft that will be helpful for new players but also of interest to veterans. Articles will typically be named after Achievements or Quests in the game, and any potential contributor should inform us what topic they wish to explore and what title they’d like to use, in order to prevent duplication of submissions.

Articles can be anecdotal, involving the writer’s experiences in WoW, or else can be informational, focusing upon particular aspects of the game, but with a light touch, accessible to non-aficionados. Or they can be more like social commentary, talking about the community within WoW itself.

Raiding, questing, role-playing, PvP, the lore of WoW, working on professions and achievements, being a pro trader in the Auction House, collecting pets and mounts, exploring the least trodden and secret corners of Azeroth, WoW as a sedentary sport – all these are potential topics. Or perhaps your idea is different. We are open to all submissions that are written well and entertain. Submissions can be between 3000-10000 words, and the deadline is 1st March 2011. All articles should be submitted in Word or RTF to editorial@immanion-press.com

Context and its place in magical activities

In a conversation I had the other night with one of my students, we discussed the value of establishing the context in which a magical act will occur, as well as how to establish that context. I find that without proper context, magic ends up being meaningless or reactionary, and consequently isn't as effective as it would be if the person took time to establish context properly. Proper context establishes why a person needs to utilize magic, as well as how it'll be utilized. One of the activities I have my students when they first start learning magic involves putting together a diagram or flowchart for something they want to do magic for. I have them map out what they are already doing on the mundane level to achieve their goal and then we look at where magic fits into that process, and how they will use magic to help them enhance what they are already doing. The value of having a person diagram their process is that it shows the person that magic never occurs in a vacuum, but instead always has a context it occurs in, and part of that context is framed in the activities the person is already doing to realize the possibility they are trying to bring into reality.

Of course context isn't just your mundane activities, but also your goals, the other people affected by the working and other environmental factors which need to be thought about, if we are to use magic strategically. Strategic use of magic allows for the different factors and environmental conditions and enables you to successfully enchant because you've accounted for them and prepped the conditions accordingly.

So, as an exercise map out what you want to accomplish and include what you are already doing, and then add magic as a supplementary activity that enhances what you are already doing. Your success rate will more than likely go up because you'll have considered all the factors involved.

Why I like to learn different subjects

I'm reading The Survival Guide: Home Remodeling by Diane Plesset (Amazon affiliate link). It has nothing remotely to do with magic, in terms of spells and rituals or correspondence charts. But it is an interesting book about home remodeling and how to work with interior designers. And most importantly its teaching me to be keep an open perspective and learn about the world from other angles other than what I'm comfortable with. That's one reason I like to learn different subjects outside of my fields of expertise. The chance to learn something new, consider a different perspective, and even adapt some of that to one's magical practice can be very useful...and in this case reading this book reinforces how important it is to pay attention to the details, ask the right questions and do the necessary groundwork in order to turn your imagination into reality.

So often with magic books the discussion focuses on the metaphysical, but doesn't necessarily emphasize awareness of the mundane details and how much they can make or break the success of a magical work. To me, paying attention to the details involves paying attention to the mundane details as well as the magical details. So you learn about those mundane details and apply them as well as doing the magic. This process makes it easier for magical work to manifest into measurable results, and at the same time teaches the value of doing the work on all levels. The benefit of doing the work on all levels is that not only do you improve as a person, but you also improve as a magician, because you can see all levels as opposed to just focusing on one and trying to put all your effort into that one level. Success of any sort is best achieved by working all the angles instead of just one.

The balance between tradition and experimentation

I've always been a big believer in experimentation when it comes to magic, but I've also always believed that you need to have a solid foundation in order to experiment. The person who experiments without a firm understanding of magical principles won't get very far, and I don't know even know if you could call the magical work experimental, if there isn't a firm foundation in work. The magician is someone who has made the effort to learn how other people have practiced magic, and incorporated those practices into his/her life, but has also decided that just relying on tradition alone isn't enough. S/he recognizes the value of experimentation and innovation as a way of advancing one's understanding of the world, and also one's spiritual practice and how it applies to the world.

In my own spiritual practices, I've always tried to find a balance between experimentation and tradition. While I definitely think experimentation is important, experimentation without foundation won't get you very far. This is why it's important to do the research, to learn the skills, and then look at how you can improve on them, or what new directions you can take them in.

I don't believe in mindlessly adhering to tradition for the sake of tradition. Such dogmatism leads to fanaticism, and also ends up causing a spiritual tradition to stagnate. This doesn't mean practices should be disregarded or tossed aside, but if a person never tries to innovate or experiment at some point s/he will stagnate. I see this occur a lot with people who try to emulate the life of someone else or only do magic the way the book tells you to.

The magician is someone who tests the magical practices s/he performs and looks for ways to improve on his/her practice. It's not about cutting corners, but about being methodical and revising your process in favor of improving on it.

Learn from tradition and what others did. Build a firm foundation, and then...challenge it, experiment and evolve. This is my approach to magic. It's not the stumbling of the fool, but rather the measured pace of the magician who recognizes that magic isn't about repeating what others have done, but learning what others have done and improving on it. But remember the fool has intuition and sometimes will find something the magician wouldn't...so take a risk sometimes and try something different...the experience will definitely teach you.