Magic

How to maintain a consistent magical practice

One of the topics that comes up frequently when I talk with other magicians is the challenges they have around doing a consistent practice of magic. They want a consistent practice of magic, they start to do it, but then the consistent practice falls away. They may have done the practice for multiple weeks in a row, but suddenly they stop.

It’s a frustrating experience when you are trying to develop a consistent practice and you’re doing well with it and then suddenly you aren’t. You can feel like a failure, like you aren’t really a magician, because you can’t seem to stick with a practice. And when you feel that way it can discourage you from even trying to practice magic.

How to Ground yourself after doing deep work

Whenever I’ve come home from a festival or a weekend intensive or wrapped up an intense working, I find that one of the challenges I’ve face is how do I come back from that intense experience. After all I’ve stepped away from my mundane life for a period of time and experienced something outside the norm…and now I have to go back.

Chances are that if you’ve practiced magic for any length of time you’ve had this experience too. And the question is how do you come back from that and go back to your normal life? It sometimes feels like culture shock when you try to go back to the regular routines of life because where you were spiritually, mentally, and physically was so different and going back to your regular life is a shock.

How to define and enhance the power source of magical workings

The other day I had someone ask me how you could go about giving more power to a spell or ritual. It's not an unusual question, because of one key word: Power. How do we put more oomph, more power into our magical workings? I think a better question to ask though is do we even need more power in order to get a desired result? Along with that, let's also ask what the best source of power ought to be for what we're doing with our magical workings.

On the surface more power seems like the ideal response. Not getting what you want? Throw more power into it. That'll tip the momentum in your favor. But in my experience brute power rarely does the trick and the reason is because power, in and of itself, isn't enough to get what you want, if you understand what all that power is going to.

Are the 4 quarter Archangels the same as the Guardians of the Watchtowers?

I was recently asked if the Guardians of the watchtowers are the same as Archangels. The reason I was asked is because a lot of Magicians call angels to their circle or the Guardians of the watchtowers. It's a good question to ask, and since I've been doing my own work around the archangels of the quarters, I thought I would answer it.

The short answer is that the Archangels aren't the same as the Guardians of the watchtowers. They are each their own distinctive set of beings. Frater Barrabbas has an excellent book out about this very topic called Spirit Conjuring for Witches: Magical Evocation Simplified (Affiliate link), where he explores this topic in depth.

My own experience with the Archangels also doesn't suggest that they're the guardians of the watchtowers, but rather that they have their own distinct roles which should be explored in depth. In fact, this is why I always recommend doing thorough research on what spirits you'll work with so that you don't create this blending of function, which isn't accurate. 

For example, one of the reasons you develop a correspondence table with a spirit you work with is because the correspondence table speaks to the relationships and associations that are relevant to the spirit. For example if we work with the archangel Raphael, what we're initially doing is learning about who that spirit is and what functions/associations/attributes etc are aligned with Raphael.

What happens as a result is that we build a profile that we use every time we work with Raphael. That profile allows us to not only evoke or invoke Raphael, but also connect with the powers that are associated with Raphael. We learn what those powers are by taking the time to build a relationship, but the benefit we get is that when we call Raphael up, we're also connecting with those powers. What Raphael does for us is mediate those powers so that we have access to exactly what we can handle and no more than that. 

Circling back around to the initial question posed above, the reason its important to have a distinct understanding of the spirits in their own rights, as opposed to blending them together is because of what they represent and mediate. By understanding the function/role of Raphael in a separate context from that of a guardian of the watchtower, we can readily appreciate the role/function of each and employ each appropriately in our magical workings.

Now it could be argued that if a guardian of the watch tower and Raphael occupy the same quarter, won't they have the same associations? We shouldn't assume they will, because although they may share a quarter and some associations in common, there may also be specific differences. There's also the simple fact that if I work with Raphael that's who I'm working with. Blending the identities of spirits for your own purpose disrespects the spirits you're working with and also takes away from the potency of the connection.

