Magic

Magic for Experience vs Magic for Results

I’ve been thinking a lot lately about the difference between magic done for the sake of experience and magic done for the sake of results. I don’t think either type of magic necessarily better than the other, but I think the underlying purpose for doing the magical work is significantly different and worth recognizing because it also informs your own motivations for why you’re doing magic.

I’ll admit that a lot of my thought around this topic is driven by my own magical experiences and experiments of late, which have driven more by a desire for the experience than for a specific outcome. Practicing magic for the sake of experience I find is changing my perspective on magic. Before I get into that further though let’s briefly define and clarify what magic for results and magic for experience looks like.

How I use dreams for my creative work

One of the ways I’ve been cultivating my creativity has involved using lucid dreams to discover what I should write about, both for fiction and nonfiction. In order to have lucid dreams I’ve found it helpful to change some of my sleep patterns, just enough so I can remember my dreams and still get enough sleep for my health.

If I get a full night of sleep I usually need 7 hours. When I’m doing dream work, I aim for getting around 6 hours of sleep. I find that if I only sleep 6 hours, I wake up around the time that I’m having vivid dreams and can remember those dreams. If I have a journal on hand, then I can write the dream down.

How to maintain a consistent magical practice

One of the topics that comes up frequently when I talk with other magicians is the challenges they have around doing a consistent practice of magic. They want a consistent practice of magic, they start to do it, but then the consistent practice falls away. They may have done the practice for multiple weeks in a row, but suddenly they stop.

It’s a frustrating experience when you are trying to develop a consistent practice and you’re doing well with it and then suddenly you aren’t. You can feel like a failure, like you aren’t really a magician, because you can’t seem to stick with a practice. And when you feel that way it can discourage you from even trying to practice magic.

How to Ground yourself after doing deep work

Whenever I’ve come home from a festival or a weekend intensive or wrapped up an intense working, I find that one of the challenges I’ve face is how do I come back from that intense experience. After all I’ve stepped away from my mundane life for a period of time and experienced something outside the norm…and now I have to go back.

Chances are that if you’ve practiced magic for any length of time you’ve had this experience too. And the question is how do you come back from that and go back to your normal life? It sometimes feels like culture shock when you try to go back to the regular routines of life because where you were spiritually, mentally, and physically was so different and going back to your regular life is a shock.

How to define and enhance the power source of magical workings

The other day I had someone ask me how you could go about giving more power to a spell or ritual. It's not an unusual question, because of one key word: Power. How do we put more oomph, more power into our magical workings? I think a better question to ask though is do we even need more power in order to get a desired result? Along with that, let's also ask what the best source of power ought to be for what we're doing with our magical workings.

On the surface more power seems like the ideal response. Not getting what you want? Throw more power into it. That'll tip the momentum in your favor. But in my experience brute power rarely does the trick and the reason is because power, in and of itself, isn't enough to get what you want, if you understand what all that power is going to.

Are the 4 quarter Archangels the same as the Guardians of the Watchtowers?

I was recently asked if the Guardians of the watchtowers are the same as Archangels. The reason I was asked is because a lot of Magicians call angels to their circle or the Guardians of the watchtowers. It's a good question to ask, and since I've been doing my own work around the archangels of the quarters, I thought I would answer it.

The short answer is that the Archangels aren't the same as the Guardians of the watchtowers. They are each their own distinctive set of beings. Frater Barrabbas has an excellent book out about this very topic called Spirit Conjuring for Witches: Magical Evocation Simplified (Affiliate link), where he explores this topic in depth.

Why magic for your self isn't always effective

I was asked by someone why magic he was doing for himself was less effective. He told me that that until recently the magic done for himself had worked fine, but that then suddenly became less effective. He wondered if it was because he had put a shield up or if the magic was less effective because it as an attempt to avoid self sabotage. Finally he asked what could be done when your magic seemed less effective.

I don't know the specifics of what he was trying to do with his magical work, but some thoughts did come to mind, based on my own experiences and helping other people diagnose issues they are having with their magical practice. I find that when a person isn't getting a result or their magic is less effective, its usually because they are self-sabotaging in some way. They may not really want what they think they want. Or they may not feel they are worthy of what they want. Additionally there may be some internal resistance because what they want goes against some moral or ethical code.

How to understand magic intellectually and spiritually

The other day on the Magical Experiments Facebook page, a commenter summed up his challenge with magic by sharing, "I'm trying to find an intellectual understanding along with a spiritual understanding of it without losing myself to it."

I think this is a challenge many people experience on their journey with magic as a spiritual practice. We can try to define magic as a set of practical techniques or describe it as a way to exercise our will, but at a certain point, in my experience, you move beyond such definitions when you recognize that magic moves and shapes the practitioner as much as the practitioner seeks to move and shape it.

Sometimes you just have to let go

Recently I binge watched the last season of 12 Monkeys and as a result I had this dream of a time paradox I was trying to solve and every time I thought I solved it, it would change and I would try to solve it again. Finally I came to a point where I realized it couldn't be solved and that the only solution was to let go. Yet it was such a hard decision, because letting go went counter to everything telling me I could solve this time paradox. But the longer I kept trying to solve something the harder it was.

So eventually I let go. I stopped trying to solve the time paradox, the problem, and just moved on. And when I did that, the dream ended. The stress went away. The problem was solved.

How to break your magical workings into steps

When I look at a given magical ritual or working or spell I can break it down into steps. It may not be written that way, but realistically a magic spell or ritual is a set of step by step instructions that you are using for the purposes of doing some type of spiritual work. And when you approach you own magical work that way and organize it into specific steps it can help you get perspective on what you're doing and start seeing the underlying process of magic.

The Process of Magic is now Available

My newest book, The Process of Magic: A Guide to How Magic Works is now available.

The Process of Magic was originally a class I taught I took the 26 lessons, plus some bonus material and converted it into a book.

In The Process of Magic, we explore how magic works and what you can do to improve your magical workings as a result. I also show you how to troubleshoot existing magical workings. The goal of the book is to help you create a stable foundation for your magical practice.

How to turn your Memorization into Ritual

For the last half year I've been memorizing a ritual. What that process has looked like is I would spend a week memorizing the lines for one particular segment of the ritual and making sure I really had those lines memorized. Then I would move on to the next segment. In the midst of this memorization I also ended up modifying the ritual and adding some additional lines of my own, so those also needed to be memorized and integrated into the working. I needed to get a feel for how what I added fit into what already existed.

Memory, Embodiment and Exercise

In the last couple of months I've been memorizing some chants for some work I'm doing with the Elemental Archangels. The purpose of memorizing the chants is to embed and embody specific associations with the archangels and the correspondences that they mediate. By memorizing the chants, I'm not just learning the words, but also developing an understanding of what those words represent and creating and deepening my connection with the archangels.

I find that memorization is a skill that isn't always appreciated in magical work. The idea of memorizing correspondences or chants can seem like a lot of tedious work, from a surface perspective. The value of memorizing chants and correspondences is that its actually a process that allows you to intimately connect and get to know what you are working with.

The Creative Genius as a Spirit

One of the books I'm currently reading, Big Magic: Creative Living Beyond Fear offers an intriguing idea about the nature of creative genius. The author shares that the ideas a person gets and acts on are the result of the genius, but the genius is a spirit working through you.

Kind of like A Genius Locii (a spirit of place), but instead its a spirit of creativity.

I think its an intriguing way to look at one's own sense of genius, because instead of claiming something as you're own, you acknowledge its a gift that's been given to you, an offering that you've been allowed to express (should you take it up). It's an opportunity to be humble and recognize how your creativity is inspired.

Videogames, Emotions and Magic

Lately I've been replaying the God of War series. It's one of those videogame series that I play as a way to process emotions and solve problems. Losing myself in the game and in the character of Kratos and his own issues with rage allows me to come to a meditative space. In that space, each push of the button is mirrored in the meditation and what is presented is a space where the problem can be worked through, while the game is being played. 

How Pop Culture Magic works: A guide in theory and practice

If there's one perception about pop culture magic that stands out to me as being inaccurate, its the idea that people practicing pop culture magic are winging it. It's as if people think that pop culture magic is an undisciplined approach to magic that's really about wish fulfillment as opposed to a genuine magical practice.

Nothing could be further from the truth.

When I started practicing pop culture magic, I knew that in order to make it work, I needed to draw on my previous experiences with magic. In fact, I wouldn't recommend pop culture magic to someone who didn't have at least a couple of years experience with magic under their belt, because you need that experience to make sure that what you're doing actually works and isn't wish fulfillment on your part.

How I became a Practical Magic Minimalist...

At one time, whenever I would do a practical magic working, I had to break out the bling...

You know the fancy tools, the smelly incense and candles, and all the other stuff we're told we need to have in order to do practical magic (and other types of magic for that matter). 

And don't get me wrong, those fancy tools, incenses, and candles could be a lot of fun to use. They can really set the tone of a ritual, create an atmosphere and experience that whisks you from mundane reality and opens you to the sacred mysteries of the universe.

But as I continued doing practical magic, I began to wonder if there was an easier, better way of doing practical magic, without all the bling and other stuff.

And as it turned out, there was.

How Magic Works: A guide in theory and practice

If there's one problem that stands out to me about how Magic is taught or explained, its that people rarely take the time to really explore how magic works.

Yet's what really worse is the lack of curiosity in exploring how magic works. Instead we're told, "Don't worry about how or why magic works. Just do it." 

What frustrating advice!

How can you just do magic, if you don't understand what you're doing or why you're doing it? What's being taught is basically push button magic. You push the button and you hope something happens.

That's not an effective way to practice magic and it doesn't empower anyone when they are told to just do something. Additionally, it makes it very hard to personalize magic or experiment with it. 

4 Reasons you aren't getting the results you want

One of the frequent issues I notice magicians experience is they don't always get the results they want, or they get the results, but then the results slip through their fingers. So they went to all that effort to get that result, and yet it hasn't worked out. It's enough to make a person really doubt whether or not magic works.

Yet, so many people do practice magic and do get results, so surely it works. The question is, "Why aren't you getting the results you're shooting for?" And in this article I'm going to share 4 reasons you may not be getting the results you want as well as what actions you can take to remedy that issue.