I recommend that whatever system of magic you work with or create that you remember that the relationship you form with a given spirit is really a discovery of that spirit and what it represents, as well as how that relationship can be applied to the other spiritual work you're doing. Don't try to force connections...simply discover and be open to learning. The rest will reveal itself as needed.

Why magic for your self isn't always effective

I was asked by someone why magic he was doing for himself was less effective. He told me that that until recently the magic done for himself had worked fine, but that then suddenly became less effective. He wondered if it was because he had put a shield up or if the magic was less effective because it as an attempt to avoid self sabotage. Finally he asked what could be done when your magic seemed less effective.

I don't know the specifics of what he was trying to do with his magical work, but some thoughts did come to mind, based on my own experiences and helping other people diagnose issues they are having with their magical practice. I find that when a person isn't getting a result or their magic is less effective, its usually because they are self-sabotaging in some way. They may not really want what they think they want. Or they may not feel they are worthy of what they want. Additionally there may be some internal resistance because what they want goes against some moral or ethical code.

How to understand magic intellectually and spiritually

The other day on the Magical Experiments Facebook page, a commenter summed up his challenge with magic by sharing, "I'm trying to find an intellectual understanding along with a spiritual understanding of it without losing myself to it."

I think this is a challenge many people experience on their journey with magic as a spiritual practice. We can try to define magic as a set of practical techniques or describe it as a way to exercise our will, but at a certain point, in my experience, you move beyond such definitions when you recognize that magic moves and shapes the practitioner as much as the practitioner seeks to move and shape it.

Sometimes you just have to let go

Recently I binge watched the last season of 12 Monkeys and as a result I had this dream of a time paradox I was trying to solve and every time I thought I solved it, it would change and I would try to solve it again. Finally I came to a point where I realized it couldn't be solved and that the only solution was to let go. Yet it was such a hard decision, because letting go went counter to everything telling me I could solve this time paradox. But the longer I kept trying to solve something the harder it was.

So eventually I let go. I stopped trying to solve the time paradox, the problem, and just moved on. And when I did that, the dream ended. The stress went away. The problem was solved.

How to break your magical workings into steps

When I look at a given magical ritual or working or spell I can break it down into steps. It may not be written that way, but realistically a magic spell or ritual is a set of step by step instructions that you are using for the purposes of doing some type of spiritual work. And when you approach you own magical work that way and organize it into specific steps it can help you get perspective on what you're doing and start seeing the underlying process of magic.

The Process of Magic is now Available

My newest book, The Process of Magic: A Guide to How Magic Works is now available.

The Process of Magic was originally a class I taught I took the 26 lessons, plus some bonus material and converted it into a book.

In The Process of Magic, we explore how magic works and what you can do to improve your magical workings as a result. I also show you how to troubleshoot existing magical workings. The goal of the book is to help you create a stable foundation for your magical practice.

How to turn your Memorization into Ritual

For the last half year I've been memorizing a ritual. What that process has looked like is I would spend a week memorizing the lines for one particular segment of the ritual and making sure I really had those lines memorized. Then I would move on to the next segment. In the midst of this memorization I also ended up modifying the ritual and adding some additional lines of my own, so those also needed to be memorized and integrated into the working. I needed to get a feel for how what I added fit into what already existed.

Memory, Embodiment and Exercise

In the last couple of months I've been memorizing some chants for some work I'm doing with the Elemental Archangels. The purpose of memorizing the chants is to embed and embody specific associations with the archangels and the correspondences that they mediate. By memorizing the chants, I'm not just learning the words, but also developing an understanding of what those words represent and creating and deepening my connection with the archangels.

I find that memorization is a skill that isn't always appreciated in magical work. The idea of memorizing correspondences or chants can seem like a lot of tedious work, from a surface perspective. The value of memorizing chants and correspondences is that its actually a process that allows you to intimately connect and get to know what you are working with.

The Creative Genius as a Spirit

One of the books I'm currently reading, Big Magic: Creative Living Beyond Fear offers an intriguing idea about the nature of creative genius. The author shares that the ideas a person gets and acts on are the result of the genius, but the genius is a spirit working through you.

Kind of like A Genius Locii (a spirit of place), but instead its a spirit of creativity.

I think its an intriguing way to look at one's own sense of genius, because instead of claiming something as you're own, you acknowledge its a gift that's been given to you, an offering that you've been allowed to express (should you take it up). It's an opportunity to be humble and recognize how your creativity is inspired.

Videogames, Emotions and Magic

Lately I've been replaying the God of War series. It's one of those videogame series that I play as a way to process emotions and solve problems. Losing myself in the game and in the character of Kratos and his own issues with rage allows me to come to a meditative space. In that space, each push of the button is mirrored in the meditation and what is presented is a space where the problem can be worked through, while the game is being played. 

How Pop Culture Magic works: A guide in theory and practice

If there's one perception about pop culture magic that stands out to me as being inaccurate, its the idea that people practicing pop culture magic are winging it. It's as if people think that pop culture magic is an undisciplined approach to magic that's really about wish fulfillment as opposed to a genuine magical practice.

Nothing could be further from the truth.

When I started practicing pop culture magic, I knew that in order to make it work, I needed to draw on my previous experiences with magic. In fact, I wouldn't recommend pop culture magic to someone who didn't have at least a couple of years experience with magic under their belt, because you need that experience to make sure that what you're doing actually works and isn't wish fulfillment on your part.

How I became a Practical Magic Minimalist...

At one time, whenever I would do a practical magic working, I had to break out the bling...

You know the fancy tools, the smelly incense and candles, and all the other stuff we're told we need to have in order to do practical magic (and other types of magic for that matter). 

And don't get me wrong, those fancy tools, incenses, and candles could be a lot of fun to use. They can really set the tone of a ritual, create an atmosphere and experience that whisks you from mundane reality and opens you to the sacred mysteries of the universe.

But as I continued doing practical magic, I began to wonder if there was an easier, better way of doing practical magic, without all the bling and other stuff.

And as it turned out, there was.

How Magic Works: A guide in theory and practice

The_magic_circle_barrett_the_magus.jpg

So how does magic work?

I like to use the word process when I describe how magic works. It's a deliberate choice, because when you look at magic as a process, you strip away the esoteric, flowery language and focus on what's actually happening.

If we map out a magical working what you'll discover is that its possible to break a given magical working down into specific steps.

Now that alone doesn't tell us how magic works. But what it does allow us to do is actually examine the actions we're taking in the magical working and this is important because if you're going to do a working you need to know what steps to take.

Where we start to discover how magic works is through the application of the Principles of Magic which allows us to discover what is actually happening when we execute each step of the process. 

When we understand what action to take and what is actually supposed to happen when that action is taken, then that understanding allows us to take apart any magical working and figure out how it works. Even better, we can then put it back together and personalize it, using what is relevant to us, or we can experiment with the working, in order to improve on it.

And the reason we ultimately do this is not just to learn how magic works or even to get consistent results (though those are quite nice). It is to make sure that magic evolves, that it is relevant and that we can take any other discipline or practice and apply it to magic in order to enhance our lives.

But in order for any of that to happen we need to have a solid foundation and that's where the principles of Magic come in.

What are the Principles of Magic?

I'll share a brief overview of the principles here. There are 11 principles of magic and these principles describe how magic works.

The Principle of Results explains that you can't have a magical working without a result of some type. The result, in and of itself, justifies and creates the process.

The Principle of Definition explains that how you define the world or how the world is defined for you determines what actions you'll take and what probabilities you'll be open to.

The Principle of Change/Transformation acknowledges that change happens and seeks to intentionally harness that change into productive transformation, both in the world around us and within us.

The Principle of Where, When, Why, What, and How recognizes there are multiple variables that need to be planned for and aligned to help you turn a probability into reality.

The Principle of Need explains that need can be a powerful catalyst for magic and shows you how to harness the emotional aspects of need to fuel your workings.

The Principle of Ethics/Morals describes how your ethical and moral compass plays a role in your workings and shows you how to account for your beliefs and values when doing magical workings.

The Principle of Connections recognizes that magic works because of how actions and events are connected together.

The Principle of Intention factors in the power of the conscious mind and shows how attention can be focused and used in magical work.

The Principle of Limitation recognizes that if you want to manifest a possibility into reality, you must provide it form, which brings with it limitations.

The Principle of Function explores how spirits are defined by their function and operate within specific parameters.

The Principle of Mundane Actions recognizes that mundane actions can be paired to magical actions in order to achieve results.

These core principles describe the mechanics of magic and when understood by the magician can be used to take apart any magical working and customize it to what is relevant to the magician.

Why is Relevance Important?

When I talk about using what is relevant in your magic, what I'm talking about is drawing on what you find to be spiritually relevant. The way magic is typically portrayed discourages people from using what is relevant to them. We're told to focus on ancient cultural mythologies and religious practices, but not everyone connects with these older mythologies and practices, as I share in mroe detail in the video below.

What isn't shared is that magic is much more customizeable than is typically portrayed. The majority of books tend to prescriptively argue that magic can only be practiced certain ways, but if we look at magic as a process and break down what is happening with given actions, what we find is that magic is descriptive and as a result you can take things out that don't work for you, and plug what does work for you and you should be able to get similar, if not better results.

For example, instead of using classical deities and spirits to represent the 5 classic elements, we can use pop culture mythology that we connect with and apply it to the 5 elements and discover that the pop culture mythology works. And the reason why is simple:

When you use what is relevant to you, in your magical practice, you understand why its relevant and how it can help you connect to the spiritual forces that it mediates. 

That understanding is powerful and what it tells us is that a given magical system or tradition essentially has a lot of optional features to it, which can be swapped out for what makes sense to you. Consequently you can build your own correspondences and connections that you apply magic to the world around, while also making sense of the deeper spiritual realities that magic presents to you.

As long as you understand the core principles of magic and how they connect to and can be used to modify magical workings, then you'll find that magic becomes much more versatile than it is typically portrayed. But this only happens when you develop a genuine curiosity about how and why magic works. You can learn more in my free How Magic Works Workbook.

Explore related entries in the Library

4 Reasons you aren't getting the results you want

One of the frequent issues I notice magicians experience is they don't always get the results they want, or they get the results, but then the results slip through their fingers. So they went to all that effort to get that result, and yet it hasn't worked out. It's enough to make a person really doubt whether or not magic works.

Yet, so many people do practice magic and do get results, so surely it works. The question is, "Why aren't you getting the results you're shooting for?" And in this article I'm going to share 4 reasons you may not be getting the results you want as well as what actions you can take to remedy that issue.

How is Magic Different from the Law of Attraction?

The other day, a student of mine asked me, "Taylor, what's the difference was between magic and the law of attraction? Why should I practice magic if I can just use the law of attraction in my life?"

It was a good and fair question to ask. Why should someone practice magic, which seems like a lot of work, when they can just adhere to the law of attraction and use that for their life.

July and August Magical Experiments Podcast Episodes

Magical Experiments
Magical Experiments

Did you miss an episode of the magical experiments podcast in July and August? Listen to them.

Magical Experiments podcast: Performance Art and Magic with Hannah Haddix

Magical Experiments podcast: Victor Anderson: an American Shaman with Cornelia Benavidez

Magical Experiments podcast: The Masks of Lucifer with Asenath Mason and Bill Duvendack

Magical Experiments podcast: The pop culture magic of Star Wars with Leni Hester

Magical Experiments podcast:Practical Sales Magic with Dubious Monk

Magical Experiments podcast: The pop culture magic of Zelda with Cloud Jetters

Book Review: The Hidden Adept and the Inward Vision by R. J. Stewart

This is the fascinating story of A. R. Heaver, a little known practitioner of magic and his work with Stillness as well as the western mystery traditions. It's more of a biography and history book than anything else, but there are some interesting esoteric gems in the book and if you have an interest in the Glastonbury well, then this book will have some pertinent history that's worth learning. I do wish the author the author had included some of his own interactions with A. R. Heaver in the book. He only gives a passing mention to them. That said, I've found reading and meditating on some of the material of the book to be helpful with my own meditations on stillness.